Native Cats

Reviews

Native Cats Two Creation Myths 7”

I love getting assigned a record I’m already loving. The Tasmanian duo NATIVE CATS return with two tracks, with the first, “War of the Roses,” a hard and steady bass-driven mid-tempo backdrop to Chloe Alison Escott’s confrontational, manifesto-like vocals. I appreciate the gall of bands who print their lyrics directly on the front cover. NATIVE CATS sound hungry and unapologetic. The urgent delivery of lines like “I’ve felt my body happening to people on the street” and “Walk the breadth of human experience, howling, what of this is mine?” sound bracing against the dark and steady music. On the second side, “Sanremo” is sonically consistent but tonally a more melodica-tinged, almost shoegaze-y number that calls to mind BOWIE’s “Warsaw.” But don’t get me wrong, I’m not into shoegaze and I’m not even the biggest BOWIE guy, but I am really really into this. Two songs, both killer. A double-A, as they used to say. Love to see a band that’s been around for a little bit but knocks one out of the park anyway.