This week we’ve got a different type of From the Vaults post. These photos were loaned to the magazine by former coordinator Martin Sprouse, to be printed along with an interview we ran for the 25th Anniversary issue in 2007 (MRR #291, available in Back Issues). I found them in a folder on my old computer last week as I was clearing everything off before leaving it on the sidewalk. Now you get to see ‘em in color! (Well, except for the black and white one…)
From the Vaults: Tim Yo and Martin Sprouse photos
4 02 2010Comments : 3 Comments »
Categories : From the Vaults, MRR Archive, Photos
From the Vaults: Mega City Four
21 01 2010No particular reason why I chose this 1988 single from the UK’s Mega City Four for this weeks’ From The Vaults post, aside from the fact that it’s a great melodic punk record — and while not necessarily obscure, the band might be unknown to some readers of MRR. In fact, I’m not all that familiar with the Mega City Four myself. I do know this is their first proper release, and there were a lot more to follow; from what I’ve heard of their later stuff, it’s even more in a pop direction.
Anyway, Miles Apart/Running in Darkness is a very cool little single, and any fan of late-’80s melodic punk bands from the UK should give it a listen. To my ears, it’s got more of a Stiff Little Fingers feel than, say, Leatherface, who were heavily influenced by Hüsker Dü. But what do I know? Check it out for yourself:
1. Miles Apart
2. Running in Darkness
Sadly, frontman Darren “Wiz” Brown passed away in 2006. Here’s a link to an unofficial (but very comprehensive) Mega City Four webpage: www.megacityfour.co.uk
Comments : 7 Comments »
Categories : From the Vaults, Record Reviews
From the Vaults: Why Are We Here?
7 01 2010
Here’s a great EP that I first heard when I pulled it off the shelves at MRR. As a rule, compilations are a risky proposition: too many sub-par bands can ruin an otherwise good comp — or, if the different groups’ styles don’t mesh, you end up with an uneven listen. Neither is the case with Why Are We Here?, a regional comp from North Carolina released by No Core Records (get it? No Core) in 1983.
Bloodmobile opens with three SoCal-punk-influenced songs (check the awesome melodic bridge in “Drug-Related Death”!). Sadly, this band never recorded anything else — not even a demo — but I did run across some live tracks several years back that were OK. The almighty Corrosion of Conformity follows with two tracks that would later appear on their debut LP Eye for an Eye (same versions), plus one (“Too Cool”) that’s exclusive to this record.
Stillborn Christians deliver three more HC tunes with an interesting angular post-punk influence. These guys were definitely a cut above your typical paint-by-numbers thrash band, and it’s no surprise that the bass player went on to become a jazz musician. I believe at one point Stillborn Christians were supposed to release something else on No Core (an EP maybe? or cassette album?) and while unfortunately they never had anything else on vinyl, there does exist a great-sounding studio demo from around the same period with different versions of some of their tracks from Why Are We Here? plus a bunch more. Finally, No Labels closes out side B with two more exceptional songs. This band featured two members of C.O.C., though they’ve got more of a straightforward classic DC hardcore style. No Labels also has a ton of songs on the No Core tape (the Why Are We Here? precursor) plus a demo of their own, but these tracks are their best-sounding stuff. The breakdown to “Compromises” is killer!!
Listen below (and apologies for the surface noise — sounds like this particular record has seen many spins).
1. Bloodmobile – Drug-Related Death
2. Bloodmobile – Little Boy Blue
3. Bloodmobile – The Smiths
4. C.O.C. – Poison Planet
5. C.O.C. – Indifferent
6. C.O.C. – Too Cool
7. Stillborn Christians – New Right
8. Stillborn Christians – Fred
9. Stillborn Christians – Aggression
10. No Labels – Changes
11. No Labels – Compromises
To end this post, here’s some awesome live C.O.C. footage from 1983 (though I wish the audio and video were synched) — enjoy!
Comments : 3 Comments »
Categories : From the Vaults
From the Vaults: Eucharist
10 12 2009
Richmond, VA’s EUCHARIST released this 12″ on Mountain Records in 1996. I was inspired to pull it out because a friend’s band was reviewed in MRR a while back and his vocals were compared to Eucharist. When I talked to him later, he said he was bummed because he figured they were an emo band (a la Saetia, maybe?) since their record was released on Mountain in the ’90s. Maybe this post will change his mind.
Eucharist played crushing hardcore with influences from some of the best late-’80s/early-’90s US hardcore bands. I can hear traces of Infest, Citizens Arrest, Born Against, Rorschach, Crossed Out, etc. Besides this 12″, they had a few tracks on the Nothing’s Quiet on the Eastern Front compilation LP (alongside Devoid of Faith, Assfactor 4, Dropdead, Monster X, and more), the Vida Life comp (on Lengua Armada), and the, uh, Double Dose of Dicks 2×7″ comp. Their guitarist Mark Telfian would go on to play in the band Hail Mary and was the original guitarist of Limp Wrist. He also did the label Paralogy Records.
Listen to the 12″ here:
1. Plague
2. Born in a Mess
3. Exit
4. Promised
5. Splintered
6. Spoon Fed
7. Fangs
8. Praying for Failure
9. Body and Blood
10. Frozen Minds
11. You’ve Been Had
12. Sensory Deprivation
13. Invincible
14. Fooled Again
As a side note, Mountain was a pretty diverse label, releasing stuff by Halfman, Seein Red, Iceburn, Atom & His Package, and comps with Totalitär, Antiproduct, Submission Hold, In/Humanity, and Balance of Terror. I was a regular volunteer there for a couple years in the early 2000s. Chris Jensen: if you read this, I hope you’re doing well!
Comments : 7 Comments »
Categories : MRR Archive
From the Vaults: Uncool Slamming
7 11 2009I first heard of the Breeders (not the ex-Pixies band) on some website where their Zen Punk EP was compared to fellow Midwest bands Mecht Mensch and the State. Wow! That’s one way to get my attention quick. The record was one of the first I made a point of checking out the first time I visited the MRR record library. Now, I definitely wouldn’t say it lived up to the “hype” (if you could call it such), but it’s nevertheless a cool li’l 7″ and still pretty obscure.
There are two things I like about this EP. The first is how the two sides are so different — the A-side track, “Future Amnesia,” is sorta in between post-punk and “quirky” new wave. Amusingly, when the record was reviewed in the magazine (Issue #17, see below), this song was compared to Loverboy! Ha. I guess… but I still kinda like it, if only for the fact that it’s so incongruous to the other two songs. I dunno, maybe that’s what most of their other songs sounded like?
The other thing I like about this three-track EP is that one of the songs is called “Fuckheads (Uncool Slamming).” I mean, what more can you say about that?
Now, aren’t you curious what it sounds like? Well, listen for yourself:
1. Future Amnesia
2. Fuckheads (Uncool Slamming)
3. Zen Punk
And if you’ve got any info on the band, please post a comment!
Comments : 8 Comments »
Categories : MRR Archive
Mecht Mensch
9 07 2009In the interest of full disclosure — this post has an ulterior motive: Is anyone from Mecht Mensch reading this? I WANT TO REISSUE YOUR MUSIC!! (on vinyl – I will do it right – super fancy – deluxe – I promise – please!! In any case, please write us, if only to say “Remove those MP3 files, fucko”)
Anyway, if you’ve never heard of them (I’m sure they’ve been “blogged” before, probably many times), Mecht Mensch was an early Madison, WI, hardcore band. One of the best. For real. The Acceptance EP, their sole proper vinyl release, is available for (I believe) legitimate download here: http://tarbabies.us/mechtmensch/. The name “Mecht Mensch” translates roughly to “Mechanical Man” and it’s strangely appropriate, as, to my ears, the band perfected a relentless — almost mechanically so — hardcore punk style. My favorite EP track is “Grinder,” a great song that alternates between a plodding, heavy drag and driving thrash.
Mecht Mensch also recorded a demo and a split tape with their brother-band, the Tar Babies (every bit as good), and appeared on a number of compilations. I uploaded some of these comp tracks here:
1. Killer Klowns
2. What D’Ya Feel
3. Might Makes Right
4. Land of the Brave
5. Revenge
6. Gov’t Lies
7. Killer Klowns (live)
8. What’s Right (live)
9. Free Animals (live)
“Killer Klowns” and “What D’Ya Feel” are from the great Master Tape Volume 2 double-LP compilation that also features two cool songs by the Tar Babies, as well as quite a few other excellent tracks by the likes of Malignant Growth, No Labels, the Zero Boys, the Antibodies, etc. If I had to guess, I’d say the Mecht Mensch stuff was from the same recording session as the EP and is just as good.
“Might Makes Right” is from another great comp, We Got Power: Party or Go Home, compiled by the LA zine of the same name and released by Mystic Records. Despite the lack of info and mistakes on the track listing (it is Mystic Records after all), it’s one of the best early USHC collections: 40+ tracks of raging punk rock by everyone from the Minutemen, 7 Seconds, and the Big Boys to White Cross, Rebel Truth, Jackshit, and dozens more. I think this track came from Mecht Mensch’s demo.
I ripped the first three songs from the original vinyl, but the next six come from CD-Rs, so I can’t promise the sound quality is quite as good. “Land of the Brave,” “Revenge,” and “Gov’t Lies” are off the Meathouse tape comp (another good one) and these tracks also seem to come from the demo. The three live songs are from the all-Wisconsin America’s Dairyland tape, which is notable not only for the Mecht Mensch and Die Kreuzen material, but also for the killer tracks by the otherwise-unknown bands GFO and Malignance (plus pre-Tar Babies band the Bloody Mattresses, and a bunch more). A studio version of the last song, “Free Animals,” does not exist…
As far as I know, that accounts for all of Mecht Mensch’s official releases, except for their first compilation appearance: the Barefoot and Pregnant tape on Hüsker Dü’s Reflex label. Barefoot and Pregnant was reissued on CD and may still be in print/available to purchase. From what I remember, the Mecht Mensch tracks are really early and not as developed as their other stuff… and I think they were recorded live, too?
The band has been bootlegged a couple times, too (and, uh, if I may say, is sorely in need of an official reissue) — the Acceptance EP and the Master Tape tracks are on one of those “4 EPs on an LP” things from the ’90s, and their demo popped up on a poorly done “USHC demos” bootleg LP recently.
I’ve got a sad/funny story: former Mecht Mensch/Tar Babies member Dan Bitney now plays in the successful indie band Tortoise now, and a couple of years ago they headlined a show at the big club around the corner from the MRR house. It also happened that my coworker-at-the-time’s band was opening for them, so I got in on their guest list with the intention of soliciting Mr. Bitney about a Mecht Mensch reissue. I had never been “backstage at a rock show” before and was kinda stoked, sitting on a couch with my coworker and drinking fancy free booze, feeling like a real “V.I.P.” I wasn’t pacing myself and the glamor of it all must’ve gone to my head — plus, Tortoise played for like two and a half hours — and by the time the show was over, I was three sheets to the wind. I vaguely remember a (mercifully brief) “conversion” with Dan Bitney, but I literally have no recollection of what I said. It was probably something along the lines of: “mmmmbmmmbbbb mzzzzbbb gggffffbb… ddasdfmmsdf &&*(@@T$*(&d;kljhsdfm Mecht Mensch.” I don’t think I managed to express a desire to do a reissue (or anything coherent, for that matter), which I suppose wasn’t too much of a loss as I wasn’t exactly the picture of “responsible record label dude” at that moment in time.
As a footnote to this post, I highly recommend tracking down the Tar Babies’ Face the Music/Respect Your Nightmares CD reissue that came out a few years ago — besides having their first two 12″s (both rule and the second is really underappreciated in my opinion), it’s got a bunch of unreleased tracks on there. The label that did it is called Lexicon Devil Records and they’re outta Australia…
Comments : 3 Comments »
Categories : Blog!
Underground Out of Poland
8 06 2009Not only is Dezerter the best HC band from Poland, but they’re one of the greatest bands from any country, ever. Well, in this blogger’s opinion, anyway. They were one of the first Eastern European hardcore bands to release vinyl, and they’re still around today! Check out there website here: www.dezerter.most.org.pl/
Earlier this year, MRR shitworker “Willie Nelson” informed me that he had inherited an old punk’s tape collection (a story that really deserves its own post) and invited me over to his place to check them out and drink some fancy vodka he brought back from a recent trip to Europe. This being my idea of a perfect date, I gladly accepted… About several boxes of demos (and at least as many shots) into the evening, we came across one with a strangely homemade case. On closer inspection, it was a split between two bands: one whose name was written in Cyrillic characters, the other—Dezerter. I flipped! This was their 1985 split tape with a band from the (former) USSR that I had been trying to track down a recording of for years! We popped whatever was playing out of the stereo and threw it on… The first song was one I’d never heard before, and it was KILLER. What a find! The live recording had that slight echo—it was like listening to some kind of long-lost transmission from another planet. (One where they play raging hardcore, I guess.) Now here’s the tragedy: A few tracks into the tape, the music just stopped. Right in the middle of the song. What the hell? I flipped it over to side two… Nothing. I pulled it out to look at the actual magnetic tape… FUCK!!! It was so old, the tape inside had broken. Goddamn it! Well, at least I had gotten the chance to hear a couple tracks, right??
Fast-forward to the next day: Willie’s got a close personal friend who, when he’s not winning international air-guitar competitions, does digital audio editing. So it turns out this story has a happy ending… The tape was professionally repaired and transfered to digital format. Thank you Craigums!
[After hosting the MP3 of the split tape for several months, we took it down... Thanks to Dezerter for letting us share their music! Check out the Underground Out of Poland album on CD and the upcoming vinyl reissue out soon...]
Comments : 13 Comments »
Categories : Blog!
From the Vaults: Made in South Bay
25 05 2009
Ever see this 7″ sitting in the dollar bin? Hope you picked it up! Though details are sketchy and hard to come by, the Made in South Bay compilation is probably one of the rarest American hardcore records in existence. Supposedly only 100 were made and given away at a show in Los Angeles in the early ’80s late ’90s (??). Given that there’s no label artwork or picture sleeve—just a stamp on one side of the record—I wouldn’t be surprised if at least half of them were tossed in the trash over the years. The only copy I’ve ever seen has a sticker on the other side with a track list.
The bands? The most “well-known” of the six is Artistic Decline. They had a four-song 7″ in ’83 and an LP that was supposed to come out around the same time but didn’t end up getting released until ’87. (The album, which features Pettibon artwork, is a bit underrated in my opinion, probably due to its rarity and the fact that it says ’87 on the cover instead of ’83). Ill Will pops up on a couple of the Life Is… SoCal hardcore compilations that New Underground Records put out. I don’t really know anything about the other four bands (or when they were around)—Genetic Damage (think they shared one or two members w/ Ill Will), Western Waste, Bedlam, and Unknown Society.
You might have heard Unknown Society on the Staring Down the Barrel comp LP that came out a few years ago (their track was taken from this 7″). Now you can listen to the entire six-track EP here:
1) Genetic Damage – “Badge Means You Suck”
2) Artistic Decline – “Reality or Dream”
4) Western Waste – “Trapped Inside”
6) Unknown Society – “You Hippy”
My guess is that “Criminal Records” has some connection with Ill Will, since the band reunited in the late-’90s (?) and released a CD on the same label. But who knows? If you can shed some light on this obscure comp, post a comment…
Comments : 17 Comments »
Categories : From the Vaults
From the Vaults: Reagan Youth demo
30 04 2009Fuckin’ Reagan Youth! They ruled. Here we have a rare and mysterious recording of unknown origins! It comes off a dubbed tape from MRR’s archives and as far as I can tell is a different recording than either the first 12″ or the Live & Rare CD on New Red Archives. The sound quality is good and you can faintly hear a recording engineer talking between a couple of the songs, so my guess is that it was done in a studio. A bunch of the tracks are slightly different versions of songs that were on the first 12″, but in my opinion the coolest thing about this is the recording of “Brave New World,” which was later redone for what became the Volume 2 album. Dig the spoken word part over the awesome guitar lead at the beginning of the song! I can practically see the legions of NYC punx creepy-crawling at some long-forgotten CB’s matinee… The last song is an instrumental, and also appeared on Volume 2 with vocals (and wah pedal! Yikes…).
Download here (& thanks to Dan for separating the tracks):
1. Reagan Youth
2. Go Nowhere
3. New Aryans
4. Brave New World
5. Anytown
6. USA
7. Acid Rain (instrumental)
And while we’re on the subject… I love the first Reagan Youth 12″, the Volume 1 reissue with the extra tracks (“No Class”!), and the Live & Rare CD (some great stage banter on this one), but I never got into that second album. I know plenty of people who did though (“It’s metal… but it’s good metal”), so go figure. I do, however, love this YouTube video from this era. Such a different direction from the rest of “NYHC”…
Finally, Reagan Youth has an official website and you can visit it here: http://www.reaganyouth.net/
Comments : 18 Comments »
Categories : From the Vaults, MRR Archive
Rokk I Reykjavik
13 04 2009This is your correspondent with another report from the YouTube front…
Here we’ve got some footage from “Rokk Í Reykjavík,” the 1982 documentary on the Icelandic punk/post-punk/wave/etc. scene of the early ’80s. The band that plays after the Santa Claus dude in the sauna is Vonbrigði (“Disappointment”) with a jam reminiscent of Peter and the Test Tube Babies but more raw and garagy. I love the bass player’s weird hunched-over style and the front-row Vonbrigði superfan rocking out in a tie and a vest. If you keep watching the following videos, I’m pretty sure you can eventually see the whole rest of the documentary — it’s pretty long though, and covers a wide variety of musical styles. Most of the “well-known” Icelandic punk bands of era are featured, including the Björk-fronted Tappi Tíkarrass. The soundtrack was released as a double LP and later on CD.
Comments : 5 Comments »
Categories : Video of the Week



















