Maximum Rocknroll is here to help you navigate the wild world of punk with MRR #418, the March 2018 issue!
First, we say goodbye to JJ Jacobson, the vocalist of legendary Texas hardcore punks OFFENDERS. But this issue is not complete made up of farewells! We check out Dublin’s Karate Klub DIY venue and get a brief rundown of the active scene there. We also speak to two British bands: MARTHA, who talks about Marxism and pop music, and SNOB, who may or may not be punk’s ABBA. There’s also interviews with three different punk deconstructionists. There’s ISS from North Carolina, who use a sampler and hip hop influences to create their own punk landscapes. And both MARAUDEUR from Switzerland and SENYAWA from Indonesia discuss the different ways of using improvisation to challenge our ideas of punk.
For the more traditionally minded punks out there we speak to F.I.T.S. from Canada about being Francophones, NOT ON TOUR from Israel about what it means to be an Israeli band, and NEO NEOS from Minneapolis about how they aren’t a “Jimmy Punk” band. Need more? We’ve got more: East Bay’s Dear Diary Zine Fest talks about changes in zine culture in recent years, while Feral Kid Records and More Power Tapes head honcho Eric Bifaro discusses some incredible stories about his life. Add that to all of the reviews and columns that you’ve come to expect, and you have a jam-packed issue!
MRR is contributor-driven, which means that we rely on punks like you for content. You don’t need an invitation to be a part of what we do.
For review and radio play consideration, send two copies of vinyl or one copy of CD-only or cassette-only releases to PO Box 3852, Oakland, CA 94609, USA. Send us the final version of your record—we do not review digital releases, test presses, or promo CDs.
We will review everything that falls within our areas of coverage: independent punk, garage, and hardcore. This means no major labels or labels that are exclusively distributed by major-owned distributors. We reserve the right to reject releases on the basis of content. Music without vocals or drums will not be considered.
Every record that is reviewed is added to our archive, the largest collection of punk records in the world. Please allow two months from your mailing date before following up to ask if we’ve received your submission.
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In addition to records, we also review independently published and produced zines, books, and movies. Please send physical copies to PO Box 3852, Oakland, CA 94609, USA. If you have a streaming link to your film, or if it is playing in the San Francisco Bay Area, please email the information to firstname.lastname@example.org.