Monday Photo Blog: From the Archives, Round III

9 08 2010

Okay, last trip we’ll take in the MRR time machine for a while, but this one is a DOOZY! Layla dug up these photos from the cobwebbed confines of the Maximum Photo Vault:

The Wipers (photographer unknown)

Black Flag (photographer unknown)

Tim Yo and Grant Hart (photo by Murray Bowles)

As promised, next week we’re gonna go back to the future, so if you’ve taken some killer photos this summer, send them!!!

If you shoot shows and have photos you want to submit for the MRR Blog, send to: markmurrmann {at} gmail(.)com. Be sure to put “MRR Photo Blog” in the subject. Include your name, the band, where and when it was shot. Just send your best photos – edit tightly. Three to five photos is plenty. We will be exercising a little quality control here…not everything sent in will be posted. Please size your photos so they are 500 pixels (72 dpi) at the longest side.

There are a lot of awesome photographers out there shooting shows…and there are a lot of unseen archives of old shows. Show us what you’ve got!

August 9th, 2010 by icki


Monday Photo Blog: From the Archives, the 90s

2 08 2010

Aaah, the ’90s. Right around when this batch of photos was taken, MRR was about 10 years old, give or take a few years, depending on the photo, and hell, punk itself was just crawling into puberty. This week we have four photos from four very different bands around in the early 90s…

Bikini Kill (photo by Justin Demetrick)

Born Against (photo by Justine Demetrick)

The Mummies, circa 1990 (photographer unknown)

Next week we’ll have one more installment from the archives, (with two very special treats!) then it’s back to the NOW scene.

Wanna submit a photo for the MRR Photo Blog?

If you shoot shows and have photos you want to submit for the MRR Blog, send to: markmurrmann {at} gmail(.)com. Be sure to put “MRR Photo Blog” in the subject. Include your name, the band, where and when it was shot. Just send your best photos – edit tightly. Three to five photos is plenty. We will be exercising a little quality control here…not everything sent in will be posted. Please size your photos so they are 500 pixels (72 dpi) at the longest side.

There are a lot of awesome photographers out there shooting shows…and there are a lot of unseen archives of old shows. Show us what you’ve got!

August 2nd, 2010 by icki


Website of the Week: Operation Phoenix

22 04 2010

Straight outta Brookings, South Dakota — that punk rock mecca — comes a modestly presented yet invaluable treasure trove of punk history. It’s called Operation Phoenix Records and what you’ll find there is an amazing selection of classic zines available as PDF downloads in their entirety. These include most issues of Flipside from #1(!) thru #58, every issue of 10 Things Jesus Wants You To Know, almost every HeartattaCk, Suburban Relapse, Suburban Punk, Suburban Voice… the list goes on. Oh, and did we mention you can download everything from the first few years of Maximumrocknroll??

Operation Phoenix archives: the hard copies

Operation Phoenix is run by Adam Miller, an aficionado of early punk who writes, “I first got into punk when I was a teenager during the 90′s, but it was older stuff like the Stooges, Ramones, Black Flag, Germs, Circle Jerks — all of the usual suspects.

“The inspiration for the zine part of the site was due to the difficulty I had finding old zines to read. During the late 90′s, I contacted one of the zine libraries in the US to see if they would mail me zines if I’d cover postage and send them a deposit until I returned the zines. They said no. I understood the reason, but I thought an online site would fix that problem for a lot of people.”

Originally conceived as an online store (hence the name including the word “Records”), the site soon found its niche as a zine and flyer archive, with an online punk discography that Adam hopes to further develop. The zine archive is definitely the star of of show here though. I’ve been downloading zines from this site for months and still don’t have everything I want. And Adam says there are around 250 more zines he is still preparing to upload to the site.

Does this sound like a lot of work for one dude?

“The site absolutely takes a lot of work, but when I think of all the time that went into publishing all of these zines, it puts everything in perspective.”

Don’t miss the decades of perspective to be found at Operation Phoenix. Adam can be contacted thru the site. As a bonus, here are his recommendations for more punk archives.

Break My Face
Flex!
Kill From The Heart
45 Revolutions
Collector Scum

Happy treasure hunting!

April 22nd, 2010 by Paul


Bonus From the Vaults: Tim Yo and Epicenter 1992

6 02 2010

Thanks to Helge for responding to our last post with these photos of Tim Yohannan and SF’s late, great record store and hangout, Epicenter. If you have more photos of Tim or Epicenter, please send ‘em our way! webzine {at} maximumrocknroll(.)com

February 6th, 2010 by MRR Web Coordinator


From the Vaults: Tim Yo and Martin Sprouse photos

4 02 2010

This week we’ve got a different type of From the Vaults post. These photos were loaned to the magazine by former coordinator Martin Sprouse, to be printed along with an interview we ran for the 25th Anniversary issue in 2007 (MRR #291, available in Back Issues). I found them in a folder on my old computer last week as I was clearing everything off before leaving it on the sidewalk. Now you get to see ‘em in color! (Well, except for the black and white one…)

Martin Sprouse and Tim Yohannan at the MRR House, 1987

Martin and two unidentified people, building 924 Gilman St., 1986

Martin interviewing Tim for Leading Edge fanzine, 1984

Martin and Bones (of 76% Uncertain), 1984

February 4th, 2010 by Hubbs


We Are the Lamb

17 01 2010

In honor of the recent reissue of The Brat‘s classic song, “The Wolf,” as a limited edition single on Timmy Hefner’s 540 Records, here is the feature on the band from the February 1982 issue of Low Rider magazine. (“The Wolf” was originally only available on the Rhino’s 1983 East LA comp LP, Los Angelinos: The Eastside Renaissance). I had only ever seen the cover of this Low Rider issue before, so thanks to Dave Hyde for posting the whole damn thing! Pretty incredible… I gotta hear the song “Misogyny” now! When is that Brat discography ever comin’ out??

[Click on the pages below to see them at full, readable size.]

January 17th, 2010 by Layla


From the Vaults: Why Are We Here?

7 01 2010

Here’s a great EP that I first heard when I pulled it off the shelves at MRR. As a rule, compilations are a risky proposition: too many sub-par bands can ruin an otherwise good comp — or, if the different groups’ styles don’t mesh, you end up with an uneven listen. Neither is the case with Why Are We Here?, a regional comp from North Carolina released by No Core Records (get it? No Core) in 1983.

Bloodmobile opens with three SoCal-punk-influenced songs (check the awesome melodic bridge in “Drug-Related Death”!). Sadly, this band never recorded anything else — not even a demo — but I did run across some live tracks several years back that were OK. The almighty Corrosion of Conformity follows with two tracks that would later appear on their debut LP Eye for an Eye (same versions), plus one (“Too Cool”) that’s exclusive to this record.

Stillborn Christians deliver three more HC tunes with an interesting angular post-punk influence. These guys were definitely a cut above your typical paint-by-numbers thrash band, and it’s no surprise that the bass player went on to become a jazz musician. I believe at one point Stillborn Christians were supposed to release something else on No Core (an EP maybe? or cassette album?) and while unfortunately they never had anything else on vinyl, there does exist a great-sounding studio demo from around the same period with different versions of some of their tracks from Why Are We Here? plus a bunch more. Finally, No Labels closes out side B with two more exceptional songs. This band featured two members of C.O.C., though they’ve got more of a straightforward classic DC hardcore style. No Labels also has a ton of songs on the No Core tape (the Why Are We Here? precursor) plus a demo of their own, but these tracks are their best-sounding stuff. The breakdown to “Compromises” is killer!!

Listen below (and apologies for the surface noise — sounds like this particular record has seen many spins).

1. Bloodmobile – Drug-Related Death
2. Bloodmobile – Little Boy Blue
3. Bloodmobile – The Smiths
4. C.O.C. – Poison Planet
5. C.O.C. – Indifferent
6. C.O.C. – Too Cool
7. Stillborn Christians – New Right
8. Stillborn Christians – Fred
9. Stillborn Christians – Aggression
10. No Labels – Changes
11. No Labels – Compromises

To end this post, here’s some awesome live C.O.C. footage from 1983 (though I wish the audio and video were synched) — enjoy!

January 7th, 2010 by Hubbs


If you want a picture of the future…

27 12 2009

To coincide with the 25th anniversary reissue of Maximum Rocknroll Presents: Welcome to 1984 on vinyl, we asked our resident ’80s hardcore expert Felix Von Havoc to write a little something about this legendary comp. CLICK HERE for info on ordering the limited colored vinyl version. Now, over to you, Felix…

1984front-PC-wBorder-sm

It’s hard for me to believe that it’s been 25 years since this LP was originally released. Yet here I am at 40, still super excited about a record which blew me away at age 15. 1984 was a sinister and prophetic year for a generation that grew up in the shadow of the Cold War and was weaned on the dystopian visions of George Orwell and Aldous Huxley. Jeff Bale’s original liner notes point out the role of the elite in manipulating public opinion, and suppressing dissent is often manifested in the ideological and psychological sphere, rather than by brute force. Fast forward 25 years and we can see that Orwell’s vision of a futuristic Stalinist police state was crude, but his warning about the manipulation of thought and twisting of the truth was remarkably prescient.

The original punk movement of the late ’70s was shocking, loud, obnoxious and a break from the conformist malaise of that decade. As the bleak economic realities of the ’80s dawned, the radical right and corporate interests launched the Thatcher/Reagan “Capitalist Revolution” that was to result in great economic and social dislocation. As society swung to the right and embraced more conservative views, the slightly absurd and theatrical elements of ’70s punk were jettisoned for music of pure protest, energy and outrage: Hardcore! Maximum Rock n Roll was the international voice of this new movement, one that embraced radical social change and fast, powerful blasts of raw thrashing punk that made the bands of the ’70s seem tame and restrained.

It’s long been my opinion the Welcome to 1984 is the best compilation LP of all time. While it lacks the regional focus of runners up such as Flex Your Head or This Is Boston, Not LA, it documents not a local scene, but a worldwide movement. This movement was spreading, a virus of resistance to the conformity of the era that has continued to spread to the corners of the globe. The bands and songs selected by the MRR staff gave an impressive overview of this new and radical movement. 23 bands from 17 countries, this diverse assemblage all shared a power and urgency that truly captured the spirit of the times and the energy of the movement. When I bought this record at age 15 I was barely aware of punk outside my hometown and the UK. Reading MRR and blasting this record over and over opened up my eyes to the international hardcore movement and exposed me to many bands that have become life long favorites. There are some truly epic moments on this record, the bass intro to BGK’s “Computer Control,” the sing-along chorus of Kidnap’s “No SS,” and most importantly, the raw screams of Raw Power’s anthem “Fuck Authority.” When I first heard this record I knew I had found what I was looking for.

As the Cold War ended and the War on Terror began, the elite found a rationale to extend their manipulation of public opinion and ideological control. While the hardcore subculture has endured, and spread, many complain that it has lost much of the energy and urgency of the early days. A spin of this record is a shot of this energy, pure and unadulterated.

—Felix Von Havoc, December 2009

December 27th, 2009 by MRR Web Coordinator


From the Vaults: Eucharist

10 12 2009

eucharist_lpRichmond, VA’s EUCHARIST released this 12″ on Mountain Records in 1996. I was inspired to pull it out because a friend’s band was reviewed in MRR a while back and his vocals were compared to Eucharist. When I talked to him later, he said he was bummed because he figured they were an emo band (a la Saetia, maybe?) since their record was released on Mountain in the ’90s. Maybe this post will change his mind.

Eucharist played crushing hardcore with influences from some of the best late-’80s/early-’90s US hardcore bands. I can hear traces of Infest, Citizens Arrest, Born Against, Rorschach, Crossed Out, etc. Besides this 12″, they had a few tracks on the Nothing’s Quiet on the Eastern Front compilation LP (alongside Devoid of Faith, Assfactor 4, Dropdead, Monster X, and more), the Vida Life comp (on Lengua Armada), and the, uh, Double Dose of Dicks 2×7″ comp. Their guitarist Mark Telfian would go on to play in the band Hail Mary and was the original guitarist of Limp Wrist. He also did the label Paralogy Records.

Listen to the 12″ here:

1. Plague
2. Born in a Mess
3. Exit
4. Promised
5. Splintered
6. Spoon Fed
7. Fangs
8. Praying for Failure
9. Body and Blood
10. Frozen Minds
11. You’ve Been Had
12. Sensory Deprivation
13. Invincible
14. Fooled Again

As a side note, Mountain was a pretty diverse label, releasing stuff by Halfman, Seein Red, Iceburn, Atom & His Package, and comps with Totalitär, Antiproduct, Submission Hold, In/Humanity, and Balance of Terror. I was a regular volunteer there for a couple years in the early 2000s. Chris Jensen: if you read this, I hope you’re doing well!

December 10th, 2009 by Hubbs


More MRR Radio flyers from the archives

4 12 2009

world's hottestwebSome more Tim Yohannan-created flyers for MRR Radio — these ones are pre-MRR magazine! You can still tune into the world’s hottest rock ‘n’ roll party at right here. This week and next week are the best of the decade shows, which coincide with the best of the decade issue, containing the top records of various shitworkers and reviewers here at the magazine, which also will be available to buy here this weekend!

be thereweb

December 4th, 2009 by Layla