If you want a picture of the future…

27 12 2009

To coincide with the 25th anniversary reissue of Maximum Rocknroll Presents: Welcome to 1984 on vinyl, we asked our resident ’80s hardcore expert Felix Von Havoc to write a little something about this legendary comp. CLICK HERE for ordering info. Now, over to you, Felix…

1984front-PC-wBorder-sm

It’s hard for me to believe that it’s been 25 years since this LP was originally released. Yet here I am at 40, still super excited about a record which blew me away at age 15. 1984 was a sinister and prophetic year for a generation that grew up in the shadow of the Cold War and was weaned on the dystopian visions of George Orwell and Aldous Huxley. Jeff Bale’s original liner notes point out the role of the elite in manipulating public opinion, and suppressing dissent is often manifested in the ideological and psychological sphere, rather than by brute force. Fast forward 25 years and we can see that Orwell’s vision of a futuristic Stalinist police state was crude, but his warning about the manipulation of thought and twisting of the truth was remarkably prescient.

The original punk movement of the late ’70s was shocking, loud, obnoxious and a break from the conformist malaise of that decade. As the bleak economic realities of the ’80s dawned, the radical right and corporate interests launched the Thatcher/Reagan “Capitalist Revolution” that was to result in great economic and social dislocation. As society swung to the right and embraced more conservative views, the slightly absurd and theatrical elements of ’70s punk were jettisoned for music of pure protest, energy and outrage: Hardcore! Maximum Rock n Roll was the international voice of this new movement, one that embraced radical social change and fast, powerful blasts of raw thrashing punk that made the bands of the ’70s seem tame and restrained.

It’s long been my opinion the Welcome to 1984 is the best compilation LP of all time. While it lacks the regional focus of runners up such as Flex Your Head or This Is Boston, Not LA, it documents not a local scene, but a worldwide movement. This movement was spreading, a virus of resistance to the conformity of the era that has continued to spread to the corners of the globe. The bands and songs selected by the MRR staff gave an impressive overview of this new and radical movement. 23 bands from 17 countries, this diverse assemblage all shared a power and urgency that truly captured the spirit of the times and the energy of the movement. When I bought this record at age 15 I was barely aware of punk outside my hometown and the UK. Reading MRR and blasting this record over and over opened up my eyes to the international hardcore movement and exposed me to many bands that have become life long favorites. There are some truly epic moments on this record, the bass intro to BGK’s “Computer Control,” the sing-along chorus of Kidnap’s “No SS,” and most importantly, the raw screams of Raw Power’s anthem “Fuck Authority.” When I first heard this record I knew I had found what I was looking for.

As the Cold War ended and the War on Terror began, the elite found a rationale to extend their manipulation of public opinion and ideological control. While the hardcore subculture has endured, and spread, many complain that it has lost much of the energy and urgency of the early days. A spin of this record is a shot of this energy, pure and unadulterated.

—Felix Von Havoc, December 2009


December 27th, 2009 by MRR Web Coordinator


From the Vaults: Eucharist

10 12 2009

eucharist_lpRichmond, VA’s EUCHARIST released this 12″ on Mountain Records in 1996. I was inspired to pull it out because a friend’s band was reviewed in MRR a while back and his vocals were compared to Eucharist. When I talked to him later, he said he was bummed because he figured they were an emo band (a la Saetia, maybe?) since their record was released on Mountain in the ’90s. Maybe this post will change his mind.

Eucharist played crushing hardcore with influences from some of the best late-’80s/early-’90s US hardcore bands. I can hear traces of Infest, Citizens Arrest, Born Against, Rorschach, Crossed Out, etc. Besides this 12″, they had a few tracks on the Nothing’s Quiet on the Eastern Front compilation LP (alongside Devoid of Faith, Assfactor 4, Dropdead, Monster X, and more), the Vida Life comp (on Lengua Armada), and the, uh, Double Dose of Dicks 2×7″ comp. Their guitarist Mark Telfian would go on to play in the band Hail Mary and was the original guitarist of Limp Wrist. He also did the label Paralogy Records.

Listen to the 12″ here:

1. Plague
2. Born in a Mess
3. Exit
4. Promised
5. Splintered
6. Spoon Fed
7. Fangs
8. Praying for Failure
9. Body and Blood
10. Frozen Minds
11. You’ve Been Had
12. Sensory Deprivation
13. Invincible
14. Fooled Again

As a side note, Mountain was a pretty diverse label, releasing stuff by Halfman, Seein Red, Iceburn, Atom & His Package, and comps with Totalitär, Antiproduct, Submission Hold, In/Humanity, and Balance of Terror. I was a regular volunteer there for a couple years in the early 2000s. Chris Jensen: if you read this, I hope you’re doing well!


December 10th, 2009 by Hubbs


More MRR Radio flyers from the archives

4 12 2009

world's hottestwebSome more Tim Yohannan-created flyers for MRR Radio — these ones are pre-MRR magazine! You can still tune into the world’s hottest rock ‘n’ roll party at right here. This week and next week are the best of the decade shows, which coincide with the best of the decade issue, containing the top records of various shitworkers and reviewers here at the magazine, which also will be available to buy here this weekend!

be thereweb


December 4th, 2009 by Layla


From the Vaults: Noise in My Head

19 11 2009

The Tenants
“Submind/Noise In My Head” 45
(Rent’s Due 001, 1981)

This stunningly great 7″ is a mystery of mysteries.

Tenants-front2

When I happen across unfamiliar records with Tim Yo covers* in the MRR library, they usually turn out to be something good, or at least interesting. But this one is by far my favorite “discovery.” The Tenants played slow- to mid-tempo punk/post-punk that is both dark and melodic (think Wipers, Zounds, or more recently The Estranged). With its driving rhythms, the jangly, layered guitars and clever vocals (both in execution and lyrically), I’m surprised this record isn’t more well known and loved.

But don’t take my word for it. Have a listen!
Tenants – “Submind” MP3
Tenants – “Noise In My Head” MP3

I can’t find any info on the band itself. They were from San Francisco, but I haven’t met anyone here who ever saw them. There was another band called the Tenants around the same time — from Canada maybe? — I saw their LP in Amoeba and got excited until I figured out they weren’t the same. The only other tidbit I know is that “Noise In My Head” appeared on a comp tape that Calvin Johnson put out with the same title a few years ago. Maybe ol’ CJ could fill in some details for me…

Tenants-back2

*Tim Yohannan, MRR’s founder, used to modify some of his record covers by adding his own artwork — usually, it seems, for bands he particularly liked, or when the original cover art was just too boring. (Note that every record in the collection has the green tape, so that’s not a special for this cover.) The back cover on this Tim Yo mod features a clipping from the San Francisco Chronicle‘s article on the eviction of the International Hotel in 1977 — not far from the Mabuhay Gardens, aka the Fab Mab. You can read more about that event here. The front cover has a photo of the band that could’ve been from any number of local music rags at the time: Another Room, etc.

Of course, anybody with any info on this band or record should leave a comment here. Cheers!


November 19th, 2009 by Paul


From the Vaults: Uncool Slamming

7 11 2009

Breeders_ZenPunk_Cover

I first heard of the Breeders (not the ex-Pixies band) on some website where their Zen Punk EP was compared to fellow Midwest bands Mecht Mensch and the State. Wow! That’s one way to get my attention quick. The record was one of the first I made a point of checking out the first time I visited the MRR record library. Now, I definitely wouldn’t say it lived up to the “hype” (if you could call it such), but it’s nevertheless a cool li’l 7″ and still pretty obscure.

There are two things I like about this EP. The first is how the two sides are so different — the A-side track, “Future Amnesia,” is sorta in between post-punk and “quirky” new wave. Amusingly, when the record was reviewed in the magazine (Issue #17, see below), this song was compared to Loverboy! Ha. I guess… but I still kinda like it, if only for the fact that it’s so incongruous to the other two songs. I dunno, maybe that’s what most of their other songs sounded like?

Breeders_Review_MRR17

The other thing I like about this three-track EP is that one of the songs is called “Fuckheads (Uncool Slamming).” I mean, what more can you say about that?

Breeders_Fuckheads_Lyrics

Now, aren’t you curious what it sounds like? Well, listen for yourself:

1. Future Amnesia
2. Fuckheads (Uncool Slamming)
3. Zen Punk

And if you’ve got any info on the band, please post a comment!


November 7th, 2009 by Hubbs


More art from the MRR Radio archives!

3 11 2009

TVODweb

Some more awesome Tim Yo art from the early days of MRR Radio… How awesome would this be as a MRR Radio T-shirt?


November 3rd, 2009 by Layla


Punk magazine’s John Holmstrom

17 10 2009

In case you missed it in MRR #311, here’s…

A Visit with the Editor of Punk or, How a Fanzine Changed the World
by Aaron Cometbus

punk01News passed down the punk pipeline: a print media-themed issue of MRR! What better opportunity to sit down with the pioneer of punk himself, John Holmstrom? I’d admired his work since I was a wee lad, and had a long list of questions I’d always been dying to ask. He was amenable to the idea, and agreed to meet me at a nearby diner—the same diner, in fact, that held the fateful conference where Henry joined Black Flag. Hopefully this meeting would have a happier outcome.

However, a party of Ukrainians sat down for a post-wedding celebration at the next table over just as we began to chat. As a result, my tape recording serves as a better record of their conversation than ours. And so, with what direct quotes I can salvage, the story will proceed in my own words.

Holmstrom came to New York City from Connecticut in 1972 to learn to draw comics. He enrolled at the School for Visual Arts, but was disappointed to find not a single cartooning class. Along with some other angry students, he went to the president of the school. “Sure, what cartoonists do you want?” the President asked. “Put a list together.”

And so they did—a fantasy list of comic legends. Topping the list was Will Eisner (the comic maverick who’d created the Spirit in 1940, and, famously, turned down publishing the first issue of Superman) and Harvey Kurtzman (the founder of the original Mad magazine). The administration surprised the students by hiring both.

Studying under Eisner and Kurtzman was Holmstrom’s first entry into the worlds of comics and publishing. Their lessons, and their belief in him, greatly affected the course of his life. Even after he could no longer afford the steep SVA tuition and was forced to drop out, Holmstrom continued on as their apprentice, literally as well as figuratively: both Eisner and Kurtzman hired him as personal assistant. The work was part-time and paid only minimum wage, but that was all he needed to scrape by. More importantly, it gave the young artist an opportunity to hone his own skills…

Read the rest of this entry »


October 17th, 2009 by Paul


May I Have the Next Thrash?

14 10 2009

may i

Bruce brought over a bunch of pasteboards for old MRR Radio fliers, and this was on the back of one of them. Looks like this was what was being considered as a name for the Not So Quiet on the Western Front comp: May I Have the Next Thrash? Because this was on the back of another board, it’s cut off in the middle of the band names…


October 14th, 2009 by Layla


From the Vaults: Reagan Youth demo

30 04 2009

gefreagan-youth2

Fuckin’ Reagan Youth! They ruled. Here we have a rare and mysterious recording of unknown origins! It comes off a dubbed tape from MRR’s archives and as far as I can tell is a different recording than either the first 12″ or the Live & Rare CD on New Red Archives. The sound quality is good and you can faintly hear a recording engineer talking between a couple of the songs, so my guess is that it was done in a studio. A bunch of the tracks are slightly different versions of songs that were on the first 12″, but in my opinion the coolest thing about this is the recording of “Brave New World,” which was later redone for what became the Volume 2 album. Dig the spoken word part over the awesome guitar lead at the beginning of the song! I can practically see the legions of NYC punx creepy-crawling at some long-forgotten CB’s matinee… The last song is an instrumental, and also appeared on Volume 2 with vocals (and wah pedal! Yikes…).

Download here (& thanks to Dan for separating the tracks):

1. Reagan Youth
2. Go Nowhere
3. New Aryans
4. Brave New World
5. Anytown
6. USA
7. Acid Rain (instrumental)

And while we’re on the subject… I love the first Reagan Youth 12″, the Volume 1 reissue with the extra tracks (“No Class”!), and the Live & Rare CD (some great stage banter on this one), but I never got into that second album. I know plenty of people who did though (“It’s metal… but it’s good metal”), so go figure. I do, however, love this YouTube video from this era. Such a different direction from the rest of “NYHC”…

Finally, Reagan Youth has an official website and you can visit it here: http://www.reaganyouth.net/


April 30th, 2009 by Hubbs


Mentally Unstable zine

28 04 2009

mentally-unstableOne of the greatest things about volunteering at MRR is the access to our incredible archive of records, fanzines, tapes and assorted other weirdo stuff! Mentally Unstable zine came out in 1984, has reviews of THE COMES “No Side” 12″, the GISM “Detestation” 12″, KUKL and ULTIMO RESORTE records. I have tried to scan in the reviews page, but unfortunately my scanning job wasn’t quite able to capture the insanity of the 5pt font and the ADD layout! There are reviews of records separated by country, from Holland to South Africa, Norway to Australia… So many classic records:  SVART FRAMTID, MALINHEADS… I also scanned in the cover and another random page, so maybe you can make out some of the text. This zine was from the UK, and really captures the excitement of hardcore and punk. It’s really funny too…

inside-2 inside-of-zine


April 28th, 2009 by Layla