Print media is dead? Long live print media! In response to the allegations that print media is on its deathbed, we decided to put together an issue of the magazine focusing on fanzine culture and its significance in the punk community. In this month’s issue we have an interview with Erick Lyle of the long-running San Francisco zine Scam, as well as, one with John Holmstrom of the legendary Punk magazine, one of the first punk zines from NYC. The artist Rich Jacobs compiled a history of skate zines, and we have an interview with Janelle Hessig of Tales of Blarg, the classic East Bay punk zine. There’s a feature about the politics and symbolism of punk flyer art, and an interview with Ryan Wells and Scott Soriano of the outsider garage zine, Z-Gun. Stuart Schrader of the Shit-Fi website discusses fanzine culture in the face of blogging, and for another perspective we have an interview with Rich of the music blog and online community Terminal Boredom. PLUS we asked numerous zine makers to make a page of MRR as if it was their own zine. All of that alongside the usual columns and the most extensive review section in punk!
MRR is contributor-driven, which means that we rely on punks like you for content. You don’t need an invitation to be a part of what we do.
For review and radio play consideration, send two copies of vinyl or one copy of CD-only or cassette-only releases to PO Box 3852, Oakland, CA 94609, USA. Send us the final version of your record—we do not review digital releases, test presses, or promo CDs.
We will review everything that falls within our areas of coverage: independent punk, garage, and hardcore. This means no major labels or labels that are exclusively distributed by major-owned distributors. We reserve the right to reject releases on the basis of content. Music without vocals or drums will not be considered.
Every record that is reviewed is added to our archive, the largest collection of punk records in the world. Please allow two months from your mailing date before following up to ask if we’ve received your submission.
We are always looking for interview, scene report, guest column, and photo submissions. Submission does not guarantee publication. In order to improve the chances of your submission being printed, please read our FAQ.
In addition to records, we also review independently published and produced zines, books, and movies. Please send physical copies to PO Box 3852, Oakland, CA 94609, USA. If you have a streaming link to your film, or if it is playing in the San Francisco Bay Area, please email the information to email@example.com.