Here comes Maximum Rocknroll #394, the March 2016 issue! This issue features a massive bilingual interview with Korea’s noizepunks SCUMRAID in advance of their sure-to-be devastating visit to the US this Spring. Former MRR coordinator Golnar Nikpour got a chance to sit down with Hannah Lew of San Francisco’s COLD BEAT to discuss their new record, Hannah’s label Crime on the Moon, and how to navigate nostalgia and capitalism as a band on the fringes of punk and pop. Scotland’s CLOCKED OUT talk about their influences in Clevo HC and the current state of Glaswegian hardcore, and the LANDLORDS (“true hardcore weirdos” of mid-80s Charlottesville, Virginia) discuss their history and their long-lost second LP.
Also: CONSTANT INSULT offer up a Minneapolis punk basement tour and a Minnesota punk ethnography; Helsinki hardcore band DARFÜR talk about Finnish DIY projects; a trip down the psych-punk wormhole with Buffalo’s UTAH JAZZ; a scene report from the United Arab Emirates; and a photo spread from January’s This Is Austin, Not That Great fest. Of course this all comes with a massive reviews section and all your favorite columnists—in this issue, Not Normal Tapes impresario (and singer in Chicago HC outfit The Bug) Ralph Rivera contributes a brand new music column to the MRR “PC Hate Vision.” This issue also introduces new content co-coordinator Brendan Wells, who just moved in from Minneapolis to help run the very magazine you hold in your hands each and every month. What a time to be alive.
MRR is contributor-driven, which means that we rely on punks like you for content. You don’t need an invitation to be a part of what we do.
For review and radio play consideration, send two copies of vinyl or one copy of CD-only or cassette-only releases to PO Box 3852, Oakland, CA 94609, USA. Send us the final version of your record—we do not review digital releases, test presses, or promo CDs.
We will review everything that falls within our areas of coverage: independent punk, garage, and hardcore. This means no major labels or labels that are exclusively distributed by major-owned distributors. We reserve the right to reject releases on the basis of content. Music without vocals or drums will not be considered.
Every record that is reviewed is added to our archive, the largest collection of punk records in the world. Please allow two months from your mailing date before following up to ask if we’ve received your submission.
We are always looking for interview, scene report, guest column, and photo submissions. Submission does not guarantee publication. In order to improve the chances of your submission being printed, please read our FAQ.
In addition to records, we also review independently published and produced zines, books, and movies. Please send physical copies to PO Box 3852, Oakland, CA 94609, USA. If you have a streaming link to your film, or if it is playing in the San Francisco Bay Area, please email the information to email@example.com.