DZTN 1980

Reviews

DZTN 1980 Don’t Give Up cassette

Isolation hardcore continues, this time with the fourth release (that I know of) from Portland’s DZTN 1980. Cold, howling anarcho-tinged freak sounds with song structures that can (perhaps) only be signed off on by bands with no dissenting members (or no other members at all), bands that typically exist in one person’s mind. Distinct Blinko tendencies set to a steady, driving drum (machine), Don’t Give Up seems gone in an instant, and leaves me wondering if I’ve been through something. When the act’s sole member reflects on the past year by sneering “Does it have to be this way? / Does it have to be a struggle? / We wanna believe in something / Why not each other?” on the final track, I feel like someone just pulled out the splinter, so maybe I have.

DZTN 1980 Ode to a Dead Earth cassette

I can’t even imagine how many solo recording projects have popped up in Thee Time Of COVID—but I think it’s a lot. DTZN 1980 is the work of Dustin Herron from long-running Portland band ABOLITIONIST, and has cranked out four full releases in 2020. A self-described post-punk project, DTZN 1980 manifests as a brooding, subdued proto-anarcho/goth by way of art school—and then tracks like “Cut & Run” pop up like a gopher…before fading back into the earth. There’s a lot going on stylistically, but the presentation is minimal and the bass tends to take the lead. Overtly and unabashedly political, yet another (likely) aspect of the time (and place) of creation. I admit that I support Ode to a Dead Earth more than I actually like it, though tracks like “Bad Mentality” sounds like they come from another place in/and time, hitting a nerve that encourages me to go back and spend some dedicated time with the entire release (again).

DZTN 1980 War of Good Intentions cassette

A really interesting solo post-punk/synthwave type of project. It seems the creator of this project is really leaning into music as a way of coping with the global pandemic we are currently living in, already cranking out four different releases in 2020. This is an eight-song cassette, very heavy on the synth, all songs seeming to have a strong post-apocalyptic feel to them, and the subject matter seeming very much drawn on the times we are living in.