Negativ

Reviews

Negativ Epicrisis EP

Epicrisis is a good punk record. It’s nasty, savage, noisey, short and intense. Contains insanity, angst and power. They operate with back-and-forth dragged riffs and tupa-tupa rhythms that never really turn into chaos, but flicks with intensity. Their sound is perfect for a guessing game regarding their influences, as it is rather a conclusion of a well-curated personal collection than exact references lifted into their songs. Somehow they remind me of DAWN OF HUMANS from recent times, but without the visceral art edge. Yet they fall for the same uniforming trap so many contemporary records do. While it is done by all the right people, talent shines through it, and yes it is a great piece of work, but it tells more about the current state of international hardcore punk than their own enviorment. The lyrics are about personal fears, a society that is constantly surveilled, but who cares anyway, because they are here to consume, live in cells called as homes and exist to work what serves their slave-holders. Then we have the music which is while being great—it truly is—does it dare to be not perfect? It screams fuck you, but does it mean that as well? It is unfair to pour on NEGATIV a problem of an era. My direct message is: Epicrisis would be way better if it sounded different from a great amount of current records. To be fair, I like this record because, at a deeper layer, among the psycho tension, it sneaks in creepy melodies as if Rikk Agnew and Nick Blinko were trying to write a ballad. NEGATIV has a natural impetus, being constantly present in each of their songs. The tempo sounds as it could be faster which creates expectations for the chaos to burst out, while it never happens and chaos is created in the listener. Well placed, sudden changes in pace and riffs create uncertainty that lends excitement to the music. The vocals confused, bile splattering, phlegmatic style mixes perfectly with the sharp, dystopian-vibe of the music. Most likely if you do not listen to this record for hours straight, you will just think: it is ugly and destructive; how sick punk records are.

Negativ Projections LP

NEGATIV of Oslo plays metallic punk along the lines of POSSESSED and SEPTIC DEATH meets the SCREAMERS or RUDIMENTARY PENI. This extremely catchy LP is part BLAZING EYE redeye punk and dark riffing, and part double-kicking TOXIC HOLOCAUST metal. Pit-churning maniacal anthems from start to finish—this would have probably made my top ten if I had heard it when it was released in April. Densely and clearly produced. You will drool and squeal, bobbing your cavernous cranium along to this slab of lunacy. NEGATIV sounds finitely death punk and infinitely grim thrash simultaneously, all while powering through with unique bizarre measure. Can I go see them with ZYANOSE, PARANOID, SEX DWARF in early 2020!? Damn, fire gig!

Negativ Glitter Hair Cream / Terrorist 7″

’77-style punk from Switzerland. The A-side has a satirical anti-macho approach and a nice chorus, but the flip, with its loping bass line, primitive guitar lead, tightness, and irresistible sing-along character, is by far the better song. Good fun.