Alien Nosejob

Reviews

Alien Nosejob HC45-2 EP

Australia’s ALIEN NOSEJOB gives us a quick dose of freaky hardcore with this collection of six rippers in eight minutes. Check out the cover art for a visual preview of what’s inside: colorful gore delivered via box-cutter surgery. Egg-punks, but real ones. Blood everywhere. Likewise, these short bursts of hardcore frenzy have a lot of moving parts and seem to be on the edge of breaking apart at any second. But they don’t, and that’s the exciting thing. These tracks have a lot of USHC influence like early BLACK FLAG, CIRCLE JERKS, etc., but with added trebly guitar fills and near-constant drum rolls that reveal hidden complexities upon further listening. Listen to this and enjoy a modern take on the classic hardcore blueprint: very fast, snotty, and great.

Alien Nosejob Suddenly Everything is Twice as Loud LP

For the uninitiated, ALIEN NOSEJOB is the anything-goes solo project of Jake Robertson (AUSMUTEANTS, HIEROPHANTS, SMARTS). So far he’s put out records covering KBD punk, indie pop, straightforward hardcore, new wave, and disco. While previous releases have been more genre-focused (like the excellent USHC workout HC45 EP), this LP takes a more whimsical route through a handful of similar sounds. We’ve got some straight up RAMONES-core (“Television Sets,” “Black Sheep”), earnest indie pop (“Weight Of The World,” “Blending In”), and even some Horrendous New Wave-y new wave (“Spin Cycle”). Not every track is great, but when you take as many shots as this dude, you’re bound to chuck up a brick or two every now and then. Even still, this LP highlights what a gifted songwriter, musician, and producer Jake is. I’m stoked to see what direction he takes the project in next!

Alien Nosejob Once Again the Present Becomes the Past LP

The HC45 single was one of the best hardcore records I’ve heard in recent times and Mr. Nosejob brings those quick, nimble riffs to full-length form. The description for Once Again notes that it began as a concept record referencing both WWII bombings and comedian Norm Macdonald. It sounds like if MODERN WARFARE or the MOB (NYC) had Mike D. of the BEASTIE BOYS on vocals and were emulating DISCHARGE singles. Or if DEVO had been a metal band. Or if the MINNEAPOLIS URANIUM CLUB wrote a hardcore record. It’s wacky and has nice subtleties and moments that’ll make your ears and eyes pop. The guitar solo in “Pointed Shears” reminds me of the guitar in the Mighty Morphin Power Rangers theme song (which now that I listen back on that theme song sounds like it could’ve been a scrapped tune from Military Affairs Neurotic if it was a bit slower). This record will draw a line in the sand for many hardcore fans, probably multiple lines, once again illuminating the dreaded egg v. chain dichotomy.

Alien Nosejob HC45 EP

The first hardcore record I’ve heard in a long time that instantaneously made my eyes bulge. I’ve been brushing off every ALIEN NOSEJOB release as some quantity not quality shlock but this exactly the bright, rigorous, exciting hardcore I love. The vocals sound like Mike D. on the Aglio E Olio EP and the spastic, eye-twitching BAD BRAINS-style hardcore found on that ’90s BEASTIE BOYS release certainly lends some influence here. Reminiscent of bands like SOCIAL CIRCKLE, BIG ZIT and LAFFING GAS but it definitely sets itself apart.