MAXIMUM ROCKNROLL is looking for a new coordinator duo!

15 10 2013

Hey punks! MAXIMUM ROCKNROLL is looking for two new coordinators! That’s right — we are in search of new Content Coordinator and a Distro Coordinator. We’re looking for a couple of stand-up punx, organized and honest, brainy and brawny, and willing to commit at least two years to a fast-paced, long-running DIY punk project here in San Francisco.

As MRR’s Distro Coordinator, some of the things you would do on a daily basis include:

  • Lots of communicating with an international base of distributors
  • Processing mailorders
  • Inventory of merchandise
  • Managing subscriptions
  • Monitoring postal costs, print runs, and supply orders
  • Invoicing & debt collecting
  • Prioritizing and delegating various tasks
  • Making flyers, creating ads & doing layouts
  • Being BFFs with the USPS
  • Promotion of the mag and soliciting content!
  • Sticking to very strict deadlines
  • Working on a tight budget while still keepin’ it cheap for the punx!

Just a few things you will find yourself doing as MRR’s Content Coordinator:

  • Communicating with bands, labels, DIY projects, and other punks from around the world to document and promote their efforts across diverse genres and subcultures
  • Soliciting ads and interviews from various labels, distros, fests, and other DIY projects
  • Assigning records and zines to reviewers
  • Maintaining our record collection’s database
  • Preserving the ever-expanding record archive
  • Prioritizing and delegating various tasks
  • Managing account payments and keeping detailed bank records
  • Invoicing & debt-collecting
  • Editing, proofreading, laying out and checking ever word on ALL 120+ pages of content!
  • Creating flyers & ads
  • Daily deadlines!
  • Keeping up with your own monthly column, reviews, and other content

Skills required:

  • Responsibility, reliability, organized and detail-oriented nature
  • Proficiency and comfort with computers (Excel, QuickBooks, InDesign, WordPress and Photoshop are just a few of the programs we use regularly)
  • Ability to communicate well in writing, over the phone and in person, as well as resolve or diffuse conflicts
  • Keen to work with various types of personalities, tastes, and abilities
  • Strong familiarity and enthusiasm for past and current DIY punk & hardcore!!!
  • Sound judgment and ability to work independently, as well as part of a group

Maximum Rocknroll is 100% volunteer-run. Everyone who works here is unpaid, and coordinators live in and run the compound together rent-free in exchange for their efforts.

Don’t delay — get in touch and show us what you’ve got!! mrr {at} maximumrocknroll(.)com

Read here for more info, and a more in-depth look at the Content Coordinator position.

October 15th, 2013 by Francesca

Stevie Stiletto R.I.P.

18 06 2013

Alberto Rivera was kind enough to send this obituary for the late Florida punk legend Stevie Stiletto.

Ray McKelvey, a.k.a. Stevie Stiletto (photo by Julie Beasley)

Ray McKelvey, a.k.a. Stevie Stiletto (photo by Julie Beasley)

Stevie Stiletto, the better known and public face of Ray McKelvey, passed away at home, on March 24, 2013 in Jacksonville, Florida. He had been sick with cancer.

On the surface of it, Stevie’s story is a rock and roll cliché of bad habits, bad luck, and poor timing conspiring against him, but the greater truth is this: Ray and/or Stevie, never quit.

Widely acknowledged as Jacksonville, Florida’s first punk rock band, Ray formed Stevie Stiletto and the Switchblades out of frustration. Tired of listening to records from New York or the UK and reading about his favorite bands performing elsewhere, Ray went DIY before it even had a name, and started his own movement out of the stubborn swamp grass better known as North Florida.

With various incarnations of bands he toured the US And Europe, playing with pretty much everyone. The Ramones, The Dead Kennedys, Iggy Pop, Black Flag — the list goes on and on.

In the mid 1990’s he was scooped up in the frenzy created by punk breakout acts Green Day and The Offspring. But Green Day and The Offspring were anomalies; the only ones from that time to have any notable mainstream commercial success. And Stiletto, along with all the other acts eagerly signed a year or two before, were unceremoniously dumped.

It was at this time that I personally met and played with Ray. About a dozen shows in all. Warm, funny and engaging, his stories seemed almost mythical. Yeah, I slept on East Bay Ray’s couch for a week or two, I think it was in ’84…” or “Dee Dee (Ramone) an’ me were looking for someplace that was open to get a new tattoo…”

In 2009, a documentary called My Life is Great: The Stevie Ray Stilletto Story was released. Filmed by former Jacksonville area resident and longtime fan Kevin Dunn. Dunn is presently working as a college professor in upstate New York. Dunn presents an honest and unflinching look at Ray’s immense talent and oftentimes his deeply flawed shortcomings.

Bands would fall apart, and he would start another one immediately. One band bailed on him, and with shows scheduled, he picked another exisiting band and they backed him so he wouldn’t have to cancel.

Ray was an unflappable and headstrong entertainer. And in the punk community, one of those guys that everyone has seen at some point. Somewhere, Ray’s laughing as he smashes cans of shaving cream with his celestial hammer.


June 18th, 2013 by MRR

John Holmstrom Remembers Arturo Vega

11 06 2013

ramonesArturo Vega, one of the most influential visual artists in punk rock — as the designer of the Ramones iconic and much-copied logo, and artistic director for the band for their entire history — passed away in New York City aged 65 on Saturday, June 8th.

He famously described his thoughts on the creation of the Ramones logo:

I saw them as the ultimate all-American band. To me, they reflected the American character in general—an almost childish innocent aggression…. I thought, ‘The Great Seal of the President of the United States’ would be perfect for the Ramones, with the eagle holding arrows—to symbolize strength and the aggression that would be used against whomever dares to attack us—and an olive branch, offered to those who want to be friendly. But we decided to change it a little bit. Instead of the olive branch, we had an apple tree branch, since the Ramones were American as apple pie. And since Johnny was such a baseball fanatic, we had the eagle hold a baseball bat instead of the [Great Seal]‘s arrows.

We asked John Holmstrom — the founder and editor of Punk Magazine and cover illustrator for the Ramones albums Road to Ruin and Rocket to Russia — to share some of his memories of Arturo. We are very grateful to John and GODLIS for taking the time to share their thoughts and photography of their old friend during this difficult time.

Arturo Vega at CBGB, 1977 photo ©GODLIS

Arturo Vega at CBGB, 1977 – photo ©GODLIS

“One of the reasons I was so fascinated by the Ramones was the fact that they had an official Art Director. At the time I was still just an aspiring artist, fresh out of art school, and I thought that since this band had the smarts to hire someone to make their posters, t-shirts etc. was so very cool. I also liked his work a lot—that early poster of the leather jacket with the eagle belt buckle was a very interesting image, so different from your average rock ‘n’ roll art at the time. It was stark, bold, minimalist…

The very first Ramones poster by Arturo Vega

“I think I became aware of his art after I got to know the Ramones better after I published the first couple of issues [of Punk Magazine]. So although he wasn’t a direct influence, he was definitely an artist whose work I admired and respected. There was a bit of a rivalry because he didn’t like the cartoon look that I brought to their record covers, but I never wanted to be The Ramones Art Director, which he loved so much. His stage banners, t-shirts, logo design, album cover artwork, and so many other contributions to what made the Ramones cannot be minimized. Like his friend Curt Hoppe said to me earlier today: “The Ramones emblem is as recognizable a work of art as the Mona Lisa.”

Ramones Logo designed by Arturo Vega

“But his loft on East 2nd Street–wow! He had his paintings on display, hundreds on Ramones t-shirts in a huge closet, and Joey and Dee Dee lived there. And it was almost on top of CBGBs, so when they would perform there, they’d often hang out at home, then walk downstairs into the club and play their set, then go back upstairs. Arturo was kind of supporting them in those early days, so in a way there might not have been the Ramones without his support.

“Over the years, Arturo became more of an employee of the Ramones and less the fine artist he was after the 22 years-plus he worked for the band. He is one of the few people who worked with the band over their entire career, but for a few years afterwards he continued to handle a lot of their merchandising.

“He was just beginning to come into his own as an artist–he recently held a major, career retrospective in Chihuahua, Mexico, his hometown, where he was also working to try to get kids interested in art and away from the drug gang culture. He seemed to be much happier than he was as the Ramones merch guy.

“I am hearing endless stories about what Arturo did for many, many people–small favors, big favors, a helping hand, financial assistance, connecting people with each other, etc. etc. He was a very generous person and a fun person to be around and so an awful lot of people miss him.”

—John Holmstrom, June 10, 2013

Interview with Arturo Vega on Fringe Underground

The Guardian obituary

June 11th, 2013 by Marc Arsenault

Tonight! MRR Gig at Casa Sanchez!

2 05 2013


Hey y’all!

Guess what? MRR is hosting a punk soiree TONIGHT, 2 May at 7pm sharp!

We are kicking off and kicking back with some of the best local bands, the LIGHT, DIE HARD and the DEAD SEEDS! At Casa Sanchez taqueria tonight! All ages! Punk! Tacos! Margaritas in cactus glasses! $5 measly dollars! 2778 24th St. San Francisco, CA 94110



May 2nd, 2013 by Lydiya

For Sarah Kirsch…

6 12 2012

UPDATE: There will be a Memorial Celebration of Sarah Kirsch’s life on Sunday, January 6th @ 924 Gilman St. Also, money is still very much needed and being raised here to cover a wide range of expenses for Sarah and her loved ones during this difficult time.

Sarah Kirsch passed away peacefully yesterday, December 5, 2012. She had been gaining much strength in recent weeks in her continuing battle against Fanconi Anemia. Close friends and family were together with her at her passing and we are now mourning this utterly devastating loss.

Nothing I can say in this setting can do any real justice to the impact Sarah Kirsch had on my life and the lives of so many others. She was by far the most inspiring person I have encountered in my brief time on this Earth. She was also my best friend. The experiences of that friendship, and her direct impact on my life, shaped who I am today more than any other person. She had a presence and a spirit that will be well remembered, and I will carry it with me forever.

In the truest sense, Sarah was ahead of her time, almost as if from another galaxy: her talent, vision, creativity, empathy, values, compassion, dedication, humility and unrelenting passion for life — all were truly unsurpassable, and there is no one who I could imagine holding those qualities in greater quantity, and with as much natural force, as Sarah did.

Sarah once wrote, “I believe in people. That deep within the most beaten down of us there is a will to survive, an instinct to rise above.” Though she always put her concern and belief in others first, Sarah herself had that same will to the very end.

Just this past Sunday she and I were sitting in her living room, our guitars plugged into our mini Honeytone amps… It was the strongest I had seen her in months, and it was just like our semi-acoustic songwriting jam sessions of old: playing songs over and over and over again, sharing our ideas about different parts, and singing along together. It gave her strength that day, and I’ll never forget how she laughed while we were playing from nothing more than simply how good it felt to be playing those songs with renewed confidence and excitement.

I will miss her more than anything, and my life really and truly will not be the same without her…

— Spencer Rangitsch, December 6, 2012.

Also, Robert Collins wrote in his Terminal Escape blog:

Sarah was more than a guitarist, was more than just a mere inspiration, and even though we didn’t see each other often there was an instant void. I can see the absence on the faces of friends feeling the same thing. When Sarah did things, she did them right. No fanfare, no flag waving, no celebration – just quiet determination and pure conviction. That is her influence, and to me that is her legacy. The records are great (seriously, all of them), but the impact is so much more personal and so much more intense than a few good riffs…even when the riffs are as good as these. It’s the genuine look in her eyes that tells you that everything matters, that you matter, and that what you do is important and to never stop fighting. And to never stop smiling, though I confess that one is pretty tough to pull of today. While her musical legacy is primarily associated with her life spent as Mike Kirsch, Sarah’s personal legacy transcends both gender and sound. Few people in the world of DIY hardcore have been as influential, even as important as Sarah. It’s an impact I honestly doubt she was fully aware of, and a level of genuine respect attained by only the most worthy…these are the things we should say to our friends while they are alive, but rarely do. Never stop fighting.

Sarah Kirsch bandography:
The Skinflutes (guitar and backing vocals, 1988–89)
Fuel (guitar and vocals, 1989–1991)
Fifteen (second guitar on s/t 7”, 1990)
Silver Bearing (vocals on split LP with Moss Icon, 1990)
Pinhead Gunpowder (guitar and vocals, 1990–1994)
Sawhorse (guitar and vocals, 1991–1992)
Navio Forge (guitar and backing vocals, 1993)
John Henry West (guitar, 1992–1993)
Sixteen Bullets (guitar and vocals, 1994)
Torches To Rome (guitar and vocals, 1995–1996)
Bread and Circuits (guitar and vocals, 1998–1999)
Please Inform the Captain This Is a Hijack (guitar/vocals/samples/beats, 2000–2003)
Colbom (guitar and backing vocals, 2001)
Baader Brains (guitar and backing vocals, 2005–2010)
Mothercountry Motherfuckers (guitar and vocals, 2010–2012)

Here are links to a few more pieces on Sarah Kirsch:
And this excellent one by Nate Powell:

Torches To Rome interview from MRR #162, Nov 1996 (click to enlarge)

Feel free to leave comments here or share stories and memorabilia with Spencer (srangitsch {at} gmx(.)net) to be collected for a memorial page to be posted later.  

December 6th, 2012 by MRR