She’s Over It

16 04 2011

by Brontez Purnell from this month’s MRR magazine

To what extent do you get involved and to what extent do just let shit go? My mind instantly flashes to about a million scenarios: Rodney King, Oscar Grant, the Richmond gang rape case, etc. (There’s about a million and one I’m not naming.) Here were situations where to a certain extent it was about crowd participation. With Rodney and Oscar it was both political and definitive to whoever decided to press “record” on the video camera and show the world what cops can get away with, and in the Richmond case it was a nightmarish realization that we live in a world where people can be cavalier in the face of the unthinkable. There is this mode of human thinking where people always want to hang back in a crowd — like the craziest shit can be happening, but the mode of thinking always seems to be, “This isn’t my problem. If no one else is reacting I’m not gonna react.” This is how horrible shit happens, seriously. But there is something to be said for maybe making more “passive” actions to protest someone being fucked with — like maybe calling the cops from your cell phone. It’s all very case-by-case but I’m always wondering if that could be enough. Obviously, and unfortunately, sometimes it has to be.

Long story short, my step-father was a pretty violent man. Really violent. There’s no need to go into all of it. As a child growing up in this situation I saw things go on in my house that made me feel like I was cursed by God, and was being fucked with specifically, but the second I ran away from home and talked to other punks I began to see the common thread of our existence. You grow up in some shitty Mid-American hell hole. your dad is violent but he makes waaay more money than your mom, so all his bullshit gets to hang out. (Thanks, Patriarchy!) You grow up feeling inferior, fucked with, and with a chip on your shoulder, and the more you take in about the reality around you the chip gets bigger and bigger. One day I learned that I needn’t cry over this (or cry more?) ’cause I can think of about 100 different people where this skeletal framework was happening in their homes too — shaping us. I remember growing up wanting access to guns and money (i.e., “safety”) even though guns kinda scared me and money was (and is still) very elusive. The thing about punks/freaks in general is that we were the first to realize that things were terribly wrong. We had all, through very hard means, got the “cosmic clue” the world was handing us (i.e., shit is fuuuuuuuuked up, girl — better pick a battle stategy now!). Or, rather, some of us did. It’s still funny how, even in the punk bubble, how many “well-adjusted” people walk among us. I can’t begin to explain how many ex-friends, -bandmates, -roomates, etc., who, even after they’ve known me for most of my life and my continuing struggle, still had the gall to ask, “Why are you so angry?” …But I digress…

I remember my family was sitting at Wendy’s eating when a fight erupted between my mom and step-dad. Something that started stupid (as always) and was going to end violently (as usual). I was holding my little sister waiting for something horrible to happen (I always had this inner anxiety that they would kill each other) when, for one of the only times I can remember, help came. There was this big white body-builder lady eating with her daughter at a table behind us. They continued to fight outside and the woman intervened. She pulled out a cell phone, (which I remember thinking was weird — it was about a good twelve years before the cell “boom”) and offered to stay with us till the cops came. I remember being in such a weird headspace. My step-dad had gotten away with so much for so long that I don’t think it ever really occurred to me that me and mom and sister were worth protecting. Sad. I do feel inclined to comment again on race and class here. My aunts and uncles stayed away from my parents’ violent relationship. It was so frequent I don’t really blame them, but also we lived in “the Fields” (where cotton was grown) and the relationship to the cops was dismal. Every dispute where they got called, they would come ask some questions, do nothing, and the cycle would continue. Now, my step-dad was pretty bold. If any of my aunts called the cops on him he would’ve fucked with them too, but there was NO WAY he was gonna fuck with a white lady. In Alabama?!?!?!?!?!!? Oh please… and she was a body builder?!?!?!!? (which is funny ’cause he was on the short side). Even with the sheer tragedy of this story, I cant help but laugh my ass off at these factors. I remembered it ’cause it was on of the few times I can recall a stranger coming to the rescue.

It was a couple of weeks ago and I was on BART when this huge guy started fucking with his female companion. It was not something you could ignore ’cause he was yelling. I remember it was me and this hippie boy who kept looking at each other like, “Should we check this fool?” Everyone else was ignoring it. He grabbed her hard and I saw the hippie boy jump up — I’ve hated on hippies in the past but I was glad to see that motherfucker. I jumped up with him. Now I am not a tough person. I have intense anxiety in physical situations, I stop short and have been too scared to fight back more times than I like to admit, but I knew despite all that that this was the one day in my life I wasn’t having that shit. The hippie boy (who was actually kind of cute, now that I think about it) sat to seat adjacently and I just asked the guy, “Why are you yelling at this woman? Is everything okay?” That pissed him off plenty and he started yelling at me (whiskey shot in hand — he seemed blacked out). He was about 50 lbs more muscle than me, and taller, and I kept saying this prayer over in my head: “He may hit me once but I’ll fuck him up with my bike lock (3x).” Before thought could turn to action, we pulled up to 12th St and a cop walked on the car and up to us and I remember it being one of the few precious times I was actually happy to see a cop.


April 16th, 2011 by MRR Web Coordinator


Record and Video of the Week:
SOMETHING FIERCE

13 04 2011

There are some people in our little microcosm of punk rock who manage to transcend genres. They are people who in any other world would be shuffling on everyone’s iTunes, playing on car ads. The likes of Mark Ryan (Marked Men, Mind Spiders), or Jay Reatard — people with an ear for a song, who can’t help but create and always walk a few steps ahead of the rest of us. I would put SOMETHING FIERCE’s Steven Garcia in the same boat. The guy knows how to write a song. His band’s first record was a slap around the chops with buzzsaw guitars, hooks and melodies.

The band’s new LP, Don’t Be So Cruel, moves into totally new waters. More reflective, kinda like a more punk Elvis Costello. Straight away you realize that the commonality between the two is the genius songwriting. Each song stands alone, yet works as part of a whole — the guy knows how to write a cathy song, but also how to make an album. I don’t want to take anything away from bass player Nikki or drummer Andrew because it is they that keep the band locked in. They came from Houston and played a dreary Tuesday night in town and gave it 100%. This a real band, you know? The kind that just wants to play. Hell, has to play. They rehearse, they get it right, and then, no matter who is in the crowd, five people, 500 people, they win them over. They still have a bunch more dates on the tour, so go see them… and if you can’t you can’t do that, pick up the LPs. It ain’t the last you’ve heard of these cats…

4/14 – Redding, CA – Bombay’s
4/15 – Portland, OR – The Saratoga
4/16 – Seattle, WA – Funhouse
4/17 – Vancouver, BC, Canada – Malone’s Bar & Grill
4/18 – Boise, ID – Liquid Lounge
4/20 – Albuquerque, NM – Blackbird Duvette
4/21 – Denton, TX – TBA
4/22 – College Station, TX – Revolution Cafe


April 13th, 2011 by Tim Brooks


Wow, what a show! Deskonocidos/ Criaturas/Mundo Muerto* in Long Beach 4/8/11

12 04 2011

* L.A.’s RAYOS X and POLISKITZO also played this show but we showed up too late to catch them. Punk Time is hard to gauge in this part of the state, so you don’t know whether to show up an hour after the flyer’s start time or, like, 3 hours… Well, we guessed wrong and I’m a little bummed because these are two of my favorite L.A. bands — and with competition like Tuberculosis, Mata Mata, and a bunch of great San Pedro bands, that’s saying a lot. I did manage to pick up a new demo from Poliskitzo at this show, and it’s fantastic — really catchy and a lot more polished (in a good way) than the last one. I blogged about them before and they’ve gotten even better since then. A vinyl release would be nice to see… okay, guys? Anyway, on to the show!

Mundo Muerto (photo by Paul Curran)

MUNDO MUERTO was a perfect start to an exciting night. They play a great variety of thrashy-to-slow, brutal-to-melodic punk rock that’s always got a driving rhythm that you can’t not dance to. Lots of whoa-oh’s too, which always gets the crowd singing along ’round these parts. An LP by this band is coming out soon and it sounds amazing. Check out the preview tracks here (I recommend “Enganados”). Chalk up yet another awesome band for the Southland.

Mundo Muerto (photo by Paul Curran)

There was a pretty long gap between bands so we hung out in the back of the house and watched the usual madcap spectacle that is the 6th Street Haus backyard. Punx from all walks of life were at this show… There was the lady who sexually harasses everyone at every show, the gang of very young, very spikey punks who were representing all the best (and worst) of the early British working class bands on their leather jackets and butt-flaps. Lots of dudes with face tattoos (one of them also had Homer Simpson as the Circle Jerks skanking dude on his arm — awesome!), and lots and lots of weed. L.A. loves the weed, I’m just sayin’. But technically we are in Long Beach, not L.A., which sometimes means there’s a bit of bro-dude attitude (mostly it’s all about calling people “bitches” and “fags” left and right) but that was not the case on this night. Lots of respect all around at this show, making it the best Long Beach show yet.

Criaturas (photo by Paul Curran)

When CRIATURAS from Austin, TX, got started, the show went from rollicking ponk-rawk party to super rager freakout scene. The tiny room went wild and it was hard for anyone to stand up straight. This band is solid as fuck, living up to all of the MRR hype® you’ve heard of late, with wildman and guitar genius Victor almost stealing the show from vocalist Dru, who keeps the intensity going from start to finish. Chris Pfeffer, a man of many bands and many talents kills the drums, while Matt and Eddie add boom and crunch… With most of these band members playing in a bunch of amazing current Austin bands (including Deskonocidos and Vaaska), they must have to write a shit-ton of riffs — yet somehow every one of them is still great. They’re still on tour right now, so be sure to catch this band in your town! There’s some video from their set below. You can’t see shit, but it sure captures the feeling of performance. Watch it while spitting beer in the air, hitting yourself on the head with a boot, and fill up the room with pot smoke and it will be just like you were really there.

DESKONOCIDOS started out with a terrific, slow, Killing Joke-y song which got everyone thinking they were going to get a rest from the chaos. No such luck, as the rest of the set ripped at full speed ahead. Eddie, Matt, and Victor from Criaturas also play in Deskonocidos but they showed no signs of fatigue from already playing one raging set. The crowd didn’t calm down either. There was a guy on crutches in the pit, and during one song I got an elbow in one eye and a liberty spike in the other.

Deskonocidos (photo by Paul Curran)

On a night of three killer drummers, I enjoyed watching Ryan the most as he was always on and had some real style. As mentioned before, Deskonocidos and Criaturas are touring the West Coast for another week or so, and are not to be missed. While you’re there be sure to pick up their records and the Vaaska LP — it’s all incredibly good shit!

Deskonocidos (photo by Paul Curran)

Here’s that Criaturas footage — and this guy has more video from the show here.


April 12th, 2011 by Paul


Monday Photo Blog: the Alchemists

11 04 2011

About a month ago Brazilian photographer Leonan Claro sent a few pics of the Alchemists (from Volta Redonda, Brazil). Nice, tight edit of pics:

The Alchemists, Guardião Fest 2 @ Bar Guardião da Noite, Penedo, Brazil, 12 February 2011 (photo by Leonan Claro)

The Alchemists, Guardião Fest 2 @ Bar Guardião da Noite, Penedo, Brazil, 12 February 2011 (photo by Leonan Claro)

The Alchemists, Guardião Fest 2 @ Bar Guardião da Noite, Penedo, Brazil, 12 February 2011 (photo by Leonan Claro)

Shameless Plug Department:

To coincide with a art show up at the Stevens Square Center for the Arts in Minneapolis (closing party on April 16th!), I have a new zine out, called Sweat (Stains). Thirty-two pages, all music & tour photos. You can get it here.

Along those lines, I’d love to review or write about any photozines (or books!) you people are putting out. Drop me a line.

If you shoot shows and have photos you want to submit for the MRR Blog, send them to: photoblog {at} maximumrocknroll(.)com. Be sure to put “MRR Photo Blog” in the subject. Include your name, the band, where and when it was shot. Just send your best photos – edit tightly. Three to five photos is plenty. We like to exercise a little quality control here…not everything sent in will be posted. Please size your photos so they are 600 pixels (72 dpi) at the longest side.


April 11th, 2011 by icki


Record of the Week: CRACKBOX In Love Must Mean Stupid 7″

11 04 2011

This record is insanely good! It’s dirty, bleak, gross, and catchy, all rolled up in one gleaming four-song EP. This is another beautiful slice of the newly minted sub-genre of “crust-pop.” I know many of you will grimace at this seemingly awkward melding of worlds, ’cause they seem like oil and water. But in fact, this does rule. Generally, music like this comes out of kids once connected to the pop punk scene. But as you grow older you realize that life is shit, and it’s less about freedom and choice, and more about loss and grief. And that gets reflected in their message, but creating music is still a vehicle towards personal happiness, so the pop sensibilities at times find their way in. OK, so I don’t know the people in CRACKBOX at all. That description could be really fucking far from their reality, but that’s the atmosphere the music gives. And that’s the sense the vocals convey as they weave back and forth from guttural to soaring. At times, the singer sounds like a fucking monster—it rules. This record is highly recommended, especially if you’re into SNUGGLE, GLUE or FILTH. Destroy everything!


April 11th, 2011 by Fred


MRR Radio #1239 • 4/10/11

10 04 2011

MRR Radio is a weekly radio show featuring the best DIY punk, garage rock and hardcore from the astounding, ever-growing Maximum Rocknroll record collection. You can find the MRR Radio podcast, as well as specials, archives, and more info at radio.maximumrocknroll.com. Thanks for listening, and stay tuned!

THIS WEEK: Rob brings it again with lots of new punk, pop and hardcore. Plus a nod to the almighty Jared Warren and some Bloodstains insanity. Rock on and rock hard!

Listen here:  

Download here

Kriegshög (photo by Martin Sorrondeguy)

Intro song:
DEAD KENNEDYS – Anarchy for Sale

Rob – Ripping hardcore fresh from the record bins
TO HELL AND BACK – Street Train
COKE BUST – Time Left
LÄRM – Hippies
SLANG – Ill Peace Hymn
KRIEGSHÖG – Rotten
OFF! – Black Thoughts
BRUTAL TRUTH – What You Want
LACK OF INTEREST – The Edge of Clarity

Rob – Jared Warren is the common thread and a riff monster
KARP – Dueling Banshees
THE WHIP – Freelance Liaison
BIG BUSINESS – Just as the Day Was Dawning

Rob – More new rock ‘n’ roll
NOBUNNY – Hippy Witch
BARE WIRES – Young Love
KIDNAPPERS – Milkshake
DAVILA 666 – Mala
MIND SPIDERS – Go!

Rob – Bloodstains across Scandinavia
KRIMINELLA GITARRER – Patroner (Sweden)
PELLE MILJOONA & N.U.S. – Olen Tyoton (Finland)
PF COMMANDO – Reggare (Sweden)
SENSUURI – Kirjoitan Seinaan (Finland)
OVERDOSE – Takkhold Kjert (Norway)

Rob – Tribute to the MRR compilations for days gone past
N.O.T.A. – Propaganda Control
CRUCIFIX – Annihilation

Outro song:
ALL YOU CAN EAT – They Won’t Stay Dead


April 10th, 2011 by Rob


Life During Wartime interviews: Moral Hex

10 04 2011

Fuck yes! Our longtime friends, kindred spirits, and partners-in-crime at KBOO’s Life During Wartime in Portland, OR, will be treating us to a series of interviews from bands who have performed live on their radio show in recent months. You’ll be hearing from Arctic Flowers, Bellicose Minds, Criaturas, Animals and Men, and more! Their inaugural post is an interview with Portland’s MORAL HEX, and the episode of Life During Wartime on which they appear can be heard here. For this interview, LDW’s Colin is at the helm…

Colin:  Go around and say name and instrument
Tonya: I’m Tonya and I do vocals.
David: I’m David, I play guitar.
Anya: I’m Anya, I play bass.
Maus: I’m Maus, I play drums.

Colin: Who started this band and how did it become fruitful?
Maus: Me.
Anya: Me and Tonya and Dave were in the Beaverton wetlands and we decided we were going to start a band with Maus.
Tonya: I think Anya and I were talking about how we wanted to do some kind of gothier, I don’t want to say goth, but darker, mid-tempo band. Her and Dave had written some songs together and we came in. Maus had just moved to town and, uh… we just got together in his basement and started playing and it just came together.

Colin: Who did most of the songwriting in the beginning?
Anya: Dave.
Tonya: I feel like we all write our own parts pretty much.
David: It comes together perfectly.
Anya: Dave would come up with it though, he’d come up with the first piece and then we’d all add stuff in.
Maus: Yeah, base everything else off that.
Tonya: I guess guitars come first, then you guys get together.
Anya: Not always.
Tonya: I’d say we’re pretty democratic, as far as that goes.
David: Definitely.
Anya: Cultural imperialists, actually laughs
Tonya: We respect each others space and let each other do our own thing.

Colin: Two of you are together. Do you think that changes the dynamic of the band or do you think it’d be the same without that?
Tonya: WHAT!! You guys are dating?!!?? (ha ha)
Anya: It’s different, kind of … we work on music together a lot cause we live together.
Read the rest of this entry »


April 10th, 2011 by Life During Wartime


The punk comics blog returns with Carrie McNinch!

7 04 2011

Our comic blog this time around is written by the incredible Robert Kirby, who really should be covered in a another blog post himself (maybe someday soon)… Enjoy!

Carrie McNinch might be the original punk dyke chick autobio cartoonist goddess. I remember I first encountered her work way back in the early ’90s when Roberta Gregory reprinted a strip from Carrie’s first solo comic zine, The Assassin and the Whiner, in the pages of Naughty Bits. But Carrie had been kicking around in the underground scene since she was but a mere slip of a thing in the late ’80s, contributing to titles such as G.B. Jones’ legendary queercore zine J.D.’s. In addition to Assassin, which debuted in late 1994, McNinch lent pages to many other zines of note, including Not My Small Diary and Alarm Clock (all about women in music), as well as rocking with her band Geko.

With The Assassin and the Whiner Carrie made her name by presenting her existence as it was — the rock and roll highs, the crushing lows, and those in-between days of introspection or bafflement — with an often excruciating honesty.  When her life went off the rails, alcohol, depression and anxiety rendered her incapable of writing or drawing (“…even if someone stuck a gun to my head”).  After a number of years, McNinch was finally able to move forward. Using Snakepit as inspiration, she managed to force herself to produce one diary comic every day as a way to ease herself back into creating: “… when January of 2005 rolled around I was surprised to realize that the drawing spark had indeed lit up in me once again.”  She literally drew herself out of the abyss — rescuing her creative self by activating that peculiar super secret power I believe all cartoonists carry within.

In 2006 Tugboat Press released her book, I Just Want Everything to be Okay, which documented Carrie’s transition from the final days of The Assassin and the Whiner to her current incarnation as a daily diarist chronicling her life with India ink and Rapidograph pens. Her present title, You Don’t Get There from Here, is already up to issue #17 since its birth in 2006, with each tiny new edition arriving jewel-like about three or four times a year. Each day is presented typically in a three-panel format (though sometimes just one or two), with three days captured per page. Groovily enough, every strip has a song of the day listed up top, and part of the fun for me reading YDGTFH is finding personal favorites. Among them: 10/13/08: “Runnin’ with the Devil”- Van Halen; 12/11/08: “In Shreds” – The Chameleons; and 7/10/09: “Right Place, Wrong Time” – Dr. John.

Like the very small handful of superior comics diarists, like John Porcellino and Vanessa Davis, Carrie knows how to delineate a seemingly mundane anecdote and transform it into something universal and relatable. Using her pared down, high-contrast, black-and-white visuals, she can capture with zen-like simplicity rain pouring outside a window, a brilliantly starry L.A. night sky, or the poetry in a drunken midnight swim. Reading YDGTFH is not always pretty, however, as she does not shy away from transmitting her worst moments to the page: those low self-image cycles, relapses with alcohol, and garden variety disconnections, loneliness and despair.  But there’s always tomorrow. Once out of the pain-and-darkness woods, simple pleasures await her: hanging with friends, drinking cappuccinos, reading and creating comics, cooking something wonderful (Carrie’s a bit of a foodie), going for a run in the hot sun, and cuddling up with Milo the cat for the latest episode of Mad Men.

The teeter-totter days of life are also there, as in the entry for 2/03/10, where McNinch has received her new AAA card: “I’ve been a member for 21 years?  How is that possible?” The bewilderment felt by those of us now in our 40s at the inexorable passage of time (thus the fear of being relegated to the dustbin of old uncoolness) is simply and amusingly related. When life occasionally gets more exciting, say, when Carrie has a terrifying encounter with a mountain lion on a routine run, you might find yourself gasping aloud. This particular first-hand experience of the randomness of existence (in the form of a dangerous wild animal) serves as a good reminder that plain old boring life is maybe not such a bad thing after all.

It takes incredible discipline to draw a comic strip, even a short one, every day of the week, 365 days a year, and to keep that up for five years and counting. It’s a real accomplishment when that work is terrific. Carrie McNinch, take a bow.


(Click images to view)


April 7th, 2011 by MRR Web Coordinator


Wow, what a show! Priapus/Burma/Backslider/Nimbus Terrifix/Shit Horse in Raleigh, NC

6 04 2011

Sorry for the brevity of this review — life kind of happened as it tends to do. To skip a few steps of explanation, I ended up filling in playing bass for the band Burma for this show. It was on April Fool’s Day at the Kent Street House in Raleigh, NC

Backslider (photo by Will Butler)

I got there nice and early after practicing with Burma for the first real time (the day of the show). I’m glad I was there early because I got to see Priapus play. Priapus is a tech grind band from Greensboro, featuring Kevin from Malebolgia. The band has the Discordance Axis-worshiping sound and almost sounds like a live Agoraphobic Nosebleed. I admit I left partway through their set to grab some equipment and get stoked to play.

Next was Burma with me on bass. I haven’t played in a band since I was 16 or 17, so it was good to do it again. Had no problem with the songs, having learned them over a two week time frame. To tell the truth, I keep getting them stuck in my head when I go to bed and wake up in the mornings, so I think I learned them too well. I was very lucid while playing so I can describe us surprisingly well. Drumming was tight; I don’t think I realized until we were playing how well Kane plays the drums… his drum fills perfectly led up to the endings of songs. I saw my roommate accidentally pull down part of the ceiling during the set. Matt, the singer, kicked a 24-pack out of someone’s hands who was throwing beer around on everybody. Here is a short video of the set, if you want to see my friend Patrick from Backslider haranguing me with his video camera:

Third to play was Backslider. I was hoping they’d have their new split out for the show, but no such luck. I also hoped that Pat would have the Mind As Prison/Disciples of Christ split out on his label. Those were not ready either. Bummer. What wasn’t a bummer was Backslider! Two-man power violence done up right. People were pretty still during their set. I don’t know if that is a bad thing, but it allowed me to get some great pictures in that small basement. Tight set.

Backslider (photo by Will Butler)

Nearing the end of the night, Nimbus Terrifix played. The band is ex-Dead Radical. They play a kind of orchestrated noise-violence. I think I was annoyed that I couldn’t get a good angle to take their picture. People finally woke up and got a bit crazy during their set.

Nimbus Terrifix (photo by Will Butler)

Last band was a local band called Shit Horse. They were a nice fresh sound after a night of hardcore. They were more of a psych garage rock band, I suppose you could say. They have a delightful front man who was being pretty funny the whole night, and wore a velour over-sized hoodie that made him look like he might be a boxer or an MC. During their set they had a girl in very little clothing, who was donning a horse head and a toy machine gun and dancing around in the crowd. Weird schtick but good music and something to talk about at the end of a good night.

Nimbus Terrifix and Backslider (photo by Will Butler)

Besides being MRR.com’s premier show reviewer/photographer combo, Will Butler‘s claims to fame are To Live A Lie Records and Fastcore Photos. If you take photos and like to write about punk shows (or if you and a friend wanna team up to do this) drop us a line at webzine {at} maximumrocknroll(.)com with a sample review and pics, and maybe you too can be a MRR shitblogger!


April 6th, 2011 by Will Butler


MRR Radio #1238 • 4/3/11

4 04 2011

MRR Radio is a weekly radio show featuring the best DIY punk, garage rock and hardcore from the astounding, ever-growing Maximum Rocknroll record collection. You can find the MRR Radio podcast, as well as specials, archives, and more info at radio.maximumrocknroll.com. Thanks for listening, and stay tuned!

THIS WEEK: Dan pulls/slops together an 11th hour show, with some help from Langford.

Listen here:  

Download here

Intro songs:
LIVID – Bright Lights, Pubic Hair / Dead to Me

Weird TV

Dan starts off with a new set
CHALK CIRCLE – The Slap
NEON BLUD – Untitled 1
WEIRD TV – Sufrir
RAS – Vill Ha Mer
GG KING – Drug Induced State

And now Langford does a new set
NASA SPACE UNIVERSE – Sean Rodman
WOOLF – Sandilands
SPIDER FEVER- Whatcha Gonna Do?
3 TOED SLOTH – Hangin’/…
WHOA HUNX – Lazy Days
RAPE REVENGE – I’m So Gay

And back to Dan
YADOKAI – Vows
GETTING EVEN – End Credits
CHAOS DESTROY – Punks Are Vinyl Poisoning
HPP – Sludge Love
SORRY EXCUSE – Traitor

Western Michigan Comp-Hell-ation
SHATTERED BADGE – ?
JESUS CRISIS – Chain Reaction
POSITIVE NOISE – You’re the Problem
PROTOCULTURE – ?
HEGEMONICIDE – ?
SCABBURGER – ?

Dan recites the alphabet backwards again
ZÓNA A – Mam Vela Dôvodov
YDI – Not Shit
X-RAY SPEX – Artificial
WAR SQUAD – In My Rage
VEGETATIVE STATE – Cracker

Outro song:
TYRADES – Vicious Rumors


April 4th, 2011 by Dan