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Hits Sediment Seen cassette

Oakland-based arty post-punk in the early Rough Trade tradition, less angular and jagged than wobbly and fuzzed-out, like a second- or third-generation dubbed tape of RAINCOATS and SWELL MAPS singles left out in the sun for a little too long. The minimal percussion is based around a drum pad with that authentically ’80s UK DIY banging-on-found-objects sound, and the bass has the perfect amount of rubber-band snap, but guitarist Jen Weisburg’s unassuming vocals are the secret weapon here, treated with little more than some slight echo or delay to give an otherworldly edge to the off-kilter pop hooks in songs like “Stand in Your Way” or “Climbing Up”—GRASS WIDOW would be an obvious frame of reference, even without knowing that Weisburg and drummer Brian Tester both collaborated with Lillian Maring for her killer (and similarly-minded) post-GRASS WIDOW project RUBY PINS. Killer tape, and simultaneously retro/futuristic, like sounds that have been beamed from an alternate galaxy years ago and are only now reaching the Earth.