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Fukt Up Drumpf!

MRR Radio #1546 • 2/26/17

Fuckin' DRUMPF Pisses Us All OFF! Intro song: K9-67 - Sick Rotten Ron is "sick" as sick as Sick! FOLLETO - Ann AUSENCIA - Cuantas ...

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New Blood! LACKER, NO DICE, CELL ROT, DUMSPELL, MENTALITY, HEADSPLITTERS, and DOGGERY

“New Blood” is our weekly feature spotlighting new bands from around the world! See below for info on how to submit. Now, ...

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AUS ROTTEN (photo by Chris Boarts Larson)

MRR Radio #1545 • 2/19/17

This week's MRR Radio brings you punk from Syria, a Crass Records highlight and a strong anti-nazi message! Tune in! Intro ...

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DRUJ (photo by Jill Seright)

New Blood! DRUJ, PREENING, PROWLER, SNAKE CHURCH, DARK WEB, YUPS, and CLAN DOS MORTOS CICATRIZ

“New Blood” is our weekly feature spotlighting new bands from around the world! See below for info on how to submit. Now, ...

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Stress

MRR Radio #1544 • 2/12/17

Former MRR content coordinator Lydia guest hosts this edition of MRR Remote Radio, and takes a trip through Greece’s ...

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New Blood! CHROMA, NIGHT SHAPES, and BLEEDING GUMS


January 21st, 2016 by

“New Blood” is our weekly feature spotlighting new bands from around the world! See below for info on how to submit. Now, check out some killer new shit…

Band name:logo copy
CHROMA

Date & location formed:

Barcelona, around 2014 and 2015

Reason for forming:
Boredom basically. Chroma saved our lives from the insane daily routine.

What are your lyrics about?
The lyrics are about the issues that we care about, of the realities that surround us, and about ourselves. We throw out ideas and raise points, question affirmations that exist in our imaginations; maybe this openness gives the lyrics a philosophical nature, which was what we were looking for. We don’t want our lyrics to be the same slogans as always. We prefer to suggest new concepts. In the background to all of this, gender issues, feminism, communication, faith, religion and capitalism are the essence of what we sing about.

How would you describe your sound?
It is repetitive, metallic- we try to make it sound like an industrial machine, like something completely unnatural. The thing about Chroma is that we want it simple, musically speaking. We want it to be direct. Our lyrics are super important but most of what the music explores words cannot be expressed: we are angry, we’re not happy, life is violent, society is shit. We don’t want our music to sound good, we want it to be uncomfortable. We are freaks!

What’s in the future for this band?
Chronologically we are releasing an LP with Hysteria Records, Dê o Fora! and Nada Nada Discos that is going to be in your favorite distros around the world in the next month. In February we will be touring the West Coast and playing the MRR Fest.

Links and contact info:
chromapunk.bandcamp.com

barbed-wire-500x12

Band name:
NIGHT SHAPES

Date & location formed:
2015 Oakland.

Reason for forming:
We’re just all into the same shit and had a bunch of gear laying around.

What are your lyrics about?
Usually approach each song with a feeling from the pressures of coping with being a person living with and around other people and the way we treat each other. Every time we play its different. Raw emotion I guess would be the best way to describe it? Like an improv set. Each time we play is different.

How would you describe your sound?
Psych / gaze / kraut / punk / puke

What’s in the future for this band?
Lots of shows. lots of records. New release on Heavy Dose in July.

NS_MMRR

Links and contact info:

nightshapes.bandcamp.com

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Band name:
BLEEDING GUMS

Date & location formed:
November 2015, Chicago.

Reason for forming:
We wanted to start a band between The Stooges and The Fix.

What are your lyrics about?
The current state of humanity, anxiety, depression and mental health, fake friends, manipulative people.

How would you describe your sound?
Raw punk rock.

Bleeding Gums (photo by Martin Crudo)

Bleeding Gums (photo by Martin Crudo)

What’s in the future for this band?
A split tape with another band come summer, a 7″, a second tour to the east coast

Links and contact info:

bleedinggumsrnr.bandcamp.com

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Do you have or know of an awesome new band*? It’s easy to submit to be in MRR’s New Blood feature — just email us the following info, and keep keeping’ it real…

1) Band name:
2) Date & location formed:
3) Reason for forming:
4) What are your lyrics about?
5) How would you describe your sound?
6) What’s in the future for this band?
7) Links and contact info:

Along with the answers please send a band photo at least 600px on the longest side (with photo credits), and a logo if you have one, to:

*By “new band” we mean a band that formed within the past year or year and a half.



New Blood! BLACK COMMUNION, VIAL, and NIÉGALO TODO


January 7th, 2016 by

“New Blood” is our weekly feature spotlighting new bands from around the world! See below for info on how to submit. Now, check out some killer new shit…

Band name:
BLACK COMMUNION

Date & location formed:
Winter of 2014 was our first practice, but it took us until the summer of 2015 to really figure out what we were doing lineup wise, and to play our first show with the current lineup. We’re in Portland, Oregon.

Reason for forming:
I (Jason) played in a band called hell&reason when I first moved to Portland. Through playing shows, I got connected with Gareth (and his band Profits) and Phil (and his band Carrion Spring). Gareth and Phil are some of the most talented people I’ve ever had the opportunity to play with, and I was a big fan of both of their bands prior to our formation. The three of us had been in and out of projects over the past ~6 years we’ve known each other (Gareth and I have been in another band for the past 5 years), and have always been supportive of one another. Good timing, a little boredom, and everything “clicking” by the 2nd or 3rd practice were all contributing factors.

What are your lyrics about?
Destiny.

How would you describe your sound?
I think the best comparison that we’ve received so far was Cursed meets Isis. It’s a good comparison because we are loud, have some fast parts, have some heavy parts, but we also don’t lose track of the groove. So Cursed meets Isis, Converge meets Young Widows, Cave In meets Breather Resist. That kind of thing.

What’s in the future for this band?
More recording. We all toured and did that, and I think we’re good with being a little more settled into our region. So we will probably play in the PNW and maybe the west coast over the course of 2016. But more importantly, we will be recording more songs.

Links and contact info:
BlackCommunion.bandcamp.com
Twitter: @BlackCommunion
Instagram: @BlackCommunion13

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Band name:

Date & location formed:

Fall of 2013

Reason for forming:
So we could hang out with each other all the time and collaborate.

What are your lyrics about?
Standing up for what’s right, standing up for ourselves. Confronting the people / issues in our life that make us angry and need addressing. And then the lessons learned from all of it.

How would you describe your sound?
“Babies scratching on a guitar.” – K Fal

What’s in the future for this band?
“We don’t have a future!” – Italy Jon

Links and contact info:
vialpunk.bandcamp.com

vial-band.tumblr.com

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Band name:
NIÉGALO TODO

Date & location formed:

We formed in early 2014 in the isolated Tuxtla Gutiérrez, Chiapas. Yes, that´s in Mexico.

Reason for forming:
We formed out of frustration of not having any hardcore snotty punk bands in Chiapas, we formed one, you know, DIY and stuff.

What are your lyrics about?
General alienation, frustation with life and that great feeling of stagnation when you reach certain age and realize how horrible everyone around you is.

How would you describe your sound?
I’d love to say raw, but that’s too pretentious and general, I mean, we love Wretched and Selena, so, who knows?. Just give a listen to our stuff and decide for yourself.
What’s in the future for this band?

Well, the guitar player and lead singer moved to Florida, so we don’t know. We’d love to tour the USA and release more stuff.

Links and contact info:

niegaloxtodo.bandcamp.com

barbed-wire-500x12

Do you have or know of an awesome new band*? It’s easy to submit to be in MRR’s New Blood feature — just email us the following info, and keep keeping’ it real…

1) Band name:
2) Date & location formed:
3) Reason for forming:
4) What are your lyrics about?
5) How would you describe your sound?
6) What’s in the future for this band?
7) Links and contact info:

Along with the answers please send a band photo at least 600px on the longest side (with photo credits), and a logo if you have one, to:

*By “new band” we mean a band that formed within the past year or year and a half.



Reissue of the Week: HEX Poison In The System: The Demos LP


November 13th, 2015 by

HEX – “Poison In The System: The Demos” CD
If you liked your punk, the UK in the early to mid ’80s was a good place to be. Not only were all kinds of genres flourishing within said rubric, but there was a significant community of like-minded souls, putting on gigs, writing (and distributing) fanzines, (cassette) tape labels, and whatnot. It meant that bands could (and did!) release demos, on cassette, and distribute them far and wide. The anarcho-punk “scene,” spawned by the likes of CRASS and their progeny (SUBHUMANS, CONFLICT, FLUX OF PINK INDIANS, MOB, et al.) were the inspiration and incubator for HEX. Hailing from the Northeast of England, they were part and parcel of the legendary (well, to us folks, anyways) Sunderland Bunker, a venue, and musicians collective. Herein you’ll find four demos tapes (fourteen tracks in all), recorded in 1986 and 1987. A variety of musical styles, evocative of KILLING JOKE, ANTISECT, and the FAMOUS IMPOSTERS grace the demos. It all features the music gifts of Dickie Hammond and Dave Lainey, better known for playing in HDQ and later LEATHERFACE. Really great stuff all round, and some excellent liner notes do a superb job of capturing the sense of community, and possibility that was nurtured by the scene. (Ramsey Kanaan)
(Boss Tuneage)

 



Record of the Week: G.L.O.S.S. Girls Living Outside Society’s Shit EP


November 13th, 2015 by

G.L.O.S.S. – “Girls Living Outside Society’s Shit” EP
This exists perfectly as a solid hardcore record, nothing necessarily freaky or weird just excellently solid but a thing that makes it stand out (other than the context it exists in) is that you can hear all of the lyrics. No reading along with lyric sheets necessary—somehow, at breakneck speed Sadie manages to enunciate every word. A thing that is always rough to me about hardcore is all the vocals garbled and barked until I kind of just feel like some angry man is yelling at me. And what Sadie is singing about is so integral and important it’s just really fucking cool to just hear every lyric. This record delves into politics in a way that avoids being exclusionary or preachy but instead is filled with rage and love and an overall we’re-in-this-togetherness. It also comes with an excellent zine that furthers the aesthetic and message.
(Nervous Nelly / Total Negativity)

—Marissa Magic



Record of the Week: Aye Nako The Blackest Eye EP


October 14th, 2015 by

AYE NAKO – “The Blackest Eye” 12”

Brooklyn’s AYE NAKO are back with their first release since their 2013 debut LP Unleash Yourself. I know that the band wanted to change their sound after that LP in an attempt to distance themselves from the “pop punk” label and even went as far as talking about releasing a hardcore EP. (I’d love to hear that since “Good Grief” from their demo is still one of my favorite songs of theirs). Instead of hardcore, they went in a completely different direction and delivered a lush, dense, guitar heavy, indie-shitstorm (that’s good) that recalls some of the melodic sensibilities of the best SUPERCHUNK stuff and the guitar noodle-ry (that’s a word) of TED LEO. I don’t use these band names to imply that they’re using these well-worn roadways as a blueprint. I use them as a signifier that AYE NAKO knows their history, they know what the fuck they’re doing and they build on those who have come before them to create their own new beast that is theirs to tame (or not tame) as they see fit. The whole presentation feels like a step up from the band’s previous record, which was no slouch but had moments that felt rushed or not quite fully-realized. There’s no wasted space here. The lyrics dig deep into thoughts on sexual abuse, race, the quagmire of eternal self-doubt, the fucking total-realness of never-ending white supremacy and the insidious ways that it continues to sustain itself. In a music scene that cannot stop focusing on white skin and cis-gender bodies, this record is unapologetically queer, defiant and brown. Plus, it has a lot of sweet hooks. All of these things are important. All of these things are good. I can’t wait to hear what they create next. (Greg Harvester)
(Don Giovanni)