Video of the Week: Huggy Bear New Year

30 12 2009

Sorry if this makes your eyeballs hurt, but in the party spirit of New Year’s, here’s an insane video of my favorite band and song of the Riot Grrrl era: Huggy Bear’s “Her Jazz”… It’s from the ’90s UK TV show The Word — a show for “young adults” made by “young adults”, etc. I’m pretty sure that’s Amelia from Heavenly singing backups there… Happy New Decade! Now fuck shit up.

Bonus: Nozin’ Aroun’

December 30th, 2009 by Paul


Monday Photo Blog: Sevastopol calling!

28 12 2009

This week we have a few shots from Egor, MRR photo correspondent in Sevastopol, Ukraine. The first two pics are of his band, Tötentanz. He also sent a photo of Nihilistic Alert.

Totentanz, Sevastopol, Ukraine (photo care of Egor)

Totentanz, Sevastopol, Ukraine (photo care of Egor)

Nihilistic Alert, Sevastopol, Ukraine (photo by Egor)

Thanks Egor!

Wanna submit a photo for the MRR Photo Blog?

If you shoot shows and have photos you want to submit for the MRR Blog, send them to: photoblog {at} maximumrocknroll(.)com. Be sure to put “MRR Photo Blog” in the subject. Include your name, the band, where and when it was shot. Just send your best photos – edit tightly*. Three to five photos is plenty. We will be exercising a little quality control here…not everything sent in will be posted. Please size your photos so they are 500 pixels (72 dpi) at the longest side.

There are a lot of awesome photographers out there shooting shows…and there are a lot of unseen archives of old shows. Show us what you’ve got!

*And thanks, but no, we do not want to wade through your website or Flickr account to pick our favorites.

December 28th, 2009 by icki


If you want a picture of the future…

27 12 2009

To coincide with the 25th anniversary reissue of Maximum Rocknroll Presents: Welcome to 1984 on vinyl, we asked our resident ’80s hardcore expert Felix Von Havoc to write a little something about this legendary comp. CLICK HERE for info on ordering the limited colored vinyl version. Now, over to you, Felix…

1984front-PC-wBorder-sm

It’s hard for me to believe that it’s been 25 years since this LP was originally released. Yet here I am at 40, still super excited about a record which blew me away at age 15. 1984 was a sinister and prophetic year for a generation that grew up in the shadow of the Cold War and was weaned on the dystopian visions of George Orwell and Aldous Huxley. Jeff Bale’s original liner notes point out the role of the elite in manipulating public opinion, and suppressing dissent is often manifested in the ideological and psychological sphere, rather than by brute force. Fast forward 25 years and we can see that Orwell’s vision of a futuristic Stalinist police state was crude, but his warning about the manipulation of thought and twisting of the truth was remarkably prescient.

The original punk movement of the late ’70s was shocking, loud, obnoxious and a break from the conformist malaise of that decade. As the bleak economic realities of the ’80s dawned, the radical right and corporate interests launched the Thatcher/Reagan “Capitalist Revolution” that was to result in great economic and social dislocation. As society swung to the right and embraced more conservative views, the slightly absurd and theatrical elements of ’70s punk were jettisoned for music of pure protest, energy and outrage: Hardcore! Maximum Rock n Roll was the international voice of this new movement, one that embraced radical social change and fast, powerful blasts of raw thrashing punk that made the bands of the ’70s seem tame and restrained.

It’s long been my opinion the Welcome to 1984 is the best compilation LP of all time. While it lacks the regional focus of runners up such as Flex Your Head or This Is Boston, Not LA, it documents not a local scene, but a worldwide movement. This movement was spreading, a virus of resistance to the conformity of the era that has continued to spread to the corners of the globe. The bands and songs selected by the MRR staff gave an impressive overview of this new and radical movement. 23 bands from 17 countries, this diverse assemblage all shared a power and urgency that truly captured the spirit of the times and the energy of the movement. When I bought this record at age 15 I was barely aware of punk outside my hometown and the UK. Reading MRR and blasting this record over and over opened up my eyes to the international hardcore movement and exposed me to many bands that have become life long favorites. There are some truly epic moments on this record, the bass intro to BGK’s “Computer Control,” the sing-along chorus of Kidnap’s “No SS,” and most importantly, the raw screams of Raw Power’s anthem “Fuck Authority.” When I first heard this record I knew I had found what I was looking for.

As the Cold War ended and the War on Terror began, the elite found a rationale to extend their manipulation of public opinion and ideological control. While the hardcore subculture has endured, and spread, many complain that it has lost much of the energy and urgency of the early days. A spin of this record is a shot of this energy, pure and unadulterated.

—Felix Von Havoc, December 2009

December 27th, 2009 by MRR Web Coordinator


Merry Crassmas, from MRR

25 12 2009
christwithcarrierbags

Jesus died for his own presents, not mine.

Reality Asylum

December 25th, 2009 by Paul


New Band Spotlight: Slave Scene

21 12 2009

SlavesceneSLAVE SCENE rules, and have been getting some attention due to their coming out of the CULT RITUAL camp, but are a force to be reckoned with on their own as well. Their Heaven Only Knows demo completely knocked me on my ass, conjuring up images of these maladjusted Tampa rejects bringing chainsaws to a Vice sponsored PISSED JEANS or NO AGE show in Williamsburg or some shit, and going to town on all the hip posers getting down to the false, sanitized “abrasive” in-sound.  The meek shall reign on earth, indeed.  Anywho, after that demo and at least a couple of others, they have just released their first 7″ on Fan Death Records.

For those of you on the East Coast, they’re hitting the road with NAZI DUST in just a few days: Evidently, I live on the wrong fucking coast.

SLAVE SCENE/NAZI DUST “Slave to the Dust” Tour 2009/2010
December
27 – Orlando @ Stardust w/ LLLR, MY LEFT UTERUS, HORRID CROSS
28 – Gainesville @ 911 Depot w/ POST TEENS
29 – Atlanta @ Eyedrum w/ FAILURES, AEROSOLS, SALVATION
30 – Baltimore @ Hexagon w/ NEEDLE GUN, LOTUS FUCKER
31 – Philadelphia @ Terrordome / LEATHER
January
1 – New Brunswick @ ASK SOMEBODY w/ TROUBLEMAKER, THE MEN
2 -  NYC @ Stolen Sleeves w/ NOMOS, LOTUS FUCKER, POLLUTION
4 – Providence @ Mars Gas w/ SHV
5 -  Boston @ House 11 w/ VACCINE, FAILURES
6 – Amherst @ TBA w/ FAILURES, SQRM
7 – Pittsburgh @ Helter Shelter w/ THRAK, VIRGIN BIRTH, VILE GASH
8 – Columbus @ Legion of Doom w/ VILE GASH, HUMAN BOYS, VIRGIN BIRTH
9 – Nashville @ Little Hamilton w/ MY LEFT UTERUS, FROSTY, BRAINWRECK
10 – Tampa @ Heinrich’s Workshop w/ BRAIN KILLER, SCAPEGOAT

For all things SLAVE SCENE and otherwise Cult Maternal: cultmaternal.blogspot.com

December 21st, 2009 by Dan


Monday Photo Blog: Thee Ooooooh Seeeeeees

20 12 2009
Thee Oh Sees at GonerFest 6, Hi Tone Cafe, Memphis, TN (photo by Kandi Cook)

Thee Oh Sees at GonerFest 6, Hi Tone Cafe, Memphis, TN (photo by Kandi Cook)

Wanna submit a photo for the MRR Photo Blog?

If you shoot shows and have photos you want to submit for the MRR Blog, send them to: photoblog {at} maximumrocknroll(.)com. Be sure to put “MRR Photo Blog” in the subject. Include your name, the band, where and when it was shot. Just send your best photos – edit tightly*. Three to five photos is plenty. We will be exercising a little quality control here…not everything sent in will be posted. Please size your photos so they are 500 pixels (72 dpi) at the longest side.

There are a lot of awesome photographers out there shooting shows…and there are a lot of unseen archives of old shows. Show us what you’ve got!

*And thanks, but no, we do not want to wade through your website or Flickr account to pick our favorites.

December 20th, 2009 by icki


One Decade of Movies

17 12 2009

You’ll have to buy the magazine to see everyone’s top ten records of the decade, but here, free of charge, is MRR movie reviewer Steve Spinanli’s Best Movies of the Decade list from this month’s issue (#320, January 2010). You’re welcome!

One Decade of Movies
By Steve Spinali

Spinali_headerIt seems half the world is paved with “Top Ten” lists, but even in spite of this, they’re awfully hard to resist. But with MRR movies, things are a little more complicated.

The ideal, of course, would be to concentrate on punk movies. The reality is that there aren’t that many punk movies, and the ones that are left aren’t necessarily good. Occasionally, features will include the likes of the Ramones or Pistols, but it seems that punk is still underground in a lot of ways. To help make up for the dearth of ace material, documentaries can be a great help. They’re comparatively low budget, under-promoted, and (at their best) complement the issues MRR fans generally find interesting. As a last resort, there are always lots of good foreign films to choose from. In making a Best of Decade list, then, it’s not so much an issue of hauling out the very best features; there are too many of those lists already. My idea of a good Top Ten would include great films that you may not have been turned on to yet. And if you haven’t, look no further.

In the first category, comprised of punk-oriented films, two documentaries stand above the rest. Jim Fields and Michael Gramaglia directed The End of the Century (2003)— unquestionably the definitive document on the history of the Ramones; it includes funny and revealing moments from their early live gigs in New York, giving you a feeling for how emotionally explosive one of their gigs could be. Joey is no longer with us, of course, but after watching this film, we begin to appreciate the painful, real-life “daytime dilemma” that tore apart his personal life. The End of the Century is by no means a definitive or complete biography of punk’s greatest band, but you can’t help but understand their personalities more intimately after you look past their public image.

Read the rest of this entry »

December 17th, 2009 by MRR Web Coordinator


New Band Spotlight: Nails

16 12 2009

Encountered in a dingy basement in the famous Köpi squat in Berlin this summer, NAILS blew everyone away with their great, driving, mid-tempo hardcore, and the spastic energy of their singer Marc (formerly of Bombenalarm). I was hoping to see a record, or at least demo by now, but no such luck. Are these guys still around? Someone let us know!

Here’s a video from a different gig earlier this year…

December 16th, 2009 by Paul


Monday Photo Blog: DAITRO!

14 12 2009
Daitro at La Jarry, Paris, France. April 2007 (photo by Gilles Baro)

Daitro at La Jarry, Paris, France. April 2007 (photo by Gilles Baro)

Wanna submit a photo for the MRR Photo Blog?

If you shoot shows and have photos you want to submit for the MRR Blog, send them to: photoblog {at} maximumrocknroll(.)com. Be sure to put “MRR Photo Blog” in the subject. Include your name, the band, where and when it was shot. Just send your best photos – edit tightly*. Three to five photos is plenty. We will be exercising a little quality control here…not everything sent in will be posted. Please size your photos so they are 500 pixels (72 dpi) at the longest side.

There are a lot of awesome photographers out there shooting shows…and there are a lot of unseen archives of old shows. Show us what you’ve got!

*And thanks, but no, we do not want to wade through your website or Flickr account to pick our favorites.

December 14th, 2009 by icki


From the Vaults: Eucharist

10 12 2009

eucharist_lpRichmond, VA’s EUCHARIST released this 12″ on Mountain Records in 1996. I was inspired to pull it out because a friend’s band was reviewed in MRR a while back and his vocals were compared to Eucharist. When I talked to him later, he said he was bummed because he figured they were an emo band (a la Saetia, maybe?) since their record was released on Mountain in the ’90s. Maybe this post will change his mind.

Eucharist played crushing hardcore with influences from some of the best late-’80s/early-’90s US hardcore bands. I can hear traces of Infest, Citizens Arrest, Born Against, Rorschach, Crossed Out, etc. Besides this 12″, they had a few tracks on the Nothing’s Quiet on the Eastern Front compilation LP (alongside Devoid of Faith, Assfactor 4, Dropdead, Monster X, and more), the Vida Life comp (on Lengua Armada), and the, uh, Double Dose of Dicks 2×7″ comp. Their guitarist Mark Telfian would go on to play in the band Hail Mary and was the original guitarist of Limp Wrist. He also did the label Paralogy Records.

Listen to the 12″ here:

1. Plague
2. Born in a Mess
3. Exit
4. Promised
5. Splintered
6. Spoon Fed
7. Fangs
8. Praying for Failure
9. Body and Blood
10. Frozen Minds
11. You’ve Been Had
12. Sensory Deprivation
13. Invincible
14. Fooled Again

As a side note, Mountain was a pretty diverse label, releasing stuff by Halfman, Seein Red, Iceburn, Atom & His Package, and comps with Totalitär, Antiproduct, Submission Hold, In/Humanity, and Balance of Terror. I was a regular volunteer there for a couple years in the early 2000s. Chris Jensen: if you read this, I hope you’re doing well!

December 10th, 2009 by Hubbs