Record of the Week: STAR FUCKING HIPSTERS LP

3 11 2011

STAR FUCKING HIPSTERS – From the Dumpster to the Grave LP

Let the punk police come and take me away, let them strap me into a straightjacket and gag me on the way out the door, but I will still say that this record is fukkn great. I know it’s been long out of vogue to like ska punk, and NOFX has been passé for even longer, but my facial hair has been out of vogue for longer than most taste makers have had a turntable, so fuck ‘em. I mention NOFX not just because Fat Wreck is responsible for this release, but because STAR FUCKING HIPSTERS have taken the ska/punk hybrid that frontman Sturgeon perfected with his previous bands CHOKING VICTIM and LEFTOVER CRACK and injected into it the high energy ultra catchy hardcore punk that Fat Mike has been slinging for a couple of decades. It works. Rarely do the hours poured into a record make them so evident as they do on this release, but when From the Dumpster veers off on over instrumentalized tangents it never seems trite—it just seems right. This record is nothing if not sincere, and every musical excursion is obviously a path taken by true fans that have become masters at their craft. Brilliant vocal trade-offs dominate many songs, with Nico’s vocals taking a confident lead, and the occasional (but dominant) ska parts are accented by subtly sparse and brilliant keys and horns. If you want cred, then check out this (partial) list of band members and contributors: DEGENERICS, ERGS, NEUROSIS, the COUP, GR’UPS, CONQUEST FOR DEATH, DYSTOPIA, DEADFALL, SOVIETTES…you still need more? Well, then no list would win you over anyway. This is excellent… you might not like it, that decision is purely yours. But awesomeness is a fact. (Fat Wreck Chords)

November 3rd, 2011 by Robert


Bonus New Band Spotlight: Neon Piss

16 12 2010

Poached from the always essential Terminal Escape blog by Robert Collins…

San Francisco’s NEON PISS are so fukkn good. Every song reminds me of something that I can’t quite put my finger on, and still all of them sound entirely original. At different moments during my first listen, I clearly heard elements of COMPLICATIONS, NO HOPE FOR THE KIDS, JAY REATARD, WIPERS and others, but I stopped listening for references (in fact I stopped everything I was doing) and just listened. Three times in a row. This is easily the best demo I’ve stumbled across in ages (though technically it stumbled into my hands, but my point was simply that I had no preconceptions and no idea what to expect) — every second of this tape is catchy as hell and there is not a genre catch phrase to sum them up… it’s just sincere punk rock. I like sincere punk rock and I look forward to seeing NEON PISS tonight…San Franciscans do yourself a favor and go to the MRR Presents show at Balazo tonight!

December 16th, 2010 by Robert


New Band Spotlight: Street Legal

20 08 2010

From the latest issue of MRR, here’s Robert Collins’ demo review of a great new Midwestern band to watch out for!

Robyn of Street Legal (photo by Justy Betterton)

I pulled this out of the demo box at MRRHQ and knew I had to review it. Not because I thought it would be good, but rather because one look at the cover and I knew how awful it would be, and I reveled at the thought of hiding anonymously behind these newsprint pages and ripping to shreds the painstakingly crafted work of some punk kids thousands of miles away (news flash folks, that’s really why we do this, we get our jollies saying that your precious bands are horrible) and leaving them with shattered dreams and ink-stained fingers. Well, the joke’s on me this time, because that demo featuring the crudely drawn middle finger with two butt cheeks on the back of the hand and the title: Butthand AKA Street Legal… the demo fukkn rules! Male/female vocals (mostly female, and she sounds like Ivy from ALLERGIC TO BULLSHIT/MIAMI minus the rasp — totally bad ass), totally melodic, but fast as shit and with fukkn killer guitar work that will make you question why you ever bothered playing in a band — cause chances are you ain’t writing hooks like these, kiddo. I bet that live STREET LEGAL (or is it BUTTHAND? I really hope it’s BUTTHAND) has the same energy that NECRO HIPPIES did when they passed through a few months back — in fact the sound is not dissimilar, though STREET LEGAL/BUTTHAND are a bit more melodic. “Knocked Off My Feet Again” is a total classic, and the way the bass rushes in afterwards to start “Ode to You” is perfect… My only negative observation is the demo quality of the recording, but fukk me, it’s a demo and all the power is there so I’ll shut up. As I wipe the egg off my face, I strongly encourage you to drop them a line, and hopefully we can expect a slightly more high fidelity recording from them in the near future.

August 20th, 2010 by Robert


[Bonus] New Band Spotlight/Video of the Week: Bog People

7 04 2010

Killer bands from Portland shouldn’t really be much or a newsflash these days, as the ratio of productive punks to normal humans seems to be rather skewed up there, but sometimes even when you are ready for it, you get your face melted. PDX’s BOG PEOPLE just scurried their way down (and up) the West Coast with VIVID SEKT, and the SF show was at the Li Po Lounge in Chinatown (great spot, by the way…all the atmosphere of a Midwest basement show but with $4 beers and an unfortunate 21+ entry policy). New band MERDOSO played their first show (folks from PELIGRO SOCIAL and Eye-Man playing a wall of mid-paced D-beat), then DOPECHARGE did what they do, fast and chaotic with extra guitar leads.  VIVID SEKT set the mood, then came the fog machine, and then came 14 minutes of UK82 worship and flanged guitars and chains and studs and awkward off-kilter songs that made me want to pogo my life away in that shitty basement. See the video, and you’ll start the pogo pit right in front of your computer. Seriously…I dare you.  The show in LA was even more epic (or so I have been told), with venue owners calling off the gig, The Ponx (yes, with an ‘O’) grabbing a generator and relocating to a freeway underpass and the show blazing sans PA into the night before the cops came and the kids scattered…too bad there ain’t a video of that.

Editor’s note: Sorry the first video is not the right one (my fault, not Robert’s), but it felt a shame to take it down because it’s reallyawesome too Anyway, here it is, from the Li Po Lounge, green lighting, fog and all… Apologies to Roseman…


roseman (kevin) | MySpace Video

April 7th, 2010 by Robert


New Band Spotlight: Mothercountry Motherfuckers

7 04 2010

(photo by Karoline Collins)

Sometimes living in The Bay just rules, and you find yourself in a basement in West Oakland with 20 other people and you’re eating pizza and then these four dudes walk in wearing masks and blood-spattered clothes and they just blow you away with insanely catchy songs played at a deafening volume. MOTHERCOUNTRY MOTHERFUCKERS take the good things about ’90s melodic hardcore and make them better…and then throw in a video show and between song samples that are as much a part of the live show as the band itself. Total mystery act, but if you keep your eyes peeled, you might get lucky (like at Submission for the MRR Presents gig on May 20, for instance).

April 7th, 2010 by Robert


From the Vaults (literally!): CONVULSIONS vs. Satan’s Slaves

14 01 2010

Thanks to Phil of Bradford, UK’s CONVULSIONS for sending in the great story below, along with 9 songs for us to enjoy! “Electro Convulsive Therapy” and “Hatred Controls,” along with three other studio tracks and four live numbers. Phil talked down the quality of the live tunes, but personally I think they are fkkn brilliant, especially as delivered by a crew of 16 year olds who hadn’t the slightest clue what they were doing! CONVULSIONS are truly one of my favorite unsung ’80s UK bands. —Robert

SUBHUMANS, THE INSTIGATORS, CONVULSIONS — Vaults Bar, Bradford, May 15th, 1983…

On Saturday 14th May, the Subhumans had played a gig at the Palm Cove Club in Bradford with The Instigators also on the bill. During the evening it was announced that there would be a second gig the following evening to help the Subhumans pay for some repair work to their van. As we were in the crowd, we approached the promoter, Nick Toczek, and blagged our way onto the bill, which was now Subhumans, Instigators, and Convulsions. Venue for the gig: The Vaults Bar. Shit!!!!

Bradford was, and still is, home to a motorcycle gang called the Satan’s Slaves. These guys are full patch-wearing 1%er outlaw bikers in the same vein as the Hell’s Angels, Mongols, Bandidos etc. They are an organised club with full members, prospects, hangers on, and all the rest of the outlaw biker trappings, with violence being high on the agenda. Very heavy dudes. The headquarters of the club was… The Vaults Bar!!

You could walk past this place (if you were dumb enough) any night of the week and pass rows of choppers parked on the pavement, with the odd prospect standing guard outside, glaring at anyone who dared look their way. It was a definite no-go area. To attempt to put on a punk gig there was a total no brainer, but fuck it, we were on the same bill as our heroes the Subhumans.

So we arrive at the venue early — around 6:30 to load our gear in before the Satan’s Slaves arrive. First job was to move all the tables and chairs from in front of the stage to make a dance floor for the punks to enjoy the music. Bad move, we found out later, as there is a definite hierarchy within the Slaves. Big cheeses have their own tables in front of the stage. Not tonight fellas. So, we set up the amps and drums; PA guy arrives and sets up. Subhumans and Instigators arrive and wonder why we look nervous. I don’t remember how much we told them, as they weren’t from our town so we probably took the “ignorance is bliss” approach. Around 7:30 the Slaves begin to arrive with their leader at the front. He was a mean looking dude called “Les C” (left out his full name) with a shaved head and a hook where his right hand once was (!—web ed.). I guess the other bands were beginning to realise that these guys weren’t here for the music, and they’re not happy with the rearranged seating. We decide to get up and play, as we were first on the bill. First few songs went down okay with the (very) few punters (fools?) who’d braved the venue, although the Slaves seemed unimpressed as they glared out of the shadows… Tune number five in the set: “System’s Slaves,” with the chorus, “We don’t wanna be systems slaves.” Stan decides to change the chorus to “We don’t wanna be Satan’s Slaves” without telling anyone. I remember giving him a sort of “Oh, fuck” glance and then ducking out of the way of the first of many beer bottles to come flying our way. I think we did pretty well, and none of us actually suffered a direct hit, although we were showered with broken glass. We raced through the rest of the set and jumped off stage to mingle in with the punters. You have to realise that the bikers were all in their 20’s, 30’s and 40’s. We were all 16, so we can be excused for our non-confrontational (cowardly) behaviour?

Next up: Instigators. Not many upfront of the stage (can’t blame them), followed by Subhumans. Think a few of us braved the pit for the Subhumans (our heroes) set.

Anyway, the end of the night approaches and word goes around that the Slaves are waiting outside and are gonna kick our asses. We decided to go down in style, so about 20 of us who were left got into a bunch and armed with guitars, amps and drums for weapons charged out making a lot of noise straight into an armed gang of… nobody!! The bikers had simply roared off into the night, much to our relief.

We had many run-ins over the years with trendies, football fans, and lesser gangs of bikers, but this was the most memorable. Being a punk in the UK in the ’80s made you Public Enemy Number 1 to all the dickheads in town.

This all happened 27 years ago, so may not be 100% accurate, but it’s how I remember it. Happy days!!

—Phil

Thanks again, Phil! Here are the track he sent in, and you can read and hear more, including Convulsions’ Electro Convulsive Therapy demo, at Terminal Escape.

Convulsions – “Coming Your Way Soon” MP3
Convulsions – “Electro Convulsive Therapy” (v.2)
Convulsions – “Hatred Controls” (v.2) MP3
Convulsions – “You’re Nobody” MP3
Convulsions – “Media Punx” MP3
Convulsions – “In Command” (live) MP3
Convulsions – “Hassled Youth” (live) MP3
Convulsions – “Freedom of Speech” (live) MP3
Convulsions – “Belfast in Bradford” (live) MP3

And the post wouldn’t be complete without…

Convulsions – “System’s Slave” MP3

January 14th, 2010 by Robert


SF was DOOMED!!

19 08 2009

I can’t believe no one has written about how fucking killer last weekend was! Sure, I have been to bigger fests with more people, and ones with higher profile bands, but those 5 days were all about the fucking Bay, and it totally ruled! Much respect to the folks at Thrillhouse and the hapless shitworkers who busted ass to set up nearly a dozen shows at venues and locations all over the City.

Descarados (photo by Paul Curran)

Descarados (photo by Paul Curran)

Friday night at Thee Parkside, the only night that leaned heavily on out of town bands, was fucking scorching! Full disclosure, my band played as well, but there can be no doubt that LA/Chicago band DESCARADOS brought the house down, while LA bands SEND THE DOGS and RAYOS X and PDX punks ADELITAS blew everyone’s minds! Of course, the Bay Area’s N.N. did not disappoint either. But what did disappoint loads of punks in attendance? LA Raw Ponx TUBERCULOSIS were not able to play the show. As a consolation to those in attendance, and a taste of the night for those not lucky enough to make it to SF last weekend, here’s the TUBERCULOSIS demo for your listening pleasure…and up the punks.

Tuberculosis demo

August 19th, 2009 by Robert


chaos in tejas, version 2009

2 06 2009

yes, the fest was fun. yes, Austin might be the best place on earth to spend a holiday weekend. and yes, JUDGEMENT, ANNIHILATION TIME, and BRUTAL KNIGHTS on a boat was (almost) as amazing as COCKSPARRER drunkenly uniting 1300 punks. but really, the highlight of the weekend might have been witnessed by only 9 people, and it was this brilliant performance:

Civilization’s Dying

and in case you need an image to go along with the performance, this is what she looked like as soon as the track was over:

Canadian Contingent

 

 

and moments after that she was passed out next to a bowl of fruit in Logan’s front yard with kiddie pool floaties still on her arms. so yeah, it was a good weekend.

lone-star-floaties

 

a really good weekend.

June 2nd, 2009 by Robert