New Band Spotlight: Arctic Flowers

27 01 2010

Portland’s ARCTIC FLOWERS may be important to some folks based purely on pedigree. And yes, the skill and experience of guitarist Stan (ex-Signal Lost) and drummer Mike (of a million-and-one great bands, including, currently, Defect Defect) definitely shines through in this band. But the other half of the group, newcomers Lee and Alex, on bass and vocals respectively, land the knockout punch with killer, dark, melodic vocals — just the way I like ‘em — and a solid as fuck rhythm section.

Arctic Flowers’ sound is unabashedly UK anarcho, but not in a way that sounds derivative and hackneyed. The songs sound tough as fuck, and don’t delve into cliché, as this genre so often did in its golden age. Isn’t that the best we can ask from a modern age punk  band — take what we know and love, make it your own, and do it well? If we were giving grades, Arctic Flowers would be at the front of the curve.

Arctic Flowers, as seen in the MRR Photo Issue (photo by Paul Curran)

And for your listening pleasure, here’s their 4-song demo!

Arctic Flowers – “Slouching Towards Bethlehem” MP3
Arctic Flowers – “Neon Tombs”
MP3
Arctic Flowers – “Blue Heelers”
MP3
Arctic Flowers – “Technicolor Haze”
MP3

You can contact the band at arcticflowerspdx {at} gmail(.)com

January 27th, 2010 by Paul


Monday Photo Blog: Four from Philly!

25 01 2010

Today we have four hot photos from Diana Lee Z in Philadelphia:

Attentat at the International Waters House, Philadelphia, 2009 (photo by Dianalee Zadlo)

Attentat at the International Waters House, Philadelphia, 2009 (photo by Diana Lee Zadlo)

Vulcan at Disgraceland, Philadelphia, Sept. 1, 2008

Vulcan at Disgraceland, Philadelphia, Sept. 1, 2008 (photo by Diana Lee Zadlo)

The Holy Mountain (photo by Dianalee Zadlo)

The Holy Mountain at the Bread Box, Philadelphia, Oct. 2006 (photo by Diana Lee Zadlo)

Cannabis Corpse (photo by Dianalee Zadlo)

Cannabis Corpse at the Where House, Philadelphia, 2009 (photo by Diana Lee Zadlo)

Wanna submit a photo for the MRR Photo Blog?

If you shoot shows and have photos you want to submit for the MRR Blog, send them to: photoblog {at} maximumrocknroll(.)com. Be sure to put “MRR Photo Blog” in the subject. Include your name, the band, where and when it was shot. Just send your best photos – edit tightly. Three to five photos is plenty. We will be exercising a little quality control here…not everything sent in will be posted. Please size your photos so they are 500 pixels (72 dpi) at the longest side.

There are a lot of awesome photographers out there shooting shows…and there are a lot of unseen archives of old shows. Show us what you’ve got!

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Stay tuned for news about the upcoming MRR Photo Issue photo show at Needles & Pens in San Francisco. The opening will be February 12th. Mark your calendars!!!

January 25th, 2010 by icki


From the Vaults: Mega City Four

21 01 2010

No particular reason why I chose this 1988 single from the UK’s Mega City Four for this weeks’ From The Vaults post, aside from the fact that it’s a great melodic punk record — and while not necessarily obscure, the band might be unknown to some readers of MRR. In fact, I’m not all that familiar with the Mega City Four myself. I do know this is their first proper release, and there were a lot more to follow; from what I’ve heard of their later stuff, it’s even more in a pop direction.

Anyway, Miles Apart/Running in Darkness is a very cool little single, and any fan of late-’80s melodic punk bands from the UK should give it a listen. To my ears, it’s got more of a Stiff Little Fingers feel than, say, Leatherface, who were heavily influenced by Hüsker Dü. But what do I know? Check it out for yourself:

1. Miles Apart
2. Running in Darkness

Sadly, frontman Darren “Wiz” Brown passed away in 2006. Here’s a link to an unofficial (but very comprehensive) Mega City Four webpage: www.megacityfour.co.uk

January 21st, 2010 by Hubbs


Video of the Week: Masshysteri

20 01 2010

It’s great when it’s hard to explain why a band is so awesome. It means something new and larger than words is at work in their music. Umeå, Sweden’s MASSHYSTERI is that awesome. The elements are easy enough to lay out. There are the surf-drenched guitars, the complementary lady/dude vocals and the rock ‘n’ roll frenzy of X, some of what has been brewing in Denmark and Sweden over the last decade with bands like GORILLA ANGREB, and NO HOPE FOR THE KIDS, and the ashes from which this band sprang: THE VICIOUS. But there is something more than that here too. It’s tuneful hooks that grab you and drag you into bleak and feral songs that threaten to pull you in two once you’ve been snared. It’s simultaneously melancholy, frantic, and joyfully danceable. It’s something wild and new and wholly it’s own.

For a taste, here’s a video for one of their iconic songs, “Tvivel,” that is totally simple in concept, but spellbinding to watch. What would it look like to undo the damage of war, to rewind, unbomb, unkill? Plus, how many punk bands actually have concept music videos, not just blown-out YouTube clips?

January 20th, 2010 by Ariel Awesome


New Band Spotlight: Necro Hippies

19 01 2010

I’m not exactly sure how long this killer New Orleans band has been around, but NECRO HIPPIES caught my attention with their LP that I reviewed in the current MRR (#321), before I remembered that I had also given their demo a great review a month or two earlier. Here’s the LP review:

The music and artwork here look and sound “authentic” as all shit, and I seriously thought NECRO HIPPIES were some lost early ’80s band until I looked at the recording date. This is music for another Saturday night spent drunk and alone in the basement of your shitty brownstone as it pours buckets outside: semi-snotty, thin-sounding vocals remind me of a more inept Otto from REGULATIONS, screaming and slurring over mostly mid-paced thick and dreary riffs, and stompy drums. This is also one of those bands that are able to come up with the simplest of riffs that still make you clench your fists. Put this record’s opener on your next mix tape.

Sounds, pictures, and more at the Necro Hippies MySpace page, where you can also the dates they’re looking to fill on their upcoming West Coast/Southwest tour, May 10th-21st, 210. Check it out and get in touch with them if you’re down to set something up!

January 19th, 2010 by Dan


Monday Photo Blog: Mixed Bag

18 01 2010

Playing a bit of catch-up today on the Photo Blog…three photos that were sent in a little while ago.

Hatred Surge at The Charleston, Brooklyn, July 2009 (photo by Justina Villanueva)

Hatred Surge at The Charleston in Brooklyn, July 2009 (photo by Justina Villanueva)

Moritz from Derby Dolls doing some kind of voodoo. Oschatz, Germany 28 Nov 2009 (photo by Biene)

Moritz from Derby Dolls doing some kind of voodoo. Oschatz, Germany 28 Nov 2009 (photo by Biene)

Seditius (photo by Paolo Proserpio)

Seditius (photo by Paolo Proserpio)

Wanna submit a photo for the MRR Photo Blog?

If you shoot shows and have photos you want to submit for the MRR Blog, send them to: photoblog {at} maximumrocknroll(.)com. Be sure to put “MRR Photo Blog” in the subject. Include your name, the band, where and when it was shot. Just send your best photos – edit tightly. Three to five photos is plenty. We will be exercising a little quality control here…not everything sent in will be posted. Please size your photos so they are 500 pixels (72 dpi) at the longest side.

There are a lot of awesome photographers out there shooting shows…and there are a lot of unseen archives of old shows. Show us what you’ve got!

January 18th, 2010 by icki


We Are the Lamb

17 01 2010

In honor of the recent reissue of The Brat‘s classic song, “The Wolf,” as a limited edition single on Timmy Hefner’s 540 Records, here is the feature on the band from the February 1982 issue of Low Rider magazine. (“The Wolf” was originally only available on the Rhino’s 1983 East LA comp LP, Los Angelinos: The Eastside Renaissance). I had only ever seen the cover of this Low Rider issue before, so thanks to Dave Hyde for posting the whole damn thing! Pretty incredible… I gotta hear the song “Misogyny” now! When is that Brat discography ever comin’ out??

[Click on the pages below to see them at full, readable size.]

January 17th, 2010 by Layla


From the Vaults (literally!): CONVULSIONS vs. Satan’s Slaves

14 01 2010

Thanks to Phil of Bradford, UK’s CONVULSIONS for sending in the great story below, along with 9 songs for us to enjoy! “Electro Convulsive Therapy” and “Hatred Controls,” along with three other studio tracks and four live numbers. Phil talked down the quality of the live tunes, but personally I think they are fkkn brilliant, especially as delivered by a crew of 16 year olds who hadn’t the slightest clue what they were doing! CONVULSIONS are truly one of my favorite unsung ’80s UK bands. —Robert

SUBHUMANS, THE INSTIGATORS, CONVULSIONS — Vaults Bar, Bradford, May 15th, 1983…

On Saturday 14th May, the Subhumans had played a gig at the Palm Cove Club in Bradford with The Instigators also on the bill. During the evening it was announced that there would be a second gig the following evening to help the Subhumans pay for some repair work to their van. As we were in the crowd, we approached the promoter, Nick Toczek, and blagged our way onto the bill, which was now Subhumans, Instigators, and Convulsions. Venue for the gig: The Vaults Bar. Shit!!!!

Bradford was, and still is, home to a motorcycle gang called the Satan’s Slaves. These guys are full patch-wearing 1%er outlaw bikers in the same vein as the Hell’s Angels, Mongols, Bandidos etc. They are an organised club with full members, prospects, hangers on, and all the rest of the outlaw biker trappings, with violence being high on the agenda. Very heavy dudes. The headquarters of the club was… The Vaults Bar!!

You could walk past this place (if you were dumb enough) any night of the week and pass rows of choppers parked on the pavement, with the odd prospect standing guard outside, glaring at anyone who dared look their way. It was a definite no-go area. To attempt to put on a punk gig there was a total no brainer, but fuck it, we were on the same bill as our heroes the Subhumans.

So we arrive at the venue early — around 6:30 to load our gear in before the Satan’s Slaves arrive. First job was to move all the tables and chairs from in front of the stage to make a dance floor for the punks to enjoy the music. Bad move, we found out later, as there is a definite hierarchy within the Slaves. Big cheeses have their own tables in front of the stage. Not tonight fellas. So, we set up the amps and drums; PA guy arrives and sets up. Subhumans and Instigators arrive and wonder why we look nervous. I don’t remember how much we told them, as they weren’t from our town so we probably took the “ignorance is bliss” approach. Around 7:30 the Slaves begin to arrive with their leader at the front. He was a mean looking dude called “Les C” (left out his full name) with a shaved head and a hook where his right hand once was (!—web ed.). I guess the other bands were beginning to realise that these guys weren’t here for the music, and they’re not happy with the rearranged seating. We decide to get up and play, as we were first on the bill. First few songs went down okay with the (very) few punters (fools?) who’d braved the venue, although the Slaves seemed unimpressed as they glared out of the shadows… Tune number five in the set: “System’s Slaves,” with the chorus, “We don’t wanna be systems slaves.” Stan decides to change the chorus to “We don’t wanna be Satan’s Slaves” without telling anyone. I remember giving him a sort of “Oh, fuck” glance and then ducking out of the way of the first of many beer bottles to come flying our way. I think we did pretty well, and none of us actually suffered a direct hit, although we were showered with broken glass. We raced through the rest of the set and jumped off stage to mingle in with the punters. You have to realise that the bikers were all in their 20’s, 30’s and 40’s. We were all 16, so we can be excused for our non-confrontational (cowardly) behaviour?

Next up: Instigators. Not many upfront of the stage (can’t blame them), followed by Subhumans. Think a few of us braved the pit for the Subhumans (our heroes) set.

Anyway, the end of the night approaches and word goes around that the Slaves are waiting outside and are gonna kick our asses. We decided to go down in style, so about 20 of us who were left got into a bunch and armed with guitars, amps and drums for weapons charged out making a lot of noise straight into an armed gang of… nobody!! The bikers had simply roared off into the night, much to our relief.

We had many run-ins over the years with trendies, football fans, and lesser gangs of bikers, but this was the most memorable. Being a punk in the UK in the ’80s made you Public Enemy Number 1 to all the dickheads in town.

This all happened 27 years ago, so may not be 100% accurate, but it’s how I remember it. Happy days!!

—Phil

Thanks again, Phil! Here are the track he sent in, and you can read and hear more, including Convulsions’ Electro Convulsive Therapy demo, at Terminal Escape.

Convulsions – “Coming Your Way Soon” MP3
Convulsions – “Electro Convulsive Therapy” (v.2)
Convulsions – “Hatred Controls” (v.2) MP3
Convulsions – “You’re Nobody” MP3
Convulsions – “Media Punx” MP3
Convulsions – “In Command” (live) MP3
Convulsions – “Hassled Youth” (live) MP3
Convulsions – “Freedom of Speech” (live) MP3
Convulsions – “Belfast in Bradford” (live) MP3

And the post wouldn’t be complete without…

Convulsions – “System’s Slave” MP3

January 14th, 2010 by Robert


Monday Photo Blog: Will Kinser kills it!

11 01 2010

As you can see from the last post, the MRR photo issue is finally out! Fuck yeah!

Another hearty thanks to everyone who sent in photos, to the people who sent in interviews and those who helped with the bibliography of punk photo books. Extra big thanks to Will Kinser who offered some long distance help from Germany, coming through not only with two interviews, but he sent in an awesome batch of photos too. Here are a few of ‘em:

Abrupt (photo by Will Kinzer)

Abrupt (photo by Will Kinser)

Peligro Social (photo by Will Kinser)

Peligro Social (photo by Will Kinser)

Skit Kids (photo by Will Kinzer)

Skitkids (photo by Will Kinser)

Death Charge (photo by Will Kinzer)

Deathcharge (photo by Will Kinser)

I wanna clear a small point of confusion — I had mentioned a silk-screened cover version of the photo issue being available for subscribers. Due to various technical difficulties, it didn’t happen. The photo issue is available directly from MRR or anywhere that usually carries Maximum.

In the (near) future, check out MRR for interviews with some great punk photographers from the past, including Ed Colver, James Stark, and lots more.

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Wanna submit a photo for the MRR Photo Blog?

If you shoot shows and have photos you want to submit for the MRR Blog, send them to: photoblog {at} maximumrocknroll(.)com. Be sure to put “MRR Photo Blog” in the subject. Include your name, the band, where and when it was shot. Just send your best photos – edit tightly. Three to five photos is plenty. We will be exercising a little quality control here…not everything sent in will be posted. Please size your photos so they are 500 pixels (72 dpi) at the longest side.

There are a lot of awesome photographers out there shooting shows…and there are a lot of unseen archives of old shows. Show us what you’ve got!

January 11th, 2010 by icki


MAXIMUMROCKNROLL #321 • February 2010

10 01 2010

SORRY — THIS ISSUE IS SOLD OUT.

Maximum Rocknroll rings in the New Year with a special photo issue. Featuring contributions from over 75 photographers, issue #321 is chock-a-block with killer punk photos from around the world. It includes an Aaron Cometbus/Anna Brown interview with longtime MRR contributor Murray Bowles (If Life Is a Bowl of Cherries…). We talk with Helge Schreiber, compiler of the last MRR photo issue, Welcome to Cruise Country (1987), and we also interview 924 Gilman St.’s house photographer Larry Wolfley. Brazilian photographers and editors of Fodido E Xerocado, Mateus Mondini and Daigo Oliva go head-to-head, Karoline Collins and Chrissy Piper interview each other, and Patrick Baclet talks about publishing his photobook, Out of Vogue. Token garage punk photographers Mark “icki” Murrmann and Chris “Canderson” Anderson get grilled. This special photo issue also includes an extensive, illustrated bibliography of punk photo books. But really the focus is on the photos. Lots and lots of photos. All this plus the usual columns, news and the most extensive review section in punk. (Cover shot of Spain’s INVASION by Mateus Mondini)

SORRY — THIS ISSUE IS SOLD OUT.

January 10th, 2010 by MRR Web Coordinator