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Create to Destroy! Loud Punk

I met Chris when I was with Perdition on a small Montreal/Albany tour in 2010.  ...

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Record of the Week: C.C.T.V

Record of the Week: C.C.T.V

C.C.T.V – “Quiet” EP The coolest record of the year so far at least to these ...

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2 METRIC TONS OF STEEL, 100 KILOMETERS AN HOUR: Permanent Ruin on Tour in Europe

San Jose's Permanent Ruin recently went on tour in Europe. Drummer Rich Gutierez wrote an ...

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Venganza!

New Blood! SONIC ORDER, VENGANZA! and EXHAUST

“New Blood” is our weekly feature spotlighting new bands from around the world! See below for info ...

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Spokane, WA

MRR Radio #1467 • 8/23/15

Big ups to SK & Kip and 1990s Spokanarchy on this episode of the Rotten ...

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Record of the Week: Power Masters


August 4th, 2015 by

POWER MASTERS — “Home of the Grave” LP
This month’s Mystery Record: no one knows when it got here, no one knows who assigned it, and even midway through listening to it I have no idea what it sounds like. Maybe a David Yow impersonator fronting the bar band from “Roadhouse”? I haven’t seen that film with the sound on in a while, but imagine actually that there are two bands on opposite sides of the room trying to play the same song from memory after not practicing for six months. That’s not meant to be a diss. There is definitely a laid back, behind the groove feel that they’re going for here. Equal parts swagger and self-awareness were poured into this particular rum drink. I don’t know if anyone should be allowed to name a song “Come On Feel This Noise”, but POWER MASTERS certainly did. It has a few cool PENTAGRAM as played by thirteen year-old garage band style riffs, linked by “Shreds”-vid quality interludes (that’s a compliment). I feel like this recording doesn’t capture the vocalist’s delivery as well as it could though. He can manage the swing between atonal deadpan and desperate howl well enough, but some lines kind of fall flat. No moments are really going to get stuck in my head here, but that’s probably not the point. I don’t know if there’s a one big track here that’s going to make my ultimate drinking-in-a-parked-minivan-outside-the-club-after-losing-the-keys mixtape (strictly the EXECUTE and TANK), but a few are weird, loose, and heavy enough to plead their case. I do kind of want to see this band live now that I know they exist, so if I ever swing by Providence I will bring a jug of Malibu just in case. (Eli Wald)
(Surveillance Investments)



Reissue of the Week: Broken Talent


July 30th, 2015 by

BROKEN TALENT – “Rules No One” LP
Fuckin’ sick! Most KBD fans I know have a real soft spot for Florida’s BROKEN TALENT, even tho their classic Blood Slut 7” EP came out in 1984, a full two years after the industry standard KBD cut-off of 1982. It’s gotta be one helluva classic to get KBD golems to pay more than $40 for a 7” EP from 1984 this side of the QUEERS. Imagine my shock to discover there’s a whole fuckin’ LP worth of BROKEN TALENT material. Well, I guess if I was a lil’ more in tune with my mid ’80s punk cassette game, I’d know the BROKEN TALENT “album” came out in 1985 on their own TPOS label. Oh well. This thing is sick, disaffected punk rock, just rough enough to keep the hardcores interested, with enough tuneful hooks to get stuck in the punks’ heads, in the same way that early RED CROSS (O.C.) was the best band that ever existed. Wish the cover art was a little less abstract, I’m worried some people who really need to hear this won’t! (Graham Booth)
(Florida’s Dead)



Record(s) of the Week: Violence Creeps


July 29th, 2015 by


VIOLENCE CREEPS – “I’m Broke/Gridlock” flexi
         “I’m Broke” is one of those songs that is so immediately catchy, punk and destroyed that I thought it was a cover song. The band lurches through two chords while their singer Amber screams her fucking head off about all the shit she can’t afford. The band ramps up their energy through the two paltry minutes of this ripper until it’s on the verge of falling apart. It has an instantly classic sound that feels pure and raw in all the best ways. Without a doubt, it’s easily one of top five favorite songs of the year. That’s a hard act to follow, but “Gridlock” is also a ripper about being stuck in traffic. VIOLENCE CREEPS is lurchy, slow, destructive, pissed-the-fuck-off and perfectly raw. The soundtrack to losing your goddamn mind. This flexi (the worst format, my only complaint) comes with issue #16 of Degenerate magazine. (Greg Harvester)
(Degenerate)

VIOLENCE CREEPS – “On My Turf” EP
I don’t know what to tell you. Yesterday I woke up, ate a shitty fucking West Coast bagel (masochism rears its ugly head), sat down at this computer and didn’t stand up except to piss and refill my coffee for thirteen or so hours. This music is the soundtrack to that. Today I went to my low-paying job and my boss bought me lunch at the organic taqueria that is probably owned by white people and there was some sort of Instagram photoshoot going on involving fish tacos and a hot pink longboard and this was the soundtrack to that. Tomorrow I have to get up at 5:00 a.m. and get on a plane to Minneapolis to see my family which will be nice but we will probably get in a fight over my new finger tattoo and someone will get too drunk at dinner and we’ll all feel terrible about it but it will also be kind of funny and this will be the soundtrack to that. Last night I had an unending stream of maddening interactions with a series of punishers and this was literally the soundtrack to that. It was the record release show for this fine platter in the basement of a completely mystifying club and if you live in the Bay Area and you weren’t in attendance, you’re a poseur and a loser and an idiot. Too strong? I don’t care. Fuck you. This is the best band in the Bay Area. They make me wanna flip over tables and punch people in the face, but they also make me laugh like a maniac and wanna hang out and make weird art with my friends. It’s funny, it’s intelligent, it’s infectious and instantly classic. Watch the music video for “On My Turf.” You’ll get it, if you’ve got eyes and ears and a semi-functioning brain. Watch it. Now. Do you get it? Who needs John Brannon when you have Amber? There’s acoustic guitar and sax freakout and bass skronk and slow FLIPPER-esque sludge but also good old fashioned ’core and hooks for days. (“Drop Out,” you’re moshing!) This is a band that is getting better with every release and this record finds them at the peak of their powers, powers that don’t look quite like anything else out there. For fans of the “catchy-but-weird” hardcore du jour:if you like it tougher, meaner, smarter, catchier, more depraved—you’re a punk, right? So the answer is yes, right?—get this. Wake up, sheeple. (Grace Ambrose)
(self-released)



Record of the Week: NO


July 22nd, 2015 by

NO – “Treating People Like They Don’t Exist” MLP
These Londoners have really outdone themselves this time. While I whole-heartedly enjoyed the self-titled 12” on Static Shock, this record is definitely the next level. The recording here is much akin to “the lunatic ravings of a one-off man-mental!” Somehow the guitar has this brittle clean tone clarity while still being completely overdriven. The bass and drums are heavier than an anvil dropped onto a baby grand and still retain precision and punchiness. On top of all that is this completely feral, animalistic, snarling vocal. All of this alone would make a good record, but it is the totally inventive songwriting that makes this a great record. One more reason UK hardcore is back on the map…with a vengeance. Do yourself and your neighbors a favor. (Jon Kortland)

(La Vida Es Un Mus)



Reissue of the Week: DVA MINUTA MRŽNE


July 16th, 2015 by

DVA MINUTA MRŽNE – “Došao Je Kraj” EP
Cream of the crop Serbian punk from 1984 with a strong Oi! influence. No Plan records has done us a fine service here, as this EP was originally released in an unsatisfactory amount of 100 copies back in ’95, and most online sellers seemingly wouldn’t let a copy go for less than a couple hundred bucks (trust me, I’ve been after a copy for years!) These four cuts are full-sounding, burly, and gruff punk with huge infectious choruses and melodic guitar leads. Imagine classics like BLITZ and CAMERA SILENS but with that unmistakable Balkan flair. Timeless material, perfect for dancing, singing along, and will easily stand out from the pack on your next mixtape. I seriously can’t recommend this (and their other EP on No Plan) enough! (Matt Badenhop)
(No Plan)