Reviews

Tim Yohannan

V/A Trust Vinyl flexi EP

This comes with issue #10 of Trust zine and has one song each by three of Germany’s current crop of HC hopefuls. The EMILS play an ultra-fast tune, CROWD OF ISOLATED have a slightly slower but very powerful sound that rips, and JINGO DE LUNCH come on with a late-period AVENGERS sound.

V/A It Came From the Garage II! LP

A really fun comp of Detroit-area garage bands. Lots of grunge and great rock’n’roll beats. Features ELVIS HITLER, LOST PATROL, GORIES, ARTPHAG, ZOMBIE SURFERS, and others.

Wire The Peel Sessions 12″

Four tunes from early ’78, in well-done (but a bit toned-down versions) from their studio releases. Still, this material (especially “I Am the Fly” and “106 Beats That”) is mandatory for those who can’t find their first three 12” releases.

Vulgarity Kids M-1 flexi 8″

More hot Japanese stuff. This month’s batch has been largely exciting, really raging, cut-loose HC and this one’s right up there. A four-song, one-sided red 8” flexi that contains this warning: “This is disgusting music.”

V/A …From the Middle of Nowhere LP

A mixed bag of psych pop and pop punk, most of which is culled from previously released LP tracks. Includes SMARTIES, TRASHING GROOVE, CRETINS, FURY IN THE SLAUGHTERHOUSE, and more.

Angry Kids / The Creeps Failure to Communicate split EP

Out of Massachusetts come the CREEPS and ANGRY KIDS. The CREEPS rip it up on four songs, all done in a raw and energetic style that harkens back to punk’s early days—a treat. ANGRY KIDS have a more modern HC sound with a bit of DC influence on their two longish tunes. Pick it up.

V/A Black Brittle Frisbee LP

A real variety pack of differing rock’n’roll styles. JOT reminds me a bit of BEEFEATER; MODERN VENDING will appeal to Minneapolis pop fans; SCRAMBLE GRIT has a DC-ish sound; DATURA SEEDS is Paul Mahern’s (ZERO BOY and producer of this LP) current band; SLOPPY SECONDS turn in three more punk classics; RIGHT TO LEFT is a GIZMOS spinoff; and MIKE’S HOUSE is rocking folk.

V/A A Vile Peace LP

Eighteen bands, most of whom are in the non-melodic thrash vein, contribute tracks to the theme of the world’s ongoing warfare mentality. Included: CIVILISED SOCIETY?, ATAVISTIC, CHUMBAWUMBA, REVULSION, REST IN PAIN, DAWN OF LIBERTY, and lots more—a veritable who’s who of modern UK hardcore.

V/A Z Siege EP

No title on this international release. The cover only indicates the bands: COLERA (Brazil), CIRCLE OF SIG-TIU and DUNKEL TAGE (Germany) and W.D.M. (Finland). One song each on this blue vinyl slab, all good, powerful studio tracks.

The Stupids Jesus Meets the Stupids LP

Tommy and Co. let loose with yet another excellent hardcore blast. Lots of production but lots of the basics as well, adding up to an A-1 release. Got a promo EP with mine, a white vinyl job that’s fun as well. Funny-ass cover art on the LP.

Serial Killers Roadside Rendezvous LP

Splatter rock, mainly aimed at cutting up women. “Hey, but it’s a joke, dude.” True enough, and everyone’s entitled to their cup o’ tea, no matter how dumb. It’s just great that all the men involved in this project are so enlightened and have such a good sense of humor that violence toward women is OK to joke about. Hey, racism is funny too, dude, for white people.

Sentimiento Incontrolable Les Divierte Asesinar EP

This indie contains four long-ish tunes that range more into post-punk than punk. The guitar sound is too “pretty” for me, but the vocals have an edge, as do the lyrics (very politically aware, especially in terms of Argentine politics). Most tunes here are slow-to-medium, though they do sometimes gain third gear.

Screaming Broccoli Screaming Broccoli LP

Decent pop punk out of this Vermont group, though the music is pretty lightweight at points, and that, coupled with the “pretty” vocals and harmonies, makes it difficult to set teeth into. No lyric sheet, though from what I can hear there’s nothing too biting there either.

Project X Straight Edge Revenge EP

This straightedge “mystery” record comes with issue #7 of Schism zine. All the songs are negative—how’s that for positive—and insinuate violence, revenge, threat, and other forms of good living. Contains members of various NY straightedge bands.

M.F.D. All of This EP

Continuing in the vein of their fine LP of last year, but these three songs are a little bit more homogenized. The sound is similar throughout, keyed by a signing, high-pitched guitar, clean production, and good tuneage.

LUL Inside Little Oral Annie LP

Borrowing from ealy punk influences, early ’80s UK post-punk, no wave, modern US hardcore, post-BUTTHOLES insanity and post-VICTIM’S FAMILY jazz, this combo rages. Fans of NOMEANSNO, KILLDOZER, etc, take note.

Crazyhead Baby Turpentine 12″

Two fast tunes and two slow ones, both with a lot of guitar and beat, though the latter gets old fast. The poppy pair have a R’n’B based rock structure, sorta like DR. FEELGOOD meets NOMADS on a so-so day. Plenty of potential, but lagging somewhere along the line.

Black Flag Wasted…Again LP

A repackaged “greatest hits” LP, this features “Wasted,” “TV Party,” “Six Pack,” “I Don’t Care,” “I’ve Had It,” “Jealous Again,” “Louie Louie,” “Gimme Gimme Gimme,” “Slip It In,” and more.

The Bears Insane!! LP

This is volume one of a “roots of punk” series, featuring Northern Ireland’s BEARS. They put out two 45s in ’77, one of which “bears” the name of the LP and rates in my top ten all-time punk list. However, that track on this live in ’77 recording is nowhere near as electrifying. Decent, but not necessarily magic.

7 Seconds Live! One Plus One LP

Aside from a song or two, this live LP represents their latter sound, a rock-oriented approach. The songs are less anthemic and less gripping, more prone to length and dilution. It’s hard for me to relate to this approach, especially as 7 SECONDS was my fave for many years. And given my fondness for Kevin, it’s doubly hard to say I don’t really like this period of their work, never mind the thin sound on this LP.

V/A We Got Party LP

The third in this sorta series, another monster with 41 bands, plenty of great punk, and of course, no info on any of the bands. I’m sure a lot of these tracks date back to ’83 and are by bands long gone as well as current groups like NOFX, MANIFEST DESTINY, CRINGER (who never sent in a tape and didn’t know anything about it till they saw the LP at my house!), LIFE SENTENCE, DEHUMANIZERS, CANCEROUS GROWTH, PTL KLUB, etc., and lots of vinyl virgins.

V/A Suuren Hiljaisuuden Jälkeen… EP

Risto Eronen has been doing a lot for the Finnish punk scene for years, but he’s now doing even more—putting out vinyl. This first release is a one-song-each comp featuring APARTHEID, IRSTAS, KUMIKRISTUS, VAPAUTUS, YTIMENJATKE, and NOJDANKENA. Lots of hardcore styles are represented, and I found the latter band’s slow but powerful attack the most refreshing. Watch for more.

V/A Shall We Dance? LP

Four bands that combine “tunes and speed” says the promo sheet. Well actually, what we have are four bands (JOYCE MCKINNEY EXPERIENCE, INCEST BROS, DECADENCE WITHIN, and NOX MORTALS) that play more traditional sounding punk—melody and medium-paced tempo. Female and male vocals on two bands, neat package, good stuff.

V/A Raw Cuts, Volume Five: Swedish Beat Two

This series’ second go-round on Sweden, covering neo-’60s garage bands. This one features the HIJACKERS, HIGH SPEED V, UNDERTAKERS, SUBTERRANEANS, PRESCHERS, BANGSTERS, CORNFLAKE ZOO, and CRIMSON SHADOWS, capturing a variety of mostly hard-edged guitar punk à la ’67.

V/A Oi! Glorious Oi! LP

COCKNEY REJECTS, ANGELIC UPSTARTS, and SHAM 69 from the older generation and a host of newer Oi! bands like INDECENT EXPOSURE, BRIAL, INTENSIVE CARE, SECTION 5, etc. Some OK lyrics, some shaky ones such as the Y.D.L. song, overall good catchy tuneage.

V/A My Meat’s Your Poison LP

A hot comp featuring OUTO, CHICKEN BOWELS, SYSTEMATIC DEATH, GUDON, S.O.B., and LIP CREAM. Raging from start to finish, the OUTO and S.O.B. cuts are definitely the highlights, especially the latter who are unbelievable.

V/A It’s Midnight Xmess, Part III LP

Their third twisted “holiday” comp, much in the vein of the previous LPs. Most of the bands are ’60s garage, blues, psych, featuring IGUANAS, GOREHOUNDS, SHARKY’S MACHINE, SENDERS, BROOD, etc., but my fave is the raunchy all-female STERILLES doing “Mrs. Claus has Menopause.”

V/A The Incredible Power of Darkness LP

Vol.1 of a worldwide HC comp series, with most of the songs being in a speedcore vein. Lots of the tunes have been released before, though several are re-recorded, and there are a few unreleased tracks as well. Included are VELLOCET, ACCUSED, DAMAGE (Finland), INFERNO, CAPITAL SCUM, STUPIDS (huh?), NO ALLEGIANCE, MANSON YOUTH, MANIACS, and G.R.B.

V/A The 11 Years On Zine Farewell Flexi EP

A three-song release that accompanies issue #10 of 11 Years On ‘zine. BLOOD AND THUNDER, HEAVY DISCIPLINE, and INSTIGATORS all do one, the latter being live. Last issue of this ‘zine, so pick it up now.

V/A Censorship Sucks! LP

This is a No More Censorship Defense Fund benefit LP with a variety of styles and bands. On the punk side are OI POLLOI and CÁTERAN, while there are a host of aggressive-sounding post-punk bands like PASTELS, SHAMEN, MEMBRANES, PRIMEVALS, PALOOKAS, MEAT WHIPLASH, etc.

Toothpaste Oh Yeah, Come On / Kids Do the Darndest Drugs 7″

It’s been three years since their last EP, and while these two tunes maintain their catchy approach (GARY GLITTER-ish on the A-side, early wave-punk on the B), there’s not much beyond that in the way of content.

Swiz Down EP

Not too hard to tell this is a DC release. From the cover art to lyrics to musical approach, this is DC all the way. The lyrics seem to have a fixation on the concept of “time,” which shows up in a couple songs. OK start.

Sperma Shaking My Heart EP

That’s not all female singer Ranko is shaking loose on the front cover. Both originals are rock-punk—not too bad, coulda been worse. But on the cover song, “Train Kept a Rollin’” (a song lots of bands, like the ADOLESCENTS, are doing), it gets pretty unbearable.

Sick Of It All It’s Clobberin’ Time / Just Lies EP

They’ve had it up to here and they’re not gonna take it anymore. So, they’re gonna bitch ‘n moan and strike out in anger. No solutions offered or recommended. The only tune that offers any emotion other than anger/revenge is “Give Respect,” which says that it’s actions that prove the person—a worthy thought. Hope to see a broadening of their range of emotions/humanity; otherwise, this is your moshable NYHC.

Ramonez ’77 It’s a Better Ramone For You 12″

With a name like this and the RAMONES-type artwork, I was surprised that only about half of the tunes sound like direct ripoffs, while the others are more generic pop punk. That’s not to say this isn’t enjoyable—it is. Strange concept, though.

Radiopuhelimet Sinappia Ja Ketsuppia EP

A very unique release, this band combines hardcore ferocity with an aggressive post-punk rhythmic attach, all the while maintaining their clarity and pop sense. Another way to describe it is mixing the BIG BOYS, BIG BLACK, and the STALIN. Hot!

Pagans Don’t Leave Me Alone / Real World 7″

The A-side is a 1979 studio recording of this seminal Ohio punk band, though it doesn’t have the excitement of their early singles, LP, or subsequent and current releases. The flip is zippier, a live recording that rocks hard but is a true classic.

Thee Mighty Caesars Punk Rock Showcase LP

On most of the tunes, the CAESARS update (maybe) the early KINKS’ sound, so their “punk rock” goes back to the roots. But they do three covers here, “A.T.V.,” “Neat Neat Neat,” and “Submission,” all done fairly faithfully to the ’77 originals. Weird shit!

H.D.Q. You Suck! LP

Pretty enjoyable medium-fast-paced punk. Lyrically, very astute and conscious, with a “fuck you!” anger to boot. Very clean and well-produced sound with lots of power, but perhaps too many similar sounding tunes. Should appeal to a broad sector of the punk/HC audience.

Gang Green You Got It LP

This band’s answer to problems is drinking the world away and partying. Their more commercial rock sound is played hard, but it’s nowhere near the ferocity of days gone by. Lyrically, again it’s frivolous and escapist, but “Another Bomb” and “The Climb” show there’s still a mind beneath the booze.

Final Conflict Ashes to Ashes LP

Alog the lines of CRUCIFIX, FINAL CONFLICT are carrying on a tradition of politically aware hardcore. Very strong musically and politically, they don’t hold back, and in an all-too-hedonistic and conservative environment like Orange Co., it’s no small feat to maintain one’s values and drive. They do.

Extrem Wir Sind So Frei EP

Out of Austria, this band shared an LP a while back, and on their first solo vinyl they deliver six sizzling hardcore tunes. There’s a bit of metal riffing but no solos in their attack, just lots of tight, raging power and political lyrics.

The Defoliants Hang Ten EP

Finally vinyl from this band! Two slow-ish surf instrumentals, one raging surf instrumental à la fellow chem-rockers AGENT ORANGE, and one brooding tune. What binds them together is the really cool guitar work, which combines surf and psych in an interesting and tough manner. This one’s growing on me.

The Damned The Peel Sessions 12″

This is the DAMNED’s second release in this series (the first being from ’77), and this was recorded in ’76. Needless to say, all five tunes here are very energetic, classic punk rock, and for those who don’t already have their early material, here’s your shot.

Fuck Geez Here’s the Fuck Geez パンク·ロックで埋めつくせ!! EP

This European label has got a handle on getting Japanese HC to the world (a 7″ sampler, this disc, and a comp LP to come), a welcome project. On this release, FUCK GEEZ crank out five great pop punk tunes, all with great verve and sound. Catchy tunes (some off their Japanese 7″s) and hot packaging (as are all the records in this series so far).

Utter Stench Cry for Help LP

Pretty nondescript hardcore. Out of the British school of noisy thrash, there is little tuneage, not exceptional tightness, just your everyday bang-away thrash. Title track has the most going for it.

Blackout Running Out of Time EP

Strange record. Side One consists of two songs, both punk-ish with good drive and aggression, while maintaining a quirky aspect. On the flip, the quirkiness comes to the fore, and musically they transform into an experimental-ish post-punk band, much lighter and eclectic.

B.A.L.L. Period (Another American Lie) LP

Basic and raw, degenerating into noise jazz at times, this will appeal to those who like the NY noise bands of today (SWANS, SONIC YOUTH, etc.) and the NY noise band of the past, VELVET UNDERGROUND. Cool and bizarre cover of PRETTY THINGS’ “I Can Never Say.” Contains members of SHOCKABILLY, HALF JAPANESE, and VELVET MONKEYS.

Verbal Assault Trial LP

Less than half the tracks here have enough oomph to make their long and drawn-out format hold my attention. But those that do have punch are good ones, delivering melodic but powerful hardcore à la late MINOR THREAT. No lyric sheet, a trademark of this increasingly impersonal label.

Bad Brains Legends From the End of Time 12″

No, this is not the U.S. band of fame, but a pop punk neo-’60s band. At times they sound like LOVE, especially the Arthur Lee-type vocal inflection, though the music is a bit more modern. I knew that France was isolated musically, but this is a bit much!

GG Allin Dirty Love Songs 2xLP

Just in case you don’t have enough GG ALLIN records, this release will solve your problems. OK, this package contains no songs playable on the radio, ten songs with “fuck” in the title, three with “cock,” five with “piss” or “shit,” etc. Live and studio, usually good sound quality.

Kansanturvamusiikkikomissio Seitsemäs Pasuuna 12″

KTMK return after a few years’ vinyl absence, and though their famous short insane songs have disappeared in the interim, what remains sounds OK. Songs are in the medium-speed range, focusing on the beat and power. Good guitar, not too much of the post-punk pretentiousness, and hot production.

Die Goldenen Zitronen Porsche, Genscher, Hallo HSV LP

At least on their second LP, this funny punk band combines pop punk with that curious mixture of country music and German drinking tunes, a blend that goes down pretty easy. Lots of tunes sound familiar, meaning they’re good at ripping off tunes and rearranging them, twisting them for their own weird reasons. 

Sewer Zombies Conquer the Galaxy LP

David says this is what can happen if you go too long between records. All I know is they’ve made the most radical change of direction since BAD RELIGION hurled themselves into the unknown and barely made it back alive. So, from a hardcore band they’ve become a WALL OF VOODOO synth/mood band. Only on one track do they use drums and guitar. Hope they get back alive, too.

Expatriate No Sleep Til Chugwater EP

Though there is a decidedly metal stamp on their material, it’s not too tedious to stomp out their originality. A fairly unique blend of powerhouse metalcore, imaginative structure, and smart lyrics set them apart from the speedcore pack. Worth checking out.

Drunk Injuns Frontside Grind LP

Dark songs of love and bleakness set to mid-tempo punk. The almost forced “sung” vocals may attract some and alienate others. This band stems from the original LOS OLVIDADOS, who eschewed hardcore in favor of slower, more powerful tunes.

V/A Super Seven Sampler LP

In their never-ending series of comps, Mystic Moody presents fourteen tracks by fourteen bands. All of these tracks are taken from previous 7”-ers. Cool cover and some classic SoCal punk rock.

V/A Schmurz-Pilation LP

Anywhere from three to five tracks each from Toulouse’s PIN PRICK, LE BLOB!, BLABLA SCHMURZ GROUP, JOZEFS ET LES PHILLES, and SWINGLE GARROTE. All the groups play various types of ’77 punk, most of which is infectious and peppy. JOZEFS and the band are an all-female group that shows its ’77 roots best, SWINGLE GARDEN are young and powerful, PIN PRICK rock quirky and French. Good stuff.

Halo of Flies Garbage Rock! 12″

More guitar raunch garage punk here, though it’s a bit more eclectic than in the past. Side one rocks hard with that “just a little off” quality that makes it special. Side Two is a bit too disjointed for me, but it’s still hot.

Godfathers Birth School Work Death / S.T.B. 7″

Their first major label release shows their usual pop flair and basic beat, though both tunes are more blues-based than previous releases. Catchy, but I wish they cut loose a bit more with that ever-cool guitar.

The Flamin’ Groovies One Night Stand LP

Recorded in Australia in ’86, this latest incarnation of the GROOVIES contains originals (dating back to ’67) Cyril Jordan and George Alexander. Included are reworkings of “Kicks,” “I Can’t Hide,” “Shake Some Action,” “Slow Death,” etc., as well as some WHO and r’n’b covers—all inferior to either their own previous versions or the originals. While I admire their rock’n’roll dedication, there’s a real lack of spark or insanity here.

Attitude Kein Schlaf Bis Deutschland 12″

Actually a really good record from this S.F. band. While the metal influence is apparent, it’s not as dominating as when they play live, and on these five cuts, it’s the power and energy that rule. Also, the lyrics are excellent and serious, which is surprising considering singer Andy Aeroplane’s normally non-stop wise guy personality. No U.S. release planned.

Anti-Heros That’s Right! LP

A skinhead band that’s not bald, praising the glory of being young and not too bright. Their claim is being “famous through slander”; pretty much of an overstatement for a decent sounding but uninteresting Oi band. No lyrics included. From Georgia.

Angelic Upstarts Blood on the Terraces LP

New material from these aging upstarts, and pretty decent stuff at that. As with most of their previous material, the tunes are slow-to-mid-tempo with the accent on lyrics and understated Oi-type songs. The interesting tune here is “I Don’t Wanna Fight the Soviet,” showing quite a bit of insight from a so-called “working class” outfit.

GG Allin & the Holy Men You Give Love a Bad Name LP

What a cool guy, huh. He rapes girls, shits on the audience, does drugs and pukes all over himself—anything he wants. He plays grungy-ass rock’n’roll—really punk. But I’m still disappointed. G.G. let me down. If he was really the heir to Jerry Lee and Iggy, he’d have made this a scratch’n’sniff record.

Agnostic Front Liberty & Justice For… LP

Full-on speedmetal now, losing most all previous distinctiveness. Lyrics remain angry but vague. Some are anti-state, or at least what it does to the individual, others are critical of those who oppose. Last time we talked, they said that they were getting away from the stupidity of what the skin scene became, yet here they cover the IRON CROSS anthem “Crucified.”

Raymen From the Trashcan to the Ballroom 2xLP

A pretty energetic release that ranges from CRAMPS-type trash to punkability to Robert Gordon/Jack Scott deep-throated ballads to classic punk. All songs are crazed in some way, be it by voice or instrument distortion, speed-crazed pacing, or just enthusiastic x 10 playing. Boss.

R.I.P. No Te Muevas! LP

Out of the Basque region comes this hot release. R.I.P. produce melodic thrash and punk with lots of catchiness, and, as might be expected from a band out of this controversial area, highly political lyrics. Comes with a huge foldout insert, translated lyrics, and lots of good music. Get this!

Pailhead I Will Refuse / No Bunny 7″

Unmistakably Ian MacKaye on vocals, teaming up with a member of industrial/dance band MINISTRY. Both tunes combine elements of each person’s forté, and it works. Post-EGG HUNT industrifunk punk. Lyrics seem interesting, but no sheet to clarify.

White Flag Wild Kingdom LP

A lot more pop than in the past (at times even power pop), this release puts the accent on harmony and melody. Sounds like the BEATLES meet early punk with some thrashy energy. Lots of short, goofing around tracks, as well as their usual good production sound. Guess this signals the end of this label as an indie.

V/A The Weird Weird World of Guru Weirdbrain LP

I wish there was more info on the bands included on this Irish comp, ’cause they’re largely excellent. Lots of pop punk, garage, psycho surf, etc. Fans of UNDERTONES, CRAMPS, REVILLOS, etc. will enjoy the CANNIBALS, PARALISED PURPLE RAYS, PARANOID VISIONS, GOREHOUNDS, BARRACUDAS, etc. Rocks.

V/A Flipside Tunes: Vinyl Fanzine Number Three LP

Big names are on this effort (7 SECONDS, ADOLESCENTS, CIRCLE JERKS, the BRIGADE, M.I.A., S.N.F.U., DOGGY STYLE, TESCO VEE & WHITE FLAG, C.O.C.) as well as medium names (LITTLE GENTLEMEN, VATICAN COMMANDOS, MAD PARADE, SLAPSHOT, 76% UNCERTAIN, LEMONHEADS, SHONEN KNIFE) and the newer names (BULIMIA BANQUET, PROBLEM CHILDREN, COPULATION). Tunes are both live and studio, of varying sound quality. Interesting notes: what does it mean when the BRIGADE rocks more than 7 SECONDS?

V/A Discpan Hands: A Philadelphia Compilation LP

A Philly comp featuring a variety of mostly mid-tempo punk and some thrash. Standouts include DEADSPOT, PAGAN BABIES, TONS OF NUNS, BLUE, SHE MALES, ANTHROPHOBIA, HOMO PICNIC, MCRAD, DAS YAHOOS, and more.

Subterranean Kids Los Ojos de la Victima LP

This came out earlier this year, but we just now got wind of it. And I’m glad we did—this is raging US-type non-metallic thrashcore, dudes, and while not the tightest or best-produced record in the genre, it’s a totally enjoyable slab. Sparks of distinctiveness should develop with the next record.

Spacemen 3 Sound of Confusion LP

A seven-song guitar/beat record. Slow tunes, lots of raw guitar, straight beat, psych feel, but not enough rage in the vocals (a touch of SUICIDE would’ve appealed) or feedback noise in the guitar. Otherwise, decent.

Skullhead White Warrior LP

The system robs us all of identity and power, and encourages us to fight amongst ourselves to maintain their grip. So, it’s always lovely to see working class people (oi, mate) take out their frustrations on people who are even more fucked over and vulnerable. What can you say about a singer who has his favorite footwear tattooed on his cheek?

Nazgol Good Demons 12″

Driving mid-tempo punk dominated by very raw guitar and intense male and female shouters. It’s faster than FLIPPER, but has the same level of grunge and abrasiveness. One side’s studio, and the live side seems faster-paced. Both sound good.

McRad Absence of Sanity LP

Sort of a whiter BAD BRAINS (newer material), utilizing rock, metal and reggae influences. Most songs are slow-to-medium paced, with only one straightforward thrasher. This is somehow a skate band, whatever that means.

Lyres Live at Cantones LP

A collection of live radio broadcasts, featuring this organ-dominated garage/frat party neo-’60s band. Out of Boston and having roots in the early punk band DMZ, these guys do lots of covers as well as a few tasty originals. Basic rock’n’roll.

Zero Boys Vicious Circle LP

What can you say? You take one of the best all-time hardcore records, add 6 extra tracks (from previous comps and tapes) of equal quality, and you’ve got an awesome fucking record. Initially released in 1982, the singing and playing still outdoes most anything that’s happened since. Killer.

Volcano Suns Bumper Crop LP

A new line-up for this Boston band. Though there are fits of rage here and there, and glimpses of real power and acceleration, too often the “corporate pop” sound predominates, an overproduction that homogenizes any eccentricities. Still, the tracks that do demonstrate genuine emotion are really good, just with that shone through more.

The Vernon Walters / Indirekt Present History split 2xLP

Great concept, two split LPs packaged together with lotsa info, enclosures, and fine music. VERNON WALTERS play a highly political and intelligent form of pop punk, sung in English. INDIREKT hit back in Dutch with many punk forms, though there’s less really uptempo stuff then in the past. All in all, an excellent example of cooperation and DIY spirit, and good music to boot.

V/A Turn It Around! 2xEP

This package is a dedication to the spirit of the Gilman Street Project. Featuring 12 groups that participate regularly at Gilman (both as bands and individuals), there is plenty of music as well as a 14 page booklet. Bands include ISOCRACY, CORRUPTED MORALS, STIKKY, YEASTIE GIRLZ, NASAL SEX, SWEET BABY JESUS, RABID LASSIE, OPERATION IVY, CRIMPSHRINE, NO USE FOR A NAME, SEWER TROUT and BUGGERALL. My prejudiced view: hot!

V/A Skull Thrash Zone, Volume 1 LP

DOOM are terrible metal, SHELL SHOCK are decent metallic hardcore, X are enjoyable thrash, JURASSIC JADE are as bad as they sound, GROUND ZONE is boring metal, and ROSE ROSE make powerful thrash noise. And they all look like a punk version of KISS.

V/A The Savages Are Loose LP

This compilation covers a side of the greater DC scene that we rarely hear about. Other than MADHOUSE, PHLEGM, SARCASTIC ORGASM and ASBESTOS ROCKPYLE, most of these bands are new to vinyl, and deliver a variety of garage punk, thrash and grunge. Featured are MOTOR MORONS, PLATINUM SLUGS, BAD VIBES, SYBIL PURE EVIL and many others. Only problem is no insert/no info on the bands.

V/A Raw Cuts, Volume Four: Australian Nitro LP

This edition covers Australian neo-’60s garage bands, and there’s quite a bit of psych/gloom stuff as well (too much). But bands like LIZ DEALEY & THE TWENTY SECOND SECT. CONEHEADS and ASSASSINS do kick ass, making it worthwhile.

V/A Oversea Connection LP

Don’t be put off by the cheesy cover, this LP don’t smell. Bands like FEAR ITSELF, DEPRESSION, A.P.P.L.E. TH’ INBRED, ATTITUDE, DEAD SILENCE, G.A.S.H., LIFE SENTENCE, PSYCHO and lots more add both live and studio tracks. A good selection of many punk styles.

V/A The Iowa Compilation LP

A statewide comp of varying alternative musics. There isn’t any hardcore, but most of the pop stuff here has an edge, and bands like CLAUDE PATE, HOUSE OF LARGE SIZES and SHELLGAME do have quite a bite.

V/A (F-R-5) LP

A weirdly conceived LP, because other than a hot and previously unreleased LAW & ORDER track, a so-so version of SCREAM’s “Solidarity,” and a live G.I. track, the rest is very commercial wave stuff. Given all the DC bands whom we haven’t seen on vinyl yet, I was disappointed with this selection.

V/A 1984 the Third 2xLP

Quite an accomplishment. An excellent sampler of mostly not-famous bands, but bands that really put out. Lots of differing punk styles, fine choice cuts, lots of listening and most all are invigorating. Bands from Czechoslovakia, Peru, South Africa, Hungary, and just about everywhere else. Hot.

V/A 4 Bands That Could Change the World LP

Rully? OK, 7 SECONDS, AOD, WHITE FLAG and F come up with 4 or 5 tunes each, oddities, versions, live takes, etc. Pretty fun selection, plus bits of goofiness and experimentation.

The Stomach Mouths In Orbit 12″

These guys had an extremely zany and attacking sound, deeply rooted in an early SEEDS mold, but rarely does that manic aspect surface anymore. Only one of the six tracks here really approaches that intensity. Instead, they settle for decent organ-dominated ’60s punk with no stinging guitar and no psychotic vocals. Too studied.

The Stench Zigame Waw Spea Me Vt EP

Ah, finally a non-metal HC band out of Utah. Sounds like a great unknown band from ’82, but this is today and a welcome relief it is. Hot, inspired playing, tons of energy and hooks, catchy tunes and cool vocals. As you might guess, I like this a lot!

Scream Banging the Drum LP

Turn up the volume on this baby, and you won’t be sorry. Great production brings out the best here, and though the pace isn’t as frantic as before, the power is well directed, the hooks are there, and the energy flows hot. A welcome surprise.

Ramones Halfway to Sanity LP

I made the big mistake of listening to a lot of old Ramones recently, which put this new release into perspective—a bad one. The edge is gone, the wackiness wants, and the singing normal. Outside of “I Lost My Mind” and “I’m Not Jesus,” this is really inferior material, and one can only wish they were halfway to insanity.

The Pogo Hysteric Generation 12″

Let me guess—pop punk? Yup, five slow-medium tunes, one uptempo number. I can’t believe how many Japanese bands are going back to ’77 punk, but are showing no imagination or hindsight in how they regurgitate it.

MDC This Blood’s for You LP

A very well-rounded, powerful, humorous yet political release, much improved over the last one. Dave is really out there, and his character really comes across here, Experimentation usually works on this release, the lyrics are sharp, the cover art is a treat. Side Two lags at times, but I think the guts and sentiments come across really well. MDC is one of the few HC bands to really cut across time and cultures.

L’Attentat Made in GDR LP

The first East German punk band to release vinyl, and decent it is. Much of the material is typically German older-style punk, while there are a few thrashers as well. Lyrics are translated into four languages and give a good insight into life in East Berlin, showing differences and similarities. A brave band.

Dee Dee King Funky Man 12″

He’s Dee Dee Ramone and he’s soundin’ funky, havin’ some fun but he’s still bein’ punky, rappin’ down his philosophy, out right now on this maxi EP, don’t know if you dig it cuz it ain’t fast, but that DD man he had a blast.

Insolents Spit in the Mirror LP

Decent but relatively unvaried hardcore here. The songs do indeed have melody to them, but the overriding impact is from the metal-heavy rhythms, the similarity of tempos, the gruff vocals. This LP is much like their previous EP, though not quite as clear in production.

Human Zoo Human Zoo 12″

Hard to say exactly what this band is, but there’s a picture of a bedraggled IGGY-like character on the back cover, and in many ways the six songs here relate back to early ’70s rock as well as ’76-’77 type garage. Basic.

Gore / Henry Rollins split LP

Hank and Co. pound out a half dozen bone-breakers, and then Holland’s GORE return the compliments with their monotonous post-metal instrumental sound. Lots of crunch on both sides, but there’s an oppressive feel to the whole slab, a tedium to the non-melodic attack.

Crucial Youth Straight and Loud! EP

They exaggerated straight edge to an absurd extreme, and it’s amazing how many people took them seriously, both pro and con. With songs against littering, in favor of rewinding video cassettes, and a “positive dental outlook”, all done in imitation of Ian, Kevin, Pat and Ray, you’ve gotta lighten up. Lots of fun.

Cattle Escalator Stampede EP

Hmm, “Ghost Riders in the Sky”-type “western” instrumental, pulsing fuzz-guitar industrial punk, 77-type dumbo punk, and yet another instrumental—all on one slab. The styles clash, but the music hangs.

Jello Biafra No More Cocoons 2xLP

Like all spoken word records, it may be hard to listen more than once, but a good listen it will be. Jello’s in great form here, doing his satirical Lenny Bruce approach to politics, punk, culture, etc. A very scathing attack causes thought and quite a bit of laughter, and gives a really good insight into how the DK’s former guiding light views the world. A wealth of information on most of today’s attacks on freedom.

Arm the Insane Remember LP

As with their previous release, this one has some really excellent lyrics, but again fails to rise above the early 80’s UK plodpunk sound. Not that it doesn’t have power or guts, but if current bands are gonna play older styles, they should really present them with an approach that makes them sound fresh and exciting. Decent.

Anti-Heroes …And The Government Laughs! EP

The package this band’s record comes in is actually a 36-page booklet, written in German, full of information on nukes, racism, censorship, etc. The songs are all mid-tempo punkers, most holding my interest. Obviously a committed band, definitely into it.

Husky Voice Fight Through the Life flexi EP

Japan is notorious for husky-voiced yellers, so it had to happen…a band with a name like this – who don’t have a husky-voiced singer. What they do have is a tight, melodic hardcore band with a slight metal guitar. OK.

Feedtime Don’t Tell Me / Small Talk 7″

Reworkings of their songs off the Why March When You Can Riot?! comp LP. The A-side rages, a powerful fast punk tune, while the flip is a mid-slow tempo tune with a sax that failed to move me.

V/A Jak Punk to Punk LP

A varied punk thrash and post-punk collection contains tracks from many of the bands you’ve read about in these pages. Included are ARMIA, DEZERTER, REJESTRACJA, ZENNA, SIEKIERA, ABADDON, and PROCESS. This is out on the state label, Tonpress, but might be available through…

V/A Die, Jerry, Die LP

A benefit LP for the Anthrax, the club which gave these early Connecticut hardcore bands their starts. All the songs were originally released as EP’s (long out-of-print), and included are C.I.A., VATICAN COMMANDOS, REFLEX FROM PAIN, LOST GENERATION, and VIOLENT CHILDREN. A limited edition release, this is the first for this non-profit label. Great stuff!!

The Untold Fables The Man and the Wooden God EP

A pretty neat neo-’60s release. 4 songs in all, full production that makes the sound clear but not wimpified. Cool guitar, slightly echoey psych feel, and a good cover of the EYES’ (the 60’s UK band much like the early WHO) “When The Night Falls.”

UK Subs A.W.O.L. LP

Circa ’82 SUBS, some released before, some not — all studio. Classic punk sounds from a band that dates back to ’77 and who sport a singer older than me. While they’ve never grabbed me, the SUBS have been a perennial fave on the East Coast. Eight songs.

Subhumans 29:29 Split Vision LP

Recorded a month after their final show, these 8 highly produced tracks are their last word. Many of their varied styles appear here: reggae punk, eclectic extended tunes, medium tempo punk, medium-fast tunes. While by no means throwaways, there are no immediate standout classics. And then came CULTURE SHOCK.

State False Power LP

This band had a blazing HC EP out many years back, then did some recordings in ’83 and broke up before it was released. They’ve regrouped, I believe, and put out these sessions finally. While the new songs maintain their power, gone is the straight ahead approach, and instead they come on with a highly produced, sometimes post-punk approach, sometimes a bit MISFITS like. Very big departure.

The Stain I Know the Scam LP

I ordinarily wouldn’t review this kind of music, but because it’s on a “punk” label and looks like a “punk” package, I just thought I’d mention… it ain’t punk at all, it’s metal.

Henrietta Collins and the Wifebeating Childhaters Drive By Shooting 12″

Henry’s kinda joke, I guess, as the “concept” here is a bogus title, “Henrietta Collins and the Wifebeating Childhaters.” Ok. Musically, a new wave tune and a mandatory (he was from DC) WIRE cover on the A-side, and four tunes on the flip, which are more like what I thought would be on the LP, sorta rap/spoken word set to music, including a thrashing of “We Will Rock You” only it’s “I Have Come to Kill You.” Liked the LP better.

Redd Kross Annette’s Got the Hits 12″

Posh Boy’s been re-releasing their early catalog in various shapes and forms, and this is one classic you should really pick up. Great garage punk from L.A.’s McDonald Bros. plus Ron Reyes (later to go on to BLACK FLAG) and Greg Hetson (of later CIRCLE JERKS fame). A real treat.

Pussy Galore Right Now! LP

More early ’60s garage meets mid ’80s noise. Can’t say it’s the best of both worlds, but when they aren’t being too arty (a third of the time), they do rock out some grungy crud like CRAMPS meets BUTTHOLES on bad DMT.

Loudspeaker Psychotic Machine / Living With the Dead 12″

In case you’ve wondered what Matt and Chris of CRUCIFIX are up to these days, here’s what. They’re in a band that plays pounding, rhythmic dance music with political/ominous overtones along with members of FLUX, I believe. Soon we’ll be hearing from Sothira’s new band, an entirely different thing.

Happy Flowers My Skin Covers My Body LP

Manic vocals set to sporadic musical mayhem — sort of in the BUTTHOLES spirit. I thought you had to be from Texas to do this kinda stuff, but these lads are from Virginia. Will interest the fringe freaks and art trendies.

Government Issue You LP

Edging ever-closer to rock music, GI employs a big sound, usually powerful beat, and big production to get it across. But the lack of a cohesive, unique sound and catchy tunes make the package relatively unmemorable, making them sound like just another slick band on a bigger label.

Genöcide Submit to Genöcide LP

These Quincy punks shared the Last Rites For… LP with MIA way back when, died, and are now back to make you gawk in disbelief at their passé stud/skull look. Equally dumbo lyrics and metallish approach make this a joke, unintentionally I’m sure.

Damage Recorded Live Off the Board at CBGB LP

One of “Live at CBGB” cassettes comes to vinyl life, and life it reverberates. Very powerful hardcore that doesn’t stop, and that might be the only complaint here — the on-going similarity of the emotion you’re being clobbered with. But if you want a dose of sledgehammer HC, you know where to find it.

Angry Samoans Inside My Brain 12″

Another in a spate of reissues, this one containing some classic retardo garage punk from 1980. Remixed a bit (not to its detriment) and powerful, it contains “Right Side of My Mind”, “You Stupid Asshole,” “Get Off the Air,” and two more gems. Get it.

Amebix Monolith LP

This record is on a label called Heavy Metal Records, comes without a lyric sheet, sounds laden, but somehow has a glint of individuality. I had a hard time with the length of the cuts and their ponderance, but hopefully beneath all this weight and silliness lies some good lyrics and intentions. Hopefully.

V/A We Will Be Free LP

Three bands out of N. Ireland share this amazingly great record. ASYLUM, STALAG 17, and TOXIC WASTE absolutely kick ass, both musically and lyrically, delivery track after rack of powerful hardcore. Very convincing and necessary!

V/A Where Birdmen Flew LP

One track each from thirteen primal Aussie punk bands, most being off 77 era singles and most being hot! VICTIMS, RADIO BIRDMAN, ROCKS, NEWS, PSYCHO SURGEONS, RAZAR, LEFTOVERS, X, THOUGHT CRIMINALS, SCIENTISTS, and more. As many U.S. bootlegs claim Australian addresses, this release claims a U.S., but don’t be surprised if no one’s home.

V/A Raw Cuts, Volume Three: German Underground LP

This selection of neo-’60s bands covers Germany. Bands like LEGENDARY GOLDEN VAMPIRES, the CHUD, BEATITUDES, SHINY GNOMES, and more drop all over the turntable for your delight. Nothing too raving here, just fifty mike doses.

V/A Shin Kankakuha Omunibus, Vol. 2 flexi 8″

NEW DRUGS, the 5.6.7.8’s, SHUFFLE, and another band whose name is in Japanese present cowpunk, SHIRELLES/DOLLS-style early 60s stuff, and 77 punk. Weird mix to say the least, though the SHUFFLES’s “Working Class” has SHAM catchiness.

V/A New York City Hardcore 1987: Together EP

Seven highly moshable tunes here, all showing some kind of searching attitudes. While there are still traces of the NY “hard” attitude, there’s much more of a human quality that’s replacing the naive “unity for unity’s sake” approach. Bands include YOUTH OF TODAY, SICK OF IT ALL, SIDE BY SIDE, BOLD, WARZONE, SUPERTOUCH, and GORILLA BISCUITS. Pick it up, and hope that as these bands mature they will prove less mercenary and display more emotional depth than the previous wave of NYHC.

Napalm Death Scum LP

Hey, if you absolutely hate tunes in your music and vocals you can’t understand at all, this album’s for you. Very fast, very metal-influenced, very gruff and very political. Sorta like old DISCHARGE meets every modern speedmetal band.

Murder Murder Suicide Christians 12″

An anti-Christian rage here, sort of like the first CRASS 7″ but set to a more post-punk mood. Nevertheless, it’s as biting and pointed. Both male and female vocals, nice harmonies on the flipside, though the dance beat on one cut and the “prettiness” on another make them difficult to handle until the guitar and drums kick in.

The Gravedigger V The Mirror Cracked LP

One live side, on studio that is mainly outtakes from their first LP of years ago, as well as a cut with Paula Pandora. These are the San Diegans who went on to be the MORLOCKS, and they do your basic 60s punk stuff, all snarly and ultra-cool. OK music, very sharp cover.

GBH No Need to Panic! LP

Lots more variety than usual on this release. There are some songs reminiscent of the GBH of yore, but they’ve slowed down their thrash on others, added a lot more melody, and even have a couple of non-thrash tunes. Can’t say if it makes for a better overall record, but they’re at least opening up.

False Prophets Implosion LP

Produced by Giorgio Gomelsky (of YARDBIRDS fame), and “produced” it is. Horns, lots of very laid back instrumentation that serves as a backdrop for Stephan’s ravings, as well as lots of musical styles running into each other, lurching into punk and back out. I think too much of the power is sacrificed in the name of variety, but other’s less influenced by stylistic purity might buy it.

Extremes From Both Sides LP

77 style punk that only on two or three songs rises into a musically inspiring pitch. Lyrically caustic appraisals of both world politics and poser-punk problems. With a bit more cutting loose, this would make a real dent.

The Exploited Death Before Dishonour LP

You gotta hand it to Wattie and co., they do keep the faith. Same old hooks, still pissed-off political lyrics, and still driving punk tunes. Lotsa thrash, some pretty repetitive, but they continue to add some variety as they have over the last several releases. On the other hand, he’s gotta keep doing this — I mean, can you imagine Wattie with a skate punk look?

The Dils Live! LP

For years, after they evolved into RANK AND FILE, the DILS disavowed their punk roots as vehemently as they had previously espoused punk ideals. Either they’ve mellowed a lot, or times are hard for R&F, but in either case Chip and Tony Kinman have allowed these recordings to see the light of day. Most of this LP is circa 1980, and shows their country sound creeping into the raw punk. The remaining tracks are from 77, but the sound quality here is really bad. This is a collector’s package more than a listenable selection, harkening back to 330 Grove, Barrington Hall, and the Mab. Try to find the singles.

The Contras Ciphers in the Snow LP

Their name is meant to reflect their music (not their political) views, meaning a basic guitar rock band. The tempo is mid, a bit of pop and country meets an early punk sound. More often than not, they sound too clean for me. If they were really contra, they’d be today’s RAMONES, not the REPLACEMENTS.

Compos Mentis / Powerage split EP

C.M. are from New Zealand, play fast punk a la 78 on three tunes, all of which are socio-political attacks. You probably are aware that POWERAGE comes from South Africa (4 EPs out), and play highly political punk. The new drummer here wasn’t broken in when the recording took place, and it shows painfully.

Bl’ast! It’s in My Blood! LP

A pretty bleak picture painted here. On one hand, BL’AST demands we not be led, that we awaken and fight, yet on the other hand they inform us they’re withdrawing into solely self-oriented gratification. Hmmm. The music is in the FLAG-rhythm hardcore we’ve come to know, tight and powerful lurching stuff.

Active Minds You Can Close Your Eyes to the Horror of Reality… EP

One of the best EPs I’ve heard in awhile. Raging and enraged UK political thrash on one side, like CRASS meets old DISORDER and DRI. Side one consists of about a half-dozen rippers and rants, while the flip is one long song that goes through many changes/styles. Comes with insert and record want list!

The Accüsed More Fun Than an Open Casket Funeral LP

Mixed with the gore tunes, there’s a surprising amount of thoughtful tunes, though the onslaught of music doesn’t seem incongruous with sensitivity. Subjects include anti-pope, nuclear power, child abuse, religion. Musically, it’s standard Combat fare, tuneless speedmetal.

Son of Sam Childhood Games EP

These Detroit guys have been around forever, and now finally get their grunge down on vinyl. This is a decidedly garage release, with three medium-beat crunches and one fast one. Lots of distortion, popping vocals, and a FLIPPER-ish trash feel adds up to…punk rock.

The Rub Bikini Gospel LP

Pretty accessible stuff for this label, as the music is punkish eclectic pop with a dash of straightforward R’n’B based rock. Lyrics are L.A. bleak but more political than most emanating from the sun-fried zone. Pretty cool.

The Outta Place Outta Too! LP

Their “unreleased” second LP, this, like the debut, is more of a mini-LP with seven tracks. And like the original there’s a definite STANDELLS influence — guitar, organ, clean — production, proto-punk. Several covers from this defunct band, whose singer is now in the RAUNCH HANDS.

NOFX The PMRC Can Suck on This EP

Now, this is a “punk rock”, no doubt about it. While the band is not quite as tight here as they are live, this still rips. Mike’s retardo lyrics are at full tilt here, and this self-produced/distributed product is proof that some people are still into the whole punk idea.

The Lemonheads Hate Your Friends LP

A really surprisingly varied pop punk LP. At times they sound like STIFF LITTLE FINGERS, delivering really gutsy raunch. At other moments, it’s excellent Boston rockin’ pop. And then suddenly, they’re more to the pop a la HÜSKERs, but still maintaining their edge. Good job.

Homo Picnic Days of Grey LP

Mainly mid-to-slow tempo tunes, often lilting, more often with a metalish riff structure but without the wanking, while lyrics are dark and introspective. There’s something here in both vocals and music that reminds me a teeny bit of BEEFEATER, but not in an imitative way.

Eco-Guerrillas Eco-Guerrillas LP

Probably the first punk band to sing about strip mining, these guys cover a whole range of ecological/political subjects, and obviously know a lot about what they’re singing about. The music, however, tends toward consistently basic riffs, which gets a bit repetitive. A bit more variety there, and the diatribes would probably have more impact. Decent.

Dead Kennedys Give Me Convenience or Give Me Death LP

Probably the DK’s final release, this is a greatest hits package containing all their singles, cuts from various compilations, as well as a bonus flexi and some live tracks. A really nice way to go out, and comes with a cool magazine, a page for each track.

Blind Idiot God Blind Idiot God LP

An all-instrumental combo out of St. Louis, Missouri. Lots of darkness in their big sound, but the ever-present pounding drums save it getting too heavy or dreary most of the time. As with most Instrumental efforts, there’s lots of repetition and little to bring you back for additional listenings, unless you’re a stoner.

Artistic Decline Random Violence LP

I didn’t think this’d ever come out as it was recorded quite a while back, but ran into all-too-typical indie problems. This LP encompasses a whole range of HC styles, none handled generically. Very good L.A. modern punk, so I hope we get to see them live now, too.

Adolescents Brats in Battalions LP

It’s hard to follow up on a debut LP, never mind one that’s generally considered one of the punk rock “classics,” even if six years have gone by. But the revived (and revised) ADS do a pretty decent job — at least they still sound like the ADOLESCENTS, with tuneful songs, classic guitar and vocals. They even throw in a few oldies (“Welcome to Reality” and “Losing Battle”), a few covers (“House of the Rising Sun,” “I Got a Right”). Very recognizable, but only time will tell whether it measures up.

V/A This is the Life LP

An international comp featuring FUCK GEEZ, GLORY, B.P. THE PRISONER, UK JUNX, FREEZE and ASBESTOS ROCKPYLE from the U.S., SCRAPS from France, S.O.D. from Sweden and the DEFORMED from England. Varying quality and sound, and hopefully more international punk will get exposure there.

V/A Pusmort Sampler EP

A unique and good looking package here, with a 7″ comp EP and flexi. Bands from the U.S., Canada and Japan include SEPTIC DEATH, FRATRICIDE, C.O.P., FINAL CONFLICT, NEGATIVE GAIN, GHOUL, OUTO, S.O.B., and GHOUL SQUAD. No info on the bands, but the needle jumps, and that’s the bottom line.

Primevils I Saw My Name (Written on a Tombstone) / Hammer Yourself Senseless 7″

The A—side is semi-rockin’ Pop, but the flip shows a lot more character. It’s a medium-paced pounder about shooting up, sort of a noisy, relentless tune that gets the point across.

Pissed Boys Tschingahsa LP

Pretty ordinary melodic punk and thrash here, and though the lyrics are very strong. I don’t think the music really comes across with the same emotional impact. This isn’t a bad album, just a not a pissed kick-in-the face.

Outo 正直者は馬鹿を見る LP

A real powerhouse band and album. Non-stop quality thrash, great sounds, and even hooks and choruses. Guitar gets out front a few times, but it’s restrained and the overall band sound is maintained. With titles like “Lost of Words” and “Not Worth Dawn” (they do mean “damn”) you can’t go wrong. Killer.

NEW ROTEeKA Dear My All Lovers EP

Pop punk and thrash. The music’s good, song titles like “Fuck’n Girl” and “Nagality” leave me scratching my head, and it came packaged with a flexi from another band the JOKERS. Same planet, different worlds.

Liberty The People Who Care are Angry LP

Missed this when it came out, but it’s well worth listing now. Very much in the English “peace punk” tradition, there are CRASS—like rants set to driving simple punk, poetic conversations and folky interludes a la CHUMBA. Well done.

The Claptrap This is the Italian Sound!!! LP

While there’s no overt fascist ideology in most of the lyrics, the mentality is there, both on a more subtle level (the admiration of blind violence, the skin “look” and the inferences to racism in “White Cap.”) on the sleeve itself, graphics are by “KKK”, as well as plenty of iron crosses. Musically, pretty decent Oi sounds.

C.O.D. Who Needs the Moon When We Got the Stars? EP

Three of the four songs are really decent medium-fast punk with a drum sound that seems like a machine til it does stuff a machine can’t. Catchy tunes, pounding beats, and good guitar. 75%.

The Bugs The Bugs are Leavin’ Here EP

Really great garage here, really pounding punk. Cool cover of the RATIONALS’ hit, plus two other ravers. No info on sleeve as to their origin, but they don’t seem to be the band from Wales. Ragin’ stuff.

The Apostles Equinox Screams LP

Andy Martin has always been a bundle of contradictions, and on this, their fifth LP, he comes off with his reactionary side, a perspective that would make SKREWDRIVER proud. There’s as much hatred, racist bullshit, and “white tribalism” here as on any LP by the aforementioned sickies, and this time the APOSTLES even sound like SKREWDRIVER. Very fucking sad.

V/A A Texas Trip LP

Compiled by the BUTTHOLE SURFERS, there’s two tracks each by said band. Steve Fitch, Daniel Johnston, and STICKMEN WITH RAYGUNS. It’s all Texas weirdness/bad acid stuff. Highlight is the latter band, whose sound is like the SCREAMERS meets FLIPPER.

V/A Budget Ranch Box 3×7″ box set

Three separate EPs, three different sounds, three different color vinyls. PILLSBURY HARDCORE, PEACE CORPSE, and WHITE’N’HAIRY get their individual say here. Made for collectors, comes in a box.

V/A Trust Vinyl Compilation EP

Every one of these German bands (CHALLENGER CREW, UNWANTED YOUTH, SPERMBIRDS, JUMP FOR JOY, SKEEZICKS, PMA, and ANTITOXIN) deliver one song each, and great ones they are. It’s rare to find a comp that’s really consistently sold, but this one is. Put out by Trust fanzine.

V/A New Zealand EP

A five-band comp that features one song each from groups that span the length of this island nation. ACID REIGN, HOLOCAUST, DEFIANCE, and MINDFUCKERS all have a ’77 UK sound, and all the recordings are amateurish, though the latter has a most interesting track. NAZGUL is in the thrash vein, and attacks! Good cut!

V/A Captain Best Selection 1 LP

The Captain musta been drunk when he chose these, because it’s one weird combo of eccentric pop and a dollop of HC to top it off. On the punk side, there’s GOD, WILLARD, CONTINENTAL KIDS, LOODS, and LIP CREAM.

V/A Bloodsucker EP

This EP contains one good punk track each from FREEBORN, CRIMINAL SEX, BLOOD AND THUNDER, and NICK TOCZEK (the ranting poet backed by a rocking band). Nice to hear decent stuff from relative unknowns, and…bring back more 7″ers!

The Zolge Catholic Day / Solid After 7″

Professional punk that just barely maintains its roots after all the production and arrangements. Kind of like the Japanese equivalent of the DAMNED. Slightly better tunes appear on the 12″ of “Catholic Day.”

Yard Trauma Music LP

Much of this material’s been out in the States before, but this is a good overall sampler for Europeans (or anyone who doesn’t already have their prior releases). Energetic 60s oriented punk.

Verdun Notre Combat EP

Mid-tempo punk with female vocals. While the lyrics are on the mark (anti-racism and anti-state abuse), the music is a bit repetitive. This is not to say it’s limp, but just that the tempo and structures are very similar on all 3 tracks, and given their length, a bit more change might’ve livened it up. Decent.

The Tesco Vee Experience Twisted Road / American In Me 7″

A novelty here, as Tesco of the MEATMEN indulges in a little punk rock nostalgia. While his covers of the AVENGERS and FLESH EATERS are nothing special, this is the kind of one-off thing I wish there was more of. Credit for persistence goes to Jimmy Johnson for getting this out, a freebie for subscribers of…

U.T.I. Fleas EP

A 4-song debut that shows promise. Outside of the occasional wanking guitar leads, I like the mixture of fast and slow hardcore and the straight-ahead attack. Watch for more Orange County releases on this label.

The Tranques Heavy Whispers / Bleedin’ Eyes 7″

Three-quarters of the old WILLFUL NEGLECT play metal-riff rock on side one, almost too much to take. On the flip, the metallish aspect is still there, but the basic tune is good, as well as the singing. Lyrics aren’t very important here, and the guitar is a pain.

The Stupids Van Stupid LP

Well, the little skate geeks are back with another dose of U.S. hardcore a la U.K. Fueled on pure root beer, Tommy and company indulge in a few longer tunes this time, including a hilarious scratch song. Why go to L.A. when you can have the VANDALS meets D.I. in the UK?

The Stalin Stalinism LP

I think this is a reissue of the STALIN’s first two 7″ records, as well as the track they put on MRR’s international comp LP. This is nice to have as a collector, although this relatively primitive punk doesn’t hold a candle to their subsequent material, which raged.

The Spanks Lucille 12″

What the SOUP DRAGONS are to the BUZZCOCKS, these guys may be to early SAINTS, with a dash of 60s punk and perhaps Belgium’s KIDS thrown in. Really rockin’ pop punk with great guitar and good snarly voice. We’ll know better after their next release.

Perfect Daze Bubblegum 12″

Aptly named, this is largely lightweight pop punk, a much-cleaner REVILLOS. The beat is there, but the insipid lyrics and too-sterile production keep this from really grabbing me. Main feature: Wolfie of the STUPIDS is the bass player.

Paranoid Visions Schizophrenia LP

For most of this LP, we’re floating along in a very pleasant ’78-79 type of political punk with both male and female vocals. But then, just to show us they’re not completely stuck in the past, they lash out with a terrific thrasher. Very good release, and much more gripping than on their EP. From Ireland.

Pagans Dead End America 87 / Secret Agent Man 7″

A reworking of the A-side by this reformed early punk outfit, and it’s got the guts and great bass riffs of the early version. The flip, a cover of the JOHNNY RIVERS classic, is as garage-y and raw as I’d hoped. Basic punk rock.

Offbeats Evolution of the Stickman LP

Surprisingly rockin’ pop-punk/thrash. Based on their last 7″, I thought the OFFBEATS were wimping out, but on this LP, they deliver a lot of wallop as well as catchy songs. No lyric sheet is always a bad sign: either the band puts little stock in their message, or the label could care less.

The Nomads Hardware LP

Again, cleaned and prettied up. The tunes are still cool, but the bite and raunch just isn’t there, that extra spark of rock’n’roll that heads a band over the line into madness. Too reserved.

MFD Music for the Deaf LP

Very well done melodic HC with roots in ’77 punk and the DC sound, and they even do a T. REX cover. Tight, tuneful, and songs that can be remembered.

The Leeches Urban Camouflage 12″

Garage, punk, garage ska, and just general garage, done with a flair—the lyrics are sharp, but not dogmatic. At a few points, there’s a dash of FEEDERZ here, but that’s not really what they’re about. Good debut.

Konsum Terror Fahrt Zur Hölle LP

It’s rare when a HC band can sound tighter and better on their faster material than on the slower tunes, but that’s the case here. While 50% of this LP is average, the other half is definitely a cut above, showing real snappiness. Lots of promise.

Fiends Gynecölögy LP

A lot more “rock’n’roll” than their ancient debut, this one has your metal/rock feel to it, and despite the usual dumbo lyrics, the music don’t cut it (the West Coast MEATMEN?). Amazingly, they do one “punk” tune, a cover of…BAD POSTURE’s “GDMFSOB.” Not worth the wait.

The Dry Heeves What’s Inside? 7″

Side One is “LSD,” a news story about the stuff set to a slow, psychedelic pulsing accompaniment. The flip, “Maggie,” is a slow, buzzsaw of a tune about Margaret Trudeau. Graphics insinuate Nazi b.s., but given the twisted nature of the music, I’d guess it’s just bad drugs at work.

Dog Faced Hermans Unbend EP

Strap yourself into the old time machine and set the controls for 1977/NYC/Lower East Side. Zap! Now you’re at a CONTORTIONS and TEENAGE JESUS gig. Lots of saxes, jazz punk, screeching vocals and funky bass. If this is ’87, it must be Scotland.

Doc Wör Mirran Falling to Achieve Freedom EP

Akin to TALKIN’ TO THE TOILET (see review this ish), but more on the industrial side and not as goofy. Joe Raimond and friends turn out rhythm machine slow punk with layers of noise and guitar.

Condemned 84 In Search of the New Breed 12″

I guess these guys are here to give Wattie a run for his money in the dumb lyrics department, with “Up Yours,” “Boots Go Marching,” “Kick Down the Doors,” etc. I think you get the picture.

Comando Suicida AL K.O. EP

Argentine Oi music, with a decided anti-capitalist bent. But there is the all-too-typical skinhead cry for “fighting” here, and too often that emotional response is poorly aimed. Musically, very credible and catchy.

Stiv Bators Story in Your Eyes / Have Love Will Travel 12″

The KINGSMEN cover is good compared to the recent DEAD BOYS release, but pales when compared to the NOMADS version. The flip too is a tame soft rock tune. Not happening.

Bad Beach Cornucopia LP

Musically, pretty good sounding mid-fast tempo punk and HC, but when the vocals kick in, it’s a whole new thing. Unless you’re into the latter day TSOL “singing,” these voices may really bother you. Different? Yes. Annoying? Yes.

V/A Viva Umkhonto! LP

A benefit LP for the armed ANC resistance in South Africa, released by De Konkurrent in Holland and Mordam in the U.S. Besides coming with a really excellent (visually and content-wise) magazine, this LP contains some great stuff from SCREAM, SOCIAL UNREST, VICTIMS FAMILY, RHYTHM PIGS, and 76% UNCERTAIN in the U.S., and CHALLENGER CREW, THE EX, DEPRAVED, BGK, EVERYTHING FALLS APART, SCA, KAFKA PROCESS, and MORZELPRONK from Europe. Get this, for sure!

V/A Do You Remember Rock’n’Roll? LP

A new San Jose comp, featuring the FACTION, FRONTLINE, STIKKY, ORANGE CURTAIN, LOVING END (yech!), NO WARNING, JET CRASH MIRACLE, STEVE CABALLERO (yech again!). Wish there was more choice material from STIKKY and FRONTLINE, and NO WARNING show promise, too.

V/A Apathy…Never! LP

An international sampler featuring DEPRESSION and GASH from Australia, SONS OF ISHMAEL, HALF LIFE, FAIR WARNING, and DEHUMANIZERS from N. America, FUCK GEEZ from Japan, and MOTTEK, K&T, SO MUCH HATE, and RAPED TEENAGERS from Europe. There’s little in terms of melody, lots in terms of pounding speed and intense lyrics.

V/A 77 Records Présente… LP

A mostly-French comp with BRAINWASH, BUTCHER, RAFF, and several more (including TOLBIAC’S TOADS, who we’ve heard nasties about), and then GOVERNMENT ISSUE. Mostly ’77 punk styles here, but Germany’s MANIACS’ thrash tune is the hottest track.

Suicidal Tendencies Join the Army LP

Not as speedmetal as I thought their second LP might be, though there’s plenty of guitar wanking woven into the HC. At least they don’t try to come up with a gimmicky imitation of “Institutionalized” here, but the lyrical content is pretty thin, with lots of egotism. Okay, but not special, especially considering the time between albums.

Spermbirds Something to Prove LP

Hard to believe this band is German. The music sounds like ANGRY SAMOANS, the vocals are U.S. style snotty punk (the singer is actually an American ex-G.I.), the lyrics are sarcastic SoCal-type, but instead of sun-baked retard we get some genuine insight. Hot as hell!!

Scraps Aaargh! EP

I haven’t liked too many amelodic trash bands lately, but these guys attack their music with such enthusiasm it works. Raging vocals, pounding snappy drums, insane guitar noise, reminds me of early Brazilian HC. Definite.

Rubella Ballet If LP

This colorful outfit put out a couple of recent releases that we missed, this being the latest. As with their other material, this is well-crafted pop punk, accented by female vocals with somewhat feminist/radical lyrics. Underneath the colors and pretty music lies some disturbing realities worth checking out, especially for fans of X-RAY SPEX, SLITS, CRASS…

Rhino 39 Rhino 39 LP

Last time we saw RHINO on their own vinyl, Dangerhouse Records still existed and it was still the 70s. I guess they’ve reappeared just to prove that not every revival has to be lame. While not quite as exciting as that old single, this still cooks, though at times slumps back into rock tedium. Could have been a lot worse.

RF7 ’87 LP

Well, Felix and company are back but there’ve been some changes. Side one if the more “punk” side, though only two of the tunes are really hardcore tunes, while the others are slower and go into metalish or post-punkish territory. Side two is decidedly lighter, sounding like a poor man’s LOVE. Lyrically there’s a lot of “regret” themes (mainly having to do with drugs), a few generally “outside view” tunes, and even two love songs. Glad Felix is turning it around, but I hope the next release shows more verve.

Puke Back to the Stoneage LP

While not as melodic as most of their Swedish counterparts, this outfit plays excellent hardcore. And compared to most other bands of this ilk, they are way more melodic. Like their previous 7″ (we fucked up and didn’t review it last year – also available at this address) this disc has power, hooks, and depth. Check them out.

Nabat Un Altro Giorno Di Gloria LP

NABAT, Italy’s longest running skinhead band, returns with their original and hard-hitting Oi, this time delving into reggae a bit as well. Consistent, diverse, and powerful stuff. This LP is dedicated to Nelson Mandela (among others), which sets NABAT prominently apart from the racist stupidity of most other bands. Good.

Mystic Eyes My Time to Leave / From Above 7″

With a name like this, I expected an early THEM raunchy R’n’B sound (band name is a great THEM song), but it’s pretty lightweight 60s pop with only a lilt of “G-L-O-R-I-A” in it.

Maniacs Chainsaw Blues / New Morning 7″

Both sides of his German band’s latest are excellent pop punk. Well produced, catchy tunes and lots of guitar and vocal choruses. Classic punk.

Mad Parade A Thousand Words LP

Is there such a thing as getting “BYOed”? While their latest release is pretty decent pop punk (at best they sounds like an American NEUROTICS), it’s a bit weak compared to the previous 7″. All the tunes are mid-to-slow paced, have very good lyrics, and I bet they really rock live. But at this point, they seem to be going the way of the RED ROCKERS.

The Iguana Foundation Oh Isn’t It Great / It Ain’t Me Babe 7″

The A-side has a definite STOOGES feel to it, a medium paced song with mysterious undertones. The flip conveys the same mood, taking the DYLAN classic and taking it as far from the TURTLES’ version as possible within a pop reference, sorta like BRYAN FERRY might have done.

The Extremes Eat My Dust 7″

The singing sounds like TELEVISION and so does the music, but at almost schizophrenic “extremes.” The A side is way clean sounding and the flip contains some noise guitar and could be right off Tom Verlaine and Co’s first LP.

Doc and the Pods Touch the Unclean Thing EP

Surf, 60s pop, psyche, all rear their ugly heads here. It’s OK, inoffensive stuff but nothing to do a double-take over. If you’re gonna go back to the past for inspiration at least re-emerge with some idea of what decade we so live in. These guys coulda done for BRENDA LEE’s “Sweet Nothings” what THE SAINTS did for CONNIE FRANCIS’ “Lipstick on Your Collar.”

The Dehumanizers End of Time LP

Sometimes surprising in its variety and energy, sometimes overdone and too long–a mixed effort. While their 7″ was funnier, this LP goes for production and power, sometimes obtaining a good cross of both, but not frequently enough for me. Lots of metal for the bangers though.

Dead Boys All the Way Down (Poison Lady) / The Nights Are So Long 12″

Some things are better left alone, like certain memories…or bands reforming. All the original members here, Stiv, Cheetah, etc…but this sounds like the LORDS OF THE NEW BOYS, not the snarling, twisted, classic shit on their first LP back in 77.

Crimpshrine 9 Song Demo + Berkeley Sampler cassette

This is a 9-song demo, featuring some great sounding punk. CRIMPSHRINE have a 77 sound, somewhat along the lines of SLF. Besides their material, this tape features 2 songs each of some recent Berkeley bands like SOUP, BASIC RADIO, SWEET BABY JESUS, KWIK WAY, and DISTORTED TRUTH. Well worth picking up.

Crash Box Finale LP

A whole new band (except for vocals) since their 7″, this one will delight speedcore and metal-influenced punk fans. Lots of production, big guitar sound, and even colored vinyl copies. Classic TVOR inner sleeve layout, but the outer cover? Stiv?

Child Support Inside My Room EP

One raunchy LINK WRAY-ish tune, one world beat-ish tune a la the BEATLES “She Said,” one ballad and one college FM-sounding instrumental. For a band that can rock, they sure seem shy to do it on vinyl, opting instead for a commercial sound.

Buzzcocks Total Pop 1977-80: Rare, Live and Great LP

A decent retrospective of one of early punk’s finest bands. Pop punk that lasts, mostly dealing with the insanity of love. Their catchy tunes, great harmonies, and hard drive are virtually unmatched (the punk BEATLES?). Still, you should try to pick up all the original releases as this retro just scratched the surface.

‘A’ Bomb From Memphis to Detroit LP

Not sure where the “Memphis” part comes in, though at times there’s a slight CRAMPS influence. Otherwise, this is raunchy rock’n’roll meets early punk with screeching female vocals. Real rhythm, basic stuff with ultra-trebly production.

Wipers Follow Blind LP

This LP doesn’t really have the zip, or even the overwhelming angst of many of Greg Sage’s previous efforts. Maybe it’ll grow on me, but I wanted to be taken to a stranger different place…and got half way there.

V/A Zivil-Courage LP

Relative unknowns like SCHLIESSMUSKEL, CRETIN HOPPERS, TARNFARBE, A.N.A.L., and others play punk, thrash, and post-punk. All bands are from Germany, and this is a fun, non-commercial effort.

V/A Hagen: Melodien Einer Toten Stadt EP

A four-band, one track each regional comp from Hagen. Hottest tracks are by CZERNY SMIERTELNY (sounds Polish to me) and SJORBUT, but WICKIE and HEMMUNGSCLOSE EROTIK are both enjoyable. Good indie punk effort.

V/A I’ve Got an Attitude Problem EP

BCT bounces back with a hot EP featuring Italy’s WRETCHED and RAW POWER, Sweden’s MOB 47, QUOD MASSACRE from Yugoslavia, SATANIC MALFUNCTIONS from the UK, FUNERAL ORATION from Holland, and PSYCHO from the US. Get this one!

V/A The First Cuts are the Deepest EP

An all-Welsh comp featuring one song each by CLASSIFIED PROTEST, I MOBSTER, BUGS, YR ANHREFN, ELFYN PRESLI, and HERETICS. Faves: BUGS (sounds like DESPERATE BICYCLES), ELFYN PRESLI (great pop punk), and HERETICS (charge old punk).

V/A Fight Back EP

Hey, yet another indie UK release, this one featuring the DISTURBED, LIVING DEAD, LEFT FOR DEAD, and SILENT COMMUNITY. One track each isn’t enough to drive any real conclusions, but these bands all convey a basic, unglamorized punk appeal. Honest.

V/A Breaking the Silence EP

An international comp with HOMO PICNIC (U.S.), KAZJUROL (Sweden), QUOD MASSACRE (Yugoslavia), and INSTIGATORS (England). Four bands, four styles (pop-thrash, speedmetal, pop-punk and thrash). Good selection, good production, a worthy effort.

Toxic Reasons Bullets for You LP

This domestic release is a bit different than the recent UK job. It contains three songs not on the UK version (two of which disappeared on their last 7″) but one song that’s on the UK version doesn’t appear here. Rockin’ improvement.

T-Bo Rockarna Vart ‘E Vi På Väg? EP

What is this? It’s hard enough to figure out the name of the band from all the stuff on the record and sleeve, and things go downhill from there once on the turntable. Actually, three of the five tracks are pretty decent older style pop punk, while two are goofy as shit. The jokes lost on us non-Swedes.

Special Forces Special Forces LP

Their second LP should dispel any doubts about SPECIAL FORCES and generic thrash. This Berkeley band hits hard and with variety, though Bill Collins’ excellent guitar work is now history for this band. Orlando was always a more interesting performer than good singer, but on this LP even that aspect seems very improved. Very hot!

Shoutless Bowery at Midnight LP

SHOUTLESS combines 50s, 60s, 70s, and 80s into one, adds big production, and the end product sometimes cuts it, sometimes not. The grunge is maxed out and I think that hurts their impact. Needs a bit more madness.

The Shaved Pigs Dying in the Year 2000 EP

Dated 1986, this one slipped by us but I’m glad I found a copy. BAD BRAINS type vocals and pop-thrash music combined with stuff like “Too Fat To Flirt” make this bizarre. Album coming soon.

Pure Mania Return for Blood / What’s It Gonna Be 7″

Mania this ain’t. Decent pop rock ‘n’ roll it is, with early pop-punk influences. The A-side is pretty light, but the flip reminds me of 79 UK anthemic mod/punk stuff. Wish it were crazy.

Powerage World Today / Waiting for the War 7″

It’s great to see this white South African anti-apartheid band still expressing themselves in the face of extreme repression. Both songs here are mid to slow-tempo jobs, one with a one-sided anti-Russian attack, the other dealing with the nuclear fear. Sad to see Rubin Rose out of the band.

NoMeansNo Sex Mad LP

If you’ve been trying to locate their previous and impossible to find vinyl — relax. Finally, this incredibly hot combo comes up with something to almost equal their live shows. Well, not quite, but people who love the BUTTHOLES, NEOS and No Wave clamor will all find something here.

The Nomads 16 Forever / Salvation by Damnation 7″

I guess it had to happen, but the NOMADS have toned it down. Both sides lack the raucous, free-swingin’, guitar crazed rock ‘n’ roll that I loved em for. Instead, we get two medium paced, thick sound production tunes that are decent but pale in comparison to their early rave-ups. Alas.

Necros Tangled Up LP

One thrash tune, the rest being rock/metal at varying tempos. Lots of squeaky guitar bits, which we ruin otherwise almost palatable songs. Promo sheet contains a quote “…we didn’t want anything to do with punkers”. Do you want anything to do with them?

Lazy Cowgirls Sock It to Me Santa / Goddamn Bottle 7″

I think this is the first modern punk record Bomp’s put out since the ZEROS and WEIRDOS days, and this one is excellent. Really good, driving tunes, crunching guitars, and fun/tough vocals. Pick this up.

Kryptonics Land That Time Forgot / She’s Got Germs 7″

Two pop punk tunes, both with a big production sound, 60s sensibilities and modern punk drive. Like this stuff, but the lyrics are stone age, especially on the flip.

DRI Crossover LP

The cover sticker bills them now as “metal,” and there is a lot of thrash in that, but overall it’s still D.R.I. — lyrically and musically (though weighted down at times). While C.O.C. has soured on this “crossover” business, D.R.I. seems to be making a blatant marketing approach — just catch the cover art.

DOA True (North) Strong & Free LP

A cover of BTO’s “Takin’ Care of Business” might tell you something about the rock approach of this new DOA platter, as many of the songs have that same heavy rock sound. A couple rage, though, “To Hell and Back” being one, as does the revised classic “Nazi Training Camp.” Mostly strong, political lyrics, however ironic that is for this label.

D.I. Team Goon LP

The original D.I. 12″ is re-released here, along with 3 current tracks. Despite the fact that I dearly love their music, I’ve never seen a band with so many re-appearing tracks on their “new” vinyl. Should be a whole new LP’s worth soon. Dudecore — totally.

The Celibate Rifles Kiss Kiss Bang Bang LP

I’m not too keen on live recordings unless they’re amazingly electric, conveying a dynamic unavailable in a studio. As far as this one goes, it’s okay, giving you a good idea of the RIFLES’ hard-driving Australian rock meets early punk. But special? No.

Broken Bones F.O.A.D. LP

Can’t read the lyrics sheet — it’s kind of black and red print, not synchronized. It does say “UKHC” in several places, does have a song called “Best of Both Worlds,” but after hearing it and seeing the cover, it should be called “UKHM” …and I understand why the lyrics don’t matter.

Asocial Religion Sucks EP

Mid-tempo speed metal without the leads. Gruff-ola vocals, repetitive riffs, good production, and a song called “In My Eyes” that isn’t the song we all know. Oh, the band’s from Sweden.

The Apostles How Much Longer LP

I had all but given up on these lads when, “boom,” they surprised me. Besides some of the mellower stuff they’ve done recently, this LP includes folk, blues, spoken word, industrial, and a really decent portion of raw, well-done punk a la CRASS. Includes a great cover of one of punk’s all time classics, ATVs “How Much Longer?”

Afflict Necromance LP

Okay, okay, so dumb lyrics aren’t just limited to the USA. Actually, less than half the tunes here have gore-related subject matter, while the rest are introspective and brooding, not so lame at all. Musically, mostly speedy thrash, but more musical than speedcore, as well as some slower tunes.

Young Lions Freak Show LP

Recorded 3-½ years ago, I’m surprised this LP finally saw the light of day. If it had come out back then, the YOUNG LIONS would have been seen as the forerunners of today’s “HC gone eclectic” bands. One side maintains the HC edge while indulging in rock, metal, and other slight influences — powerful sound. The other side sounds like another band entirely — pop, country, etc. Good lyrics throughout, but schizo as hell.

Vomit Launch Not Even Pretty 12″

Punk attitude/lyrics meet post-punk almost wave music. Assets: great female vocals, sometimes haunting moods which remind me of several recent UK femme-vocal bands. Drawbacks: doesn’t quite pack the punch of their live set. Comes with free 70’s Top 40 schlock 7″.

V/A Will Evil Win? flexi EP

A metalcore sampler, featuring ANNIHILATED, CIVILIZED SOCIETY?, LORD CRUCIFIER, and DESECRATORS. Unless you’re really into speed metal, this is pretty hard to take, with guitar wanking all over the fucking place. Only CIVILISED SOCIETY?’s cut is listenable, but a better version appears on their LP. Some good lyrics, and a collective effort.

V/A Pebbles, Vol. 20: The Continent Lashes Back! European Garage Rock Part 4, Sweden LP

This on-going chronicle of unknowns swings to Sweden, 1964-67. Most of the tracks are Mersey, Mod, or R’n’B, with the hottest coming from the PALMES, HEP STARS, and TAGES. This volume, unlike the others, contains many live tracks, some of which aren’t the hottest sound quality.

Sponge Born Under a Bad Sponge LP

An energetic trio that has a pretty sparse (guitar is largely rhythmic) and clean sound. Goofy lyrics and boppin’ tunes are the thing here, and should appeal to a broad range of listeners.

Santa Clan Taking Liberty LP

This record has more drive and power than a lot of post punk releases these days, but that energy is often sapped by annoying breaks, too many funky riffs (for my taste), and sometimes irritating vocals. Could be worse, though.

The Minors Waves Have Hit / Another Stupid Love Song 7″

Somehow, Norb Ugly (ex-S.U.M., now of DEPO PROVERA) dug up quantities of two early Green Bay “punk” singles and now wants to foist them off on you. This one is from 81 and has that new wave punk sound of 79-’80 — okay beat, but with deep pop-rock roots.

The Fixtures Dangerous Music LP

Strong musically with almost new wave meets punk meets Three Penny Opera vocals — a more new wave DK’s? Intelligent lyrics, very tight and driving pop punk music, but the singing, though gruff at times, does detract a bit. Different.

Doggy Style II LP

This is the version of DOGGY STYLE that contains the majority of the original members. While this record rocks, it doesn’t quite come across with the humor on first hearing. Musically, good but polished melodic fast punk. Artwork: amazing ripoff of LED ZEP II, sure to draw attention.

Bunchofuckingoofs There’s No Solution So There’s No Problem 2xEP

Okay, this album’s worth on two 7″ers is your basic, hard-to-find-today punk fucking rock. No frills, just basic driving punk with the appropriately pissed off lyrics. A big middle finger to you, too!

X-Creta Patronizing the Heterodox LP

A very high energy release — this is metal-heavy hardcore without the excesses and with intelligence. Though riffs do get repetitious, the overall power is intense enough to hold your attention. Should be popular.

Oi Polloi / Betrayed Skins n’ Punks, Volume Two split LP

This split LP contains OI POLLOI from Scotland and BETRAYED. The latter play pretty unexciting but competent Oi with lyrics that range from the standard working class oppression themes to dubious calls for skinhead unity. OI POLLOI, on the other hand, rip like crazy and have lyrics that rise above the norm.

V/A Life is a Joke, Vol. 2 LP

An international comp featuring BLUT+EISEN, ANGRY SAMOANS, SUBHUMANS, KTMK, COC, FANG, I SPIT ON YOUR GRAVY, and lots more. Hot tracks from the DEPRAVED, NEUROTIC ARSEHOLES, FALLOUT. Many tracks previously released, but now largely unavailable.

V/A La Voix Des Gnomes Présente LP

A four-band project. LES GNOMES have a hard-hitting but quirky thrash/punk sound that’s distinctive without getting pretentious. DAMES are an all-femme band that have an English pop-punk sound with a slight post-punk flair. BARON ROUGE has a ’79 English arty punk sound that still has power. ZOI are a mid-temp band that occasionally lurch into thrash, all with SIOUXSIE-like vocals. Good variety on all tracks.

V/A Battle of the Garages, Vol. IV: Tomorrow the World! LP

Current garage sleaze from both the U.S. and Europe featuring LES THUGS, CANNIBALS, LEGENDARY GOLDEN VAMPIRES, SICK ROSE and much more. One of the best neo-60s series going.

Henry Rollins Hot Animal Machine LP

HENRY ROLLINS’ (ex-SOA/BLACK FLAG) first solo vinyl effort is not so solo. Backed on cuts by a hard-driving band (including ex-SOA/FAITH/EMBRACE member Mike Hampton), the musical tracks sound much better to my ear than anything the Four Towels did in recent years. Despite the cleanness of the production, there’s real structure and bite here, and Hank sounds in great form. Biggest surprise — no spoken word.

Lärm Straight on View LP

Thirty-six songs, half-live/half-studio of this hard-hitting Dutch band. Very politically aware and idealistic, their beliefs translate into raging, noisy outbursts. We in the U.S. may get a chance to see them live this summer, so buy this slab and help em get over here.

La Polla Records Salve LP

From the Basque region of Spain hails this pop-punk band. This is commercial punk in an early UK style, incorporating ska and other influences as well. There are funny songs as well as an overriding political bent. Okay, but slick.

V/A On the Waterfront, Vol. 3 12″

This label really puts out the material these days, and most of the bands here have their own separate new release as well. Included are HARD-ONS, VULTEES, MASSAPPEAL, SPUNK BUBBLES, HEADSTONES, and a number of others. Good effort.

V/A Oh! No! Not Another… Midnight Christmas Mess Again!! LP

Yet another Xmas comp of neo-60s bands, and this one is pretty decent. Tracks by the SLICKEE BOYS, VIPERS, PSYCHO DAISIES, IGUANAS, CHEEPSKATES, and more.

V/A The Foreign Object EP

Four bands, one song each, in a 60’s vein. Hottest track is from SPECTRE’S REVENGE, a tough rocker. Lighter material from BO WEEVILS, NO MAN’S LAND, and GAS BABIES. Comes with issue #2 of Foreign Object mag out of Australia, but I don’t have an address for them.

V/A Destroy the World EP

This EP is out of Germany and contains one track each by Germany’s STROMBERG POLKA (Oi), TIN CAN ARMY (punk), and the UK’s UPROAR (melodic punk) and CIVILIZED SOCIETY (thrash). Liked the latter the best by far, but overall a worthy effort.

Spunk Bubbles Metal Wench / Treat Me Good 7″

They list DESCENDENTS, RAMONES, DEAD BOYS, MOTORHEAD, and early SAINTS as their main influences, but these two songs here lean more on speedmetal and MOTORHEAD than on the more melodic punk genre. Decent, but nowhere with lyrics.

Shell Shock Whites of Their Eyes LP

It’s taken quite a while, but they finally got their LP out. Though both the music and lyrics tend to be unexceptional hardcore, SHELL SHOCK is to be congratulated for sticking with it, especially as they hail from the heart of Klan Kountry.

Sham 69 Angels With Dirty Faces: The Best of Sham 69 LP

This is yet another “Best of…” compilation, and a fine one it is. SHAM 69 were the original singalong Oi style band and they pounded out lots of catchy, memorable rockers, most of which are captured here. If you don’t have this stuff yet, get it now.

Live Skull Pusherman 12″

Don’t know what the big deal is over this band, at least after listening to this three-song release. I found the tunes boring, lengthy, and exactly what I’ve been trying to avoid in music for a long time. Maybe live they make it.

Half Life Under the Knife EP

One of the better sounding domestic HC releases in a while. Good power and production on all four tracks, and although it’s mainly generic metal-influenced hardcore, there’s a gripping urgency that carries it off. Lyrics are pretty bleak, although “Consider the Alternative” offers some hopeful thought.

Big Black The Hammer Party LP

Actually, this is a re-issue, one side containing their first EP Lungs, and the other presenting their Bulldozer 12″, both of which came out in 1982. Lots of driving darkness here, though the Bulldozer side has a lot more power to it.

V/A Tour de Farce EP

Six bands from around the world, one track each. AEMATRACK from New Zealand kicks it off with one of the better recordings, a slow/fast rocker. There are two GUERILLA URBANA’s here, one from the Canary Islands and one from Peru, both of whom turn in raw but exciting thrash. DOC WOR MIRRAN is from Germany, doing an experimental punk cut that works. NO LIP is from Japan with an okay tune albeit on the slick side, and BULK (Denmark) wraps it up with a post-punk CURE-ish song.

V/A The Rise and Fall of Oma Hodel: Original Soundtrack EP

The soundtrack of a movie, I think, with six tunes, all in an older punk vein. All the bands were from Hamburg, including SPIEL 77, 100% DISKRETION and others. Liked MEINE SCHUPPEN the best.

Suicide Suicide LP

A reissue of the ’77 classic by Martin Rev (rhythm) and Alan Vega (vocals). SUICIDE pioneered this experimental but raunchy early punk sound, using effects in a psychotic VELVETS meets THROBBING GRISTLE manner with a dab of rockabilly. Get it!

Soul Asylum While You Were Out LP

Live, these guys impress with their tunes, energy, and performance. Here, you get a well-crafted pop LP. I know the HÜSKER DÜ comparison is uncool, but it’s so obvious, along with a REPLACEMENTS touch, that I gotta do it. Power-pop.

Screaming Dizbüsters This Ain’t the Summer of Love / Out of the Frying Pan, Into the Fire 7″

More typically an “Amigo” band, there’s a “big” garage-type sound here, straightforward pounding rock’n’roll and snarled vocals. Both sides rock. Heard this is the NOMADS under an alias.

Ratos De Porão Descanse em Paz LP

I’m always suspicious of records that only have song titles of three or less words. All the “tunes” here (except the title song) have just two words, and the music is equally imaginative. For the speed metal genre, it is pretty well done, but ultimately dulls the senses.

Pushtwangers Strangler from Behind / Coma 7″

One side is way too pop for my tastes (as are many of their releases), but the flip has much more of a rockin’ feel, with a sound reminiscent of many of the bands on this label (NOMADS, etc.)

Peace Mob Collapse of the Empire cassette

Just a ranting poet and a guitarist — great lyrics, but the guitar has so many special effects that it doesn’t add to the rawness that would make the lyrics really come to life. Have seen them live and they had a lot more impact that way. Still, the words are worth hearing.

Naked Lady Wrestlers Accidents flexi 7″

One excellent song from these troopers, just to prove they still exist. Max Volume and Buzzsaw Iron Bill have been at it for years (only previous vinyl was on MRR’s Not So Quiet comp of ’82) and though this song doesn’t contain the humor of most of their material, it still rips. A freebie to Thrasher subscribers. More Max!!!

Murphy’s Law Murphy’s Law LP

A supposedly “fun” album by this New York band, one of many that play good music (punk—as opposed to thrash metal—in this case) but who make it difficult to enjoy because of their advertised ignorance (homophobia, among others). Accompanying press release actually lauded singer Jimmy Gestapo for his “Donohue” performance, as well as containing his self-description as a “macho goon.” Real fun.

Inocentes Pânico Em S.P. 12″

Six finely crafted pop-punk tunes. Sounds like ’78, but not in a nostalgic way—just powerful but tuneful material. Despite signing to a major, they remain political (title tune, plus “El Salvador”), though there is perhaps a bit of overproduction.

Kiku Hyper Dream Collection flexi 8″

Quirky punk here — the vocals being the most abrasive aspect, though the music is pretty uptempo at times, too. Older punk styles predominate, often varying towards obnoxious pop, but veering away at the last second.

Heimat-Los / Kromozom 4 split EP

One serious and one fun band share this slab, and will share an LP early next year. HEIMAT-LOS have a modern thrash sound that is powerful but relatively uneventful musically. KROMOZOM 4 employs more imagination musically, making this more palatable for non-French speakers. Sounds good.

Heibel Yeah, Everything’s Great! LP

COC-like hardcore from Belgium. At times, the drumming seems to lag a bit, but overall, you’ll find some pretty inspired and aggressive power thrash. There are more weird guitar bits thrown in than you’d find on most such records, and the production is top notch.

The Hard-Ons By My Side / I’ll Come Again flexi 7″

Despite the rough sound, there are two classic tunes here. The HARD-ONS style mixes 60’s punk with a great pop-punk ’77 sound, and especially on the second track, really hits home (a cover of the LEGENDS). Available on Livin’ End zine #6, a mag dedicated to 60’s Aussie bands.

The Flamin’ Groovies Way Over My Head / Shakin’ 7″

Recorded (I believe) during a recent incarnation of San Francisco’s GROOVIES when they played Australia, these two songs extend their folk pop direction even farther. Both tunes hold back, threaten to burst out, and never do. For collectors only.

Death of Samantha Laughing in the Face of a Dead Man 12″

Citing the SAINTS and TELEVISION among their influences, one can hear it a bit. But those groups, despite sometimes extended length songs, always made them memorable, whereas DOS seldom leave traces of tunes re-emerging through the mind rubble. Undelivered promise.

The Coolies Dig..? LP

I guess if Joe POP-O-PIE could build a career on just one song (GRATEFUL DEAD’s “Truckin”), then the COOLIES certainly can with just one artist (PAUL SIMON…well, actually it’s SIMON & GARFUNKEL). Yep, most of the tunes here are rocked versions of S&G hits (“Scarborough Fare,” “I Am A Rock”, etc., etc.). Gets old fast.

Woofing Cookies Horse Gum Tortilla Shoes LP

An interesting mix of ’60’s pop, late-’70’s Boston rock’n’roll, country, MINUTEMEN, and REPLACEMENTS. All the recent Midnight releases seem to be less raw and aimed at a “broader audience.” This might be the one to attain that.

V/A Thrash Til Death LP

First, the music of GAUZE, OUTO, LIPCREAM, and SYSTEMATIC DEATH comprise some of Japan’s best HC, a variety of approaches, all gripping. Now the cover—one of the best all time graphic jobs, both in layout and content. Impressive.

V/A Sutura Eterna LP

This compilation is put out by Senzapatria, whose political magazine is included with this disc. Bands featured are MYDGARD, LINK LARM, DISPERAZIONE, and ANTISBARCO, who present different brands of hardcore. As with many of the Italian bands, their tastes run eclectic, and within any given song you’ll hear lots of changes and styles. Stiv art graces the cover.

V/A Highs in the Mid-Sixties, Vol. 14: The Northwest, Part 2 LP

This latest in the series (which is not being issued in sequential order) covers the Pacific Northwest, home of many of the earliest U.S. garage bands like the SONICS, WAILERS, KINGSMEN, and PAUL REVERE AND THE RAIDERS, none of whom appear here. What does appear are a host of lesser-knowns, bands that would play bars/frats and rock out. Hottest are SIR RALEIGH, and the STATICS. The rest will appeal only to historians, with the usual fine liner notes by Lee Joseph.

V/A Complete Death LP

This compilation contains a few tracks from already released LP’s (DR. KNOW, COC, MENTORS), some unreleased tracks (DRI, UGLY AMERICANS, BEYOND POSSESSION), and a few odds and ends (INSOLENTS, DEPRESSION, and CIVILIAN TERRORISTS). As you might guess, this is death/speed metal up the ass. Aargh!

State of Confusion 6.3 Million Acres LP

Every time I started thinking this was generic thrash, S.O.C. Would throw some twist in to surprise me. A thoroughly home-produced LP (the sound is okay though, but the silk-screened cover is definitely tacky — literally!), there’s plenty here for HC fans — with little or no metal.

Sluggard Kings Tell Me / No Lies 7″

Bands that are (and look) heavily ’60s influenced shouldn’t use song titles of ’60s songs for their own compositions. The A-side is not the STONES’ title, though it is a decent pop tune. The flip is too insipid to go into.

The Scientists Heading for a Trauma LP

A compendium of this Aussie band’s material between ’82-84. Their slower tunes appeal to me the most, down and dirty a la STOOGES with lots of guitar noise. Those tunes that approach blues a la NICK CAVE leave me fairly cold, but they are a minority on this release.

No Lip Ophelia EP

This 3-song job is NO LIP after Roger Armstrong’s departure. Somewhat different, this is hardcore but there’s experimentation or complexity that both add and detract. Can’t say I like the singing, which is too damn clean.

Moist and Meaty Moist and Meaty LP

Rock and roll with definite punk sensibilities or perhaps it’s insensibilities. A fun/dumb band a la SAMOANS or DAYGLOS, intentionally (hopefully) retarded lyrics and punk delivery. Singer sounds like he teethed on the HOLLYWOOD ARGYLES (“Alley Oop”) and Handsome Dick Manitoba (DICTATORS).

The Mob We Come to Crush LP

New recordings here as the band has re-grouped, though a few older songs (re-recorded) appear as well. This does rage throughout, an energetic blast of excitement with a very “live” feel to it. Get it.

Ludichrist Immaculate Deception LP

A cut above most metal-influenced hardcore bands. There’s an urgency to their music and a feeling of more intelligence/thought than on many such groups, which combined with the hot production makes this highly listenable. Breakneck speed but tight as hell, like early MDC.

Inferno / The Execute split 12″

The material here is about 1-2 years old, but that shouldn’t deter you from picking this disk up. From Japan comes EXECUTE, a mainstay of the HC scene there. Their tunes appeared on a 7″ there, re-released here in all their powerful glory, with little or no metal damage. INFERNO, from Germany, have a bit more melody but at no loss of power — and again no metal overdose. Hot!

The Hard-Ons The Girl in the Sweater / I Heard Her Call My Name 7″

Missed reviewing this a few months ago, so I wanna make up for lost time by saying that this band plays wonderful pop-punk in the tradition of the RAMONES or LURKERS. Get everything they’ve put out.

Gore Hart Gore LP

This European equivalent of GONE—an all-instrumental band—claims to bridge the gap between hard rock and hard core. One such GO_E is enough (too much) for me, though this one does include a lyric sheet for their all-instrumental songs. Hmmmm.

Gendo Missile I-Ya-Da! EP + flexi 7″

Oh God, another Japanese packaging flipout—comes in a mylar sleeve, the record itself is a picture disc that looks like a circus clown on PCP devised it, and there’s an extra flexi included. After this, the music itself is a letdown.

Gastunk To Fans EP

One side is 33 and contains a pop-ish thrash tune, the other side is 45 and has a grunger and thrasher, both hot. Also hot is the packaging, a multi-colored, flecked white vinyl EP packaged in a fishnet, plastic cover with “sex” written on it. Wild.

Gang Green Drunk and Disorderly 10″

Another in a series of ‘live’ 10’ers, this is one of the better ones sound-wise. Though the tracks chosen are mainly not their fastest material, they are powerful as hell—a modern STOOGES sound. Good one.

Rapt / Final Blast split EP

Two french bands of the HC variety. FINAL BLAST’s tunes are in a melodic vein with a somewhat English mid-tempo thrash feel, while RAPT are definitely on the noisy, raw production side of short-song thrash. As raw and “beginner” as this side is, I liked it better than all the pop shit I heard today.

The Fester Brothers You Gotta Be Patient to Be Psychiatric 7″

A simple beat supplied by a drum machine, raunchy guitar chords, bass, and echoey vocals are the ingredients. Reminds me of some early punk bands that later went overboard on the art side of things. But the punk/art combo is something I’d like to hear more of.

Face First Hold On EP

Melodic thrash with a dedicated Dischord influence (not only musically and lyrically, but with their cover art as well.) What makes this a bit different is their choruses, sometimes adding a UK feel (like, say, the THREATS — thanks for the hint, Achim!).

Don’t No Incite the Riot LP

I think most people who read these pages know what Orange Co. straight edge bands sound like, and also know that despite their imitative streak, these bands usually have something to say and deliver that message with lots of great music. DON’T NO are not an exception to this.

Doccoi Cold Rain EP + flexi 7″

Was this DOC OI before? Hmm…anyway, nothing too oi here, mainly early punk sounds. Actually, 3 of the songs are on a vinyl 7″, the 4th track being pressed on an accompanying flexi—oh, those Japanese.

Detonators Just Another Reason LP

I’ve always enjoyed this band, their exuberance, dedication, and insane stage performance. While live they create a wall of noise that’s virtually impenetrable, on record you can make out the tunes of a lot more, hear their early punk roots and still get off on their attitude. Punk lives here.

The Cheepskates Second and Last LP

A softer but more imaginative LYRES? Maybe that’s not really fair, ’cause there’s a lot more slow L.A.-type ’60’s pop-psych here, only occasionally getting to third gear. But they do have that bar band/grade B exploitation movie feel.

B.P. Draft Beer… Not Me LP

One-hundred-miles-an-hour thrash with 3 second leads. Okay! Very straightforward, lots of power, snotty vocals and decent lyrics. Your basic hardcore, but with lots of energy and enthusiasm. A pick-me-up.

Boredoms Anal by Anal EP

Oh boy, genuine insanity. It starts with the wrong titles (“Anal Eat”, “God From Anal” and “Born to Anal”) and continues with wacko garage music punctuated by the most bonkers vocal ravings and production heard in quite a while.

Bad Brains I Against I LP

The original line-up is here, but the sound is quite subdued these days. There are one or two thrashers (even those are not the ravers of times gone past), while the rest of the songs are strongly based on various forms of ’70’s rock, most of which don’t really excite.

Asta Kask Aldrig En LP

Nice to see these lads still at it, blasting out great pop-punk with continued enthusiasm and gusto. Catchy tunes, high speed playing, and great musicianship add up to songs that stick. Just about all new material here, but it sounds like a friend on first listening.

V/A Rapsodie LP

Lots of great material from the current crop of French HC bands, and there’s enthusiasm as well as tight, hot music. Bands include ZOI, HEIMAT-LOS, FINAL BLAST, M.S.T., SCRAPS, RAPT, and more. These bands are not as distinctively “French” as previous waves of French punk, seemingly more influenced by US hardcore, which in a way is a shame.

V/A Fatal Response: Rescue Ladders & Human Barricade cassette

Pop-punk, thrash, Oi, are all present here. Hottest recordings are by DEAD ENDS and URBAN BANDITS (odd production), but if GEORGE IMBECILE & THE IDIOTS’ live tracks had been done in a studio, they’d have been tops.

Wanda’s A State of No Mercy LP

This is their second LP, and there have been some changes. A few males are now in the formerly all-female line-up; the sound has gone from a rougher KLEENEX-type sound to a much slicker SIOUXSIE-influenced feel. What hasn’t changed is the lyrical radicalism, still inspirational.

The Soup Dragons Hang-Ten 12″

Their second release continues with their BUZZCOCKS-like pop-punk sound, though not quite as explicitly derivative this time. They combine tough lyrics, pounding beats, teen vocals, and a slight bit of experimentation with pop rock’n’roll tunes. It works.

Ripcord The Damage is Done flexi EP

This is a nine-song 7″ of pretty raging thrash and hard-edged punk. The drumming is mixed kind of weird so it sounds a little tinny at times, but otherwise this band delivers short, fast blasts of anger with early DISCHARGE-like ferocity.

Manson Youth / Hostages of Ayatollah split LP

Two fine German hardcore bands share this platter. HOA clock in with some pounding thrash, tight as hell and powerfully delivered. Ah, but then MANSON YOUTH take their turn, and for a band with such a lame name they are quite a revelation—tight, great guitar, and one of the most urgent female vocalists I’ve heard in a while—great lyrics, too! Hard to go wrong with either side.

Godfathers Sun Arise / I Want Everything 7″

These guys write pop-punk songs so simple and catchy that you swear you’ve heard them before somewhere. Maybe you have, but the secret of great rock’n’roll is the ripped-off riff, reshuffled and redelivered in a new context. Both songs (one slow, one rocker) are top-notch. A special band.

The Exploited Jesus is Dead 12″

On the faster tunes here, I don’t think this latest version of Wattie and Co. do as well as before, but on the more adventurous tunes, they come off very well, with a fuller sound. They can still put out some good sounds, as hard as that is to admit.

Marc Riley with the Creepers Baby’s on Fire / Another Song About Motorbikes 7″

Marc Riley and company break a bit out of their FALL-like beat mold (at the same time as the FALL do with their cover of “Mr. Pharmacist”—interesting) with a cover of BRIAN ENO’s “Baby’s on Fire”—a pretty exciting version. On the flip, they return to their usual rolling form with a jangly, driving tune.

Abaddon Wet Za Wet LP

This Polish band recently toured Yugoslavia and while there, recorded this album which was then released in France—a truly international effort. Their style is generally thrash with good tunes and out-front guitar—a more melodic approach not unlike TOXIC REASONS or N.O.T.A. They are fine musicians, and on a dub tune you can really hear that well.

V/A Montreal New York Connection 85 Live LP

Contains SCAB, ULTRAVIOLENCE, and KRAKDOWN from NY, and ZERO, VOMIT AND THE ZITS, and GASSENHAUER from Montreal. All the tracks are live, but of good quality. Lots of great noise, thrash, and energy. Recommended for those who enjoy live recordings.

V/A It Came From Canada, Vols. 1 & 2 LPs

A mixed bag of punk, ’60s folk, rockabilly, experimental, and pop with Volume 2 being a bit better than Volume 1. Features the likes of GRUESOMES, DEJA VOODOO, MY DOG POPPER, ENIGMAS, and lots more.

V/A Empty Skulls Vol. 2: The Wound Deepens LP

This installment, The Wound Deepens, contains a few tracks each from an international line-up. Hot stuff from E.A.T.E.R, STRANGLEHOLD, HALF LIFE, CÁ”LERA, PANDEMONIUM, LEGION OF PARASITES, and others. Excellent selections and fun listening.

Das Yahoos Sturm und Drang LP

From out of the ashes of late SIC KIDZ rises DAS YAHOOS, a CRAMPS-like “horror” quartet. Though it’s nothing new, their music is very well done, real pounding simplistic psychobilly stuff in five tracks, and one atmospheric, spoken-word track.

Victims Family Voltage and Violets LP

Known as a “musician’s band” in the Bay Area, this Santa Rosa trio plays tight, tight, tight and leaves the other local musicians in awe. Musically, they utilize jazz, metal, and HC in a manic combustion that breaks new ground, though traces of early MEAT PUPPETS seem evident. Lyrically progressive and musically intensive.

The Reactions Cracked Marbles 12″

Decent but unoriginal power-pop on these six tunes. Jangly guitar and pounding drums are the cornerstones here, a more BEATLE-y version of the CHORDS or JOLT. I’d use the late, great QUICK as my standard in power-pop, mainly due to their guitar power and tunemanship—these guys’d get a 6 to the QUICK’s 10.

The Nuns Rumania LP

This band was great early on in the San Francisco punk scene, but before they split up they went way soft. Back again now, they’ve taken up where they left off, with soft pop. Unless wimpy BLONDIE meets bad NICO is your passion, avoid this.

Moving Targets Burning in Water LP

Boston has given us some great pop-punk like STRANGLEHOLD and the NOT, only to see them slip away largely unappreciated. OK, Boston’s giving us another chance in MOVING TARGETS, whose debut is quite a gift. Hope you try this one, and you’ll find there’s more to this city than metal.

Melvins Easy As It Was EP

Slow, grinding punk with a metal influence. This band relies less on annoying solos, though, and more on a crunching pace to knock you down. Victor loves these guys, but then again, Victor is crazy—so test these waters ourselves.

MDC Smoke Signals LP

The long-awaited MDC LP is an interesting release. Thematically, they cover South Africa, cops, food, bullies in the pit, soup kitchens, nukes, skateboards—the gamut of HC themes. The mix isn’t quite as full or noisy as it could’ve been, but a cover of “Big Picture” (Canada’s SUBHUMANS) is a treat, and the rest of the material is pretty much thrash, though country, R’n’B, jazz-metal, and even rap influences sneak right in. Dave’s voice seems a bit straight at times, but that may have been intentional to make the vocals clearer.

Jim Jones and the Kool-Ade Kids Trust Me LP

A torturous, grinding experience that occasionally lurches into third gear, only to slam back into first, not to mention reverse. Metallic gears of guitar driven onward by the pounding, crunching rhythm section and the howled-over grated vocals. The ants will get you! Hey, somebody’s got to do this since Pus ain’t doing it here anymore.

The Hated No More We Cry EP

Besides a pair of folk-tunes, what you get from this young band is a thrashing, HÜSKER-ish folk rock sound. Complex yet straightforward, these tunes show promise, though the various members are strewn around the country in colleges.

Government Issue Government Issue LP

GI seem to alternate releases between Dutch East and Mystic, this one on the former. Excellent production and melodic punk tunes are the hallmark here, and while you can still pick out that DC sound, they’ve broadened to reach back to punk roots, as well as even earlier (the WHO?), all without losing that oomph or character of their presentation. Interesting.

Frightwig Faster, Frightwig: Kill! Kill! LP

Back again with their noisy brand of raunch’n’roll, these gals don’t disappoint. Most of their songs are slow-to-medium-paced and only occasionally drag—yet somehow maintain a special quality, be it in the lyrics (“Punk Rock Jail Bait”), singing (Freedom”), or that down and dirty pounding (“Crazy World”). Oh yeah, they’re even better live.

Disorderly Conduct Amen LP

Like many hardcore bands today, DISORDERLY CONDUCT has incorporated growly metal vocals and some metal guitar licks into their song. They keep the “damage” to a minimum though, and the overall feel, both musically and lyrically, is punk with a sorta SoCal feel. Should be popular with fans of both ’cores.

Dead Kennedys Bedtime for Democracy LP

This 21-song album may well be the DK’s swan-song, and ironically is one of their best releases. 95% thrash, this one rages from start to finish, but also contains some of those nice little touches which make some rock’n’roll a cut above. While I haven’t really gone to a DK’S album for quite a while, this one stands out, lyrically as well as musically. “Chickenshit Conformist” is the most accurate, no-bullshit analysis of the current state of punk on record to date, a must for all concerned.

Capitol Punishment Slum With a View LP

This outstanding Fresno band barrels along still relatively unknown after all these years, and undaunted by their lack of recognition, continues to produce hot material. Besides being some of the nicest folks in HC, they are among the most proficient, and on this LP, they’ve broadened their material to include blues, jazz, and other influences, as well as adding a lot more guitar work.

Bored Cops Death Beach / Three Hearts 7″

The A-side is a tuneful thrasher that holds your attention with its pounding, building drive and lyrics. The flip is a ballad about growing up that starts out interesting but goes on far too long. Worth it for the “Death Beach” alone, though.

Adrenalin OD A Nice Song in the Key of ”D” / Return to Beneath the Planet of Adrenalin OD vs. Godzilla Strikes Again, in 3-D 7″

The A-side will bring a smile to your face—a great, ripping punk song, more melodic than their previous material yet still powerful. The flip builds from power crunch to absolutely raging thrash. Great.

Unseen Force In Search of the Truth LP

Great, raging hardcore—tight as hell and power production to spare. Glad to see another new outfit not pandering to metal clichés or influences, delivering the straight goods, musically and lyrically. Contains Dewey (ex-WHITE CROSS) on lead guitar.

Uniform Choice Screaming for Change LP

Taking obvious cues musically, philosophically, vocally, lyrically, and even graphically from MINOR THREAT (and to a much lesser degree, MDC) might lead these guys in for criticism for being unoriginal, but what they do is so powerful and convincing that it’s easy to overlook these charges. Good lyrics, though a bit unspecific, hopefully to broaden with age and growth. Keep the commitment!

The Throbs Proud to Be Loud LP

This is your basic rock’n’roll punk a la ’76. Okay guitar-strong garage punk that rocks okay and only occasionally gets embarrassing. Reminds me of the RAMONES or HEARTBREAKERS. It’s the lyrics, though, that are really embarrassing—definitely “sweetheart” stuff.

Scornflakes Scorn in the U.S.A. LP

Containing members of GONE, REGRESSIVE AID, and other bands, this Jersey outfit is into noise, FLIPPER obviously comes to mind, though there is a funk aspect to some of their grunge as well. By now you know if you’ll go for this or not. A live recording.

The Proletariat Indifference LP

So many bands pretend to have something to say, but the PROLETARIAT have always had articulate and pointed lyrics to match their sharp, precise music. The addition of two vocalists is kind of cool and makes things a little more interesting.

Offbeats Out of Breath / Don’t Take My Advice 7″

Hard to believe this is the same band as on their pair of EPs (but it largely is). They began as a garage thrash band, moved to a more melodic style of the same genre by their second release, but on the two tunes here they’ve gone way poppier. The A-side is pretty straight pop, while the flip has a bit more garage to it. Can’t say I fully appreciate these changes.

Ideals The Poor Man’s ZZ Top EP

Well, they sorta are. Two of the five tracks are bluesy rock, one more punked out than the other. The other tracks are thrashed out, but still with a slight country/blues inflection. Definitely a Texas band.

DMZ First Time is the Best Time / Teenage Head 7″

This classic protopunk band existed back in ’76 or so (when this was recorded) and starred Jeff “Mono Mann” Conolly, now in LYRES. They released a great 7″ on Bomp and a couple of LPs, none of which had these two rockers. B-side is a great FLAMIN’ GROOVIES cover.

Discharge Grave New World LP

Too horrible for words, this aggregation of the once-great DISCHARGE goes full-on metal sounding like LED ZEP (15 minute songs to boot!). No traces of punk at all, even to the point that the drummer Gary has covered over his CRASS tattoo with some metallish tattoo. Last DISCHARGE release we’ll be reviewing. (Unless we decide to ridicule them further. —Ed.)

Damage Synthology LP

A good punk and thrash record with lots of zip, good lyrics, and that’s fun to listen to. But what makes these guys stand apart is that in the great tradition of the SCREAMERS and SUICIDE, they rely on synth. You’d never know it, though, as there’s no trace of wimpiness—just two hard-driving machines, drums, and vocals. Not to be confused with another fine band of the same name in New York, and another in Finland.

Beat Temptation Concerned About Rock Music? LP

On a third of the tunes here, this band gets too mellow for my rockin’ meter to register, but on the others they play a rough pop rock’n’roll that’s pretty neat. The guitarist can really wail—he just doesn’t do it often enough. A neat cover of the VELVETS’ “What Goes On” that mutates into the STOOGES’ “1969.”

Barigade Dust Hero flexi EP

Performing both older punk and thrash styles (mainly the former), most of the material is fairly generic, but then there are little twists (vocal tricks, weird guitar sounds) that set it apart. But not by much, at least yet. Could develop into something distinctive.

V/A You Are Not Alone! EP

A four-band, four-track comp featuring HEX, STALAG 17, OI POLLOI, and SYMBOL OF FREEDOM, all from the British Isles. All the bands are powerful as hell, though SYMBOL OF FREEDOM is the most traditionally Britpunk (though they’re from Wales) and the least dynamic. An excellent release.

V/A Really Fast, Vol. 3 LP

Okay, this latest volume of raging thrash contains more of Sweden’s finest. Included are AVSKUM, DISCARD, DTR, SSS, EXISTENZ, SLAM, DISARM, BEDROVLERS, and many more. As with the other Really Fast comps, you get really fast thrash with the usual Swedish flair for hooks, though this one tends to be more straight noise thrash.

V/A The Power of Love LP

A largely German comp (MOTTEK, R.A.F., GIER, COCKS, TOXOPLASMA, etc.) with a couple of tracks each. There’s also TOXIC REASONS, ARTLESS, and FRITES MODERN thrown in, making for an energetic, well-recorded sampler.

Tin Can Army Be Invited… To the Theatre of Perversion, Bigotry & Suicide EP

A bit confusing (their logo is “TCACT”) but this is the latest TIN CAN ARMY release. This multi-track 7″ has one side of up-tempo punk, and one in a more jazzy punk vein. They are experimental in some ways, though their pop HC format and vocal sound reminds me most of the DKs.

Sorto Aina Valmiina EP

Containing younger siblings of TERVEET KÄDET (and on Laja’s label), this one-sided, six-songed EP is a raging, eccentric, jazzy thrash noise fest, much in the crazy approach of the late NEOS. Real short tunes, no let up.

The Pogo Little Boy / Toy’s Box flexi 7″

A two-song flexi, unusual in that this Japanese release doesn’t come in a sleeve (Japanese sleeves are the most expensive looking I’ve seen). Good ’77 punk with cool singing and rockin’ power, especially the drumming.

Neurotics Living With Unemployment 12″

A live recording, the centerpiece being a cover (under the title tune’s name) of the MEMBERS’ “Solitary Confinement.” Also included are some ranting poets and a few other NEUROTICS’ cuts. Great shit.

Negazione …Lo Spirito Continua… LP

Acknowledged by many to be Europe’s best thrash band, this release (out both in Holland on Konkurrent and in the US through Mordam) show their power. Songs are multi-layered with lots of growly singing and non-generic structures. Remind me a bit of a cross between the OFFENDERS and early DIE KREUZEN. Yet another Italian powerhouse.

Mottek Riot LP

Out in two versions (“raw” mix and “final” mix – the former being livelier, the latter more homogenized). Even on the raw mix, the sound is pretty clean and straightforward, a very powerful British type of hardcore. Good stuff.

Kuro Fire EP

One of the better sounding modern metal-inspired HC bands with the GISM influences. Overwhelming power and drive without obnoxious solos. Great drumming and guitar as well as vocals. Comes with a live flexi, fancy photo booklet, all enclosed in a sealed paper bag.

Jukon Speakers Dead Mans Dance / Give Me Love 7″

A pounding, eerie but simplistic guitar/noise post-punk throbber on the A-side while the B-side is a bit poppier but still simple and big in sound. They’ve got a live feel despite the studio recording, which probably saves them.

V/A There Is No Reason to Be Happy EP

WDM (Finland) clock in with a hot DISCHARGE-like ripper, III KATEGORIJA (Yugoslavia) have a “heavy” thrash sound on their three short blasts, MARITAL LAW (England) have a long, slow-tempo punk tune, and I REFUSE IT (Italy) finish it off with their jazzy HC sound. An indie international effort.

V/A Meltdown on Media Burn LP

Many of the tracks on this garage/psychobilly comp are previously unreleased, many are covers , and most all rock. You get the likes of PURPLE THINGS, X-MEN, TALL BOYS, MILKSHAKES, CANNIBALS, STING RAYS, and more.

V/A Cage Omnibus No! 12″

Four bands here: HONEY DEEP WET, NO LIP, REAL, and MERRYGOROUND. Average of a couple of tunes each, and I found none of this material truly outstanding, though none is really boring or incompetent, either. Accent is on the message in lyrics, though, which won’t do much for most of us.

TZN Xenna Dzieci Z Brudnej Ulicy / Ciemny PokÁ³j 7″

Two hard-driving tunes in a tough early punk style but with HC’s zip. There’s subtlety as well as power, making this not just collectable because it’s from Poland. Not only that, it’s out on the official state label, with a picture sleeve.

Toy Dolls Geordie’s Gone to Jail 12″

Two tracks from their LP (the title track and “Idle Gossip”), the former sounding like early 999 (according to Lydia), and the latter is a classic TOY DOLLS rave. Then there’s the onus track, the title track again, but sung in Japanese. I’ve heard it all now.

Potential Threat Demand an Alternative LP

A highly political release, but sadly missing a lyric sheet. Contains some reworkings of their debut EP, as well as lots of new material. While ample competent, there’s something a bit lacking in the overall sound — perhaps a thin mix. Otherwise strong but unimaginative thrash.

Peter and the Test Tube Babies Key to the City 12″

The title track is the only studio cut, and takes up the entire A-side. It’s very long. Its not very interesting. It would be just passable if it were a quarter as long. The B-side contains four live tracks, largely uninspirational save for “Vicars Wank Too” which shows the most pep on the slab.

Kina Cercando LP

Blues, thrash, HC thrash, fast punk, pop punk, jazz, speedcore… you name it, they do it. For such a variety of influences, KINA seems to pull it off, lending their “sound” to all styles, providing a continuity. Eclectic and yet maintaining an edge.

Hungry for What The Shattered Dream LP

Combining tracks from their LP and 12″ (released in Europe), this domestic LP introduces their pop-punk sound to American audiences. From Switzerland (originally in a 70’s punk band SOZZ), these guys combine power and great tunes into an early CLASH-like sound. Excellent.

The Ex The Spanish Revolution 2×7″

Actually much more than two 7″ records, there is a full-fledged several hundred page, highly produced book sandwiched between them. The theme is obvious, covered from an anarchist post of view, printed in both English and Dutch. Musically, there are traditional Spanish songs updated in a CRASS-like manner — really vital. GREAT package.

Broken Bones Never Say Die 12″

Three more metallish hardcore tunes, the title track plus “10, 5 or a Dime” and “Gotta Get Out of Here”. The latter is the hottest except for the little guitar flourishes. Guess they’re good at what they do.

Violent Tumor Abortion EP

Found this in LA with no pic cover, saw it had eight really short songs, and took a chance. Glad I did. While not spectacular these songs are rapid-fire blasts with gnarly vocals, and lots of energy. Inscription on B-side vinyl: “Skinheads sing in nuke rain”.

V/A Mystic Sampler #3 LP

Apparently Mystic does still consider these samplers necessary. This one includes tracks from other recent Mystic released by GOVERNMENT ISSUE, WHITE FLAG, PTL KLUB, ILL REPUTE, MENTORS, FACTION, AGRESSION and several samplers. Me, I’m unconvinced.

V/A It Came From the Garage! LP

A really great garage compilation featuring all Midwestern contemporary bands. Sounds range from 60s punk, surf, mid-70’s punk, psychobilly, and beyond. Hot stuff from MANGOS, ELVIS HITLER, MYSTERY BLUES, 3-D INVISIBLES, and lots, lots more.

7 Seconds New Wind LP

Two different recording sessions are mixed together here — one done in DC in ’85 by Ian MacKaye, and one done by BYO in LA in ’86. The DC sessions rock hard while maintaining that 7 SECONDS melodic appeal, while the LA tunes are decidedly more commercial sounding, with a U2 influence. Fortunately, 7 SECONDS makes even these tunes sound great live.

Sacred Order “E” Ticket LP

After all these years, SACRED ORDER finally get their own vinyl out. Sounding very little like their tapes of yore, the thrash is gone and is replaced by a heavy rock/punk sound. On some of the songs, that makes it work as an early punk sound emerges predominant. But on many tunes, the old rock blues-based riffs just don’t cut it. Enough with this early 70’s rehash.

SS-20 More Government Now LP

This debut LP comes across with a good measure of honesty and credibility — and that would be enough, but there are some catchy melodies mixed in with the fine lyrics to make this album a winner. This is punk in the best sense of the word: aggressive, original and committed. Most of the songs are nifty, too. A strong release.

Ramones Crummy Stuff 12″

“Crummy Stuff” is the draw here, though not really a knockout with tinges of synth here and there. “Something to Believe in” rears its ugly head again, and the painfully slow rock number, “And I Don’t Wanna Live this Life” is the finale.

Poison Idea Kings of Punk LP

At long last it’s out, and well worth it. Proving that life exists after metal (or at least hardcore does), this is a power-paced assault without a tinge of dinosaur damage. Very pro package by Pushead, though there’s no lyric sheet included, and Tom Roberts has got to be seen to be believed. A powerful punch. Now.. if they’d only tour.

Newd Harry Tracey is Dead LP

Largely juvenile lyrics (except one song “Distracted from the Truth,” which shows some subtlety and thought) set to older garage and punk tempos. Well produced though with such a trashy aesthetic, perhaps it could have been cruder.

First Offense Broken Home EP

Really good mid-fast paced hardcore, a good variety of tempos, lots of oomph, that SoCal melodic thrash sound, and really tight playing all make for good listening. Mystic’s new recording studio is way better than their Hollywood set-up, and this (along with a whole slew of new 7″ers) is proof.

The Faction Epitaph 12″

A posthumous release, six songs in all including a cover of GENERATION X’s “Your Generation” and MAMAS AND THE PAPAS’s “California Dreamin”. The originals mix the FACTION’s pop/surf punk style with a DOA-type hardcore sound, while the covers are credible. Good power.

Angry Samoans Different World 12″

Finally some new material, a limited edition release (to entice a big label?) that is indeed a bit “different” for Metal Mike, Greg Turner and Co. While the five originals still have the trash edge, they don’t have the thrash delivery. Harkening back to their 60’s punk roots, these tunes are not frantic but are “love gone bad” garage — snottiness fades to sadness. Includes folk-punk cover of “Somebody to Love”.

Agression Recorded Live at the Underground Railroad EP

Sounding much like a rockin’ DOA, this particular live performance is AGGRESSION is decent, though a bit disjointed at times. Guess I’m not one for most live recordings unless incredibly magic moments are caught, and in this case it’s just an average performance.

A.P.P.L.E. Neither Victims Nor Executioners cassette

Proving there’s more to NYC than street survival and “fuck you” lyrics. Fueled by strong female vocals, intelligent lyrics, and still powerful playing, there’s a PENETRATION/ POISON GIRLS influence, but also more going on here — funk influences, folk rocks aspects (cover of “Blowin’ in the Wind”) and classy production. 8 songs, worth mailing away for.

The Plastic Dolls Blindfolded LP

A refreshing yet rockin’ departure from HC, reverting back to early punk’s simplicity and yet maintenance of power. Just a drummer and guitarist who sings as well, this is rock’n’roll as it should be, though there are a few limp tunes.

Not Moving Sinnermen LP

Poppier than I remember their previous efforts, there’s a lot of psych guitar and feel here, though rarely crunching. With the female vocals, they at times sound like some early UK pop-punk outfits on the rockier tunes.

Mielenhäiriö II EP

Their second release (first was a one-sided 7″), this one flexing some muscle. The three A-side songs are slightly-better-than-average pop-punk, but it’s on the flip where they really cut loose. Three more tunes, much more energetic, both thrashy and imaginative.

The Loods Loud Machine 12″

A pic disc 12″ in a regular color cover, and the weirdness doesn’t stop there. There’s one “normal” punk tune, one change-of-pace thrasher, one BLURT-type raver, and then a bizarro mix of that same title song. Quite a treat.

V/A Songs We Taught the Cramps, Vol. 1 LP

A fine idea, a compilation of original tunes that the CRAMPS have covered over the years. Both ’50s and ’60s songs, there are either whole songs covered, or songs the CRAMPS took the lyrics from or took the instrumental licks from. Given the huge amount of songs the tasteful CRAMPS have copped, we can look forward to Volume 5 in no time.

V/A The Shot Heard Around the World cassette

A politically inspired comp, this one contains such bands as LIFE SENTENCE, GROUP OF INDIVIDUALS, BORN WITHOUT A FACE, RAPED TEENAGERS, and many more. A really worthy project, plenty of good music, and lyrics that matter. Especially like the Missouri band LIKE A HORSE.

V/A Lovedolls Superstar LP

Clearly half of this soundtrack LP stars the LOVEDOLLS, who seem to mainly to do the vocal tracks (sounding like the RUNAWAYS), and backed by the likes of REDD KROSS, SWA, PAINTED WILLIE. Remaining tracks star BLACK FLAG, DK’S, GONE, MEAT PUPPETS, SONIC YOUTH. Fun, in a Hollywood sort of way.

V/A Hanging Out at Midnight LP

Various pop-punk and folk rock bands with neo-’60s flair. The bulk are 50/50, but there are at least three real standouts, coming from the MIGHTY MOFOS (formerly the HYPSTERS), the WIND, and the CAVEMEN.

V/A Expo Hurts Everyone EP

A one-off “instant record,” this EP is dedicated to exposing the scam of the Vancouver Expo and its effects on those who aren’t just profiting off of it. MECCA NORMAL, RHYTHM ACTIVISM, and another band do folk or dirgy noise, while DOA does a CREEDENCE-like tune, “Billy and the Socred.” A timely release.

The Velvet Underground Another View LP

Not anywhere as amazing and explosive as the recent VU release of similarly unreleased VELVETS material, this new batch contains a few moments of wonder. A studio version of “Real Good Time Together” is decent, the ridiculous “Ferryboat Bill” is a treat as is the original version of “Rock and Roll.” The real standouts, though, are the instrumental version of “Guess I’m Falling in Love” (a pounding experience) and version two of “Hey Mr. Rain” that contains some awesome John Cale viola noise. Again, a must for VELVETS maniacs, if only for the clean production of all those bootleg versions you’ve had to strain through.

Urge Overkill Strange, I… 12″

Dare I say there’s a Chicago “sound” gelling, epitomized by a powerful punk approach to post-punk (BIG BLACK, NAKED RAYGUN) and joining their vinyl ranks is URGE OVERKILL. Big bass and drum sound, loud production, and cryptic lyrics are the ingredients. Of the five tunes, two appealed, three didn’t.

Phantom Opera Zoo 12″

This band is one of the new “eclectic” post-punk outfits that seem to be pouring out of SoCal. They mix punk power and intensity with other genres, borrowing from hard rock, funk, etc. This one works better than many I’ve heard, though I’d like to see more of these bands harken back to early punk’s appreciation of economy in length of tunes.

Last Sacrifice Acid Rain Dance / Suspended 7″

The A-side is a rapid-paced tune that combines the charm of early PENETRATION with UXA’s power—both female vocals. The flip is very POISON GIRLS-like. Whoops, just noticed that this should be 33, not 45. Still OK, but now it’s a male vocalist sorta STOOGES-like and not early as fun. Oh well.

Dogmatics Everybody Does It 12″

Half the tracks here are really listenable garage rock’n’roll, while the rest tend to be too rockabilly-ish or poppish in derivation for me. Obviously, they’ve got power and roots, but I hope they don’t get stuck in the past.

Brain Dead The Brighter Side of Life LP

Though there’s nothing new musically, this mid-tempo hardcore platter is well done, has clean (perhaps a bit too much) production, really audible vocals, and really good lyrics. Always glad to see a good band emerge from mid-America.

V/A Raw Cuts, Volume Two: Swedish Beat LP

Volume One covered French neo-’60s garage, and this latest volume covers Sweden. The bands emerge from punk to pop-punk to power rock, all with that zesty garage undertone. Grittiest stuff comes from the SLAMMERS and SLOBSTER, though fine stuff by HIDDEN CHARMS, SINNERS, and BOTTLE-UPS (among others) are welcome, too. Good work.

V/A Gadael Yr Ugienfed Ganrif LP

This label Anhrefn is dedicated to alternative bands who pride themselves in their Welsh identity, culture, and language, and this comp contains two tracks each from five bands. Two are punk (YR ANHREFN, ELFYN PRESLI), while the other three are best described as folk-punk, post-punk, and techno-pop. An interesting array.

V/A A Farewell to Arms LP

Two to four songs each from GAUZE, GHOUL, EXECUTE, LIP CREAM, OUTO, and GASTUNK. Lots of great stuff, especially by LIP CREAM and GAUZE, though there are very few slouchers at all here. Hot.

Trotskids A Mort! A Fond!! LP

Most of the tunes here rip right along at a rapid clip, combining good tunes, that classic French chorus singing, and hot production. There are a few change-of-pace tunes which are decent though they tend to be longish. BLITZ influence, but uniquely French. Watch for more hot records on this label.

Toxik Ephex Punk as Fuck EP

Outside: a plain, homemade, obviously “punk” sleeve. Inside: a three-song, well-produced, hot sounding record. Powerful punk, both fast and medium-paced. Quite a refreshing surprise—no hype, just the facts ma’am.

Terveet Kädet The Horse LP

This latest release has taken quite a while to get pressed. They’ve slowed down a tad, but still maintain their characteristic intensity. You get twenty songs, mainly mid-tempo noise thrash, a heavier sound than usual. Catch ’em live this August-September on tour in the US. (They need a van for two bands; can you help? Write…)

The Soup Dragons Whole Wide World / I Know Everything 7″

These guys have been compared a lot to the BUZZCOCKS, though I hear a lot of the early UNDERTONES as well in here. Both tunes are bouncy pop-punk, with good melodies, pounding drums, and up-front guitar. While this is a good start, the tunes weren’t as instantly memorable as their aforementioned prototypes, and I hope they don’t lose the grit in their attempt to “make it.”

Skeezicks There’s a Charlie Brown in Everyone of Us EP

Brian Walsby-ish hardcore? Actually, his drawing gracing the cover sums this up well—good fun punk sound, though the lyrics indeed have a lot of meaning. A fine young band.

Sine Sine Dan Jarged GBH Greatest Baka Hits EP

A send-up on GBH, the key word “baka” (meaning “foolish”) appearing frequently. Hilarious music, as well as the funniest back cover I’ve ever seen. Great Big Haircuts, indeed.

Scraps Apartheid EP

Though the music is not the slickest thrash I’ve ever heard, there is an urgency to it that’s most compelling. Combine that with raging vocals of a highly political nature, and you’ve got something special.

Raw Power After Your Brain LP

I think this is more or less RAW POWER’s original line-up (not the metal band that toured as RAW POWER) as there’s a lot less guitar wanking. Pretty straightforward thrash as well as some punk tunes. Lacks the overall insanity of some of their best material, but there’s plenty of hot stuff here and a lot more variety than usual.

The Nikoteens Slamdance Party Vol. 3 LP

Divided into a “Romantic” side and a “Realistic” side, this band pulls off an out-of-the-ordinary LP. Their punk is not generic usually, but doesn’t really drift into experimentation or post-punk to pull it off. Can’t really say what it is, but it’s a tad different. Worth checking out.

The Damned New Rose 12″

Well, hey—here’s your chance to snap up some early or rare DAMNED stuff, back when they were a slap-in-the-face punk band. Includes “Help” and “New Rose” from the first 45, “Stretcher Case” and “Sick of Being Sick” from their ultra-rare freebie 7″, as well as “Neal Neat Neat.” Get this fucker.

CCCP Fedeli Alla Linea 1964-1985 Affinità-Divergenze Fra Il Compagno Togliatti E Noi Del Conseguimento Della Maggiore Età LP

One side of this red vinyl job is punk with some experimentation, folk, and other varied influences, while the flip contains three long songs that are post-punk. On both sides, vocals and lyrics are way important, but unless you understand Italian, a lot will be lost on overall impact. Highly political.

Broken Bones Bonecrusher LP

Side one is the better recorded of the sides, with a mighty driving bass clearing all obstacles, leading the way for non-stop metalish thrash. Lyrics remain in the doom-and-gloom mold, but appropriate for the music. Lots of power.

V/A Vile Vinyl, Vols. 1 & 2 LPs

Slightly above-average ’60s comps, ranging from garage punk to pop punk. Volume 2 contains the classic “I Said Oh No No No” by the RAVING MADD. Far out, man.

Wipers Land of the Lost LP

Greg Sage and co. return for some more of their classic, driving guitar rock’n’roll. Side one rocks harder than their last outing, but ends with a long, moody tune that sets the pace for side two, which is a bit cleaner than previous WIPERS stuff. Like the gnarlier stuff myself, but it’s all cool. Keep it up, Greg.

White Flag Zero Hour LP

Another good sounding LP, as these guys churn ’em out. Still have a problem with their so-called “anti-political” lyrics, which more often than not are a not-so-subtle acceptance of the conservative status quo. Musically, they maintain their zip and imagination, producing fine punk and thrash.

Vale of Tears Betrayal EP

Rock’n’roll with punk, dance, and post-punk influences. There is a driving beat on two of the three tunes, but the singing is a bit too much “sung” and the addition of a sax only detracts from the power. Sounds like ’79-’80 degenerated early punk.

Uzi Sleep Asylum 12″

A posthumous release, a five-song job of not-so-exciting post-punk, or maybe it is exciting for jaded, over-the-hill, aging “I never was a punk” types. Actually, “Ha-Ha-Ha” has fine power and moments of madness, but that only pales the rest of the tunes.

The Subhumans Incorrect Thoughts LP

The same great debut LP by this defunct Vancouver outfit, but with two additional songs. High-class punk, great lyrics, a must if you missed it the first time around. May be released without the ex-members’ permission.

The Micronotz 40 Fingers LP

While there’s a decent power here and the vocals are as great and gruff as ever, there’s a sameness to their largely mid-tempo tunes that lulls me to sleep. Outside of the title track and one other tune, I didn’t perk up that much.

Die Kreuzen October File LP

This is a fucking boring record. This is a fucking bor… nah… pretty unmemorable stuff. The speed is down, but so is the spark, leaving those still-ragged vocals and an R.E.M. meets LED ZEP sound. Wish I could be excited, but I’m not.

Agnostic Front Cause for Alarm LP

With their debut LP, I liked the music, liked the lyrics, had doubts about certain contradictions. With this follow-up, I like the music less (way more metal), the lyrics are largely good (though the anti-welfare “Public Assistance” attacks minorities as the problem), and again I am not convinced—even less so.

The Afflicted Good News About Mental Health LP

Around for many a year but their first vinyl. Began as a thrash band, but are now decidedly a punk band with classic punk riffs and approach. Good sound quality, decent tunes and power, and fairly fun. Could have done without “Sweet Jane ” cover though.

Wilmer X V-I-L-D! LP

A live (and hot one at that) recording of this power-pop band that feeds off both ’50s and ’60s roots, R’n’B, and pop and turns it into a rockin’ sound like early DR. FEELGOOD meets CHRIS SPEDDING.

Los Violadores Y Ahora Qué Pasa, Eh? LP

They’ve gone way pop since their PISTOLS-like debut LP, and would go over really well with nightclub punk acts, those “professional punk” bands. There’s still a spark of guts here and there, but mainly it’s power-pop music.

V/A We Can Do Whatever We Want LP

At last, the best of BCT’s cassettes. Quite a ripping collection of live and studio stuff, this LP includes European and North American bands. Some of the bands included are: RAW POWER, PSYCHO, RATTUS, TERVEET KÄDET, CCM, WRETCHED, DETENTION. A real testimony to Chris’s perseverance and dedication; I hope this will be the first of many vinyl efforts.

V/A This is Oi!: A Streetpunk Compilation LP

A non-fascist skin (“street-punk” is what they call it) comp with the OPPRESSED, OI POLLOI, COMPLETE CONTROL, BARBED WIRE, and more. OI POLLOI and BARBED WIRE come off with the most energy and determination, while the rest sort of hang together undistinguishable.

V/A Stone the Flamin’ Crows!! double cassette

Two tapes, 44 bands, and a booklet—an amazing comp of some of Australia’s best of the last few years. Includes DEATH SENTENCE, CIVIL DISSIDENT, VICIOUS CIRCLE, and tons more. There are a lot of live tracks, most of decent sound quality, though not all.

V/A Kulturschock Attacke Vol. 1 LP

A really decent Germany comp. though the sound quality varies from band to band. Some of the included are: CRAPSCRAPPERS, CIRCLE OF SIG-TIU, EUTHANISIE, IM ZEICHEN DES KREUZES, and many more. An enjoyable slab.

V/A Consumer Blackmail cassette

An awesome comp of international scope, though the majority comes from Japan. This tape was put together by Roger Armstrong for the joy of it, and he encourages people to duplicate it rather than purchase it. Includes too many to name.

V/A Auf Tierfang Durch Die Welt Für Unseren Zoo EP

All three bands here (two tracks each) are in older punk styles. Recordings vary in quality (some live, some studio), but there is a sameness to it all. Includes: BLANKER HOHN, KIE ERBEN, and R.Z. AMOK, all from Hamburg.

Stinky Rats Vergognati 12″

Thrash for the most part, but broken up with changes that are a bit jazz-rocky. Several Italian HC bands seem to have these varied influences, some of which I find distracting, however eclectic and broad their tastes. Others may appreciate the variety. When they rely on power, they really wail.

The Smarties Whole Buncho Weirdos LP

Great combination of crisp, hard-hitting, fast punk and funny upbeat comedy tunes. All the music is produced by talented West German musicians who keep their musical roots present throughout every song. The clean, excellent production only helps this twelve-song LP’s attack become stronger. Good stuff!

Os Replicantes O Futuro Á‰ VÁ³rtex LP

Decent but commercial-sounding punk. This pop punk style is not surprising, considering OS REPLICANTES are out on RCA Brazil, but what is unusual are the lyrics—attacking censorship, banks, and other problems common not only to the Third World, but the West as well. Interesting.

Les Rats Violence / Allez Danser! 7″

This French outfit specializes in pop-punk with the traditional choruses, but emphasizing a more rootsy rock influence. “Allez Danser!” is an especially invigorating melodic track, while the flip connects with more energy. Basically good and solid.

Rabatz Irrenoffensive LP

Good driving punk but without much distinct personality. While the music’s plenty punk and there’s good power and vocals, they lack that special something which becomes evident on LPs more than EPs. Still, it’s not bad at all.

Psychotic Youth Devils Train EP

A “…Youth” band that’s not hardcore? Yep, pure psych/punk here, and though they’re hardly “psychotic,” they do rock pretty good. Do an ELEVATORS cover, as well as the FE-FI-FOUR PLUS 2’s “I Wanna Come Back From the World of LSD” and two originals. Not remarkable, but decent.

My Bloody Valentine Geek! 12″

More pop than JESUS AND THE MARY CHAIN, but utilizing their noise guitar. The singing isn’t well done or enigmatic, and the overly subdued nature of the playing leaves leaves a lot to be desired. One track (“No Place to Go”) has enough energy to overcome this, but a .250 average doesn’t make it.

Manimal Manimal cassette

At breakneck speed or mid-tempo, this band turns out well-crafted, powerful punk and thrash. They have an almost SoCal sound, full of melody and hooks, lots of guitar, and neat vocals. An excellent tape, well worth picking up.

Laughin’ Nose Laughin’ Nose LP

This group sticks to their early punk roots, relying on pop melodies, heavy on the high production vocals and mix (a bit too much so), and simple, catchy tunes. It can wear thin, but is an OK change of pace. Especially liked “Broken Generation.”

Karma Sutra Inside the Glassy Packages the Same Old Slut cassette

A six-song release, this is punk rock with a distinguishing guitar sound. For the most part, the band has a SUBHUMANS-type English sound, but the guitar has a post-punky tone, a combination that comes off well. Good thoughtful lyrics to boot.

Feedtime Feedtime LP

Seems to be recorded somewhere between 33 and 45 RPM, cuz it seems plausible at both speeds. This is driving, bass-heavy guitar noise stuff, sometimes quietly mad, and at other times blatantly insane. Grunge with conscious intent but really well executed.

Clinik Jungle Town / Revolution Rap 7″

Switzerland produces some very mundane punk and some quite interesting experimental punk (such as the MANISCH DEPRESSIV 7″), and this release falls into the latter category. One side is indeed a politically biting rap song set to rhythm machine, while the other is a highly persuasive punk song. Interesting.

Nick Toczek’s Britanarchists More to Hate… Than Meets the Eye 12″

One one side, it’s NICK TOCZEK backed up by a simple punk band (the BURIAL, who look more skin than punk), while on the flip he’s backed by a ska/reggae outfit called the SPECTRE. NICK’s bitter social commentary comes across well despite (or enhanced by) the music.

Bluttat Cash, Invoice, or Credit Card LP

This fine band seems to have lost some of their steam and distinction from their previous two sparkling LPs—the songs here tend to run into each other without much differentiation, and the lack of real punch is a disappointment. Maybe I’m missing the subtleties, but I miss their power and speed.

Third Force Just a Little Screw cassette

Though the recording is just a bit on the thin side, there’s lots to pick up on here—lots of energy and tight as hell, quick changes and blazing yet melodic thrash, and some positive lyrics. Like the singing and harmonizing, too. A good start.

Sacred Denial Extra-Strength Tylenol Anyone LP

I like this record a lot, with its straightforward powerful punk/thrash and teeny-nasty vocals. Nothing really unusual here, but its simple punch and power are really enjoyable. A no-frills treat from this now-defunct band.

SS-20 More Government Now cassette

A lengthy but enjoyable tape of real good pop-punk thrash. Good production as well as way clear vocals makes this even more enjoyable. Good lyrics and neat back-up singing as well.

Ramones Something to Believe In 12″

Alas, the RAMONES, on their latest release, are heading back to their overproduced period of a few years back. Too many instruments (synth, horns, extraneous shlock and vocals) clutter it all up, absorb the power, and detract from their simple raw pop power. Disappointing three tunes.

The Cramps What’s Inside a Girl? 12″

The title is off their latest LP, and the other two tracks are nothing to rave about. “Get Off the Road” and “Give Me a Woman” are very simple tunes, but lack any special character or zip. Like the RAMONES’ new 12″, a poor follow-up to their recent LP.

W.D.M. Democracy? EP

An above-average noise thrash release, rife with buzzsaw guitar, raging beat, and gnarly vocals. All nine songs are sung in English, the intelligent lyrics driven home with passion and power. Hot.

V/A Words Worth Shouting LP

Along the lines of Bullshit Detector, this LP is a collection of mainly English bands (with German and French representatives), a benefit for hunt saboteurs. It’s quite good, and introduces some relative unknowns like AXE THRASHER, DEATH ZONE, REVULSION, etc. as well as the likes of DISRUPTORS, HAINE BRIGADE, and NICK TOCZEK.

V/A Declaration of Fuzz LP

As good a neo-’60s compilation as you’ll find, this one covers the international scene with the likes of the STOMACH MOUTHS, BOYS FROM NOWHERE, MIRACLE WORKERS, CRIMSON SHADOWS, CORNFLAKE ZOO, and many, many more. High quality recordings, largely enjoyable punk and psych/punk.

Les Thugs Radical Hystery 12″

Awesome! As with their incredible 7″, these eight songs combine the power and freshness of ’77 punk with the pop songwriting mastery of the VELVET UNDERGROUND, producing crunching, up-tempo, and harmonious ravers. They’ll knock your socks off.

S.H.Draumur Itch cassette

As featured recently in MRR, this Icelandic band plays a somewhat energetic brand of post-punk, though it’s somewhat restrained. The sound quality here is decent though thin, but given the lack of availability of their native recordings, collectors of the unusual might want to check this out.

Obscurity Age I’m Only a Child 12″

Fairly rockin’ folk rock with female vocals, like a less-slick (no pun intended) early JEFFERSON AIRPLANE. Part of the Milan underground scene of Leoncavallo and Virus, this band is dedicated to the autonomous movement, opposing commercialism and rockstarism.

Menticide Bathroom Ideas Exhibition / Wedding Jerk 7″

The A-side is a jaunty post-punk tune with punky vocals, somewhat reminiscent of early CURE, while the flip lags pretty much. I found the topside to be pretty catchy, though I imagine wimpiness is just around the corner.

Ampachen / MBP split cassette

M.B.P. is a noisy yet melodic thrash outfit who hit the spot—no complaints here, as they play an American style hardcore, energetic but tight. Turning the tape over for AMPACHEN we find a less frantic but nonetheless equally enjoyable and imaginative band. They too have wild vocals, great guitars, but are a bit more tuneful. Good buy.

Godfathers This Damn Nation 12″

Some former SID PRESLEY EXPERIENCE members come up with a powerful, catchy three-song release. The title track has great guitar hooks, fine drumming, and tough singing. Wish it wouldn’t end. On the flip, we get more of a rock’n’roll song and a tribute to John Barry’s James Bond-type theme songs.

Conflict Only Stupid Bastards Help EMI LP

A live “benefit” LP, this one to help various centers aiding in riot defense zones. The target here is unnamed (a band who “sold out” to EMI), but should’ve been since it’s not obvious to most people I’ve asked. Recorded at the Olympic in LA, the sound is appropriately live, and quite energetic with 22 songs. Anyway, CONFLICT, after you get done ranting about other rip-offs, why not send MRR the $30 you owe us for your ad of last year?

The Brigades Costa del Dole LP

Much more rockin’ than their previous releases, the BRIGADES cut loose with powerful pop-punk. Their style is a cross between mid-period CLASH and ’80s Brit-punk, while their lyrics are unabashedly political. Driving, well-recorded punk rock.

The Backdoor Men Going Her Own Way / Dance of the Savages 7″

The A-side is a ballad, and gets tired in a hurry. The flip is an organ-dominated instrumental, a more crazed R’n’B-based tune. Though it rocks, I’d sure like to have heard some guitar on that baby, especially as this band’s name evokes the SHADOWS OF KNIGHT and rockin’ R’n’B.

The Apostles Punk Obituary LP

Finally, their first LP (after five 7″ers), and they continue with their scaringly personal and honest lyrics and liner notes, but the music itself (offbeat as ever) has toned down considerably, to the point of being almost folk. With this band, though, it’s their wordage and politics that matter, so…

Wrecking Crew Wrecking Crew cassette

Lots of metal damage here, which maybe would be decent sounding in the studio, but on this live recording (ten tunes) doesn’t come off that slickly. The power is evident (especially on the drums). Studio should produce better results.

A State of Mind / Chumbawamba We Are the World? split EP

A split 7″ by England’s CHUMBAWAMBA and America’s A STATE OF MIND. The latter’s two tunes vary between melodic parts and punk rushes, all in an English anarchist vein with heartfelt political lyrics. CHUMBAWAMBA, too, deals with subjects of war/fear and state control, and musically, similarly, rave yet intersperse with “pretty” aspects. Comes with an incredible amount of info/opinion. Get this!

V/A Limited Potential cassette

A variety-pack of US punk hands from these zine makers: POETIC JUSTICE, LOOKOUTS, GROUP OF INDIVIDUALS, NASAL WASTE, DEAD SILENCE, YOUR FORM OF GOVERNMENT, and even the HATES. Most of the bands have this in common—you can hear the lyrics, meaning they’re more punk than thrash.

Sex on TV Some Other Thoughtful View EP

Quite a variety of styles apparent here—two of the five tracks are synth-oriented new wave, two are ripping thrash, and one is an upbeat R’n’B-based rocker. Cool vocals throughout, lots of power on the three, and a change of pace on the remainder. Interesting.

Septic Death Now That I Have the Attention What Do I Do With It? LP

A sort-of reissue. Side B is the same as the original—speedcore wailing and frantic Pus vocals. The A-side, however, is another story: three tracks are from the original release, but have new guitar and vocals; three are completely new tunes; and three are songs that appeared on various comps, again redone. Beautiful packaging.

S.F.B. Get Set for Another Shattered Dream!! cassette

Featuring ex-members of CATATONICS and SUBURBAN REBELS (from upstate NY), this posthumous release features driving melodic guitar punk and thrash. While it doesn’t always sparkle, there’s lots of energy and potential…but alas they hung it up—Belvy moved to Reno, Bob to San Diego, etc. Another sad story, but that’s rock’n’roll.

The Primates We Are the Primates LP

Primitive 60’s punk that relies heavily on rhythms simple drumming, maracas, tambourines, etc.). Basic R&B punk with classic garage meets Mersey tones. They can fuzz punk as well, though, and that wimp Jeff (who was supposed to have done this review!) really likes this one.

Painted Willie Mind Bowling LP

This band (includes some ex-SIN 34ers) seems to be moving away from their more explicit political origins towards a mix of politics and personal love/hate songs. Musically, it’s mid-tempo punkish stuff with early-’70s rock influences. Not yet well-formed personality-wise.

Levelors Last Supper 12″

A real split personality here—of the six songs, two are soft rock, two are hard rock, and two are punk. Since those are the only two I could stomach, I will only speak of them…and they’re quite good—real driving punk with good hooks and singing. Odd.

Th’Inbred A Family Affair LP

With vocals reminiscent of Ian MacKaye or Kevin Seconds, combined with an almost jazzy hardcore band makes for interesting listening. This band is big on intros that are slow and different then rip into a thrash song with changes throughout. BEEFEATER fans will relate to this. Lots of challenging/thoughtful lyrics to boot. Great effort here.

Hüsker Dü Candy Apple Grey LP

The HÜSKERS’ premier major label effort finds them displaying some of the most depressing/unsure lyrics yet. Musically, this album is no departure from their pop direction, some delivered with power, some not. There’s a 12″ out now, too, containing one track from this LP, as well as another studio track and a live (but unsensational) “Helter Skelter.”

Forbidden Beat Driving You Insane EP

If there is such a thing as a “Vancouver vocal sound” (D.O.A., DEATH SENTENCE) then this band has it. With former members of BILL OF RIGHTS and HOUSE OF COMMONS, you’ll find four largely mid-tempo punk songs, lots of guitar, and plenty of drive. It rocks.

Foe Life After Christ cassette

Hard-driving punk and thrash with an accent on singing and melody. Could’ve done without their DEEP PURPLE cover, but the other tunes on this six-song demo are powerful, guitar-heavy rippers. Contains ex-MALIGANT TUMOR members.

Cancerous Growth Today’s Society EP

I was warned that this would be “too metal” for me, but far from it. While there’s a slight bit of metal guitar action (no obnoxious leads though), for the most part this is speedy thrash. Though generic at times, there are a few touches, overdubs, etc., that break it up. Five songs, good lyrics.

Bum Kon Bum Kon LP

Eclectic hardcore that combines power with offbeat influences, changes of pace, funky bass playing, SoCal-sounding punk vocals, and the eccentricities usually associated with Sun Belt bands. Should establish them with fringe-freaks everywhere.

V/A Bleeding Between the Lines cassette

Wally and the Beav comes up with another hot new comp, a prelude to their first vinyl effort. Band like LUDICHRIST, PHANTOM TOLLBOOTH, SHELL SHOCK, HYPE, A.P.P.L.E., DIRECT ACTION, RED TIDE, REST IN PIECES, and lots more supply the more-than-ample power. Overall fine sound, comes with booklet. Rips.

Johnny Thunders Que Sera, Sera LP

Whereas I just had written JOHNNY THUNDERS off as poopoo on toast last issue, I’m now glad to report that he’s now just plain poopoo. Lots of songs about all the girls throwing themselves on the boy, done in his traditional R’n’R style. Would’ve been happy, though, if he at least rocked out, but most tracks are fairly tame, with very clean playing. Miss that nasty guitar. OK at best.

Slow Against the Glass 12″

Noted for their frantic live act, this 12″ captures that energy as well as their variety. Using funk, rock, and other influences, galvanized by punk energy and attack, they pound out six pop/punk/garage rippers. Great singing, too.

Pagans Buried Alive LP

Finally! Other than hardcore collectors, most of today’s punks have never heard the awesome power of Cleveland’s PAGANS. These blasts (seventeen of ’em) include the seven tunes off their four 7″ records, as well as ten unearthed studio tracks from ’77-’79. The single tracks still seem the hottest, but there are no throwaways here. Get it!

Mod Fun Hangin’ Round EP

On this release, MOD FUN has updated their sound from ’64 to ’66, incorporating ’60s fuzz punk into their pop mod sound on one song, going pop-psych on another, and fairly straight pop on the longest track. Like the two uptempo songs better than their previous efforts.

Maggot Fodder Sudden Death cassette

Their fans call it “acid punk,” which brings to mind the BUTTHOLES, but this is nothing like that. Much more melodic, with “harmonic” vocals and a decent medium-paced beat. Not really too psych or crazed, just moody with a raw guitar.

Kluged Kick, Scream, and Shout cassette

A nine-song good-sound-quality tape. “KLUGED” apparently means jerry-rigged or thrown together in a really quick, sloppy manner. It doesn’t appear so to me, as the playing is tight and powerful angry thrash, cleanly and energetically delivered. Lots of changes and non-metal guitar work (extended at times) and strong vocals. Good debut with an early SoCal HC sound.

First Offense First Offense cassette

One studio side (originally intended for release by Mystic, and is classic SoCal melodic thrash) and one live side (more recent material with a definite metal edge). Both sides are good sounding, though I prefer their earlier sound by far.

Doc and the Pods Sometimes EP

Rockabillyish rock’n’roll on this 4-song EP, occasionally sinking its teeth in, but not really blasting like it could. This is best seen on their cover of the FLAMIN’ GROOVIES’ “Teenage Head,” which just doesn’t have the bite of the original.

Dissension Why Work for Death LP

From out of nowhere (well, actually Long Beach) come DISSENSION, and their “generic thrash” sound is done with conviction and power. While their message may be generally in the new “positive” school of HC, their lyrics range a bit wider than many such bands. Line-up includes ex-TARGET OF DEMAND guitarist. A promising debut.

Dead Silence Stress LP

A band whose lyrics matter a lot, who have put on benefits to back up their beliefs, and who rock hard as well. Really cool fast, grungy punk with tough committed vocals. Neat fuzz guitar fits well with thrash, too. Excellent, exciting debut.

The Cynics No Place to Hide / Hard Times 7″

A bit stronger than their debut EP. This band has a punkish ’66 sound with a singer who almost sounds like Gary Floyd of the DICKS. The A-side is the superior track, with cool fuzz and lead guitar.

The Cramps A Date With Elvis LP

The big difference on this release is that Ivy finally steps out with some clean guitar soloing, and I like it. It’s straightforward and simple, and reminds me of something, like a slightly more souped-up JOHNNY BURNETTE TRIO/BO DIDDLEY. Some real chances get taken here, and the results: their best record in years, though many don’t like it.

Buzz and the Gang Buzz and the Gang cassette

A three-song job, pop-punk is the style, with female vocals not unlike early BLONDIE. It’s got that Boston rock’n’roll sound, clean but rockin’ with guitars and drums up front with the singing. More power-pop than punk. it’s still a punchy effort.

Asexuals Contemporary World LP

I suppose it would’ve been unfair to expect this LP to strike me as their debut did (my fave LP of last year), but perhaps with many playings it will come close. There’s still that great, distinctive voice, super-tight and fast melodic thrash delivery, clean production (perhaps a bit too clean here), classy hooks, and that rare sing-along quality, so… Catch ’em on tour and sing your heart out (great lyrics, too).

X At Home With You LP

These Australians continue to put out interesting records. This LP contains tracks in their ’77 power-punk sound as well as more eclectic sounds that rock. Can’t say I like it all, but for a band that’s been around so long, they still pound.

V/A On the Waterfront, Vol. 2 EP

A sampler from this mainly pop label. HAPPY HATE ME NOTS live up to that standard, EASTERN DARK clocks in with some cool psych noise, ITCHY ART come off with a driving dirge entitled “Attempting to Give Your Name to a Policeman While Tripping,” and TACTICS do a live folky punk ditty.

V/A 天橋立に来た岸壁の母 LP

A Kyoto-area comp featuring INFECT, SCABIES, WALTZ, FUCK GEEZ, SEX COMPLEX CLASS, and the SADIST. Mostly ’77 stuff except for ripping thrash from WALTZ and SADIST’s fast punk.

V/A Rebel Brain Factory LP

A 50/50 proposition. OK tracks from LOODS, ZOLGE, and the POGO; losers from SISTER RAY (yet another band with, this name that doesn’t have a VELVETS sound at all), and IKARI; and hot stuff from ROSE ROSE.

V/A Kaaos Zine Presents cassette

A Finnish-US effort (being sold in the US by BCT, in Europe by Kaaos). The US entries are ENTROPY, SPASTIC RATS, and CAUSTIC DEFIANCE, while from Finland hails MASSACRE, PRAVDA, and POLISTVALTIO. All I’m gonna say is HOT! Some of these bands never sounded better.

Terminus Catalog of Crimes cassette

Despite the four-track quality, the eight songs here are pretty listenable. Thoughtful, melodic, medium-paced punk with interesting guitar work and, at times, post-punk singing. Not ordinary.

S.H.Draumur BensÁ­n SkrÁ­msliÁ° SkrÁ­Á°ur 10″

This four-song release is well produced, featuring medium/slow-paced moody post-punk. There’s a decent amount of power, but the excitement level never quite boils. Also, given the language barrier, a lot is lost in this music where you can hear the singing so clearly, and where, I’m sure, the lyrics set the whole mood.

Running Stream Running Stream 12″

A neo-’60s band that plays punk and pop-psych. Nothing too startling here, and as you can judge by some of the covers (“Gloria,” “I Can Only Give You Everything”), not too much delving into the musical past. OK.

Rattus Live in Denmark cassette

Even though the sound quality is not the best, one can get off on this release because of the sheer energy put out by Finland’s RATTUS. I wasn’t too excited by RATTUS’ last vinyl (a more metallic direction), but there’s no hint of it here—just blazing, ripping, and sometimes tuneful thrash. The pace is awesome.

Grong Grong Grong Grong LP

That weird ol’ Jello has a passion for dementia (FLIPPER, BUTTHOLES, etc.) and after seeing these guys Down Under, decided to get ’em released domestically. Like the aforementioned bands, though a bit more frantic (at least on vinyl). Sure to go over big with both punks and the art crowd.

The Golden Horde In Reality 12″

Liner notes state: “This record will perhaps be one of the greatest rock’n’roll records of a generation.” Hardly, but this is decent boppin’ folkish rock. Six tunes, the hotter ones owing more to psychobilly than anything else.

Force Majeure Hundarnas Månskensserenad EP

Really melodic sing-along punk with good drive and bounce. This sounds more like French punk than Swedish (in fact, I could swear it’s French because they’re singing in—actually, it isn’t). Good production, good singing, and tight pop/punk playing with tough guitar.

Cretins Man Between Walls 10″

Very slick rock with pop/punk influences, kinda like X. Weirdest part is that they dedicate the record to DICK DALE, CLIFTON CHENIER, and HOUND DOG TAYLOR (among others), none of whose grungy blues or surf influences appear at all.

The Cannibals The Rest Of… LP

This LP contains session material from 1977-’79 (largely unreleased) of this groundbreaking UK trash outfit. Lots of rockin’ blues, ’60s rock’n’roll, etc. from their various aggregations (several of them went on to form the INMATES). Early STONES sound.

The Zapruders Hanna Barbarian / Trash Night at the Jewelry Store 7″

Folk-rock/singer-songwriter stuff with the accent on audible lyrics. While the music is pretty meager and fairly light, the lyrics are crypto/critical DYLAN-esque without being too pretentious. Wish the music rocked more, but otherwise it’s intriguing.

V/A A Piece of Mind cassette

Put out by the guys from DEAD SILENCE, this sampler contains quite a variety of styles as represented by such bands as RHYTHM PIGS, DEHUMANIZERS, BLATANT DISSENT, GLORIOUS DIN, AGAINST THE GRAIN, INSURGENCY, RIPCHORDS, CRUCIFIED TRUTH, DISARRAY, and tons more. Check it out.

V/A Budget Ranch Box 3×7″ box set

A weird marketing concept—three colored vinyl EPs boxed together. You get one by PEACE CORPSE (country metal weirdness), WHITE ’N’ HAIRY (funk doodling weirdness), and PILLSBURY HARDCORE (droning FLIPPER-ish weirdness). Pretty goddamn weird.

V/A Deep Six LP

Seattle-area bands here, mostly in the speed metal vein and no-so-speedy metal vein. You get two to four tunes each from GREEN RIVER, MELVINS, MALFUNKSHUN, SKIN YARD, SOUNDGARDEN, and one from U-MEN. Passable.

V/A V.I.S.A. Présente LP

The vast majority of the tracks here are post-punk of various stripes, with a few punk tracks interspersed (SUBHUMANS, RUBELLA BALLET, AUSWEIS, LUCRATE MILK). Other bands include K.U.K.L, BRIGADES, MARTYRS, SHOCK CORRIDOR, etc.). Sound quality varies from track to track with many live recordings. Interesting insert concept.

The Voice Teenage Nightmare EP

A highly enjoyable three-song debut from these ska-influenced skins. There’s one ska tune, one ska-tinged rocker, and one Oi tune. All are well-done, good-natured, and seemingly without any negative or fascist overtones.

V/A What’s Going on Inside My Head cassette

A very raging international comp featuring such rippers as STUPIDS, MG 15, GEPØPEL, TERVEET KÄDET, INFERNO, CIVIL DISSIDENT, RAPT, NO LIP, DIATRIBE, and many more. Three or four songs each, non-stop intelligence, and an intense madhouse. Great.

V/A Why March When You Can Riot LP

An unusually well-documented comp that comes with a fold-open glossy cover that becomes a history of the many bands involved, lyric sheet, a family tree of bands, and poster collection. Bands include X, BEDSPREADS, JOHNNY DOLE AND THE SCABS, HARD-ONS, FEEDTIME (great!!), BEGGARS COURT, XL CAPRIS, and LOCAL PRODUCT. And, oh yes, the music is great. Hot job, Bruce!

V/A Pebbles, Vol. 19: The Continent Lashes Back! Pt. 3 Denmark LP

Taking their cue from the British “Big Beat” sound, these Danish bands are more Mersey than punk or raging R’n’B. While not a bad compendium, this record will mainly appeal to avid collectors as the recording facilities in Denmark were not the best. Plus, many of the tunes are covers, or covers of covers, and somewhat inferior at that. Historical document.

V/A P.T.T.P.’s International Comp Tape cassette

A good selection with two or three tracks each, starring INSTIGATORS, KAFKA PROSESS, PYHAKOULU, S.O.S., WRETCHED, AKUTT INLEGGELSE, SUBCULTURE, etc. Lots of energy, no clunkers, and decent-to-good sound.

V/A Be Bad, Be Glad cassette

A super hot tape that includes DISORDER, CHAOS UK, LUNATIC FRINGE, and AMEBIX. These tapes are either unreleased demos or in-house tapes. The sound quality is above average, and it all is powerful as hell. Class stuff.

Under the Gun Traitor / Dance of the Samurai 7″

With the accent on non-hardcore punk (“so one can hear the lyrics”), this band comes forth in a 1977 tradition. The B-side is reggae, whilst the topside is quite powerful guitar-oriented punk that’s really catchy…but I still can’t hear all the lyrics.

Ultima Thule Hard Time / Relevant Arsonist 7″

Jazzy thrash from this English band that contains the former drummer of Italy’s STAZIONE SUICIDA. Very well done, and though I’m not prone to like such material, I found myself into it. Don’t know if this is a UK or Italian release though I think it’s the former.

The Tryfles (Had Enough Of) Your Lies / When I See That Guy 7″

Two girls and two guys playing poppy punk. The A-side is lighter but with good psych atmosphere, while the B is punkier with a KINGSMEN/Northwest sound, raunchy and rockin’.

Sixten Redlös I Wish I Woz an Animal / Tusen Stöveltramp På Ryggen 7″

The A-side is a kick-ass fast punk tune with pounding drumming, cool singing, and though some of the structure is self-consciously broken up, it still clicks. The flip is more like a better produced PISTOLS-type sing-along. Pretty cool.

Scraps Scraps cassette

A three-song job, one track of which is a rhythmic, driving, raw song with a dash of early CRASS or the EX. The other two are raving, noisy thrashers. Lyrics are of a political nature, and all in all, this is a band to watch for. Confusing note: their flyer says seven songs are on a 20-minute tape for $3.50 ppd.

Raped Teenagers Jag Gillar Blommor. Jag Gillar Träd. Jag Gillar Naturen Som Den Är. EP

Awesome. The fourteen songs crammed in here are up to the quality and style of Boston HC from 3-4 years ago. Just rippin’ from start to finish. And good production sound to boot. Get it.

Les Prives No Time / Song for Jeff 7″

A good rockin’ pop-punk song with ’60s influences on the A-side, a more contemporary, ultra-fast-paced pop-punk tune on the flip. The latter is pop only in form, as the delivery propels it well into the ’80s.

Nog Watt Fear EP

Playing ripping hardcore at many speeds, this mostly female combo (a fact they don’t accentuate) attacks with power, confidence, intelligence, and proficiency. Six songs that make me think this is what the AVENGERS and UXA would’ve sounded like today. Great!

The Lime Spiders Out of Control / Save My Soul 7″

The A-side is about as hard a rocking pop song as one can find—powerful, with pop structure. The flip starts out slow, but picks up considerably. Superior playing that reminds me of the EASYBEATS or a less psych CREATION. Cool ravers.

K.G.B. Party-Sahne EP

One of the earliest still-existing German punk bands have regrouped (with a few replacements) and kick out a really good pop-punk/thrash four-song EP. A band that deals with political subjects humorously, these four tunes are catchy, well-produced, and up.

Itchy Rat Save the Labels for Tins of Peas / One Man’s Brain 7″

I can understand why these guys are anti-labels, coz their music somewhat defies categorization. There are elements of punk, ’60s, metal, and rock thrown into the blender and out comes a heavy beat with big production. They rock, but both tracks are somewhat hard to settle into. Jello says he likes this a lot.

Civil Dissident First Blood EP

Despite the fact that me and Pus both listed this on our Top 15’s months ago, we failed to review this killer three-song EP. Sharp, audible vocals that attack hard drugs (among other things) are driven by raw, powerful, but somehow melodic raging hardcore. Lots of anger and frustration here, but tempered by intelligence. Excellent, and a shame they split.

C.K.N. C.K.N. cassette

Their name translates as “Creative Chicken Fuckers,” and if that isn’t enough to get you to buy this, then the music will be. Awesomely fast and powerful thrash that’s both non-metallic and creative. Contains songs both in Dutch and English, and from the latter one can discern their radical political bent. 20 songs.

The Brains of Humans The Brains of Humans cassette

Despite the sometimes rough sound quality, there’s a lot to check out here. Intermixing news reports and music, there’s a compelling reality at work here—almost an industrial nature to their approach—which pervades their punk and thrash, an accent on atmosphere and meaning, not slickness.

Ausbruch Harte Zeiten LP

Mid-tempo punk that’s in a Brit-punk style. Not especially inspiring musically, although there is post-punk moodiness, which might suit the lyrics well (except I don’t know what the subject matter is). OK for the style.

Aids Positiv Von Falschen Propheten… cassette

Very fast and snappy punk that’s got a fairly distinct and clear sound (especially with the drumming). Gnarly singing, hot but simple guitar, and excellent production. Enjoyable political punk, in German.

V/A When Monkeys Were Gods! LP

A Detroit comp of mainly neo-’60s sounding bands. The Motor City has long been a holdout for this heritage, and some hot tracks are delivered by 3-D INVISIBLES, CINECYDE (still around!), and the BONERS. Other bands in a lighter vein include HYSTERIC NARCOTIC, FRAMES, SLEEP, VERTICAL PILLOWS, and BOOTSEY X AND THE LOVEMASTERS.

V/A Pebbles 17 LP

A non-geographical comp, this one is a cut above some of the previous multitude. The OTHERS, ROGUES, BRIMSTONES, and STYX come across with some cool ditties in punk and folk rock veins. Good comp job by Lee Joseph of YARD TRAUMA.

V/A Hurricane Party cassette

A furious-paced comp from bands all over the US, most of which are pretty good sounding. Some groups are STEVIE STILETTO & SWITCHBLADES, REALITY OF TRAIL, MAGGOT SANDWICH, SHELL SHOCK, GROUP OF INDIVIDUALS, LEGION OF DECENCY, PSYCHODRAMA, and several more. Lots of music, lots of energy.

V/A Does Anyone Here Know How to Tune a Guitar? cassette

The bulk of the bands here hail from Ontario (ANGRY RAISINS, AFHAKKEN, PORCELAIN FOREHEAD, MADHOUSE, APB, TERMINALS, and more), while the remainder are from scattered US locations (BLATANT DISSENT, 1/2 JAPANESE, PSYCHOTIC NORMAN, etc.). Mostly punk, with some thrash and experimentation. Good sound quality.

Sister Ray Coming to Terms EP

With a name like SISTER RAY, I expected a real pronounced VELVET UNDERGROUND sound, but not so. There are some ’60s influences (punk, Batman-theme-type guitar), as well as early US ’70s punk sound. All four tunes cook, with the guitar being the driving force. Nothing flashy, but they rock.

The Scene High Numbers / Shout 7″

A mod band that “springs from the Maximum R’n’B tradition” (early WHO expression), their accent is on rock’n’roll and not ska. This group is integrated racially and sexually, and rocks good, more in the manner of the JOLT than anything else in recent memory. Good ISLEY BROS. cover, and record dedication to the African National Congress rebels in South Africa.

The Ripchords The Ripchords cassette

A three-song demo that’s really good, though it seems totally out of time and place (nice change, though). The tunes combine older-style punk tunes and raw, powerful playing, much in the way some of the early English, and especially Irish punk bands did. Enjoyable.

Peach of Immortality Talking Heads ’77 LP

Outside stuff aimed at smashing both pretentious arty/industrial music and the stagnant aspect of hardcore. Whether they accomplish this or not remains to be seen (heard). To quote the press release, “They will use anything at their disposal to fucking obliterate everything.” Sounds like it.

Peace Corpse Terror of History 12″

Bill of Toxic Shock fronted this band back when, and I guess couldn’t resist releasing this somewhat death rock relic “posthumously.” Actually, lyrically it’s not death rock (more intelligent than that!), but it’s the overall sound, enhanced by lots of production, that gives it that “ghostly” feel. Well done, if you like that heavy, power sound. Excellent guitar noise from Julianna.

The Pandoras Stop Pretending LP

Much more produced sound than their earlier raunchy classics, sometimes including a disco-ish sound. Yech. While there are some garage ravers here, the bigger sound doesn’t become the PANDORAS much and that’s especially telling on their new version of “You Don’t Satisfy.” “Let’s Do Right” and “It Felt Alright” are pretty hot, though.

Oblivion Now Tape One cassette

Despite the homemade sound quality, there’s still plenty to listen to here. Their ominous overtones permeate fast-paced guitar/noise raves and slower/experimental/industrial dirges, making for an eerie but non-cliché horrific mood. Much potential, as long as they maintain their edge.

The Lead Return Fire cassette

If self-righteous Christianity and punk are your bag, go for it. Well-done hardcore it is, but you get 20 songs telling you about “the Lord” and why you’re wrong about everything until you accept “Him.” I’m waiting for a Toothfairy HC band myself.

K.G.B. Rock Hudson / Plastic Liberal 7″

I guess it was inevitable, so here’s a ’77-style send-up, retardo/reactionary lyrics and all. The A-side equates AIDS to decadence and Hollywood—sheer genius. The flip is equally “brilliant,” attacking liberals as being the ones in the way of freedom. Hmm, guess they’ve been asleep since Ronnie took over.

Guns Roadkill cassette

This GUNS (not the Ohio band) is a one-man project of George Smith of SENSELESS HATE. Playing guitars (tough), bass (driving), and drums (tight), this is powerful punk with both the crunch of ’78 and the imagination as well (from pop/punk to slight experimentation).

Foreign Objects Into the Squared Circle LP

Makes me feel like I’m in a time warp, shipped back to some hokey ’77 scene. This is early garage punk meets new wave rock’n’roll and wrestling mania. I’ve heard the DICTATORS are reforming, so this could become a trend.

Executioner In the Night 12″

This former hardcore band has gone the way of the buffalo (or is it the dinosaur?), opting for an older metal sound meets ’70s rock meets post-punk. Of the six songs, only “Talk of the World” (speedcore) contains any real zip, though the vocals really detract from it. Lyrically, it’s quite “dark” and self-absorbed.

The End Revenge / No Morals 7″

Adam (ex-FACTION) and friends come up with a couple of almost power-pop tunes, which means lots of melody and hooks powered by punchy and guitar-oriented backing. Good effort.

The Dull She’s a Nuclear Bomb / Reach Out and Grab 7″

A Geza X production job, these tracks combine elements of punk, metal, and ’70s R’n’R, perhaps exemplifying their proclaimed influences of “GRAND FUNK RAILROAD and the TROGGS.” Decent, but not overpowering.

Bl’ast! The Power of Expression LP

In their early days they were M.A.D. (see Not So Quiet comp) and were a raging thrash band Á  la BLACK FLAG of ’82. Then BLACK FLAG and SSD changed to a “heavier” sound, and so did these guys (now BL’AST!), only they hung to it. This LP captures that “power” hardcore sound well, combined with angry, yet positive lyrics, and even a few thrashers thrown in. A strong release.

The Blackjacks Dress in Black / Generic NYC Woman 7″

This Boston-based band cranks out powerful pop-punk. Owing more to ’70s bands like the REAL KIDS than ’60s rockers like the REMAINS, their sound will appeal to lovers of powerful rock’n’roll, hence its release in Australia where that sound still reigns supreme.

Artless Mr. Roger’s Neighborhood 12″

Well, actually this is half of a 12″, with an etching (come up and see my…?) of Mykel Board (the star of this disc?) on the backside. ARTLESS presents their version of thrash and punk, incorporating saxes (non-offensively?) and Mykel’s pseudo-conservative lyrics (“How Much Punk Rock Do You Hear in Russia?,” “We Want Nuclear War,” “We’re Republicans,” etc.). And hey, great liner notes!

Abeyance …And He Sure As Hell Ain’t Got No Fiddle cassette

The sound quality is passable, but had it been well done, you’d be in for a thrash treat—excellent stop-and-go stuff with power. Hope they’ll get into a good studio.

5 Balls of Power Operations in Musical Warfare cassette

A 28-song release displaying the BALLS’ hard-hitting but almost pop hardcore sound. There’s a lot of attention on melody, vocals, and back-up singing, as well as many changes within songs. This can be annoying, but their overall power and unrelenting energy carries it off. Pro job, fine lyrics too.

V/A Wie Lange Noch… LP

An all-European comp LP with the bulk of the bands hailing from Germany. There’s quite a range of punk/hardcore styles evident, though the thrash from Holland’s PANDEMONIUM and Germany’s CIRCLE OF SIG TIU stand out for me. Other bands include ENOLA GAY, TIN CAN ARMY, WUT, A.N.A.L., EKLATANT, and France’s VERDUN. Comes with a thick magazine that leads me to believe that most of the songs are politically oriented.

V/A We Won’t Be Your Fucking Poor 2xLP

This next We Won’t/Don’t… LP is an international blow-out with the likes of D.O.A., SACRILEGE, VIRUS, DIATRIBE, OI POLLOI, DEATH SENTENCE, NIC TOCZEK, STONE THE CROWZ, POST MORTEM, A.O.A., CONFLICT, TOXIC REASONS, and tons more. Sound quality makes for a Bullshit Detector varied effect. Scant info included.

The Willard Good Evening Wonderful Fiend LP

I think maybe I could handle this super-produced punk-derived rock if it weren’t for the singer. He plays it totally straight vocally, sounding real mainstream, and that puts me over the edge. Maybe LOU REED or DAMNED fans could get by, though. Comes with a three-song flexi.

Shonen Knife Pretty Little Baka Guy 8″ LP

A ten-song follow-up to their cassette (released in the US), continuing with ultra-simple and basic (primitive?) pop ditties. Well, the music is at least…but with song titles like “Banana Leaf,” “Chinese Song,” “Flying Jelly Attack,” and “Insect Collector,” I have a feeling these girls are not at all as sweet and innocent as they sound.

R.A.K. Live cassette

If you’re a fan of that raw, early PISTOLS punk, as well as fast, well-done punk, you’ll want to locate this. Although it’s a live recording (good sound, though), there’s plenty of power and clarity, as well as excitement. Great guitar.

The Purple Things Deep in the Mind of the Purple Things 12″

An above average neo-’60s disc that mixes Lux-type CRAMPS vocals with slightly more tight ’60s punk instrumentation. Maybe it’s the hot production, but the five songs here really stick out, including a cool cover of “Wild Man” and RED CRAYOLA’s classic “Hurricane Fighter Plane” (another CRAMPS rediscovery).

La Muerte Surrealist Mystery 12″ / And the Mystery Goes On 12″

Both of these EP’s are fairly crazed post-punk meets ’60s junk meets NAKED RAYGUN meets BUTTHOLE SURFERS meets BIRTHDAY PARTY etc., etc. I made the mistake of playing one record at 45 RPM instead of 33, and it sounded even better. Incredible production doesn’t hurt a bit either. Find these.

Thee Mighty Caesars Ten Bears of the Comanches / Baby, What’s Wrong 7″

Thee MIGHTY CAESARS sound a lot like the MILKSHAKES on the A-side instrumental and a lot like ’62 UK R’n’B on their cover of JIMMY REED’s classic. Beat/surf/R’n’B stuff with a cool but simple trebly guitar lead. Basic crude and lightly produced rock’n’roll.

The Leather Nun Alive LP

While I’ve liked a lot of their earlier releases, this one didn’t grab me. It’s really rock-heavy punk and post-punk that rarely cuts loose. On some of the slower stuff they do mount good power (“Lollipop”), but it’s not enough.

Last Rough Cause The Violent Few EP

An interesting four-song effort, featuring an almost folk pop-punk sound like the NEWTOWN NEUROTICS. And; as with that band, you’ll find thoughtful lyrics and punchy delivery. Subjects covered are skinheads, glue, and standing up for your dignity. Fine-spirited punk.

Hi No Kyu 在日外国人指紋押捺大反対 flexi EP

Both A-side tunes are slick, mainstream punk (if that’s not a contradiction in terms), and are to be played at 33 RPM. The flip is a 45-er, though, and is thrashy, making it hard to believe this is the same band. That song rips, and the cover is also a grabber.

Hex Poison in the System cassette

Containing both live and studio material, this tape demonstrates HEX’s powerful anti-state message as well. There isn’t as much bass as I’d like to hear, the sound quality is good and there’s plenty of powerful music, as well as chants, rants, interspersed sound effects, and literature. Concerns are predictable: bomb, anti-vivisection, politicians. Good chaps.

Gnä Gnä The Crawling Chaos Incorporation of Dark Music 7″

In reality, just two songs, both highlighted by melodic punk Á  la PENETRATION, complete with a clear singing female vocalist. Quite good, actually, with excellent production and simple but well-done mid-tempo instrumentation.

Fixed Up On Your Line / New Two 7″

Sounding a lot like the FLAMIN’ GROOVIES in both their early ’70s “Slow Death” sound and their later jangly guitar stage, this single is pretty rockin’. While they don’t flip out totally, it’s good, powerful R’n’B rockin’, especially the B-side.

The Cannibals Christmas Rock ’n’ Roll / New Year’s Eve Song 7″

This year’s Original Packaging Award winner, this single comes in a cardboard X-mas stocking. Is the music as zany? No, but it’s rockin’ R’n’B-type ’60s stuff, especially on the B-side. Fun.

V/A They Pelted Us With Rocks and Garbage LP

A Cleveland-area comp of varied underground bands. There’s hot punk/HC from SPIKE IN VAIN, OFFBEATS, DARK, GUNS, IDIOT HUMANS, as well as moodier post-punk from SHADOW OF FEAR, FAITH ACADEMY, DEATH OF SAMANTHA, and others. Outside of just a couple of tedious cuts, this record is fine listening.

V/A Them Boners Be Poppin’ LP

First NorCal comp in a while, this one features some East Bay bands (SPECIAL FORCES, BONELESS ONES, FANG), Sacto’s TALES OF TERROR, Santa Cruz’s BL’AST, and SF’s VERBAL ABUSE. Lots of metal or “heavy” punk, some thrash, and lots of power. Good recording brings out the best in these bands.

V/A Mr. Beautiful Presents All Hard LP

Mr. Beautiful must have his head up his butt, cuz outside of the FREEZE’s “Warped Confessional,” OYSTER’s “Headhunter,” and GANG GREEN’s “Let’s Drink Some Beer” (previously unreleased), you get mostly MTV-quality rock from a slew of groups. Occasionally OK moments, but overall it’s hurtin’.

V/A More…Harcore! cassette

Mostly SoCal bands like ENTROPY, ILL REPUTE, SCARED STRAIGHT, STUKAS OVER BEDROCK, DOGGY STYLE, DON’T NO, as well as DRILLS, and AMATEUR GYNECOLOGISTS. Sound quality varies, but everything rips… good listening. This label has also just released in the US the INSTIGATORS live tape.

V/A Matrax cassette

An all-female band comp put out as a non-profit project by two women in Canada. The music itself is all pretty hot, ranging in punk styles from thrash to classic punk to garage to pop/punk. Some bands included are: ICONOCLASTS, A.S.F., RAUNCHETTES, UNWARRANTED TRUST, INDUSTRIAL WASTE BAND, RUGGEDY ANNES, BARELY HUMAN, and PRE-METAL SYNDROME (among others). Good job, and comes with a booklet.

Stikky Demo #1 cassette

Somewhat garagy thrash, coming out of the ruins of ARSENAL (not the NY/SF combo) and is pretty decent, though the bulk is live recordings. Actually, the playing is pretty tight, and hey, how can you go wrong with titles like “Republican Children,” “Team Gilligan,” “When Mom Find Out I Drink,” “Conceptual Realizations of a Life as Applied to the Oakland Coliseum,” and “Reagan Is a Poseur!”?

Sonic Youth Flower / Rewolf 7″

Good atmospheric production makes the noise hang together better than on a lot of their releases. “Fuck” is bleeped throughout the A-side, which really grates more than the music. Flip is the A-side backwards, and no bleeps.

Septic Death Time is the Boss: Aaarrggh It’s Live! 10″

This live recording dates back two years (SEPTIC DEATH haven’t played live in well over a year, but will regroup this summer, according to Pushead) and features a whole slew of songs, including some not on their studio LP. The sound quality is definitely lacking on the bass end, but gives a good representation of their breakneck stop-and-go thrash interspersed with metalish breaks. The first of a whole series of 10″ live discs on this label.

Satan’s Cheerleaders Lysergia / Electric Prunes Theme 7″

As you might have guessed from the song titles, this isn’t the Long Island outfit of the same name. Far from it, both sides are instrumentals borrowing from the YARDBIRDS and ELECTRIC PRUNES, but doing pretty toned-down semi-psych stuff. Nothing to rave (up) about.

Rape Let Them Starve / Crotch Rot 7″

A novelty record, to be sure. Side one features a flute and rhythm machine backing a ridiculous monologue about middle class guilt on starving Third World peoples. The flip is a satire on sex-oriented rock songs set to a grinding guitar and a beat. Twisted.

Pussy Galore Feel Good About Your Body EP

Combining garage, noise, punk, and spoken word, this crude trio will not appeal to most in their simplicity, but their commitment to the original punk aesthetic should. “HC Rebellion” has some important criticisms to hear, which you can also do live (see tour ad this issue).

Our Neighbors Suck Isolation LP

Most of the songs by the Arizona-based band are in the medium-paced punk vein, with a few slower or more rapid-fire. The production sound is thick here and, combined with their rock influences, makes for a lot of listening. Not awesome, but well done. Question remains though why they chose this label often accused by German punks of pro-Nazi connections.

NoMeansNo You Kill Me 12″

Fusing punk, metal, rock, and other forms, this second release by NOMEANSNO is delivered with lots of power and punch. Their experimentation hangs together pretty well too, sort of like what BLACK FLAG could do with a bit more imagination.

MJB How to Abandon Earth LP

Around for a while but finally out with vinyl, this highly eclectic band debuts their sounds: post-punk, industrial, folk-punk, and more. Following in the footsteps of TOILING MIDGETS, SLEEPERS and even FLIPPER, you’ll find musicianship and intelligence at work here. Comes with booklet.

GNP Grossest National Product cassette

Somewhat garagy and loose, but more than made up for by the sheer zest and crunch. Cool guitar and good drumming center this ripper. Lots of thrash and a good cover of “I Wanna Be Your Dog,” all done with lots of power. Good punk lyrics as well.

The Defoliants How Much Would You Pay cassette

One of the best sounding tapes I’ve heard in a while; these guys utilize ’60s punk, surf, and old punk, but weld it into a very modern, hard-driving punk sound, not unlike AGENT ORANGE running headlong into NAKED RAYGUN. Very tight, very powerful, intelligent, and not cliché at all. Plus there are tons of tunes. Dynamite.

Clown Alley Clown Alley cassette

A seven-song release from this up-and-coming SF band, most of which are thrash. There’s a heaviness to their sound, which becomes even more apparent on the two slower numbers, powerful post-punk dirges. Dave (ex-JERRY’S KIDZ from Albuquerque) sounds good, and the band is tight and strong, though I think the super-clean production here detracts a bit from their normally noise-intense live performance standard. A band to watch.

The Chesterfield Kings Stop! LP

If it were 1966, this record would be cool. But alas… Anyway, most of the tunes here are originals (and decent at that, including the classic “She Told Me” from their last 45), breaking away from their cover syndrome which spans back many years. Now if they could only break into the ’80s thematically…

Cancerous Growth Back From the Grave cassette

A live tape that has its pluses and minuses. The drumming is really strong, the guitar raw, and the vocalist rivals CAPITOL PUNISHMENT’s for lowest range around. Drawbacks include the mix and the somewhat “heavy” aspects of many tunes. Still, it’s crude and powerful.

Bloodsport I Am the Game 12″

From Chicago, high-production post-punk with good power, occasionally delivering straightforward punches, but like the robot boxers on the cover, there isn’t an overwhelming sense of identity or heart. Maybe I’m just OD-ing on all these major “indie” releases that rely on major-type production, making them sound homogenized to me.

Adrenalin OD / Bedlam split EP

Originally planned as a live flexi (rejected by Eva-tone, monopolist flexi-pressers in the US, because of language), this limited edition comes out as a 7″ with no pic cover. The A.O.D. stuff shreds as always, including a thrash version of “We Will Rock You.” BEDLAM’s side is rawer, but still rips. Well worth sending for.

I.D. Under The Lords of Nothing 12″

Some pretty basic rhythmic punk rock here. The recording is well-done, and probably shows them at their best, but there’s no real imagination at work yet. This is a young band and there’s evidence of future specialness.

Waltz Vanish / Childish Quarrel flexi 7″

Good driving, pounding early punk sound that kicks both musically and lyrically (anti-war). Interesting divergences are thrown in here and there, but don’t detract at all. Cool vocals, too.

V/A Birdskit I LP

A four-band comp, featuring CRISMA KAOS (melodic thrash), SLAM (metal-laden), PAST (straight-on melodic thrash), and BIZARR (melodic thrash, with the most bite here). All in all, OK, but not awesome.

The Undertakers The Greatest Stories Ever Told LP

From Sweden, this combo plays pretty competent ’60s punk (an eerie aspect of said genre) and a bit of rockabilly. There are traces of CRAMPS and NOMADS in here, but little in the way of originality or special verve. OK.

The Sting-Rays Don’t Break Down / Cover Version 7″

A-side is a schizophrenic ditty combining acoustic guitar with ’60s snotty punk vocals with DYLAN-esque undertones, pop melodic instrumentation, and a folky BYRDS-like break. The flip is even weirder, with more cryptic changes Á  la SOFT BOYS. Nuts.

The Stems Tears Me in Two / Can’t Resist 7″

This, their second 7″, is pretty rockin’ ’60s fuzz punk, but doesn’t stand out too much from the crowd. Nonetheless, there’s great guitar, tight beat, and non-wimpy production.

Second Auschwitz Murderers cassette

Famed for their super-short, incoherent noise blasts, these guys have changed their “musical direction, attitude, and bass player” after getting “fed up with those short songs.” Trying now to write “decent tunes,” they sound only slightly tighter (if that), still thrashing away frantically and raving about the ills of the world. In other words, they’re still a charming garage mess.

The Nomads She Pays the Rent 12″

A three-song job featuring a cover of the LYRES’ “She Pays the Rent” (a hotter version than the original), a pounding “My Little Ruby,” and then a very atypical “Nitroglycerine Shrieks” (a crypto, unrelenting post-punk blaster like LINK WRAY on acid). Hot as always.

Kinniku Shojotai とろろの脳髄伝説 EP

Translates as “Muscle Little Girl Group” (I really owe Roger for all the translations on Japanese reviews). Don’t ask me? Musically they’re crazed, jazzy, avant garde, post-punk loonies. Vocals are pretty punky, and the music usually has bite, but boy, it’s weird.

Kikeiji Hello-Good Bye EP

Reformed, recorded this one, gigged twice, and split up again. Worth it? Largely. Two of the four tracks really kick, with driving early punk laced with subtle post-punk touches: powerful. The other two cuts are more ballady/post-punky, not unlike some aspects of the STALIN. Well done.

Indirekt Op Oorlogspad LP

“On the Warpath” is the title translated (as are all the lyrics on a poster insert), and an accurate one it is—raging from beginning to end. Stylistically, they cover a lot of bases from straight thrash, metal thrash, country thrash, punk…all done really well. Lots of power, great lyrics, female shouter are characteristics here, so I have no problem recommending it.

Doc-Oi This is Straight Hate EP

As their name suggests, this is indeed Oi music, and decent at that. It’s got all the ingredients—catchy tunes, choruses, etc. Lyrics are in English and are anti-authoritarian. Only question: these guys are out of uniform—all spikey heads.

V/A Super Seven Sampler #2 7″

Yet another Mystic sampler of previously released material from the label’s former projects. Included are DR. KNOW, INSOLENTS, DOGGY STYLE, and more. Is this really necessary?

V/A Suburban Uprising: The Jersey Beat Collection cassette

Side one is largely “cheesy” (as Martin’s wont to say) pop, lightweight neo-’60s stuff (the kind that gave the ’60s a bad name back then), with only one passable track (MOD FUN). Side two of this all-New Jersey comp comes on with A.O.D., then back to cheese (psych and blues), then some rockin’ PLEASED YOUTH and SACRED DENIAL, a bit of garage, some STOOGES-like stuff from DAS DAMEN (pretty decent, Lyle), DOLLS-like material from SKULLS, and some jive fun from the PUNSTERS.

V/A Bored of Directors cassette

A US/German sampler containing the likes of MANIACS, LOVE CANAL, CHRIST ON PARADE, VOMIT VISIONS, NRK, INFERNO, and many more. Sound quality is largely excellent, as well as the material.

V/A Let’s Die LP

All manner of “death” rock here, from metal to SIOUXSIE-style dreariness to TSOL-type moodiness, from a host of bands known and unknown. Includes ILL REPUTE, SUBTERFUGE, WHITE PIGS, MESS, AWOL, FALSE CONFESSION, and more. This is where I usually stick in a bad pun, but in this case I’m scared to try.

The Undead Never Say Die! / In Eighty-Four 7″

“Never Say Die” is right, as Bobby Steele, originally a MISFIT and veteran of his UNDEAD, re-emerges with the umpteenth lineup. Glad he did it, too, because both sides are excellent rockin’ early punk, a sound that crunches, and you can hear the lyrics. Hot pop punk.

Johnny Thunders / Patti Palladin Crawfish 12″

The first original-sounding thing from JOHNNY THUNDERS in ages, with singing back-up by ex-SNATCH Patti and instrumental help from ex-HEARTBREAKERS Jerry Nolan and Billy Rath. Sounds promising? Nope, you get a countryish slick R’n’B tune, and two versions of the title tune, a sultry bluesy number that’s pretty unmoving. Oh, well, you can’t put your arm around a memory.

Son of Sam Fuck It to Death cassette

These garage thrashers have been putting out tapes for years now. And while this one’s as energetic, blazing, noisy, and politically sharp as ever, I think it’s high time for some vinyl. In the meantime, get this—sounds like a modern-day PAGANS.

Screamin’ Jay Hawkins / The Fuzztones Live 12″

This guy was old back in the ’60s during his second coming, so you know he’s ancient now. No matter, this sicko of the R’n B world can still wail, doing a credible version of his classic “I Put a Spell on You” and three others. While nothing to rise out of the grave for, fans of both he and the FUZZTONES will want to have this musical memoir.

The Sarcastic Assholes Menthol Man cassette

Admittedly unhappy with the sometimes tinny production, the SARCASTIC ASSHOLES have made the best of it nonetheless. Blasting forth with over a dozen tunes, their sound is pretty straightforward thrash/punk with lots of speed. The singer’s voice really gets gnarly at times, and lyrically they’re right on, with frequent attacks on racist/redneck mentality.

Plasticland Flower Scene / In My Black and White 7″

The A-side is just so-so folk rock, nothing too memorable. And while the flip isn’t awesome, it’s got more interesting structure and more punchy instrumentation, especially with the raw, jangly guitar. Better.

No System Dead Bands Tell No Tales cassette

Taking his tunes from his former band, NO SYSTEM, Al Quint (MRR reporter, Suburban Voice editor) teams up with PTL KLUB for six totally ripping tunes. Hot thrash, great lyrics, and strong beliefs back this baby up. Shoulda been a record.

The Lookouts Lookout! It’s the Lookouts cassette

Excellent! A really unusual approach here—punk-rocked-out folk rock in a way, but with more drive and noise. Lots of originals as well as gnarly covers of DYLAN, EVERLY BROS., STONES, VELVETS, STOOGES, MDC, SIMPLETONES, DOVELLS, ROSIE & ORIGINALS—but all rocked out. Get it.

DT and the Shakes Smooth Studio Crafted Teen Fodder EP

A half-dozen pop-punk tunes owing to ’76 East Coast proto-punk more than anything, with a touch of REPLACEMENTS. Good beat, intelligent personal lyrics, snarly vocals, occasionally lame metallish guitar, but otherwise it’s pretty rockin’.

Depo-Provera Totally Useless LP

Much more on the punk side of things than pure thrash, their most appealing material has good melody, tough guitar, and an almost PISTOLS-like quality on the better tracks (“Brainwash”). But there’s plenty of thrash too, as well as a clunker or two. Overall—pretty good, hot production, tight playing.

The Cramps Can Your Pussy Do the Dog? 12″

The title-track is classic-sounding early R’n’B CRAMPS, while the two accompanying cuts are either Elvis-influenced or country-blues sounding and nothing too special. I’m glad they’re still at it, but this didn’t have me bouncin’ off the walls.

Circle Jerks Wönderful LP

While musically tight and strong, and despite Keith’s continued strong singing in the face of numerous physical injuries, this LP doesn’t really kill. The JERKS may never approach the heights of that first LP (a tough standard to beat), but they’ll keep at it, on the road and on vinyl. Decent.

The Colors Vivid Colors 12″

Pretty rockin’ pop punk that takes me back a few years. There’s a good beat with pretty complex songs, moddish at times psych at times, and despite the special effects, high production, etc., the overall impact is fairly punky and powerful. Interesting.

Blatant Dissent Is There a Fear? EP

While there is punk power here, BLATANT DISSENT doesn’t rely on it for overall impact. Their sound is almost understated, based more on melodic tunes, up-front lyrics, and clean production. Complexities at times remind me of fellow Chicagoans NAKED RAYGUN (Jeff Pezzati does production too).

Angry Red Planet Gawkers Paradise EP

While their debut EP borrowed more heavily from early punk and basic thrash, this follow-up has ANGRY RED PLANET joining the burgeoning ranks of “early HÜSKER DÜ”-sounding hands. Actually, they also sound like latter-day HÜSKERS, with Bob Mould-type guitar and much poppier tunes.

X I’ll Kill You / Break the Darkness 7″

Neither the US or Aussie band, this Japanese combo has decent and somewhat complicated rock/metal meets punk structures, but their falsetto singing really drives me up a wall. For metallers only.

Vicious Circle / Perdition split LP

A domestic release of two Australian powerhouse HC hands. Half of the VICIOUS CIRCLE material appeared on their Aussie 7″, while two of PERDITION’s eight tracks showed up on their 7″. Well worth picking up, this LP can only help further interest and ties between these two continents, and you’ll get some fine sides for your money, as well.

V/A Pinch and Ouch! LP

A regional compilation from Kyushu Island in the south of Japan, this baby features two or three tracks each from six bands: GAI, GEDON, GESS, NO-CUT, AGGRESSIVE DOGS, and KURO. Most all is in a hard-driving original punk style, sounding really good and straightforward. Fine musicianship and production are hallmarks in Japan, and this one is no letdown. Hot.

V/A No Visible Scars EP

An all-Scottish sampler, starring OI POLLOI, LAST RITES, DISTEMPER, and the CONDEMNED. There’s a decidedly Oi-ish feel to this punk and skin band comp, with OI POLLOI taking the honors with “Boot Down the Door,” a killer track. Otherwise nothing startling.

V/A Alles Stirbt cassette

An ambitious all-European sampler, with German bands predominating. The tape comes with a booklet, wherein all the lyrics are translated into English for international consumption. Bands include KGB, KINA, WUT, ANTI-HEROES, ASOCIAL, SECOND AUSCHWITZ, HOSTAGES OF AYATOLLAH, SCREAMING DEAD, and more.

The Only Alternative As Fate Would Have It LP

Hailing from Alaska yet released on an English label, this band sounds more like it comes from Ireland circa ’77. The music is pop-punk in the Good Vibrations label tradition, with a tinge more of a ’50s rock’n’roll influence. I guess the singer is what bugs me, as he really tries to sing instead of shout it out. Best song: “The Punks Are Divided, Jimmy.”

The Legendary Golden Vampires Gone for Good / Train Kept A-Rollin’ 7″

The second round from this band (and simultaneously a new one from NIRVANA DEVILS…same personnel?) showcases a great pop/’60s punk song on the A-side that maintains its edge, and a nastier but still poppy cover of JOHNNY BURNETTE’s classic, sort of Á  la FUZZTONES. Good listening.

The Jesus and Mary Chain Just Like Honey 12″

With the signing of JMC to a major comes a predictably toned-down sound. While the title song is cool in its pop way (they’ve discovered Phil Spector?), and “Head” is a fairly noisy tidbit, “Cracked” is way too tuneless and dirgelike, and the second version of the title track is way wimpy. There’s still some edge here, but it’s fading fast.

End Result Rambo Church cassette

Male and female vocals combine with some hard-driving punk/thrash and intense political lyrics. Besides their varied originals, there are a few covers (CRASS, BEATLES, DICKS, etc.) on this live recording. Sound quality is decent and energy is high. Good.

Distemper Up Against the Wall cassette

Interesting. At times, this band’s sound doesn’t quite seem to gel, but then within their simplicity lies a vast amount of musical innovation and complexity. Combine this with extremely intelligent political lyrics and a desire to take chances while keeping an edge, and you’ve got the beginnings of something. Watch for growth here.

Disrupters Alive in the Electric Chair 12″

While the DISRUPTERS’ brand of mid/fast-tempo punk is not very original or very accomplished, there’s a charm and belief that comes across to make the listening experience not be a waste of time. Good production helps, too.

What Now Small Record With Four Songs EP

Surprisingly hard-edged pop-punk (at least on three of the tunes). While the pop elements are pronounced, the driving beat and Lou Giordano production really rocks it out while maintaining the subtleties.

Wallmen Eel Vibes From the Voodoo Kitten cassette

While largely “out there” experimental music (there is actually a lot of music here), they at times produce some pretty gripping stuff in a psychedelic MOTHERS-type of way. For the adventurous.

V/A Moose Nuggets cassette

This Alaskan comp presents some pretty good bands (SKATE DEATH, CLYNG-ONS) and some others (PSYCHEDELIC SKELETONS, BUTT CLITS, LOGAN), but the sound quality of those live recordings is pretty hurting, making this non-mandatory.

Painkillers 17 Cuts of Pain cassette

Highly politicized and non-cliché lyrics are driven home by slightly funk-tinged punk. Their sound reminds me a bit of the PROLETARIAT with less melody and more of continuous medium-fast-paced rhythm (driving bass really stands out). Committed, and a band to watch for.

Mad Daddys Music for Men 12″

Total CRAMPS rip-off here, but these guys (from lyrics to cover art) are really into their “macho” BS. (Interestingly, this record is marketed by Jem Records, who applies the same mentality toward indie labels these days.) Fun music, lame men.

Lyres Someone Who’ll Treat You Right Now 12″

A three-song job that’s just OK, lacking any real wallop or magic. LYRES supply minimal rockin’ ’60s pop, and in the past have come up with real gems. None here, though; maybe they “gave it up now.”

Lazy Cowgirls Lazy Cowgirls LP

I was prepared not to like this, based on the “corporate” feel to this so-called indie record. But the music speaks for itself. If you’re into that early punk sound heavy on pop, then you’ll like this. It’s got a RAMONES-ish approach, though a bit more melodic musically and smoother vocally. Killer rave version of the ELEVATORS’ “You’re Gonna Miss Me,” not unlike DMZ here.

The Hard-Ons Surfin’ on My Face EP

Drawing influences from ’60s punk, early Aussie punk, and early proto-punk (DMZ, RAMONES), this band manages to rock out pretty good. They have a slightly more up-to-date sound than many “neo” bands, but lyrically they’re still in the past.

Mechanized Death Mechanized Death cassette

A 21-song tape that displays this band’s tight medium-to-fast-paced hardcore sound well. There are some metal influences, but not in really blatant ways, with the accent on power. Lots of well-executed stop-and-go action, excellent vocals, and heavy bass and drums make this worth checking out.

The Front Man, You Gotta Move LP

Could be the West Coast’s answer to the PROLETARIAT, what with their older punk sound (not driving post-punk as with the PROL’s) and their non-clichéd political lyrics. The FRONT’s highly catchy powerhouse pop-punk makes them immediately memorable, but I suspect there’s staying power as well.

Dead Kennedys Frankenchrist LP

A classic KENNEDYS’ cover opens up to reveal a very controversial artwork poster and a record that will surprise many. Lyrically, it’s Biafra’s satire, biting as ever, and aimed at jocks, MTV, work, and the sick absurdities of bourgeois life. Most of the tunes are mid-tempo punk this time, with a couple of thrashers interspersed. But there’s a more “psychedelic” feel to many of the songs with Ray’s often-twangy guitar very cleanly produced. There’s even one (gasp!) experimental number, and also shocking, Jello actually sings (as opposed to yells) on several tracks.

Dinosaur Dinosaur LP

Revisionist rock for people looking for a “hip” way to mellow down from punk. You know, those folks who find the newer HÜSKER pop sound really stretching their limits of noise tolerance. Hmmm, I guess I don’t like it too much.

A.P.P.L.E. Rather Dull? cassette

“Progressive” punk that maintains a hard musical bite, yet combines with an almost folky female vocal (not unlike Pauline Murray in her PENETRATION days). Great words (comes with lyric book) and an intelligent outlook are as refreshing as the music itself. From the makers of Counter Culture zine.

V/A Who’ll Survive cassette

This latest comp from Hollenqual contains hot tracks from the likes of VICIOUS CIRCLE, HALF LIFE, NEGAZIONE, BLUTTAT, HEIMAT, CRUDE SS, GEPÁ˜PEL, DETONATORS, NIKOTEENS, DOWN SYNDROME, and more. Good sound quality, though there are several tracks that were submitted by bands off their vinyl releases. All in all, a powerful collection, including the tracks from unknowns like GROFTROSEN.

V/A Welthits Aus Hamburg cassette

This all-Hamburg comp (past and present bands) is accompanied by a 20-page booklet, and contains all sorts of punk and hardcore styles. The bands are largely unknown to me though some familiar monikers popped up (CHANNEL RATS, HH-MILCH, BOIKOTTZ, KOMA KOMBO, TORPEDO MOSKAU). Enjoyable historical retrospective.

V/A Ljubljana cassette

Containing some powerful and well-recorded tracks from EPIDEMIJA, TOZIBABE, U.B.R., ODPADKI CIVILIZACIJE, and III KATEGORIJA, most of whom shred in the early Finnish tradition. Highly recommended.

Vicious Circle The Price of Progress LP

Owing more to UK thrash than the US variety, this band rocks with the best of their ilk (DISCHARGE-spawned), coming forth with a whole host of powerful hardcore tunes. Includes a hot cover of TERVEET KÄDET’s “Outo Maa.” Excellent.

Sacrilege Behind the Realms of Madness LP

Will the headbangers like this? Musically, it’s that old thrash/metal half the time, and slower-paced metal at others. Lyrically, it’s not “satanic” at all, and instead covers political topics in a manner more complex than, say, DISCHARGE. I guess the main problem for the metalheads will be the female singer (best part of the record). Can they handle it?

Partibrejkers Partibrejkers LP

Out of left field (literally), this Yugoslav band has done a great job of resurrecting the best aspects of ’76-type punk. It’s a hard-rockin’, R’n’B-based punk style, reminiscent of JOHNNY MOPED or some early NY punk and proto-punk bands. Despite those roots though, PARTIBREJKERS manage not to be derivative, and almost every track has some spark of originality.

OTH Couer et Cuir cassette

Hardcore that’s based on R’n’B, extrapolated through ’60s punk, early ’70s rockin’ blues filtered through HEARTBREAKERS into the ’80s. In other words, imagine a totally punked out version of CHOCOLATE WATCHBAND’s “Let’s Talk About Girls” in French and you’ve got the idea.

The Meteors Bad Moon Rising / Rhythm of the Bell 7″

A pretty uneventful outing for these normally exciting guys. Their cover of CREEDENCE’s classic is no improvement at all on the original, while the flip seems pretty uninspired as well. C’mon guys, get psycho!

Metal Urbain L’Age d’Or 2xLP

This collection of the prototypical French punk band is not to be missed. Their sound (raw guitar and vocals combined with a rhythm machine) set the standard for “the French sound,” evident still in many punk and hardcore bands. Contains LP and 45 material, as well as their later incarnation as METAL BOYS.

Death Sentence Not a Pretty Sight 12″

This is the Canadian band not the Aussie one, and their debut contains what I’ll call the “Western Canadian” punk sound with the DOA rock ’n’ roll influence. When I heard em live last year, they were straight ahead thrash, but their debut contains eight songs that rip along with a combination of melodic thrash, DOA, and even a sort of DEAD BOYS influence at times. Like fellow Canadians the ASEXUALS, lots of good hooks and choruses, and good lyrics, too.

Chumbawamba Revolution 7″

Hard to tell what’s what on both sides, but it doesn’t really matter as this bugger is excellent. Besides a very stimulating eight-page booklet/cover, the music is riveting as well, making good the band’s stated desire to not just entertain but inspire. Get it.

Cockney Rejects Unheard Rejects LP

Recorded back when men were men and the COCKNEY REJECTS were the heirs apparent to the PISTOLS sound, I was hoping for a real knockout. While most of the tracks here are decent, they are largely studio doodlings, outtakes, jamming, etc., and rarely approach the awesome power and impact of C.R.’s first two LPs. For collectors.

V/A When Men Were Men… and Sheep Were Scared LP

Besides an outrageously funny and lewd cover, this comp delivers two tracks each by eight SoCal bands, most who hail from the Long Beach area; RHINO 39, VANDALS, RED BERET, CREWD, FALLEN IDOLS, SECRET HATE, NIP DRIVERS, and TARGET OF DEMAND turn in surprisingly unraucous tracks, mostly in the mid-tempo HC vein. Decent, but not mind-blowing.

V/A Clockwork Orange County LP

They snuck this stuff out from behind the Orange Curtain, the stronghold of ultra-fanatical right-wingers here in the US. And yes, even in this suburban hell, an underground exists (and an extensive one at that). The likes of D.I., DOGGY STYLE, JUST BECAUSE, EXOBIOTA, CONVICTED, BLIND HATRED, LOVE CANAL, and tons more (only notable exclusion is UNIFORM CHOICE) turn in one song each in many varied punk styles. Good comp with high sound quality.

Urgent Fury Urgent Fury cassette

“If there’s no discussion there’s no growth” is the byword here, and the lyrics and accompanying text/graphics certainly live up to the challenge. Musically, it’s surprisingly melodic (as in great pop punk thrash), considering the anger of the words. Very well done and should be sought out.

Toxic Attitude Stupid Teenage Music EP

Haven’t heard a record quite this primitivo-garage in quite a while. I mean, they guys are barely out of the basement, let alone the garage. But the lyrics are not stupid, and as with some few records of this genre, they come across with charm in their ineptitude, making this a very enjoyable seven-song thrash/trash disc.

The Sins Message From the Underground cassette

This band had a great pop/punk EP out a few years ago, and while this new tape still contains their gritty approach, the material is a bit slower (wasn’t too fast to begin with) and a bit more “heavy” (not metal, though; more like mid-period SAINTS). Decent.

The Remains The Remains 2xLP

One of the greatest US ’60s bands gets reissued yet again (third time?). The first album contains all the tracks from their awesome ’66 LP, as well as all the 45 tracks from their heyday. The second disc contains mostly studio outtakes, only one of which (“I’m a Man”) really matches their pinnacles. Definitely worth snagging, for great R’n’B-based powerhouse rock ’n’ roll Á  la early STONES, KINKS, BEATLES.

The Psycho Daisies Pushin’ Up Daisies 12″

Named after a great YARDBIRDS song, this band is nothing at all in that rave-up vein, but rather sounds like tons of early ’70s blues rock bands. Laid back and uninspiring, this is in no way “alternative” or exciting. Not happening.

Psycho 6 Song EP

Many personnel changes since their debut 12″, making this aggregation a little less popish and a bit more powerful. Without resorting to metal, this new disc should appeal to both punks and metallers. Lyrics: Desperate Anger Dept.

The Vibes What’s Inside? LP

Decent neo-’60s punk, at times attention-grabbing though ultimately unmemorable. More towards CRAMPS than METEORS. There are a few covers, the most unusual being the SMALL FACES’ “Whatcha Gonna Do About It?”

Vaurio A Shout From the Night LP

Smooth, predictable melodic hardcore. The tunes are all tight and powerfully done, but lack a specialness or rawness to make them stand out. Titles are translated in English, but I’m sure understanding the lyrics would make this form of Finnish HC more exciting.

V/A T.T.T. cassette

There are three German guys from AJZ Youth Center (where many of the tracks here were recorded live) peering over my shoulder, making sure I give this tape a good review. Like most live tapes, I think charm is there only if you’re really into or friends with the band, so these guys love it. There are German bands like NUCLEAR, RAZZIA, BLUTTAT, NIKOTEENS, etc., as well as foreigners like TOXIC REASONS, MOB 47, KANGRENA, BGK, JERRY’S KIDS, etc…

V/A A Message From Camp Sunshine cassette

An international comp tape inspired by Chris of BCT. This effort covers a bit of Spain, England, Canada, Germany, Sweden, and Holland. Represented are ANTI-DOGMATIKSS, MANIACS, CHRONIC SUBMISSION, RÖVSVETT, CERESIT 81, POST-MORTEM, BLACK VAMPIRE, ANTI-HEROES, AD NAUSEUM, FIEND, and BLUTTAT. Good sound quality. More comps to come.

V/A Kloak Mix 3 cassette

A benefit tape for Greenpeace, and, in a word, awesome. Incredibly tight and powerful yet melodic Swedish thrash from S.O.D. (get their EP) RAPED TEENAGERS, ASTA KASK, ASOCIAL, DISTRUST, HERRAIDS, and MOB 47.

V/A Dementia 5 cassette

This unusual comp accompanies Hide zine #5. And unusual it is, in that all of side one features all-female bands (FIFTH COLUMN, ASF, UNWARRANTED TRUST, WORD OF MOUTH, CURSE, BETTYS, GIRL WAR III), an effort to “make women an integral force in punk once again.” Side two features women and men together, such as MYDOLLS, RAGGED BAGS, and many more. Varying degrees of sound and competency.

V/A Flight to Lowlands Paradise, Vol. 2 LP

The follow-up to Pebbles #15? This Part 2 contains mostly punk with lots of fuzz, a few covers, and at least average material and bands. Pretty cool raves from the TYKES and VIKINKS. Most material is from 1966-’67.

The Triffids You Don’t Miss Your Water Till Your Well Runs Dry 12″

The cover might fool you into thinking this is ’60s-punk-oriented (it did me), but forget it. Unless you’re into EAGLES drivel, pass this sucker up. Australian country crap.

Shoutless Out of Reach 12″

Very good neo-’60s punk, indeed—perhaps second best in the burgeoning Swedish scene. Tight, loud, and with really good influences (HAUNTED, CHOCOLATE WATCHBAND). But they are just a shade shy on pure aggression, and that’s why I give the nod to the NOMADS.

Rudi Pelastusarmeija / Hei, Hei Maailma 7″

Not to be confused with the early UK punk band, this combo is formed of ex-RATSIA and PELLE MILJOONA N.V.S. members. Both songs are in an early pop-punk style, owing more to pop than punk, with an accent of high production.

The Mel-o-Tones Melonheaded 12″

Most of the material here is psych-wanking in a BEEFHEART meets BIRTHDAY PARTY vein; post-punk inanity. But one of the two versions of “Happy Hour” that appear on the disc really cuts loose, with a great CRAMPS-like rock-out. The rest leaves me cold.

The Mekons Fear and Whiskey LP

Eccentric folk/blues punk? The YOUNGBLOODS meet the FALL? Whatever, the MEKONS are back, expanded to about seven or so people of all ages and descriptions, and their music certainly reflects that variety.

Gauze Fuck Heads LP

Unlike a lot of contemporary Japanese HC bands, this group delivers some very powerful HC without resorting to metal influences. Really well done recording and come distinctive touches add up to one hot release.

Funx Königs Tiger EP

Actually, this is a four-song 6″ that comes in a 10″ jacket. Don’t ask me why! Musically, it’s slowed-down punk and noise, somewhat like FLIPPER (garage-y) but more tonal. Decent, but not exciting.

Complete Control Bricks Blood n Guts (in 1985) LP

The first of many Oi! releases to be put out by Roddy of the OPPRESSED (a label looking to non-racist Oi! music. Incidentally, he’s looking for US Oi! bands for a UK Oi! comp LP of this nature.). Decent Oi!, and a project worth supporting.

The Bottle Ups Boppalina Goes West and 3 Others EP

All four tracks here are instrumentals, as I assume all the tracks are on their LP as well. If you’re into ’50s rockin’ tracks like “Tomahawk, “Rumble,” etc., you’ll jump for this. Modern spaghetti western rock ’n’ roll from Sweden.

V/A Highs in the Mid-Sixties, Vols. 18-22 LPs

The ’60s reissues continue to pour out: #18 is Colorado, a mixed bag but with cool stuff from MOONRAKERS. #19 covers Michigan (Pt. 3), with a pre-STOOGES track of Iggy with the IGUANAS. #20 is LA (Pt. 4), and might well be the best of the new lot with classics from the MUGWUMPS, LAST WORDS, and others. #21 covers Ohio (Pt. 2) with average material. Finally, #22, and the South (Pt. 2), with a lot of folk rock stuff and a classic by DICK WATSON 5 extolling the virtues of intellectualism!

V/A Welcome to Venice LP

Did somebody slip a GBH record inside this jacket? Metalcore to the max by SUICIDAL TENDENCIES and their homeboy buddies BEOWULF, LOS CYCOS, NO MERCY, and EXCEL. Somehow, between the metal sound, song titles, and artwork, I don’t think this project goes too far in convincing me that Mike Muir really is down on the macho, violent gang mentality he professed in MRR.

V/A Crabtowne cassette

Although sometimes of garage production standards, there’s more than enough hot material to warrant this Annapolis-area comp. SPASTIC RATS, FIT OF RAGE, STRICTLY PROHIBITED, CHRIST ON A CRUTCH, SICK CHILDREN, HATED, PURGATORY, ROADSIDE PETZ, and the RUDE thrash their way into your geographical memory.

Tension Pericolo di Morte EP

Somehow this unknown HC hand from Buffalo, NY made its way to Italy and released a five-song 7″ (I believe it will come out in the US eventually). And I’m glad they did, cuz the results are hot! High-quality production and top-flight melodic all-out thrash with excellent lyrics to boot. Get it.

Sewer Zombies Reach Out and… LP

I think this is the band that went to Guyana to bring HC to the “natives,” but instead brought back the “natives” to us. Really, though, this is a sloppy noisefest of thrash, much like many of the European thrashers. Great lyrics, totally pissed and flailing about. Enjoyable anxiety attack.

7 Seconds Blasts From the Past EP

Recorded in ’83, these four tunes are all previously unreleased and all rip. Great covers of “If the Kids Are United” and “These Boots are Made for Walking.” Available only as a 7 SECONDS Fan Club promo, so send $5 to Positive Force.

SS-20 The Wealth of Nations EP

Eight ripping, catchy thrashers—tight, powerful, and melodic thrash ’n’ punk. Yep, it’s yet another class act on the scene. God, it makes me mad how little exposure or credit bands like this get.

Raszebrae Cheap Happiness or Lofty Suffering LP

The first release on Spot’s new label, this all-female combo hits hard with quirky punk. There are funk influences in their post-punk rhythms, traces of PATTI SMITH, POISON GIRLS, and more illustrious predecessors. A well-executed variety pack.

Pent-Up Aggression Defining the Problem cassette

I believe this comes under the general heading of “generic thrash”—well done, fast-as-hell, pissed political lyrics, and as of yet an “undistinctive” style. Give ’em time, though, because they’ve got all the ingredients except the time to grow.

NYC Mayhem Violence cassette

Actually, I’m not sure which is the band’s name and which is the title, but this seems to be the likely set-up. Very unmelodic, short outbursts, driven by mostly snare drum (bass and bass drum aren’t audible) and fuzzy, gnarly guitar. Mixture of speed-metal and straight thrash. Very fast stuff.

The Nomads From Zero Down LP

First off, this is not the Swedish NOMADS, but a US garage band from the ’60s. Secondly, it’d have to be an awesomely great band to warrant a whole LP’s worth of rough demos, and this combo from North Carolina is not of that calibre. Lots of covers, but the title track is hot.

Morally Bankrupt Morally Bankrupt LP

You can tell it’s a good record when it ends all too fast (or else it’s way short, but in this case you get 16 songs). Rippin’ punk/thrash/skate music with bits of funk, but all really well delivered. Theme-wise, skating and “fun” songs predominate, but there’s some serious stuff too, such as “C.I.A.A.I.D.S.,” which insinuates there’s a CIA conspiracy behind the AIDS epidemic. Hot record!

Th’Inbred Reproduction EP

There’s a bunch of rip-roaring, stripped-down thrash here, powerful as hell and with great lyrics! Then, too, there’s more to this band as they display a fair amount of experimentation on a couple of tracks, and don’t lose a bit in the process. TH’INBRED are a band to watch.

Iconoclast Prisoners of Existence EP

Quite a departure, at least as compared to the ICONOCLAST demo of a while back. Only one of the tunes is ripping thrash, and the other two explore more melodic/poppy and abrasive post-punk fields, which they accomplish to varying degrees. Adventurous.

H.R. It’s About Luv LP

Aha, here we have for a mere few dollars what government-supported scientists have been paid millions: conclusive evidence that prolonged use of marijuana rots the brain. All kidding aside, this record “blows it” (tee-hee). No, really, if your “bag” (ha-ha) is “fusion” music, this does it: punk, jazz, rock, reggae, horns, synth, etc., etc. “Dread”ful (ho-ho).

Eggbert Dern That Kudzu cassette

Most or all of the dozen or so songs here would fall under the “generic thrash” cover, with predictable but enjoyable energy and an abundance of youthful enthusiasm. Pretty tight, and decent recording quality.

Eden’s Rebels Bang Bang 12″

Four fairly long but extremely catchy tunes. Owing more to melodic early-’70s rock like T. REX, this is a pretty stripped-down mid-tempo rock approach with an added drum-machine sound as well as regular percussion. Fun.

A Few Chairs A Few Chairs cassette

Quite a versatile band. Almost every track sounds substantially different from the last, ranging from straight chord garage rock (great cover of “Boys”) to folk punk, to MUTANTS/X-type early punk (cool male/female trade-off vocals), noise, thrash, and more. A band to watch for.

The Willard Vanguard / The End 7″

The first WILLARD record I’ve been able to get my mitts on, this picture disc displays power pop with early punk energy and drive. I get the feeling that DAMNED fans would appreciate this more than I.

V/A The Trousers in Action EP

A four-band, four-song sampler from the Australian zine of the same name (comes with issue #14). Most all of the groups (POSITIVE HATRED, SUICIDE SQUAD, BOX OF FISH, and VIGIL-ANTI) play slow punk/post-punk with rhythmic appeal and rawish yet clean guitar sounds. Good idea.

V/A Ground Zero cassette

Quite an undertaking, this tape contains 40 cuts of bands from just about every country where punk flourishes. The sound quality and choice of material is good and hot, and comes with a zine as well. A project well worth supporting and enjoying!

Vampire! Watashi-Wa-Vampire EP

While both sides of this release have that funkified dance rhythm, both are listenable in that they maintain an aggressive beat, fairly unproduced guitars, and good shouting. Reminds me of middle-period GANG OF FOUR. OK.

Samurai I’m a Person, Not a Number 8″ EP

This band consistently comes up with outstanding (and expensive to produce, I’m sure) picture sleeves and mediocre vinyl. Actually, the two A-side tunes are a bit better than previous tracks, but the flip and accompanying flexi are just so-so (at best) pop-punk.

SS The Original LP

I’ve heard this is one of Japan’s earliest thrash hands, and this posthumous release was recorded live in 1979 to prove the point. Results: totally ripping, ragged-ass, no-holds-barred thrash. Besides the clear vinyl, collectors will seek this for its small pressing (500 made), but anyone else will want it ’cause it shreds!

Rattus Ihmiset on Sairaita EP

A bit more of the metalish power sound seems evident on this release. This doesn’t come across in wanking solos (none, thank God), but in the repetitive and somewhat slower (for RATTUS, who are still fast by most standards) song structures. Still, it’s a powerful, tight release, a prelude to their (hopeful) US tour next summer.

Pin Prick Demo 1985 cassette

An enjoyable earlyish punk-sounding band containing two guys and two gals. Some of the tracks contain that characteristic French drum machine/punk sound, while others are more traditional—all of which are garage in nature and energetic. Fun and interesting, despite the sometimes 50/50 sound quality.

Mau Maus Nowhere to Run 12″

Well-produced, mid-tempo punk that’s both emotionally unmoving and unmemorable for me. None of the four tracks made flail in any way, although “In Unity We Fall” did have me moving my hands in the air with its upbeat airs and choruses.

G.R.B. G.R.B. cassette

Positively awesome attacking thrash Á  la DRI or MDC. This band is highly politically motivated (see Spain report this issue), and their music reflects their anger and commitment. Send $2 for the tape and $1 for their zine, Drama Del Horror. Nails.

The Delmonas Dangerous Charms LP

Backed by the MILKSHAKES’ raunchy guitar sound, this trio of shoutin’ femmes are a treat (except every song is about “boys boys boys”!). But in a way, this rippin’ LP is a rip itself, as eight of the sixteen tunes herein appeared on their two 7″ EPs. Why??! LINK WRAY’s title track is covered with gusto, making it the highlight of the previously unreleased tracks.

Deadless Muss I Will… EP

The ultra-gruff vocals on a lot of Japanese hardcore may seem tedious reading about or cliché to some, but you really have to hear them to “appreciate” this new standard. DEADLESS MUSS provides a good example, backed by a wired and loose aggregation. Good.

Contrazione Cineocchio! Storia E Memoria 12″

As with many other of the current crop of Italian HC bands, there’s definite jazziness to their music as well as totally gnarly vocals, tight musicianship, and plenty of emotion and political awareness. Both male and female vocals lead the charge.

Charta 77 Sista Dansen LP

This, CHARTA 77’s second album, continues in the fast punk/occasional thrash groove they’ve established. Mostly tuneful material with a steady (sometimes too much so) beat, chorus back-up singing, and every now and then a song that jumps out from the rest. Good, but not awesome.

Anti Dynamite Kids EP

Highly produced and accomplished pop-punk with punch. Catchy songs are the hallmark, done in the older but quite powerful punk style; this four-songer from Japan (not the LA group) is excellent.

Abreaction Prepare for War cassette

At times this is rather usual mid-tempo Brit-punk, with some of the intros being more exciting than the body of the song itself. But then at times they surprise with their sudden bursts of extra excitement and energy. Also, this is a live tape of this anarcho-punk band, and a studio might produce a much livelier product.

V/A Thrasher’s Digest Fanzine Compilation #1 cassette

A US compilation consisting of IBEX, VOA, BUTT ACNE, JUVENILE BEHAVIOR, BEDLAM, A.O.D., MAGGOT SANDWICH, LONELY CROWD, and MUTES. Varying sound quality and musicianship, but overall an OK comp.

V/A Sanitized for Your Protection cassette

A whole range of anarcho music, mostly in the British anarchist band tradition, but also including sparse post-punk, poetry, and semi-industrial—all of it coming off pretty well. R.A.F. PUNK, ICONOCLAST, INDIREKT, HAGAR THE WOMB, DECADENT FEW are among the choices. Some disparity in sound quality, but most is up to snuff. Good job.

V/A No Enemies, Please! cassette

A domestic US comp featuring VATICAN COMMANDOS, VERBAL ASSAULT, CAPITLE, LOST GENERATION, SACRED DENIAL, PLASTIC BANGS, and CANCEROUS GROWTH from the East; BURNING WITCHES and MINISTRY OF TRUTH from the West; and TOEJAM from the Southwest. Good sound quality and good studio production are the call of the hours, as are the performances themselves. Well done.

V/A Cursed Earth cassette

A bizarre East meets West combo. One side contains D.C. area bands (EXHUMED LUNCH, SPASTIC RATS, MALICE, G.I., UNITED MUTATION, etc.) and the flip are all from Albuquerque, New Mexico (JERRY’S KIDS, AKA, WONGS, and more). Slightly uneven in sound equalization, but overall, it’s an enjoyable thrash/noise experiment.

V/A Bands on the Block LP

From the graphic look of the cover and band names, I would’ve thought this was a largely punk record. Not so. Fully two-thirds of it is various forms of new wave—some listenable, a lot not. It’s only with the last eight or so tracks on side two that we get some punk, with cuts from many bands previously not recorded such as HICKOIDS, SHOCKHEAD, CRIMINAL CREW, HAPPY DEATH, IDEALS, and JEFFERSONS (ex-DICKS minus Gary). Mixed bag.

Shithaus Live Crush 84-85 cassette

Billing themselves as an “industrial hardcore half-breed,” I’d say they’re more on the industrial side of life. While there are some post-punk influences, the noise/mechanical factor is predominant. This is a “live” tape, and well-done if you’re into modern pain.

Ramones Bonzo Goes to Bitburg / Daytime Dilemma 7″

Continuing along with political/topical material, the RAMONES hit on Ronnie’s trip to the German cemetery with SS dead. The song (B-side is off LP) is a medium tempo rocker, a catchy tune that grows and grows and grows and grows and grows on you! Great!

Psyclones Cult Leader Gang-Raped by Disciples cassette

Rapid-fire ’77-ish experimental synth punk Á  la SCREAMERS or early TUXEDOMOON. There’s a definite edge to both the music and lyrics, and although the songs are long and repetitious, there’s a mania that sustains interest. Dark, but not overwhelmingly depressing.

Otto’s Chemical Lounge Spillover LP

Is this the “fusion” music of punk? OTTO’S CHEMICAL LOUNGE pounds out these eight songs, and depending on whether or not you view this as a plus or minus, incorporate funk, jazz, rock, etc. into the tunes. Personally, I find it a bit annoying, especially on the covers of the GROOVIES’ “Slow Death” and the classic rocker “Shakin’ All Over.” I’ll take the originals, straight up, thank you.

NOFX Live Your Life EP

At times metallish thrash, at times straight-ahead. Young and undeveloped as far as individual sound goes, this is a fairly generic Mystic-type release, giving a new band a starting chance to get some attention and develop. OK.

Miracle Workers Inside Out LP

A 100% improvement over their recent 12″, this rocks out. Lotsa fuzz, cool tunes, and even the organ isn’t had. Only beef I have with all these neo-’60s bands is the lyrics—dumb boy/girl stuff. Otherwise, this is boss.

Heavy Mental Atomic Shockabily 7″

This hand includes late ’60s pop-psych and rock influences, as did many fellow Midwestern bands of that era itself. Sometimes it works, sometimes not. On the single, it doesn’t really click (too poppish), but on the free promotion tape you can write away for, the garage side does come out much stronger. Different (now).

Grand Mal Binge Purge 12″

Abrasive, driving post-punk. Lots of guitar, sparse but full production, rhythms, and depressed lyrics. Is there something “D.C.” about this still? Perhaps, because despite the “down” aspects mentioned above, there is still an upbeatness to it all. Can’t put my finger on it—not sure I want to.

Government Issue Give Us Stabb or Give Us Death 12″

G.I. is flooding the market with quality DCHC. “Plain to See” is awesome, and though these live tracks vary a bit in sound quality, most are rippin’. Only minor metally digressions, as the pure punk sound predominates and dominates.

Faded Glory Death Zone cassette

Garage thrash meets industrial noise. Primitive sounds whacked out with rock’n’roll gusto, includes both studio and live recordings. Some songs are actually catchy, and I got to (I think) feel complimented by the tune “Reagan Dropped the Bomb (on Tim Y).” Crude, rude, and rockin’.

Effigies Fly on a Wire LP

This band is walking the tightrope of trying to delve more and more into rock and post-punk while maintaining the punk power of their earlier years. Overall, they manage to pull it off here, with the one or two less exciting tunes made up for by a tasteful cover of early JOY DIVISION’s “No Love Lost.”

EMG EMG cassette

Unusual hardcore, where thrash meets industrial noise with sometimes inspired moments. There’s straight thrash too, as well as FLIPPER-esqe music. All in all, a band to reckon with, despite their garagy live recording. Very intelligent lyrics, too showing that thrash can indeed be creative and manic today. Hey, they even incorporate surf music into it.

Tommy Dog Drop Dead! EP

Side one features a couple of slower punk tunes with gnarly vocals and somewhat metalish overtones. Side two is an unbearably long “freak out” Á  la IRON BUTTERFLY or some godawful downbeat hand.

Didjits Whoop My Head cassette

The second tape from these folks contains five studio tracks and some live material, and is no letdown from the high quality inventiveness of their premier outing. Punk with guts but incorporating weird changes that most post-punk bands utilize at the expense of rawness and exuberance—these guys keep it all.

DRI Dealing With It! LP

The layoff and new drummer has not daunted DRI a bit. They’re back as powerful as ever, with 25 songs as wickedly sharp as ever. There are a couple of slower metalish tunes (DRI are big with headbangers), but most are short sharp shocks, and include a couple of reworkings of tunes off their debut release.

Child Support Come to Amerika LP

When last we reviewed CHILD SUPPORT, we weren’t sure what direction they’d head musically. I’m still not sure; this is a pretty mixed bag of poppish-punk, new wave, experimentation, pop-rock, etc. Lyrics are above par in theme and intelligence, but this record will probably only appeal to the more open-minded or dance-oriented (not one and the same) folks.

Caustic Defiance Enough Talk cassette

Those Stepe brothers will do anything to keep their names in print, even going to the outrageous length of putting a tape out. Decent garage quality sound here, and better-than-decent stop-and-go thrash. Funny “thanks to” and “a big fuck-off-and-die to…” on the enclosure.

Braille Party Welcome to Maryland LP

It’d be simplistic to compare this combo to the HÜSKERS, but suffice to say that they both play extremely fast pop music. At that point the comparison ends, as BRAILLE PARTY play very cleanly, though they don’t sacrifice a lot of power for doing so…just a lot of raunch.

Blood Farmers Cranked Up EP

This one’s growing on me. Neat garage punk and thrash showing lots of imagination and diversity. There’s weirdness interspersed between tracks (must be a Midwestern tradition), in the tracks, and in the lyrics. Singer Eric Fund Fournier actually sounds like LOVE’s Arthur Lee on “Young and Restless.” Cool.

Scoundrels Ufreet Toe Moef cassette

Most Northern European bands don’t put much emphasis on melody, it seems but these SCOUNDRELS certainly do. This is somewhat explained by a lot of medium-tempo punk tracks (as well as faster thrash), where tunefulness is more important. Well done. They love the GERMS.

V/A Der Idiotische Hustensaft cassette

Totally excellent tape that presents a wide variety of powerful punk/HC styles. Bands appearing include: IDIOTS, BEDROVLERZ RIM SHOUT, DIE ANNER, NORMAHL, RAYMEN, SCREAMING DEAD, DER RIB, SEPTIC PSYCHOS, etc. Rips!

V/A Punk Revolution cassette

This international comp features mainly Finnish, Swedish, and Brazilian bands, with a sprinkling of US and Australian. Some of the bands are: BRISTLES, MOB 47, TA.S.K. W.D.M., D.T.A.L., MASSACRE, R.O.T.A., VICIOUS CIRCLE, RUIDOS ABSURDOS, and many others. Varying sound quality, all savage.

V/A Revenge of the Fun Squad cassette

Yet another international comp featuring Swiss, English, French, and other bands. Mainly featured are HELVET DISORD, XPOZEZ, VERDUN, STAHLWILLE, and VICIOUS CIRCLE. OK, but the sound quality is not the best.

V/A Quelli Che Urlano Ancora… LP

Maybe I’m getting spoiled by all the great Italian HC releases of late, because this comp just doesn’t reach the energy or excitement level I’ve grown accustomed to. Most of the bands here (BASTA, CANI, DIOXINA, HOPE & GLORY, ROUGH, SS20, KLAXON, among others) turn in older-style punk or Oi sounds that just don’t overwhelm. Even the normally excellent NABAT doesn’t really break through.

V/A Hell’s Bent on Rockin! LP

Rockabilly, the punk of its time, meets today’s punk in Psychobilly, some of the results are recorded herein. While the METEORS (who appear here) broke this trend, tons of bands have followed. And while the genre is even more restrictive than punk or HC, it still sounds good, especially the RESTLESS, DEMENTED ARE GO, and ROCHEE AND THE SARNOS. Enjoyable rockin’.

V/A Fala LP

A Polish compilation LP that features both HC and reggae bands. Surprisingly well-recorded for the most part, there are some strong tracks by PROWOKACJA, ABADDON, TILT, and DEZERTER, among others, but the standout track is the title song of the LP, done by SIEKIERA. Find it if you can.

V/A A Real Cool Time LP

By now everyone’s heard of the NOMADS, but what a pleasure to find they’re just the “tip of iceburg” as is proved by this “Distorted Sounds from the North” comp. Incredible neo-’60s punk rages forth from SHOUTLESS SLOBSTER, PYROMANIACS, CREEPS, WAYWARD SOULS, and tons more as well as aforementioned forerunners, the NOMADS. Shiver me timbers, this is awesome.

V/A Alle 24 Goed! LP

An all-Belgium comp. featuring CAPITAL SCUM, KOYAANISQUATSI, WAR RISK 3, ZYKLOME A, VORTEX, and WULPSE VARKENS. This is also an all-hardcore comp, most of which is above average and well-worth obtaining.

Tall Boys Final Kick 12″

Part of that unique mixture of rockabilly and ’60s punk that some modern bands are conjuring up, TALL BOYS’ blend renders a result that works. Purists of both genres might be unhappy, most rock’n’rollers will be mighty pleased. Interesting cover of “Action Woman.”

The Stalin For Never 2xLP

This is the last testament for the STALIN, a two-record live recording. Forsaking their earlier harder-edged punk and thrash, the preponderance of songs here are harder-edged post-punk/rock punk. While not a “weak” release by any means, I found myself bored at times with the long dirges, and not excited enough by the shorter slaps. I’m spoiled by their older records.

The Spikes 6 Sharp Cuts 12″

Excellent release that crosses post-punk with ’60s psych in a modern powerful way. Reminds a bit of fellow Australians LIME SPIDERS, and with this debut US release (this label will be presenting a lot of Aussie bands to the US) the SPIKES will make their mark.

Perdition How to Teach Your Budgie to Talk LP

Well done punk in a more British style. There’s mostly fast punk (as opposed to thrash), with a couple of slower tunes to break the tempo. I can’t say I jumped up and down listening to this record, but fans of the Britpunk genre will be able to pogo.

Oh’ Dev 84/85 Mania cassette

Industrial post-punk hardcore? Whatever it is, it’s done with gusto and power rare for most post-punk bands. Also rare is the band’s imagination. Sort of like SONIC YOUTH meets the BUTTHOLES meets some nightmare you had after eating meat and taking acid for the first time in ten years (Ray Farrell, take note). Not noise!

Nerorgasmo Nerorgasmo EP

Three of the four songs are mid- to slow-tempo hardcore, at times verging on FLIPPERISH drones. The remaining song is a thrasher, and all the tunes are powerful and gnarly. Good production, good record.

Thee Milkshakes Thee Knights of Trashe LP

Probably the only English band to truly understand American garage trash, that wonderful mixture of R’n’B and white teen angst. These incredibly prolific guys couldn’t care less that it’s not 1963, whirling on in a world of their own fueled by surf, Mersey, DIDDLEY, KINK-dom, and KINGSMEN. Boss.

The Jesus and Mary Chain You Trip Me Up / Just Out of Reach 7″

Scott says they sound like a cross between psychedelia and a trebly FLIPPER. Dogtowne says they’re pretentious pretenders to the VELVET UNDERGROUND’s second LP. Whatever, they do combine pop tunes with incredibly abrasive guitar noise and feedback to produce a highly listenable product.

Herbärds Eu! Se Bois LP

Thrashin’ Oi sounds from Germany. These tuneful tunes are delivered competently and powerfully, although there is definitely an amateurish garage quality to the playing, too. Can’t say anything about the lyrics, but I can say they’re definitely into their boots and rolled-up jeans.

Generic Join the Conspiracy cassette

Wall-to-wall, highly produced, powerfully delivered, and tightly played stop-and-go thrash. That sound generic enough? Nonetheless, these guys are good, do feature almost post-punk guitar work at times plus the tape comes with mini-zine Rancid Humanity.

Disgust Trash Back!! cassette

Aaagh! It’s t-h-r-a-s-h, not t-r-a-s-h! Okay, now that that’s clear, onto the music. Most of the songs here are really well recorded, though there’s a few live ones with a slightly tinny sound. But all the songs shred—very powerful thrash!

Discharge Ignorance / No Compromise 7″

The A-side is a pretty catchy, almost MOTÖRHEAD-type rockin’ metalish number with excellent lyrics. The flip is too plodding for my tastes, but again with good lyrics. While I don’t enjoy this brand of DISCHARGE as much as their earlier incarnation, at least the integrity of the thoughts is maintained.

Äpärät Häiriköt Tulee EP

More tuneful than most Finnish thrash, this band employs melody, and clean production and playing; because of this, there’s more of a British feel to this six-song release. But by no means is this a sterile, plodding record; quite the contrary, it’s pretty strong medium-paced thrash and good listening.

V/A New Jersey’s Got It? LP

Nine Garden State beauties (A.O.D., STETZ, CHILDREN IN ADULT JAILS, SACRED DENIAL, MY 3 SONGS, CYANAMID, PLEASED YOUTH, BODIES IN PANIC, BEDLAM) blossom forth in a well-cultivated comp. No rotten tomatoes here—just plump pickins. Jersey’s finest.

V/A Claws! LP

This third Throbbing Lobster comp again contains mostly pop or garage bands with some noteworthy moments—being the PRIME MOVERS, and the re-emergence of CLASSIC RUINS and WILLIE LOCO ALEXANDER, and a good track from LAST STAND. Humor Dep’t: MIGHTY IONS’ “Pedro Morales” to the tune of “California Uber Alles.” Band to watch for according to Dave Scott, who says “VOLCANO SUNS will be the next HÜSKER DÜ.”

Wipers Wipers LP

This is a live recording, and the songs are versions of material that has appeared on all previous 12″-size WIPERS releases, as well as a few newies. WIPERS are a straightforward, driving rock’n’roll band with punk overtones and attitudes. And like a previous straightforward band, CREEDENCE CLEARWATER, WIPERS sound very much alike both live and in the studio.

Virus Dark Ages 12″

Very intelligent and cynically optimistic lyrics are combined with intense slow and fast HC to produce another excellent NY release. (For more info see article this issue.) Right up there with REAGAN YOUTH, this one should be gotten.

Variant Cause Complete Details / Marathon Man 7″

The A-side sounds like ’76 power-pop, not unlike the FAST or FURYS. The flip is much more interesting, combining original vocal tricks with more modern pop/punk Á  la early BOW WOW WOW. Not bad.

Social Unrest SU-2000 LP

I thought that SOCIAL UNREST had lost that special spark in recent times, but lately, both live and on this new vinyl, they’re back in fine form. This slab contains HC of all tempos, and with their new personnel and Jason on vocals finally gelling, they’re a force to be reckoned with again. Excellent release.

S.F.N. The First Thing I Ever Did Was Cry cassette

S.F.N. “Stands For Nothing,” but their music is definitely a cut above. Very tight playing and excellent production bring out some of the subtleties in their complex power-thrash approach. Bits of jazz thrown in here and there break the uniformity, as do the intelligent lyrics. Lotsa songs.

Rites of Spring Rites of Spring LP

One of D.C.’s most touted younger bands comes across with a melodic punk style that combines older-style punk and rock into a powerful force. With ringing guitars, chunky rhythms, and ruff vocals, they come across not unlike area-mates SCREAM in toughs but pop appeal.

Really Red Rest in Pain LP

The parting shot from one of the great punk experimenting bands. REALLY RED combined awesome power with intelligence (lyrically and musically) to produce both pop/punk and experimental punk of the highest calibre. This record displays both, in a mix of live and studio tracks. Great cover of RED CRAYOLA’s “War Sucks.” We’ll miss em.

Marginal Man Double Image LP

Maybe a tad slower than their debut album, this release retains MARGINAL MAN’s melodic approach to punk without losing too much of an edge. The vocals continue to snarl despite the melodic guitar and almost rock-structured songs. Controlled but not wimpy.

Madhouse Repulsion 12″

Sounds like the bad side of UXA. Lots of rock instrumentation with an okay, but too “tryin’-to-be-Siouxsie” singer. Dog likes it, though (says she’s better than Penelope), but Spinali says she’s off-key (and he normally likes any band with a female singer, regardless of quality).

Group of Individuals Destroyer of Fun / The Sellout 7″

The A-side “Destroyers of Fun,” is excellent powerful older-style punk rock with smart lyrics. The flip is not DC’s G.I., and features “The Sellout,” a more uptempo punk tune that’s also quite intelligent lyrically. I suspect some of the same people are involved in both projects. Thoroughly enjoyable.

Government Issue The Fun Just Never Ends LP

With more of a recognizable “D.C.” sound and a lot less metalish or rockish material than their previous release, this album rates highly with me. Although it’s supposedly a “live” recording, you’d never know it by the excellent sound quality, with all the detail there, cumulatively adding up to one powerful piece of vinyl.

Thee Fourgiven It Ain’t Pretty Down Here LP

This trio cranks out some cool ’60s punk, especially on the instrumental side. At times, they remind me of SYNDICATE OF SOUND, maybe even a bit tougher. But the singer tries to “sing” too much, instead of snarl, and I found that a bit annoying. Otherwise, cool band and record.

Electric Peace Rest in Peace 12″

This release is their third, and continues along in the advanced stages of psychedelic damage. Combining psychedelia, progressive rock, metal, ’60s punk, and bad singing, this outfit is adventurous to say the least. The guitarist is the strong point, whipping out some occasionally gnarly runs (Á  la ’69), but the singing makes me take the needle off.

Detox Detox LP

Sounds like a less thrashy and slightly more serious VANDALS. There’s lots of catchy punk songs with lots of humor or satire, plenty of melody, tight playing, and even tinges of country. Good but not startling.

The Dead Milkmen Big Lizard in My Backyard LP

I believe this is what Jeff calls “funnypunk.” These 20 satire-laced songs are real crack-ups, and backed up by tight playing that incorporates funk, country, and lots of other styles Into their punk approach. Let’s go to the shore!

D.I. Ancient Artifacts LP

The ADOLESCENTS are often used as a milestone in describing the SoCal thrash sound, and this band with two ex-members of the ADOLESCENTS is the heir-apparent. They pump out nine tunes fast and slow, which epitomize the H.B. sound: clean production, melodic thrash, surf HC guitar, and nasal vocals. Some real classics here.

Cyrnai Charred Blossoms 12″

The “music” herein definitely falls without our normal range of coverage, but as its done by a person (playing all instruments, singing, artwork) involved in the scene who also has an ad in this issue, I thought I’d take a stab: surrealistic experimental, overdubbed, mellow weirdness, special effects, poetic print and lyrics—outside.

Antietam Antietam LP

Definitely the punk equivalent of middle period JEFFERSON AIRPLANE. The “punk” side comes from the PATTI SMITH-ish vocalist, though both sides she and the male vocalist hit higher notes. Musically, it’s a jazzy/folky rockish band with tough, punkish power (at times).

A State of Mind What’s the Difference? Animal/Humyn Exploitation EP

Set to folk music anarchist punk, or weird post-punk, we’re assaulted with pleas, information, and harangues about the abuses to both the human species and animalkind. Can’t say I’m attracted to the tunes but those who are adventurous musically or inquisitive/passionate about the subject matter will be rewarded.

V/A What Doesn’t Hurt Us Makes Us Stronger LP

I’m a bit confused by the sentiments of the title, but not by the music that appears here. It’s had to go wrong with the likes of DRI, MDC, INFERNO, MANIACS, CCM, PORNO PATROL, ZERSTORTE JUGEND, etc. Lots of powerhouse punk and thrash here. It’s a good one!

V/A Hideous Headchop’n cassette

A thrash extravaganza from stem to stern. An international comp, this includes ANTI-DOGMATIKSS, LÄRM, MOB 47, CERESIT 81, CÁ”LERA, CHRONIC SUBMISSION, NEGAZIONE, BURNING WITCHES, KROMOZOM 4, DECLINO, BRISTLES, SKULLDIGGERS, NIKOTEENS, and more. Quite powerful, excellent production, and high fucking energy.

V/A France Profonde LP

Most of the bands here pump out pretty decent mid-tempo punk, but there are a few real gems interposed. KIDNAP turns in a wonderful sing-along, L’INFANTERIE SAUVAGE hits with a real up-tempo Oi number, and LES PORTE-MENTAUX turns in a really great pop-punk number that combines HEARTBREAKERS guitar riffs with a classic ’77 English punk-style tune. A good release from a new label.

V/A Dawn of a New Age cassette

A benefit tape comp for the Animal Liberation Front, this is a co-release from Bluurg and Sabotage tapes. Artists contributing are the SUBHUMANS, ATROX, INSTIGATORS, REALITY CONTROL, PSYCHO FACTION, POLITICAL ASYLUM, KULTURKAMPF, and several others. Good sound quality and good music and information.

X-Creta 13 Recepten Voor Een Hersenbloeding cassette

Pretty decent but somewhat stilted thrash. I say stilted in that the drumming is so repressed in a chunky kind of way that the real power here doesn’t quite come across. Otherwise, it’s quite all right with excellent lyrics and some occasionally interesting changes.

W.D.M. Democracy? EP

Containing all the good characteristics of Finnish hardcore, this young band is coming into its own. Powerful and tight, this release has fine production that accentuates their wild vocals with neat echoes and underscores the fine guitar work. Excellent, with both thrash and slower tunes.

Verdun Verdun cassette

Despite Gerard’s rave about them in this issue, I find this tape good, but not overwhelming. Since I can’t understand the French lyrics, which admittedly would have a lot to do with a true appreciation of VERDUN’s impact, I can only comment on the music, which is power punk with buzzsaw guitars, mid-tempo speed, and good female vocals. Sound quality is OK.

Terveet Kädet The Horse LP

Even though I find the drumming a bit distracting, the great guitar work and vocals make up for it. There’s TK’s usual short blasts of thrash, as well as some metal-influenced slower tunes and even a cover of the STOOGES’ “Search and Destroy.” Go see em this summer in the US.

The Stems She’s a Monster / Make You Mine 7″

While both tracks here are fine examples of fuzzed-out ’60s punk, “Make You Mine” is the real stand-out. With strong influences by raw R&B rockers like THEM, this one totally wails. Excellent.

Revulsion Ever Get the Feeling of Utter… Revulsion 12″

Six screams of revulsion make up this debut, and welcome shouts of frustration they are. Most are poppy thrash tunes, straightforward in delivery, and done with lots of energy and commitment. While the songs do tend to run on a bit long, they are still quite enjoyable.

Olympic Sideburns Olympic Sideburns LP

Quite a turnaround from this band’s earlier flaccid release. Don’t be fooled by the rockabilly image of the cover or title; this baby’s got some classic Australian R’n’R, containing elements of ’60s punk, BIRTHDAY PARTY, RADIO BIRDMAN, etc. Rocks out, and comes with a free 12″. Cool, and right up there with the NOMADS. Coming out soon in the US on Sounds Good.

Kimaira 13日の金曜日 EP

The vocals are on the ghoulish side, deep and echoey. The music is slow- to mid-tempo punk and relatively uninspiring, but not incompetent by any means. Better at droners than punkers.

Kenzi Hotニキエチマエ EP

Hard-driving pop-punk strikes again via KENJI. Two of the four tunes are too lightweight ’78 for me, but the two others rip pretty good, in, say, the tradition of CH3. Better than their first release.

Kaaos Sätkynukke EP

If you haven’t heard this band by now, where have you been? KAAOS has lots of vinyl and tape out, and now add yet another quality release. Powerful HC.

Exit Stance While Backs Are Turned 12″

Mid-tempo English “peace punk” sound, heavy on slick production and cockney accent. Lyrics are tough, but the music rolls off the turntable too well-mixed and without any roughness to match. Good, but not great.

Ex Humans Ανώφελη Επιβίωση LP

A pretty unexciting debut, with an unenergetic ’78-’79 punk and post-punk sound. Perhaps some of that might be made up for lyrically, as they are quite prominent, but alas, it’s all Greek to me. Then, inexplicably, there’s one thrash song that leaps out at you, breaking through the doldrums. Hopefully, their upcoming LP will be more challenging.

Eater The History of Eater, Volume One LP

This collection of classic ’77 UK punk is not to be missed by those who were too young by accident of fate to enjoy such classics as “Thinkin’ of the USA,” “Outside View,” and tons more. Get this!

The Dukes of Stratosphear 25 O’Clock 12″

Interesting. Like early PINK FLOYD meets middle ELECTRIC PRUNES meets late YARDBIRDS. In other words, highly produced but still abrasive pop/psychedelia. Other influences are BEATLES (Revolver), EASYBEATS, BEATLES again (“I Am the Eggman”). Okay, ’67 was a pretty good year, but ’68 blew, guys. Head back towards ’66.

Dementia Dementia 12″

Powerful sounding but emotionally unstimulating mid-tempo UK punk. It’s all quite competent, but there’s little gusto to separate DEMENTIA from the pack. I’d like to feel their anger through the music as well as hear it in the words.

B-Strife Tears of 56 EP

For the most part, this is a pretty unaccomplished outfit, ragged around the edges. But on two of the four tracks, especially on “Fuck the Clumsy Metal,” their charm (and special effects) come through.

The Apostles Smash the Spectacle EP

The fifth incredible barrage of music and ideas from at least some of the APOSTLES. Public airings of internal splits, extreme swings of hate and love, self-pity and vicious projections, diatribes against Left and Right, phony anarchists, women who’ve hurt them, drugs—you name it, it’s written about at length and in depth. Schizophrenic—maybe too sane—maybe…whatever it is, it’s one intelligently and intensely.

U.S. Chaos Eye for an Eye / Don’t Wanna Live 7″

Both sides of this EP are excellent sounding punk rock reminding me of classic NO ALTERNATIVE stuff. Lyrically, these guys are no geniuses. On the A-side, for example, they seem to be advocating capital punishment with a chorus of “Kill the killers”…I think. I say “I think” because it could be (no lyric sheet) “Kill the coloreds.” Hard to really tell. That wouldn’t be on purpose, would it…guys?

The Tweeds No More / Part of the Game 7″

Every now and then over the last seven years, the TWEEDS have re-emerged with a tasty slab of pop vinyl. This latest release features an A-side that incorporates snarly ’60s punk vocals and sentiments with a pop-punk structure and harmonica wailing. The flip is more pop, but still okay.

The Suburban Nightmare A Hard Day’s Nightmare 12″

There’s a fair amount of goofing off here, but when these guys get serious they turn out some great Texas-style ’60s punk like “You Need Love,” “Every Night,” and “Mad” with a great psych feel. Their cover of “Brand New Cadillac” shreds, too.

Subculture I Like Girls, I Love Nature cassette

Hmmm…they remind me of a slightly rougher ADOLESCENTS—definitely that SoCal thrash with shredding music, teen snotty vocals, and melody, too. If they keep working at it, they’ll put out some wonderful vinyl.

Reptile House I Stumble as the Crow Flies EP

Very aggressive post-punk might be the best way to describe this four-song release. These medium-paced songs are driven by punk singing, backed up by a melodic yet ravish guitar-oriented band. The lyrics are pretty cryptic/bleak, but the music is a bit less depressing especially due to the sometimes snappy drumming and ringing guitar.

Raging Fire A Family Thing 12″

Two of the four tracks here are pretty eclectic, utilizing jazzy and rock structures, and punctuated by occasionally tough female vocals and sudden up-tempo punk surges. The other two are a lot more ballsy, especially “You Should Read More Books.” The super-clean production turns me off a bit, but the singer’s snarls and intelligently cryptic lyrics save it a bit.

Rich Kids on LSD Keep Laughing LP

Ripping! These RICH KIDS ON LSD whip out thrash with some slight metal tinges, lots of changes, and tight musicianship. The production is excellent, too, which along with the occasionally special effects really helps out matters. Great live band, too.

Offbeats I Can See Your House From Here EP

Good production really helps sometimes, and it’s nice to finally really hear this band. All four songs, whether thrash or punk, feature plenty of melody and musicianship, making for hot listening. Really like “Sad.”

NRK NRK cassette

Really quite good for a debut. Their sound is charging hardcore, but with plenty of melody and full guitars, not unlike fellow Midwesterners HÜSKER DÜ. That touch of psychedelic/metal adds a lot to thrash when it’s not overbearing.

Miracle Workers 1,000 Micrograms of the Miracle Workers LP

With a title like that, I was expecting to end up on Jupiter after listening, but instead ended up asleep in bed by 10 P.M. Must be weak acid cuz I didn’t hardly get a buzz. Very tame shit, cut thin. Gonna complain to my dealer… Gimme Swedish or Australian for a real flash… this ain’t pure ’60s Owsley!

Meatmen War of the Superbikes LP

Outflanked by G.G. ALLIN on the outright perv side of punk, Tesco and co. uphold the intelligent irreverent side of the genre. And even if musically they venture into metal, flamenco, and other forms, this is really humorous/satirical punk (attitude) at its incisive best, although there are some pretty dark overtones and self-indulgent meanderings (musically and lyrically). Wish I could play most of this on the radio.

God and the State Ruins: The Complete Works of God and the State LP

One of the more accessible releases Happy Squid has put out in a long time, this band existed briefly in early ’83, then they went the way of the buffalo. Musically, and even lyrically, they are so close to early GANG OF FOUR that it’s not funny. I doubt it was meant to be, though.

End Product Fun on the Day After cassette

For a band that claims to be “from nowhere,” they certainly are “somewhere.” There’s a lot of accomplished and powerful HC on this tape, and while most is fairly generic, there is ample evidence of future distinctiveness.

Damage Jay Walk EP

A different kind of thrash band, consisting of vocals, drums, and… lead synth and bass synth. Does it work? Almost. It’s an interesting change, but the power just isn’t there. Synth worked great in some early punk (SCREAMERS), because the tempo was slower and the power came across better. In this case, perhaps better equipment and recording would enhance their impact. Hope they keep experimenting.

The Clyng-Onz Hide Your Eskimos cassette

Imagine Doc Dart of the CRUCIFUCKS (his sharp wit and bizarre voice) singing for the VANDALS with a ’60s punk guitarist and a little ANEMIC BOYFRIENDS thrown in for good measure. The result: totally enjoyable punk and thrash, with intelligent and satirical lyrics.

V/A Thrasher the Cat’s Favourite Tunes cassette

A comp that features many cuts each by the likes of LEGION OF PARASITES (UK), EX-HUMANS (Greece), DETONATORS (US), ANEEB (Germany), and many more newcomers like NEGATIVZ, OBSCENE FEMALES, etc. Okay.

V/A Tales From the Western Shore cassette

An all-Vancouver tape, this baby contains mostly live recordings of varying quality (mostly decent to good). Includes BILL OF RIGHTS, IMMORAL MINORITY, A.O.T., UNKNOWN FIBRES, DEATH SENTENCE, FITZ, SPORES, and more.

V/A The Raw Power of Life 2 cassette

An all-Eurpoe compilation that features, surprise, RAW POWER, along with HEIMAT-LOS, MOB 47, SUBHUMANS, WUT, GEPÁ˜PEL, BOIKOTTZ, CAPITAL SCUM, and more. Good sound quality, and there are 30 songs.

V/A Noć nad Jugoslavijom cassette

An all-Yugoslavian compilation featuring a shitload of HC bands, most of whom you’ve probably read about in reports here before. Sound quality is okay, but not great due to difficult circumstances, but there’s still lots of noise to enjoy—both studio and live.

V/A The Punx: Street Movement cassette

Very strange. This package is incredibly elaborate: sturdy box enclosure, 84-page book detailing the history and discography of Japanese punk/hardcore in color, and typically wonderful Japanese punk graphics—all leading up to…a six-band cassette? Yep. Two songs each by LAUGHIN’ NOSE, GAS, GISM, WILLARD, LIP CREAM, and COBRA. Not that the music is bad (it’s not), but somehow I’d have expected the tape itself to be as comprehensive as the literature. Still, a collector’s item.

V/A Garage Goodies, Vol. 1 LP

On first listening, I didn’t think that many covers on this neo-’60s garage collection cut it, but I’m changing my mind right now. Classy acts like the CANNIBALS, X-MEN, and MILKSHAKES are joined by equally raw outfits like KILLED IN ACTION, VERTEX, and BAD KARMA BECKONS. How could a record with a band called LEGENDARY VEGETARIANS on it be bad?

V/A Suicide Omnibus 8″ flexi EP

No name to this Japanese collection, but at least the bands are identifiable : the SEXUAL, CONFUSE, JIGA, and M78 (actually a “fuck” band with members of GAS, GASTUNK, GHOUL, and SYSTEMATIC DEATH). All the tracks on this EP shred, with noise thrash and DISORDER-type thrash prevailing. Great!

V/A Disorder cassette

Mostly high-quality recordings of high-quality bands, like UPRIGHT CITIZENS, BEDRÖVLERZ, DEPRESSION, CHRONIC SUBMISSION, AOD, EXECUTE, DEZERTER, HEIMAT-LOS, SOLUCION MORTAL, OFFENDERS, SVART FRAMTID, etc. Good collection.

V/A Deflagration, Vol. III cassette

Quite an international line-up, starring UNDERAGE, DEZERTER, KROMOSOM 4, SCAPEGOATS, UNNATURAL SILENCE, FOAD, NEON CHRIST, BLOEDBAD, PROTEST!, INFERNO, and more. It’s non-stop thrash, for the hyper among us.

Smartpils The Works cassette

Great psychedelic touches add a lot to this release. Abrupt intervention and special effects turn good raw, mid-tempo punk into something special. Neat female (I think) harmonies remind me a bit of SIOUXSIE or S.F.’s MUTANTS, but this goes beyond.

Second Auschwitz The Arse of Mankind cassette

More “uncompromising” noise from this gang. Uncompromising can mean “they suck musically and don’t give a shit because they just wanna make annoying sounds and get their highly intelligent and political message across.” Repetitive, but intense.

Russian Roulette J’ai Tout Oublie / Fuckin’ Car 7″

The A-side is a steady but slow rockin’ moody tune with full vocal choruses, echoey vocals, and powerful back-up. Definitely catchy and non-wimpy. The flip blasts out a sorta R’n’B-based rocker with cool hiccup-y vocals and singin’ guitar, much in the vein of the early FLAMIN GROOVIES.

Penny Rimbaud Acts of Love LP

Some of the CRASS-releated people return to short songs. Lots of emotions penetrate these fifty minute-or-under tunes. These short, snappy numbers, though, depart from, say, earlier CRASS or the MINUTEMEN in that they’re…classical music. Not classical punk, but the Real McCoy. Well, if you saw Amadeus, you know the music biz really hasn’t changed all that much in the last several hundred years. Right?

The Pharaohs Real Things 12″

Most of the six songs included here are a bit annoying. While the instrumentation is of a ’60s derivation—kind of more flaccid EASYBEATS—the vocals are too “clean” for my taste. But on one song, “Car Crash,” it all works together, producing one eerie classic. Worth the price alone.

Peggio Punx Ci Stanno Uccidendo Al Suono Della Nostra Musica 12″

There’s a lot of jazz and metal influences in PEGGIO PUNX’s approach to punk, something that doesn’t excite me too much. If you’re into fancy bass picking and jazzy riffs, though, you’ll go nuts. Otherwise…

Oi Polloi Destroi the System cassette

Strongly political (see interview this issue), OI POLLOI are a punks/skins unity band that pound out medium- to fast-paced punk that’s heavily bass-oriented, has lots of great screaming, and some nasty guitar noise. Uncompromising.

Masturbation 被害妄想 12″

Have they heard FLIPPER in Japan? Actually, that’s not really fair or accurate, as this band has a lot more elements of punk, metal, and melody in their dissecting approach. But there’s something in the intentionally sluggish approach to warrant the comparison.

The Loods Stop Fuckin’ Around LP

The majority of the tunes here are just that—mid-tempo and pretty powerful older-syle punk. Every now and then they launch into, and prove they can play, faster stuff too. Excellent production and good listening, and comes with a bonus flexi, too.

Kyah Slapdash EP

More straightforward fast punk than their debut EP, this one rips. The addition (I believe) of the COMES vocalist adds some real punch to the singing attack (lots of back-up choruses, too), and this all-female combo has left the ranks of the amateurs. Hot, from Japan.

Gudon Brutal Saint flexi EP

The production on this classic transforms a garage thrash band into a psychotic mess. Atonal thrash with inhuman vocals put through some kind of mixing madness, producing totally crazed rock’n’noise. Twisted!

The Froggies Hour of the Froggies LP

Great name for a French band, but the music doesn’t measure up as well. For the most part, they’re a poor-man’s RAMONES, delving into ’78 pop-punk. It’s tight and well-produced, but not really exciting. A couple of covers (MC5, KINKS), but the best track, “In Case of Sunrise,” has a BO DIDDLEY beat with lotsa raving.

Dom Där Ett Barn Är Fött cassette

Some intense, tuneful crazed thrash. Hot production and tight command are very important in this effort, but as with most Swedish thrash, it’s the melodic songs that make it all really stick. A good one.

Doku-Buta Go! Go! People flexi EP

Translating as “Poison Pig,” I expected a bit more weirdness than supplied, but this slab of plastic contains some neat tracks. They can do thrash, punk, proto-punk—all with verve and gnarly-ass vocals and guitar. Reminds me a bit of early PERE UBU.

The Cannibals Trash for Cash LP

More ’60s-ish garage raves from Mike Spencer and Co. No wimpoid stuff here—it’s all raw, raging real rock’n’roll, with lots of ripping guitars, feedback, screaming vocals, and lots of noise. Like the NOMADS, these guys got the spirit, not just the form.

V/A Rippling Flesh #1 cassette

One side is entirely US up-and-coming outfits, with the likes of PUNKS, KNOCKABOUTS, CAPITLE, PSYCHO, NO IDENTITY, ART THIEVES, JERK WARD, and TOE JAM. The other is an all-German line-up, starring R.A.F. GIER, RANOLA, RAZZIA, MOTTEK, EA80, BLUTTAT, and a few others. Sound quality is usually good.

V/A Big City’s One Big Crowd LP

A NY-Metropolitan Area compilation featuring the UNJUST, ARMED CITIZENS, ULTRA VIOLENCE, SHEER TERROR, PSYCHOS, SHOK, KRIEGKOPF, PLEASED YOUTH, SACRED DENIAL, BODIES IN PANIC, BEDLAM, A.O.D., 76% UNCERTAIN, VATICAN COMMANDOS, CHRONIC DISORDER, VIOLENT CHILDREN, and more. With a line-up like that, I’m sure you know what you’re getting—no saxophones!

V/A Back From the Grave, Vol. 5 LP

Once again Crypt has come up with an above-average selection of snotty ’60s obscurities for our listening pleasure. Most all of the tunes are punk with that mid-’60s English R’n’B influence—guitar-oriented with snarling vocals. Bands such as the KEGGS, FEW, NOBLES, ILLUSIONS, and lots more deliver that real “intellectual” stuff that makes the EXPLOITED look like real geniuses.

White Pigs Live: Evil Stalks the Innocent EP

A three-song release displaying WHITE PIGS’ newer “metal” direction. This is more apparent lyrically than musically, with lots of Satanic B.S.; but the music still kicks ass, with minimal lead guitar damage and lots of power. “Satan’s Sparrows” is a psychedelic thrashorama.

Verbal Assault The Masses cassette

There’s a decided MINOR THREAT/7 SECONDS influence here, which is, I’m sure, not accidental, given VERBAL ASSAULT’s straight-edge bent (unbent?). The comparison doesn’t end there, though, as the music is as tight, crisp, and committed as the aforementioned mentors, though not quite as assured. Good.

Sloppage Absurdist Trash cassette

Most all the songs here are “first takes,” unrehearsed three-minute jams. Considering that, it is remarkable that the tunes do indeed resemble songs—structures, beginnings, endings, etc. A bit of FLIPPER influence, PiL, etc.—an artistic nightmare.

Scream This Side Up LP

A professional job here that doesn’t lose its bite. They thrash hard, rock hard, and hit you on the rebound with reggae and other changes-of-pace. The lyrics didn’t hit me too hard this go round, though, as their obliqueness left me wondering what exactly are they singing about. Nonetheless, they are delivered with passion, and that’s what’s important.

The Prime Movers Matters of Time 12″

In the Boston tradition of DMZ, LYRES, REAL KIDS, etc., this band combines snappy poppy tunes and a ’60s-ish rock’n’roll instrumentation to produce listenable music. While not as dynamic as the first two aforementioned bands, there is still something here to listen to, though the lyrics are purely passé.

The Fuzztones Lysergic Emanations LP

More competent but not truly inspired ’60s psych/punk. Lots of covers again (SONICS, KENNY & KASUALS, HAUNTED, and the great “I’m a Living Sickness” by CALICO WALL). While the choice of covers is excellent, and the originals are sturdy tunes, they never quite “break plain,” making it transcend. Maybe next time they’ll truly psych out.

The Front Gangland cassette

Somewhat reminiscent of the CLASH at their rockin’ best. More like if they had maintained their early zest and knack for pop/punk catchiness and merged it with an ’80s thrash attack. Good and powerful.

The Drab The Drab cassette

An eight-song venture that showcases well this band’s older-style raw punk and the singer’s Johnny Rotten fixation. Live, I’ve gotten a bit bored, but this tape is quite well done and a good change of pace.

Black Flag Loose Nut LP

My turn to do a BLACK FLAG review already? Uh-oh. OK, Side one has a couple of tunes that grab me, full of power and with a full sound. The rest of the slower numbers, and most all of Side two, leave me cold. I think it’s got something to do with the thinness and cleanness of the sound, making me focus in on the jazzy aspects and lyrics, which don’t do much for me. Seems like those memorable, catchy, sing-along noise days are history, except for pale imitations like “Modern Man” or “Best One Yet.”

V/A Winnipeg 1965-66: The Best of Eagle Records LP

Nothing especially mandatory here, although it’s not a poor collection either, with tracks from the QUID, SHAG, SATAN & THE D-MEN, and others. In 20 years, will Greg Shaw be documenting the current punk scenes as methodically? Will kids in 2005 even care what’s happening now?

V/A I Thrash, Therefore I Am cassette

Most of the bands here are from Scandinavia, with a smattering from the UK, Germany, and Belgium. There are anywhere from one to nine tracks each by such manic luminaries as MOB 47, EXISTENZ, ANTI-CIMEX, MODERAT LIKVIDATION, MOTTEK, ENOLA GAY, AKUTT INNLEGGELSE, and several more.

V/A Broken Frontiers / Broken Chains cassette

A European sampler featuring XPOZEZ, ANTI-DOGMATIKKS, KINA, WRETCHED, VARUKERS, UPRIGHT CITIZENS, MG 15, NEGAZIONE, and more. Sometimes rough sound quality, but comes with a neat magazine.

Wrath Who Rules Our Lives? cassette

Some classic thrash, stop-and-go variety, done well and powerfully, although the overall impact is diminished a bit by songs that are almost too fast for maximum effect, and by the limitations of production. Excellent lyrics.

Upset Noise Disperazione Nevrotica EP

Like most Italian HC bands, UPSET NOISE is stronger on manic attack and noise than they are on melody (although this doesn’t hold true on all eight tracks). Lots of speed riffs, raging vocals, and ultra-fast snare drumming. They live up to their name.

Ugly Squaws Trozor Möte Med Älg cassette

Although the guitars are blazing fast, the rhythm tends to be slower, creating a mid/fast-tempo punk sound with aspects of thrash and even metal (especially on the ultra-gruff vocals and some guitar licks). Powerful overall, but that dichotomy creates a weird feeling.

Sperma Please Love Me Tonight / Love Sniper 7″

The female singer of SPERMA has quite a sex-bomb reputation, but her singing doesn’t come across that way. She sounds like a weaker Poly Styrene, and even the band sounds a bit like X-RAY SPEX (minus the sax). Good older-style punk from Japan.

Raw Power Live in the USA 1984 cassette

Six shows from RAW POWER’s first US tour last year. Needless to say, it’s another excellent representation of this powerful Italian metal/thrash outfit. Watch for ’em on tour again.

Poisonous Cross Gibbet Last Sheet Live flexi 7″

Both sides of this flexi contain songs from a live show, with no separating grooves, and a fade-out on one side and fade-in on the other. It’s frantically-paced thrash here, which comes across OK “live,” but would be more cohesive in the studio. From Japan.

Permanent Damage I’m Not Spoiled EP

A three-song effort that’s really impressive. Really tight, assured hardcore with lots of tempo changes, but which doesn’t detract from the impact. Even the guitar solo is OK. Driving stuff—great thrash from Australia.

Man’s Hate 2nd Demo: Love Me and Retrospective 82-84 cassette

Quite melodic and catchy folk punk (guitar and drums) that reminds me of the pleasing simplicity of NEWTOWN NEUROTICS. And like NEWTOWN NEUROTICS, Andy T. presents material (new on side one, retro on side two) that is intelligent and caring.

The Sexual The Last Days flexi EP

This Japanese trio wails. The strong bass playing, tight drumming, and powerful guitar pull together into a hardcore experience that’s quite noteworthy. On both fast and slow songs, they grab your attention.

Indigesti Sguardo Realtà cassette

One of the hardest thrashing Italian combos are highlighted here, with tons of raging songs. The sound quality is good, and if you aren’t yet familiar with INDIGESTI’s material, don’t pass up the opportunity.

Headache Headache flexi 8″

This Japanese quartet starts off from almost a ’77 punk base, but sometimes gets a bit more adventurous, adding in discordant bits and gruffer vocals. All of it is pretty well-done, though—even the standard punk tunes.

Gogol and Mau Maus Les Affres De L’Angoisse LP

Sometimes sounding like BIRTHDAY PARTY, sometimes CRAMPS-ish, sometimes like early punk, sometimes all the above at one—they can be interesting and annoying. The vocals are too “clean” for me, and the band’s restraint is frustrating, but those into less crazed stuff may appreciate them. (Not to be confused with the UK MAU MAUS.)

The Exploited Horror Epics LP

Another hot-sounding release from the EXPLOITED (most all their records have gotten good reviews in MRR—can’t say the same about Wattle’s mentality), with both thrash and slightly post-punk rhythmic tracks really ripping. Oh, and thanks, EXPLOITED, for the “fuck off” on the back cover; coming from you, it’s a real compliment.

Destructors Fast Forward to Hell cassette

One studio and one live side, this tape is better than most all this English band’s recordings. Side one has some great covers, such as “I Wanna Be Your Dog,” “Wild Thing,” “Sonic Reducer,” and “Lexicon Devil,” all done with some amazing power and clarity. Cool.

Dements Tragiques 56° Etage / Europe-Salope 7″

The A-side is sort of like METAL URBAINE meets ’60s pop-punk. The flip is snappier, and both sides combine cool rhythmic, pulsating, noisy rants with neat pop guitar licks. Very good, from France.

Broken Bones Live 100 Club LP

There’s some really hot-sounding material on this live recording—lots of excitement and energy. But the recording is such that it renders a lot of that power defused, not unlike many bootlegs. For fans.

Beasts of Bourbon The Axeman’s Jazz LP

There’s not a band on Australia’s Big Time label I haven’t found worthwhile. As they’re really bluesy and slow-paced, these guys are a little hard to get into. Still, this is some of the coolest garage rock-blues around, and even a bit psychedelic at times. Not as psycho as SHOCKABILLY or as rockin’ as PANTHER BURNS, but still good if you’re in the right mood.

Aggressive Dogs Dizzy Life 7″ flexi

This four-song Japanese release is in the mid-fast paced HC vein, and although it’s pretty heavy-handed at times, there’s plenty of hooks, too. At times, there are too many metal leads for me, but overall they’re pretty punchy.

Aki Aki 7″ flexi

Starts off slow and raunchy, but works its way up to a frenzy. Lots of controlled noise and feedback, but not “noise” at all. Excellent hardcore from Japan.

V/A Underground Bullshit, Vol. 1 cassette

A garagy and nifty area collection of some of SoCal’s thrashing young outfits. There are tracks by FATAL ERROR, MAD PARADE, CHAOTIC NOISE, S.O.S., ARTISTIC DECLINE, BAD INFLUENCE, MOX NIX, BLACK LABEL, PLAIN WRAP, LOVE CANAL…22 groups in all. Put out by FFF fanzine, and comes with mag insert.

V/A Terminal! Flexidisk No. 2 8″

I’ll skip the one track each by EXPERIMENTAL PRODUCTS (funky weirdness) and TIMI (reggae), and flip to side two, which contains a track each by RAT AT RAT R and LIVE SKULL. The former delivers a brutal blow of semi-noise music, NY art style. LIVE SKULL take that genre a bit further, less noisy but more depressing.

V/A Not Yet Decided cassette

An international compilation cassette put out by Brian Walsby. Such luminaries as C.O.C., NO POLICY, UGLY AMERICANS, SLUGGO, ACCÜSED, UNIFORM CHOICE, VICIOUS CIRCLE, SCARED STRAIGHT, UNACCEPTED, etc. present anywhere from one to seven songs each, and there’s lots of raving thrash.

V/A Mystic Sampler #2 LP

The latest sampler LP from the most prolific sampler label, this one contains tracks from some previous records (GRIM, DR. KNOW, Nardcore, Slimey Valley, Party Animal, SUBTERFUGE, etc.) and some future releases (AGGRESSION, HOLLYWOOD NOISE, Let’s Die, Cop II, Return to Slimey Valley). Can anyone keep track of all this?

V/A Godfodder cassette

Some names on this comp you’ll immediately recognize as quality acts, like HOMO PICNIC, CHRONIC DISORDER, DEAD MILKMEN, DROOLING IDIOTS, CANCEROUS GROWTH, ASBESTOS ROCKPYLE, etc. And many others are relative newies, such as STATE OF THE UNION, PUBLIC ENEMA, etc. Lots of variety of punk sounds, and lots of intelligent lyrics.

V/A Dial-a-Trance cassette

A Chicago-area comp, this features CERTAIN DEATH, GROUP OF INDIVIDUALS, TORPEDOS, SPRAY PAINT, UNINVITED, RING 13, NO MORE WARS, BLATANT DISSENT, and GARAGE BODIES. Quite good sound quality, and varied but strong material. Good.

V/A Covers LP

Neat idea, not-so-neat results. Cover songs are a tricky business—you either gotta change and update ’em (like the MEMBRANES’ “Super Freak”), or out-energize the original (SWA’s “100 Bottles of Beer”). But most of the others, turned in by the likes of SCARED STRAIGHT, RKL, FALSE CONFESSIONS, ILL REPUTE, SADO-NATION, DON’T NO, NOFX, VOA, PLAINWRAP, G.I., etc, etc., don’t make you forget the originals. They should.

V/A Highs in the Mid-Sixties, Vol. 15 LP

Somehow omitting Vol. 14, this series of ’60s obscurities lurches on to Wisconsin, Part 2. While mainly on the softer, poppier folk-rock side, many of these tunes are pretty cool, with lots of vocal harmonies and an occasional freakout. Decent.

Underground Soldier Fun Before Profit 12″

This band hits with both well-performed older style punk and with thrash, and hits hard. The band is tight and powerful, and while not extraordinary, they are better than most. The female singer, Helen, reminds me of De De Troit a bit, or maybe SIN 34 or LEGAL WEAPON (thanks Martin). Good sound.

Swans Young God 12″

Tried listening to this while depressed—I broke into hysterical laughter. Tried listening while in a good mood—I whipped off the needle. But it’s “hip” to like this kind of painfully slow, “wrenching” post-punk noise, right? Guess I’m uncool.

State of Confusion State of Confusion cassette

Although largely generic thrash, there are moments when STATE OF CONFUSION show that if they stick with it, they could develop their own sound. This is not to say that this tape isn’t tight or powerful (which it is), but it’ll take awhile for such a young band to develop their “personality.” (This applies to 90% of today’s new HC bands.) Overall, a good start.

The Sonics Full Force LP

This album represents the best of a great band—the SONICS, who boomed out the hottest garage punk of their day. Out of the Northwest, these guys cranked out classics like “Psycho,” “Strychnine,” “He’s Waiting,” and “Witch”—tunes that bands like the CRAMPS, NOMADS, etc. revere today. Awesome.

R4 Tell Him Take 2 / Rudolph The Red Nosed Reindeer 7″

The A-side is a new-wavey cover of the EXCITERS’ hit of the early ’60s, and the B is a ska cover. Not really happening, unfortunately, as this band helps their local scene a lot.

Plasticland Plasticland LP

Ah yes, more of that seductive psych sound. While it’s usually on the quieter side of things, the jangly guitars and great tunes remind me a lot of the legendary BIG STAR. Some repeats from earlier releases, but a great album overall.

MJB In Not Much We Trust cassette

Sometimes jazzy, sometimes experimental, sometimes straight-ahead, this punk band presents very intelligent lyrics out front so you can hear them. The music is almost secondary, but not quite, as the band does add some drama and is far from incompetent. Good debut.

Liberté? Racism in America 6″ flexi

The second flexi put out by this group of challenging folks. This is a rap vocal accompanied by a funk rhythm and punk fuzz guitar. It comes with an informational book and lyrics—another excellent job from committed punks.

The Faction Dark Room 12″

Slowing down the pace, five of the six tracks here are mid-tempo punk. While they maintain their overall California HC sound despite the change of pace, the FACTION do throw in bits of funk, etc., too. Personal-type lyrics.

Dirt Heroes Out of the Basement and Into Your Ear EP

DIRT HEROES’ sound is best characterized by very hard-driving but simple drumming and rhythms. This puts them in a V.U. vein, with occasional ripping guitar solos and chanting vocals. Good rock with punk influences.

Agent 86 Scary Action EP

A much-improved and thrashed-out line-up of AGENT 86 here. Mike Briggs and Co. maintain their dedication to rebellion and the scene, delivering eight ripping tunes. Thin production does detract a bit, but it’s still worth it.

V/A Vote No in ’85 cassette

Two to five songs each by ten intense hardcore bands. ACTIVE INGREDIENTS, UNEXPECTED, PSYCHO, RED BERET, U.S. DISTRESS, URBICIDE, WHITE PIGS, KNOCKABOUTS, HOMO PICNIC, and DEFORMED (the only non-US band, being from the UK). Excellent.

V/A Stars Vomit Coffee Shop cassette

All the tracks here contain one Frank Kogan, whether singing with his guitar, or in accompaniment by bands (that include former Cleveland weirdos associated with X BLANK X and PRESSLER/MORGAN). Results: singer/songwriter goes VELVETS meets JAMES BROWN in the garage singing those “Subterranean Homesick Blues.”

V/A Godfodder cassette

Many well-knowns and lesser-knowns of various punk styles are combined for stimulating listening. CHRONIC DISORDER, HOMO PICNIC, ASBESTOS ROCKPYLE, DEAD MILKMEN, DROOLING IDIOTS, and tons more appear on this one. Worth checking out.

V/A Garage Sale cassette

The cassette equivalent of Voxx’s Battle of the Garages, this collection put together by Goldmine magazine lures such contemporary garage groups as the VIPERS, GRAVEDIGGERS V, TELL-TALE HEARTS, PANDORAS, FUZZTONES, CHEEPSKATES, UNCLAIMED, and more. Can’t really go wrong there. Gnarly.

V/A Can It Be? cassette

Put out by Metrozine, this compilation contains mostly DC area bands like MISSION IMPOSSIBLE, JET BOYS, GRAY MATTER, GREY MARCH, ASYLUM, B.M.O., UNITED MUTATION, G.I., REPTILE HOUSE, VELVET MONKEYS, NIKE CHIX, PUDWAK, and one one-of-a-kind group, CERTAIN DEATH of Illinois. A tunefully varied musical earful. Solid effort.

V/A Transmission Sampler 01 EP

This over-the-edge zine presents one side of garage weirdness (ERIC HYSTERIC, SNOIDS, and BROKEN LIMBZ); and a more accessible side (SAVAGE REPUBLIC and RUGGEDY ANNES). Varied and interesting, it’s worth it for RUGGEDY ANNES’ pop/punk track alone.

V/A Putrid Evil flexi EP

Aha, the first of hopefully many exciting flexis containing some of the up-and-coming bands around the world. Dig and Kalv have initiated this project with CIVIL DISSIDENT from Australia, SEPTIC DEATH from the US (both hot!), and several tracks by the STUPIDS from England, who bring GANG GREEN-type attack to the Isles. Snap it up!

V/A Deflagration, Vol. II

An international thrasher with VORKRIEGSPHASE, SP CAOS, HEIMLAT LOS. EU’S ARSE, SIEGE, WRETCHED, RAZOR BLADES, STRESS DA, and much more; 15 bands, 48 tracks. Good sound quality overall, and intense material.

V/A Dark Sampler #3

Nine bands and 29 tracks, including some hot bands like MURDER INC. III, INDIREKT, GEPÁ˜PEL, M.O.G., the FILTH. Most of it is live, though, and not the best way to hear these Dutch groups.

V/A Διατάραξη Κοινής Ησυχίας LP

An excellent compilation, featuring six Greek punk bands in a variety of sub-styles. Not only are the bands more that competent, but the recording quality is surprisingly good, too. Besides EX-HUMANS, PANX ROMANA, and STRESS, there’s no other information in English as to who the other bands might be. As you might guess, it’s all Greek to me.

V/A Asleep at the Wheel

I think it was a prerequisite for all twelve bands on this Melbourne comp to have two words in their titles, like CORPSE GRINDERS, CRUSHED BUZZARDS, TOMBSTONE HANDS, HAREM SCAREM, etc. It’s a mixed bag of neo-’60s, neo-blues, neo new wave, neo-billy, etc., etc., etc. My fave though is a catchy pop/punk song, “Mohawk Baby” by PAINTERS & DOCKERS.

Vice Squad Shot Away LP

Varied in sound, from classic VICE SQUAD to SUZIE QUATRO to punk lounge music to PAULINE MURRAY-esque material. Some songs are totally great, with neat choruses and subtle touches upon pounding rhythms, and others are doggie-doo. Better than not, overall, and sometimes it’s pretty funny.

The Varukers No Hope of a Future / Never Again 7″

Both sides contain that old VARUKERS power, although a bit tighter but more restrained before. A good comparison of past and present comes by playing the B-side back-to-back with “Never Again” from their 1981 EP. Something’s gained, something’s lost.

V/A Stockholm’s Mangel

Three powerful young Swedish thrashers share this tape. While I’ve heard MOB 47 sound more powerful than this before, they are still a plus here. And so are CRUDITY (more fast thrash) and AGONI, who are along the lines of DISORDER.

Samurai Turning Point 8″ EP

For such outrageous-looking guys (mohawks and spike city) and such a sharp-looking cover, their music is relatively tame. For the most part, it’s uneventful poppy punk. Only on one song, “No Man’s Land,” do they exhibit any real creativity or zip. Too little too late? Let ya know next record. From Japan.

OXZ Vivian 8″

Four very primitive and basic slow punk songs by this all-female aggregation. Sort of interesting, but not really as stimulating as I had hoped. They’re in-between the thrash of the early SLITS and the catchiness of GIRLS AT OUR BEST. I’d rather see one or the other. From Japan.

Orgasm Orgasm cassette

Weird. These are lyrically “sensitive” songs about animal torture or human ignorance, and then a “skinheads rule” song. Perhaps it’s a satire of that mentality, but if not, this Oi/thrash band is quite schizophrenic.

Nubile Spyral Totem Toler Than East Poll / Tranceyse Discow Veryall 7″

Don’t ask me what language the titles are supposed to be in, but this band hails from Japan. The A-side is a quirky, slightly ambient number that sounds like Jello somehow got his ass down to Asia. The B-side sounds like BIRTHDAY PARTY got their butts there.

Mushroom Planet Some Other Day EP

The singer reminds me of a bizarre cross between IGGY, Gary Floyd of the DICKS, and Fritz of the MUTANTS. The band itself is a bit of all those, too, but more in the line of ’60s punk done with ’77 verve. Good Australian rockers.

I Spit on Your Gravy St. Kilda’s Alright! 12″

This band combines many different influences into a semi-original and interesting sound. I hear traces of skunk, rock ’n’ roll, rockabilly, ’77 punk, and weirdopunk at various times on these six tracks. These recordings have a live feel to them, but that doesn’t detract from their listenability. Fun and crazy.

Hexenhaus Ikiyö / Katakombi 7″

This is post-punk with an abrasive punk edge. The A-side changes pace several times, making it more interesting than the more repetitive flip. Neat psychedelic touches here and there.

Gasmask Massatu EP

Medium-paced thrash in a sort of English style, with those gruff Japanese growls attached. Most of the Japanese bands that play whatever type of punk do seem to add some complexity to them, making for some gripping tunes; plus, as with this band, they’re good musicians.

DOA Don’t Turn Yer Back (On Desperate Times): The John Peel Session 12″

Four tracks, a couple of which have appeared elsewhere, but these versions done a year ago really burn. “Race Riot” is in the vein of Hardcore 81, while “A Season in Hell” and “Burn it Down” also cook. “General Strike,” which appeared on DOA’s “limited edition” 45, is the most “rock ” of all tracks, but its sentiments, along with all the other cuts, are DOA at their political best.

Cólera Tente Mudar O Amanhã LP

Hey, a good sounding recording from Brazil! Ataque Frontal Records is kicking off their label with 20 hot, tuneful thrash and fast punk numbers by this excellent band. Really cool bass and tight instrumental playing are prime features here, so pick this one up. From the makers of Alerta Punk zine.

Clox Probably One of the Longest LP Titles in the World LP

Just when I thought we’d never have to hear the CLASH again, we get hit with this. Sounds like studio outtakes from the CLASH’s second or third LPs, but no—it’s the CLOX from Germany, whoever they are.

Brigade Fozzy Lebenslang EP

There’s a decidedly ’77 feel to this (they cite the LURKERS as an influence), but it’s not plodding at all, delivered in a snappy, fast way (perhaps due to their liking of MDC, MINOR THREAT, etc.). Enjoyable, old-fashioned punk with verve.

Bitousha Hiromi’s Party Part 1 7″ flexi

Absolutely demented vocals appear on two of the three tracks here. It’s again that metal-punk style of GISM, but lighter in the guitar work. Complex and evil-sounding.

The Birds These Birds Are Dangerous LP

A half-dozen tracks of this British-based band are highlighted here, and they’re a lighter-weight CREATION or EASYBEATS. Of historical interest is the presence of Ron Wood, who later went on to JEFF BECK GROUP, FACES, and STONES fame. OK, but if you’ve got a chance, try to find CREATION re-releases.

Bannlyst La Dem Ikke Lure Deg EP

I reviewed their split cassette a while back and loved it. This is pretty cool fun, full of powerful speed thrash. While it’s generic to a degree, it’s really slammed home. Pretty hot, with really good translated lyrics to boot.

The Velvet Underground VU LP

This is the great “lost” VELVET UNDERGROUND album, tapes of which have circulated since 1969. Finally, a major label has done something right, “seen the light,” and released this brilliant, clean classic. Many of these tunes were later redone by LOU REED when he went solo, but these original versions shut his down. Whether rockers, ballads, country…all are delivered with the VELVETS’ magic and verve. The only band that can make me cry.

Positive Outlook The Truth Shall Prevail cassette

A rather ironic name for this band, as most all the lyrics reflect someone desperately fighting their own growing disillusionment with the punk scene and its competition, peer pressure, etc. as it replaces the initial enthusiasm and collective struggle. Musically, it’s mostly mid-tempo thrash, with some instrumentals and touches of not unpleasant pop sensibilities thrown in. Hope, for all our sakes, that the songwriter wins his struggle.

Partners in Crime No Big Deal 12″

Some very classy hard-ass punk on these here six tracks. Fronted by a tough-sounding femme vocalist, I am most reminded of UXA at their old hottest. Metal damage is kept at a minimum, power is upped, and off they rock. The female equivalent of G.G. ALLIN?

149 Dead Marines Genius Animals cassette

There’s a decidedly jazzy feel to the thrash this band delivers. I can’t really put my finger on it, but it does set them apart in a way. No, it’s the guitar and drumming; though they’re both frenetically fast, it is jazzy as well. Hear it for yourself, because this is something of a breakthrough, different from the MINUTEMEN.

Manifest Destiny We Love Our Country—It’s the Government We Can’t Stand EP

Three of these four tracks really make it, as they are strongly laced with power. Two are slow/medium paced, but deliver a great dose of punk, musically and lyrically. “Whose Power” is a faster cut, but still maintains that depth of strength. Good job.

Cub Koda That’s What I Like About the South LP

Former BROWNSVILLE STATION-er supposedly recorded this prior to his stint with that band. It’s pure rockabilly and rockin’ R’n’B done in that mid-’60s interpretation style, similar to, say, JOHN HAMMOND (but not quite as exciting). Better than most of the current rehashes.

Fearless Iranians From Hell Fearless Iranians From Hell cassette

Featuring a real live Iranian on vocals, this live tape gives the listener an echoey idea of what power thrash FEARLESS IRANIANS FROM HELL can deliver. And judging by the lyrics I could discern, they’ve got a lot to say, as well. FEARLESS IRANIANS FROM HELL, get thee to a studio, or off with your hands!

Blackouts Lost Soul’s Club 12″

Three very long songs of the rhythmic, depressing post-punk variety. These guys have been around for quite a while, so they pre-date many bands doing this genre, but I have to say I like others who aren’t quite as jazzy, such as BIG BLACK. From Seattle.

GG Allin & the Scumfucs I Wanna Fuck Your Brains Out cassette

Do you think that if I give this a bad review, G.G. ALLIN will stop sending me something new to review every issue? Probably not, but it’s worth a try. Here goes: The only thing smaller than this guy’s brain is his dick, which he tries to overcompensate for by writing pathetic songs (four of ’em here) of sexual degeneration. Wishes he were IGGY, but his ego’s too big to accept such “small-time” status. Okay, G.G., send the next one…

V/A We Don’t Want Your Fucking War! LP

I hear this is the first of many politically oriented “unity” HC compilations to come out of Mortarhate. (I think it’s Mortarhate; it’s hard to tell from the disc and cover.) It’s an admirable sentiment, unifying activist punks with other movements, but it’s not the sentiment alone that’s good here. The tracks shred. Excellent, it includes BROKEN BONES, POTENTIAL THREAT, INSTIGATORS, VARUKERS, LOST CHERREES, MALINHEADS, DEZERTER, and lost more, many previously unreleased.

V/A Hold Up Omnibus 8″ EP

Some very poor recording mars what were probably some very exciting live moments for the four bands that appear on here; SYSTEMATIC DEATH, GHOUL, GASTUNK, and the CLAY turn in several tracks each, but…too bad.

V/A Compilation EP

It’s that punk/Oi (skunk) sound that’s so popular in France. Here we have a muddily recorded indie release with four bands, two of which produce mediocre examples of the genre (DISTURB and TOXIK), one a good example (OFFENSIVE), and the other an excellent example (KIDNAP). The song by the latter is “1984,” the song Jeff wanted to put on our Welcome to 1984 LP.

United State Automaton / Glass Night 7″

Both sides have their catchy, drawing aspects—slow, grinding, powerful, dark tunes, skillfully and menacingly done. At times, the female vocals get a bit too “pretty” for me, but overall, for this kind of material, it’s good.

Time Zone World Destruction / World Destruction 7″

Another “unity” appeal from AFRIKA BOMBAATAA, this time in conjunction with John Lydon. The result is a rap/punk modern-day “Eve of Destruction.” Infectious, but Mr. Rotten doesn’t seem quite believable to me.

Subhumans USAT4 Live San Francisco cassette

A very hot performance from their US tour of last year, but unfortunately the sound quality makes you feel like you’re in the bathroom at the On Broadway instead of up front. Actually, it’s not quite that bad, but it isn’t good enough to do this band justice.

The Stalin Fish Inn LP

Putting off their venture into haiku til the next release, this eight-song job is more like their slower previous material, but more sparse and less powerful. There are even funk rhythms mixed in here, and overall, I’d have to say that the “magic” seems to be gone from this particular outing. (Comes with a flexi that sounds better than the album.)

Raw Power Screams From the Gutter LP

Containing a good many of the songs from their under-produced Italian LP, these new recordings are a whole lot better done, and should help these lads out a lot when they return to tour North America this summer. There’s an increasingly heavy metal guitar influence, but the pounding thrash still predominates.

N.J.F. Wounded Knee EP

One side has three excellently produced and delivered, driving thrash numbers with a hot female vocalist. The B-side, “Wounded Knee,” is a more percussive, slower, but tough song with some really gruff male vocals. A good one. (N.J.F. stands for NEGRO JAZZ FUNERAL, not NEW JERSEY’S FINEST.)

M.W.A.B. Angus Yung / Is Michael Bum an Apple? 7″

A tough-sounding rhythm-box punk record, harkening back to a more diverse era. In fact, these guys do date back to ’79 (though they admit they didn’t learn to play till ’81). Interesting. (Usually, this is a code-word for “bad, but they tried to be different.” In this case, it’s genuinely cool.)

Kyah Shan Shan EP

A four-song, all-female release. The songs are in a snappy pop/punk mode with hyper vocals (the COMES vocalist is soon to join the band). When I say pop/punk, I don’t mean in a light sense like, say, TOY DOLLS; these songs are more complex and jazzy, yet maintain a pop structure.

Junk Schizo Crime of Existence EP

Quite an unusual record. While it’s definitely got its punk and hardcore aspects, there’s a lot of originality in rhythms and structure. Apparently, these guys shun the local scene, and it shows in their lack of imitation—the best Japanese record I’ve heard in awhile.

Insurrection Insurrection cassette

Self-examination and resulting rebellion are the lyrical themes of this Down Under band, delivered in a punk/Oi style that’s simple but effective. Then, suddenly they leap into a thrasher with a female screamer. Then back to older, traditional punk sounds. I liked the exception the best, but maybe they need the slow curves to set up the fastball.

HIijokaidan Viva Angel LP

Hey, Tesco, heard any good “industrial” stuff lately? Well, you’re missing out on this one! HIJOKAIDAN (ESCAPE EXIT) is absolutely bizarre, distortion gone mad. Wild little noises playing havoc with your ears as sometimes frenzied vocals splurt out psycho noise. Has the makings of a great soundtrack recording. You know, this went into Tim’s trade pile, so you better call fast; it’s from Japan to boot!

Gas / Niku-Dan split EP

GAS is sort of a Japanese SIOUXSIE-in-more-pain-than-usual, with an accompanying hard post-punk backup. But watch out for those rock guitar solos and wah-wah pedals! NIKU-DAN (MEAT HUNTER) is heavy on complex structures, high production, and atmospheric hard post-punk. All you “hardcore is pass锝 BIRTHDAY PARTY freaks will like it. I don’t.

The Delmonas Comin’ Home Baby: Vol. 1 EP / Hello We Love You: Vol. 2 EP

Liner notes say these three lasses are backed instrumentally by the MILKSHAKES, though on their Vol. 2 EP (nearly the same front cover as Vol. 1), it shows them posing with their instruments. Anyway, both 7″ers are chock full of great girl-group trash…without sounding self-conscious or too pop. A delight!

Les Coronados N’importe Quoi LP

Some records are pretty unmemorable. In fact, I just played this one and can’t remember shit about it. No, actually there were a few pretty rockin’ moments for this ’60s-influenced-yet-more-’77-style band. Pretty poppy though, with the accent on rhythm guitar.

Carnage Face the Facts LP

Could any band intentionally be this, bad? On first listening, I thought it was unintentional—that they’re just plain bad. But now I don’t know. It’s so offbeat, even on the simplest of punk beats, that they’ve got to be trying to be this bad. Does anybody out there know the answer? Good lyrics, though.

Abortti 13 / Pyhäkoulu Lapsuusmuistoja split EP

Two Finnish bands of very different styles share this one. ABORTTI 13 is a slower, grinding guitar band, although they do play one faster punk song here. PYHAKOULU, on the other hand, is a manic thrash outfit, heavy on shredding vocals. They will be one to watch.

Youth in Asia Pulling Out the Plug LP

Yet another eclectic punk band signs on to Mutha Records. This one has an older style US garage/punk sound, but with elements of metal, pop, etc., weaving their way in. Sometimes it works, sometimes not (especially the electronic keyboards). Different.

Vipers Outta the Nest! LP

While this is undoubtedly ’60s punk revival time, this particular approach leaves me somewhat unexcited. It’s on the pop/folk-rock side of the genre, with a little too much cuteness and too many “girl” songs. There are some rough edges (good!), but they’re few and far between.

Subliminal Fault Girls Behind Bars cassette

Brian Edge sez “soothing after a hard day’s thrash,” “eclectic.” This band has a ’75-era garage sound—audible lyrics, driving rock, pre-punk feel. Can you judge a band by its covers? VELVET’s “Pale Blue Eyes” and BYRDS’ “Rock ’n’ Roll Star.”

Stevie Stiletto and the Switchblades 13 Hits and More cassette

We received three tapes simultaneously from these guys, two of which were released last year. This one, though, is typical of their sound, which is driving, melodic punk done at a rapid-fire pace—it’s really tight and catchy. Lyrics are sort of in a sicko BRUCE SPRINGSTEEN mold. Professional sound.

Steps Universal Studios cassette

Jeff Bale threatened to do this review himself unless I gave this a rave review. So I guess I better…. It’s excellent ’77-style punk with SoCal ’81 tinges, making for some hot, melodic, and tuneful pop-punk. (Jeff…good enough?)

The Offs First Record LP

Misleading title, as they put out three 7″ers and have tracks on compilations, too (Deaf Club, etc.). Early OFFS were the raunchiest band in SF, heavy into VELVET’s white noise. They later got “funky,” and ska predominated. This LP represents their latter period (disappointingly), where slick production and saxophones are up front. Find the 45s.

Mystery Girls Missing in Action 12″

A six-song job that’s quite enjoyable. Since the vocals are largely female harmonies (two of three band members are femmes), there is a pop “girl group” sound of sorts. But the instrumentation, while still pop R’n’R, has more of a ’77-’79 bite, which makes for a pretty neat combo.

Das Damen Too Hot for Hollywood cassette

What’s this? A new Australian discovery? A mid-’70s guitar band? A neo-Mod outfit? Actually, it’s our buddy Lyle Hysen (ex-MISGUIDED) and friends turning in a pretty neat, rockin’ set of three songs, except for the offbeat drumming. (No, no—just kidding, Lyle!) Fun.

Budcore What Happens Next cassette

This label, Mutant Baby, is obviously heavily into garage satire. Raunchy music and equally nasty lyrics are the vehicle for anyone to say anything musically—a truly democratic form. And BUDCORE certainly exercise their rights. But as the CRUCIFUCKS have suggested, “Democracy Spawns Bad Taste.”

V/A This is White Noise EP

With lines like, “It don’t matter how we win, even murder is no sin” and “Nigger nigger, go back home,” the National Front promotes their nationalist and racist ideology through 4 bands they’ve signed to their label : SKREWDRIVER, DIEHARDS, BRUTAL ATTACK, and ABH. Sad, and dangerous…

Kaaos / Terveet Kädet So Much Fun split LP

KAAOS and TERVEET KÄDET split this German release. While most tracks are available elsewhere, the materal is very hot, and at least available to more people in the world. TK is in fine form, although their new drummer (replacing Walde, who died) is not quite as tight. KAAOS is consistently powerful and productive.

V/A P.E.A.C.E. 2xLP

A compilation of Finnish hardcore on Germany’s Rock-O-Rama label. The music is generally strong (though some is overly generic), but there is a problem raised by this album—the appearance of so many tracks that have already been released on earlier Finnish (or even German) records. Although it’s great to witness the “internationalization” of the punk scene on vinyl, I wish that the organizers of these projects would try harder to get only unreleased cuts or songs on records that are out-of-print or otherwise impossible to get ahold of. Here, the ratio of easily-available material is close to 50%, and that’s too much.

V/A Keine Experimente! Vol. II LP

An excellent follow-up, this compilation features some of the hot current crop of young German hardcore bands, with some great tracks by TORPEDO MOSKAU, AGEN 53, PORNO PATROL, EA 80, CHOAS Z, NEUROTIC ARSEHOLES, TIN CAN ARMY, CRETINS, and VOLXFRONT. A fine recording, on colored vinyl.

V/A Basic Sampler cassette

CCM and I REFUSE IT from Italy; FARTZ and SOLGER (R.I.P.) and REJECTERS from the Northwest; MEAT PUPPETS, PART-TIME CHRISTIANS, and MAGGOT BRAINS from all around. Lots of live tracks and decent sound quality, but what’s most unusual about this release is…no accompanying booklet with lyrics, addresses, etc., a rarity these days.

Torpedo Moskau Malenkaja Rabota LP

Reminds me a bit of early SHATTERED FAITH, with its tuneful hardcore approach, yet there is a more heavy-handed European thrash influence at work, too. While not startling, the record is engaging and listenable. Do I sound like Steve Spinali yet?

London Terminals We Killed cassette

Around for five years, they finally broke up due to lack of a strong local scene. This posthumous release contains live and studio tracks, both fast punk and thrash, which shows these TERMINALS to have been a highly committed, powerful outfit. Could they be persuaded to re-group? Ask ’em.

Star Club Hello New Punks / Bodies 7″

The A-side is the title track of the latest STAR CLUB LP, reviewed last issue. Needless to say, this band is still enamored with ’77, as their cover of the PISTOLS’ “Bodies” attests to. If that era’s punk musical style is your cup of sake, check this out.

The Soft Boys Wading Through a Ventilator 12″

This six-song job contains a bunch of their ’77 recordings, some previously released and others not. All the tracks contain their quirky pop/punk classic qualities, with genuinely psychotic lyrics. Catchy and wonderfully weird.

Social Outcasts Tears of Death cassette

Five songs recorded in both ’82 and ’84, and are well done trash and punk with good melodies and execution. It’s either a live or garage tape, but quality is pretty decent. Catchy tunes, with a slight NEW YORK DOLLS influence on the slow numbers.

V/A Twisted Youth cassette

This comp represents past and present bands from the North Bay of the SF area. Side one, the “well-recorded side,” is somewhat within that definition, and contains some cool tracks by LUDAVICHO TECHNIQUE, CRYPT, UXB, PUKES, and SACRIPOLITICAL. The “not-so-well-recorded side” is “live” mateial, with a track each by 13 bands. Kent likes all this “warped stuff.”

V/A Their Eyes Don’t Lie EP

Produced by Student Action Corp for Animals, this 7″er comes with a fold-out sleeve that contains all sorts of animal justice information and addresses. The disc itself contains a spoken word track, one musical track by D.C.’s SUBTLE OPPRESSION, and two songs by the Bay Area’s late ATROCITY. Those two tunes, highlighted by twin female vocals and atmospheric but driving punk instrumentation, are the musical treats here, and, unfortunately, are the only released testimony to that great band.

V/A Numb Tongue, No Taste cassette

An international compilation of the known and a few newcomers—BORN WITHOUT A FACE, ARHIVISKA ZABAVA, DICTATRISTA, BRAVE NEW WORLD, UNIFORM CHOICE, CRASH BOX, ASBESTOS ROCKPYLE are among the former, while GLORIOUS DIN, BABY ASTRONAUTS (hilarious), ST-37, FAITH NO MORE, DOC WOR MIRRAN, and ARCATA BOYS CHOIR head up the latter. Enjoyable listening.

Der Riß Der RiÁŸ cassette

This German band has quite an “Americanized” thrash sound, not unlike the FREEZE, SOCIAL DISTORTION, and others that utilize a melodic yet driving thrash approach. All the tunes are excellent, tight, and powerful. Watch for vinyl soon; I know I will.

Riistetyt / Rattus split cassette

Both sides are “live” recordings from mid-’84, and while the sound quality is decent, there certainly has been plenty of other material (both live and studio) by both bands. In fact, I’d say that they’ve glutted the market—between tapes, Finnish releases, German releases, US releases, etc. I certainly can’t keep track any more of what’s what.

The Nomads Outburst LP

This debut US release of Swedish veterans the NOMADS contains four tracks from their recent Where the Wolfbane Blooms 12″, but don’t let that stop you from picking this one up. The NOMADS are without a doubt the best of the neo-’60s punkers today, with some of the nastiest guitar licks going. Killer!

Junge Front Politick EP

This three-piece band deals us a three-song EP, and a weird hand it is: there’s some really fuzzed-out guitar, crazed ranting vocals, and almost jazzy, snappy rhythms. It’s a little arty, but most definitely punk. Different…from Germany.

IV Reich Primera Maqueta cassette

I believe this tape is several months old and has now gone into a second edition. It’s melodic but abrasive thrash and punk—very appealing. I just realized that I like most all of the Spanish thrash bands. There is something very believable about their message, and the urgency of the performance.

4 Thousand Million A Small Dose of Anticipatory Retaliation cassette

One of the most politically aware and intelligent bands to spring forth in a while. They aren’t slouches musically either; there is a strong UK/CRASS influence at work, but they are their own band, with songs addressing many local issues, as well as international ones. Comes with posters, a zine, and other info—all of which is comprehensive and inspiring. A good job.

Enola Gay Demos cassette

The second tape release from this hot Danish band, and it’s no let-down. Although it’s of the tuneless thrash variety, it’s pretty rugged stuff, with buzzsaw guitar and unrelenting energy. Contains both studio and practice tracks.

EA80 2 Takte Später LP

EA80 delivers melodic punk and post-punk. It’s really clean stuff, super-produced, and that sterilization process detracts in a way from the overall effect. This is especially true with the vocals, which seem so separate and almost operatic that it’s annoying. So-so.

Disarm Regerings Stödda Mord EP

While the drumming is a bit sloppy, the rest of the band churns on. I like the other aspects well enough, but I keep hearing the drumming; sounds like it’s from someone else’s record…maybe some jazz track mixed in for kicks. Unfortunate for me—maybe it won’t irritate you as much, because the rest is cool.

Direct Action Direct Action cassette

It would be unfair to characterize this band as something between DISCHARGE, DOA, and MDC—because although there are some tinges of each influence, DIRECT ACTION is their own band, slashing out with one intense song after another, all of which are powerful, intelligent, and well done. Get this tape, and their hopefully upcoming 12″, but they have had some problems with the mail (it’s the name), and many sent out never arrived. They’ll send you the tape and cover in separate packages to avoid such problems.

Cock Sparrer Running Riot in ’84 LP

I’d say they were the heirs to the early COCKNEY REJECTS and other “working class” “football chant” UK bands, but this band actually predates most of them. I don’t know how long they disappeared, but their return is most welcome, especially on this disc. All the tracks are catchy, exuberant, and powerful. A good one.

The Cannibals Bone to Pick LP

Mike Spencer is the only original member left of this R’n’B-oriented, rocked-out group (they date back to the late ’70s, and their cover of “Good Guys Don’t Wear White” on a single back then still rules!). While BO DIDDLEY or rockabilly riffs may be cliché today, they deliver with such verve that it becomes fun—especially the live side, which is much more crazy than the rather staid studio tracks.

Bill of Rights Meltdown ’85 EP

Bone-crunching punk (without being metal), these guys deliver intelligent lyrics to boot. This, their second 7″, is produced by Dave Gregg of DOA, and there are some slight similarities in their punk “rock” approach. Powerful.

Anti-Dogmatikss Rompan Filas!!! cassette

Boomba! This is a pretty terrific debut. While the drummer seems to lag at times from sheer exhaustion, this band blazes from beginning to end, delivering not just wicked blasts of thrash, but tuneful, catchy, and intelligent songs as well. Hot!

V/A Battle of the Garages, Vol. III: The Paisley Underground LP

This latest Greg Shaw reliving-his-teens comp contains all contemporary SoCal neo-’60s bands. The accent is on punk here, with just a dash of folk-rock, psych, and Mersey. And a good one it is—solid rockin’ from beginning to end by all 16 bands (most previously unreleased). Recommended.

X-Tal Dub #1 cassette

There are three tracks here, all in the “angry young singer-songwriter vein.” It’s sort of a pissed, poetic stream-of-consciousness rap laid over driving rhythms, not unlike early LOU REED or JIM CARROLL (but with better lyrics). They’re an enjoyable (though sometimes both tedious and thrilling) live act, too.

The Wilde Knights Beaver Patrol LP

One of a seeming million early-’60s garage bands from the Northwest that paved the way for mid-’60s punk. This LP traces their progress from an only slightly more interesting later reincarnation as a pop/rock R’n’B-sounding band (while going from name to name). It’s a classic story, but not necessarily that interesting, musically.

Barrance Whitfield and the Savages Barrance Whitfield and the Savages LP

Heard this was a truly rockin’ ’50s-ish band (maybe the LYRES?), with a front-man and honkin’ sax added. It’s OK, but not the rip-snortin’ thing I was expecting. The exception to the rule was their cover of MICKEY HAWKS AND THE NIGHTMARES’ “Cotton Pickin’.”

Twisted Value Take It for Granted EP

Hailing from Smalltown, Michigan, there is something almost comical and naïve about this EP. It’s hard to pinpoint exactly; the music is punk/thrash, but it’s delivered in such a garagy, under-produced manner that it seems almost Quincy-inspired. But there are some serious lyrics, and although I don’t mean to be condescending, it’s just that I feel I’m back in ’78 again.

Speed Queens Ballroom Blitz cassette

SWEET, MOTT THE HOOPLE, etc. While this outfit is more garagy than their influences, they do seem a bit out of place today (which “All the Young Dudes Are Dead” testifies to). “Prison Rape” is the most intense of the four songs, at least lyrically.

Sonic Youth / Lydia Lunch Death Valley ’69 / Brave Men Run 7″

A match made in hell? Actually, this single is pretty enjoyable. While I haven’t really liked LYDIA LUNCH since TEENAGE JESUS & THE JERKS, the focus of SONIC YOUTH forces her into a structure that makes the result a lot more accessible. Almost sounds like PATTI SMITH.

Solger Solger cassette

If you were never lucky enough to pick up the SOLGER EP (one of the earliest NW thrash bands), then pick up this tape. It contains 15 tracks, down and dirty, recorded in 1980, that make the FARTZ sound pop. Well, not really, but you get the idea.

Ruin Proof / Life After Life / White Rabbit cassette

A three-song goodie. The production on these rockers is really fine, calling attention to this band’s musical expertise and attention to arrangements. Although there are tinges of “rock” guitar, it’s kept to a minimum, making way for the powerful overall effect. Their version of the AIRPLANE classic is totally enjoyable.

Public Enema Public Enema cassette

A young Berkeley thrash outfit that sports some keen bass playing and guitar work that are sometimes disconcerting (it’s the weird tone, which is both good and bad). Good vocals, too, but they have a propensity to break into rock ’n’ roll/R’n’B riffs in the middle of songs.

Port Huron Statement Maggie’s Farm / Lay Down 7″

A current band with a ’60s fixation, copping their name from the SDS 1962 statement of purpose, and a cover of BOB DYLAN’s classic. Actually, I’m surprised that no British band has done this (have they?), because Maggie Thatcher is plastered across the record sleeve. The music itself is a slightly more bluesy version; the B-side is a funky throwaway.

Plastic Fangs Cloak and Dagger cassette

Seems like I’ve heard more and more new bands lately that are borrowing heavily from the early ’70s proto-punks like the STOOGES, HEARTBREAKERS, etc. This band is in that vein, although other less appealing aspects of ’70s rock creep in, too. Overall, a nice nostalgic departure.

Painted Willie My Fellow Americans 12″

A musical departure of sorts for PAINTED WILLIE, this topical release incorporates aspects of rap, funk, and slower rhythmic forms. But the accent here is on lyrics, with title track zeroing in on Reagan’s “We begin bombing Russia…” “joke,” and going on from there. It’d be nice to see more bands using vinyl as “current events” ways of communicating opposition.

Nod Death to the Boss cassette

This live tape is characterized by long songs, with somewhat of a slow STOOGES influence, and perhaps a bit of early TELEVISION mixed in. The sound quality is decent for a live recording, but some of the wanking and effects get a bit obscured, as this is moody stuff.

Homo Picnic Blood on the Walls cassette

A self-admitted silly name, but the music and lyrics aren’t. While sometimes metallic, they are pretty energetic and straightforward instrumentally, with lyrics that are well thought out and somewhat political, though not dogmatic.

Generic Youth Fuck Reagan cassette

Yep, here they are, performing their generic hits like, “Nuclear War Is Awful,” “Peace Is Where It’s At,” “Slam, Slam, Slam,” “Government Is Lame.” Actually, the only way I can tell it’s really them is from the flyer, because musically it’s all just one big “live” blur, making them sound like countless other generic YOUTH imitators.

Great Plains Born in a Barn LP

Maybe if you’re from the Midwest you might relate to this record, with its geographical themes (there’s even a song about Woody Hayes) and garagy appeal. But it’s pretty folky overall. Erikka says it sounds like “bad NEIL YOUNG.”

Bobby Fuller The Bobby Fuller Tapes, Vol. 2 LP

Culled from demos left behind after his death in 1966 (he was rumored to have been killed by the mob—gasoline poured down his throat and lit!), most of these tracks are tame compared to his classic “I Fought the Law,” but do convey his evolution from the heir to BUDDY HOLLY to a ’60s rocker. Surprisingly, I like his version of “Miserlou” the best here, as surf music wasn’t what he was noted for. For fanatic collectors only.

John Fogerty Old Man Down the Road / Big Train 7″

After reading some articles and reviews that this first release in years by the former CREEDENCE CLEARWATER REVIVAL frontman was the “real McCoy,” I was psyched for some great straightforward rock ’n’ roll. What I got was some so-so straightforward R’n’R, more reminiscent of CCR’s dying days or their BLUE RIDGE RANGERS incarnation. Shit! I’m disappointed.

Droogs Stone Cold World LP

Probably the first of the neo-psych and neo-’60s bands (they were putting out indie 7″-ers back in ’75), they haven’t lost their feel for the genre at all. The great production by Earle Mankey doesn’t hurt either; they churn out nine songs that are more on the psych side than punk (though not always), but are packed with plenty of punch nonetheless. The title cut is excellent!

Dogmatics Thayer St. 12″

Boston garage rock in the tradition of the REAL KIDS. Those who enjoy the REPLACEMENTS will probably take to this, though I found it a bit too slick and poppish and not rockin’ enough. There are a couple of kickers, but the ballad-y side (augmented by the dreaded sax) is more than I can take. Also, “Hardcore Rules” is a backhanded slap at the scene.

Didjits Durga! Durga! Durga! cassette

I guess what’s “underground” is relative to where you’re from. For these guys from Central Illinois, this form of pop/punk/funk they practice is pretty radical. For me, though, it’s a bit too close to much “new wave,” although there are moments that attract me. Needs more edge.

Defy Parent Ownership cassette

While this new band hasn’t developed any new style yet, they are enjoyable and inspiring for a couple of reasons. First, at least two are women (we need more in bands!), they play a good, intelligent brand of garage thrash, and finally, hail from East Oakland, where no punk bands had hitherto come from. Keep it up.

C.I.A. C.I.A. LP

If you liked the original line-up of the band, or if you’ve ever liked the CIRCLE JERKS, then rest assured you’re going to like this one. While there’s a bit of tedium in the uniformity of their thrash, it’s more than compensated for by the overall power and tightness. Good.

Butthole Surfers Psychic… Powerless… Another Man’s Sac LP

Touch & Go is on a real winning streak here, what with the DIE KREUZEN LP, and now this. By now, most people know how dynamically weird the BUTTHOLES are, so I’ll skip the intros and just say check these walking, talking Texas nightmares out…dudes.

Vietkong Vietkong LP

The hardcore played by these guys is on one hand melodic (a bit reminiscent of the DKs) and yet also somewhat heavy-handed (mainly in the vocal delivery, which is quite “Germanic,” and in the rhythm section’s “heavy” sound). Good, but not great.

Suicide Warning for the World’s Punks / Ga-Na-Ri-Ya 7″

Both of these tracks are in the highly-produced, powerful punk/post-punk vein, reminding me of some of the slower material on the STALIN’s picture disc LP. Good traditional stuff from Japan.

Star Club Hello New Punks LP

Japan’s longest surviving punk band has a new LP, and it sounds like it could’ve been recorded back in ’77 when they began. It’s got that “classical punk” sound, thoroughly produced by a major label, power chords and all. Now that Johnny Rotten is doing SEX PISTOLS material again, I guess it’s OK. First 500 come with a flexi, too.

Pushtwangers Pushtwangers mini-LP

These guys mine a ’60s type of lode (not load), but instead of the punk/psych vein of fellow Swedes the NOMADS, this is more on the pop side. There are some Mersey influences, early ’70s pop influences, even ROMANTIC influences. Actually, they go way too far in this direction for me. Maybe that wimp Jeff would like it.

Pyhät Nuket Bella Ciao / Unelma 7″

I think this is what RIISTETYT evolved into. Both tracks are on the power/pop/rock side, yet are pretty catchy. This especially pertains to the A-side, which sounds like a Russian (Finnish?) folk tune rocked out. Sort of older-style punk-sounding, too.

The Nikoteens Hardcore Holocaust cassette

Claiming to be the fastest band around, they’d like us to tell them who’s faster. That might be difficult, as they do totally shred on their recent tracks here. And even at such speed, they manage to hold it together musically, and even inject a bit of melody, too. Looking for a US label.

Laughin’ Nose Laughin’ Nose LP

With thanks given to DISORDER and CHAOS UK, and an attitude lyrically not unlike CHAOTIC DISCHORD, you can get the general idea of where they’re coming from. Their punk and thrash is tight, well-produced, but not especially dynamic.

V/A Not So Humdrum LP

The second Sydney compilation from that hard-working Bruce Griffiths (Trousers in Action zine), and it’s full of good material. While there is only one semi-thrasher (VIGIL-ANTI), there’s lots of garagy stuff (ROCKS, WRONG KIND OF STONE AGE) and other classic punk styles performed by SUICIDE SQUAD, EXSERTS, HAPPY HATE ME NOTS. But the most zapping tracks belong to ITCHY RATS, who’ll really grow on you. Super book-type cover, too.

V/A Izgubljena Alternativa cassette

This is a surprisingly strong representation of several Yugoslavian hardcore bands. While it’s hard to tell who’s who, nearly all of the material (tape EPs) by U.B.R., NECROPHILIA, SOLUNSKI FRONT, QUOD MASAKA, DVA MINUTA MRZNJE, and DISTRESS is a cut above the norm. There’s some real originality and flair here, along with lots of power. Excellent.

V/A Holland Hardcore 3 cassette

This is pretty much of a rave. All the bands thrash out wildly, with most of the bands turning in those noisy live tracks that remind me of S.U.M. In this category goes PUINHOOP, LAITZ, M.O.G., CHLORIX, ECHTE BOTER, G.V.D., ORGASM, and A. RELAXT. Top honors on this regional Dutch comp go to GEPÁ˜PEL, who present two studio tracks that remind me of 7 SECONDS more than a little. Keep it up, all of you!

V/A Déflagration Vol. 1 cassette

This all-thrash comp is yet another international effort, and despite some relative unknowns here, it’s pretty consistently powerful. There’s EXTERMINO (Brazil), RÖVSVETT and MOB 47 (Sweden), BLANK SS (Heimat), and HERESIE (France), SAUKERLE (E. Germany), ONSLAUGHT (UK), THELLAY (Japan), END RESULT (Australia), SCAPEGOATS (W. Germany), and MELLAKKA (Finland). The compiler will take money ($2.60), but prefers a C-60 tape of bands from your country in trade.

V/A We Got Power: Party or Go Home LP

This Party Animal follow-up is not quite as overpowering as the initial installment, but it’s still an excellent sampler. You get 41 bands from all over the US, with SoCal being predominant. Too many bands to even begin to list (see ad this issue), but there are lots of debuts here, as well as other recently recorded up-and-comers. And, there are grooves between the songs this time!

Kina Nessuno Schema Nella Mia Vita cassette

Frantic and jazzy, while unrelentingly pounding, this is yet another recent attractive entry to the hardcore world from Italy. The songs tend to be longish (and remind me ever-so-slightly of REALLY RED), but there’s enough melody to sustain that, especially given the power with which they hammer home the material. Good.

The God Get Down Valis / I Want to Flapple and Train 8″ EP

Don’t ask me what that means! The seven tracks here are in an early (’76-’77) punk vein, with elements of the STOOGES and pre-punk pop/rock thrown in. Not great/not bad, and from Japan.

Fixed Up Fixed Up LP

This band reminds me most of the earliest incarnation of the FLAMIN’ GROOVIES (circa 1967-’71), with their rockin’ R’n’B. The singer has a definite ROY LONEY feel to his voice, which has to be more than a coincidence. OK, but not as cool as the originators.

Einstürzende Neubauten 2×4 cassette

These folks are among the world’s leading proponents of industrial noise, utilizing instruments, jackhammers, concrete mixers, etc. But somehow, these live recordings didn’t shake me up. ZEV makes better rhythms beating on his springs, SPK used to make more intense, demonic sounds, and ENO makes better ambient music. Not that I’m any expert on this stuff, but after reading Tesco’s article, I thought this genre would change my life. Guess I’m too weird already, ’cause it seems tame.

Deadless Muss Rise Against 8″ flexi

Records from Japan seem to come in all sizes, shapes, and degrees of elasticity. This 7-song, one-sided job is a tough bit of thrash, combined with ultra-gruff, throaty vocals that make it quite good. A political theme record.

V/A Shoot ‘Em All cassette

Outside of some weak Britpunk material from BLABOIZ, we’re presented with some excellent tracks (studio and live) from the VANDALS (not the US band), INTENSIFIED CHAOS (again, not the US combo), and SABOTEUR. Vigorous stuff!

V/A Have a Rotten Christmas LP

The up-and-coming Rot Records label presents largely unreleased tracks for your holiday “enjoyment.” Good, strong material from ANIMAL FARM, VARUKERS, NO CHOICE, SKEPTIX, RESISTANCE 77, ENEMY, PARANOIA, and RIOT SQUAD. What, no BOBBY HELMS?

V/A Four on 4 EP

One cut each by four excellent rock ’n’ roll (in the good, teen rave-up sense) combos. The MILKSHAKES, PRISONERS, STING-RAYS, and TALLBOYS all turn in crisp, up-tempo rockers with varying influences (R’n’B, psych, mod). So don’t be no “skwayer,” and pick it up.

The Stupids Leave Your Ears Behind cassette

A dozen very, very powerful and desperate thrash tunes out of the studio. These guys are “newcomers,” yet they deliver like old pros—tight, and with confidence. This band, among a few others, bodes well for Britain’s HC future.

Stress State of Decay cassette

A four-song mid-tempo Brit-punk style tape. It’s OK, but not very inspiring. I think this style reflects too closely the depressed nature of the English working class. Their lackluster, unimaginative lives come across, not so much lyrically, but in the dull repetitiveness and unexciting music. Somehow, punk should attack that existence with hope and verve. I dunno, maybe I have no right to say this from afar.

Riot/Clone Blood on Your Hands? EP

While the two B-side tracks are nothing special, it’s the A-side’s “Why Do You Have to Eat Me?” that grabs me. It’s about one-half spoken word (a woman reciting various facts about edible animals’ unhappy encounters with mankind, set to eerie sci-fi-like music), and then breaks into a classic punk chant song.

Resistance 77 Thoroughbred Men LP

A better release than I expected. While there’s some so-so stuff, many of the tracks have that “something special” that makes them jump out at you, and stick, too. Catchy tunes, powerfully delivered, and with zip!

The Kick Let’s Get Back Together EP

A three-song UK mod release with all the prerequisites: vocal harmonies, R’n’B guitar licks, up-tempo beat. There’s just a hint of the unusual on “A Shot in the Dark,” but otherwise they’re just a pale version of the JOLT.

Ad Nauseam No Mercy cassette

Can this be the same band that put out that drone-like EP a while back? Yes, it is, but they’ve improved about 1000%, and return to blast our ears with some powerful noise and tune-laden thrash. Another excellent young UK outfit to watch for.

The Accursed Laughing at You LP

This is their third 12″/mini-LP (hard to tell which these days), and probably their best yet. By no means generic punk, there are all sorts of strange noises and various counter-rhythms running throughout, keeping the listener just a bit off-balance. And just when you think it just might be a bit too eccentric, they come back with their powerful sound. There is one self-indulgent klunker on the studio side, though, and the live side isn’t quite as neat as the studio. Still, it’s interesting.

V/A Music to Kill Brain Cells, Vol. 1 cassette

Band #1 is BROKEN TALENT, who, after the pornographic intro (Mykel Board, get this one!), indulge us with some classic garage punk. #2 is VERBAL CIRCUS, and they deliver some really weird shit (again M.B., take note). POP CRUDS bring us back to reality (ha!) with more garage retardedness. And that leaves it all up to FONZIE’S NEPHEWS, who polish us off in a demented fit of idiocy. “Weird shit,” as the liner notes say.

V/A Highs in the Mid-Sixties, Vol. 13 LP

Supposedly a return to the “punk” side of Texas ’60s music, it’s not quite the wailer I had hoped for. While there’s some killer stuff by the BRIKS, FANATICS, and BARONS (MOUSE AND THE TRAPS rip-off), there’s also an awful lot of filler here. Hope that’s it for the Texas series.

V/A Highs in the Mid-Sixties, Vol. 12 LP

Part two of the Texas retrospective in this on-going series has dug up a mixed bag. Side one is the ” acid-punk” side, and it’s a 50/50 proposition: highlights are by the REMAINING FEW and STEREO SHOESTRING, the rest being too far gone on the lighter weight psych side. Side two is the “pop” side, and it’s less than a 50/50 deal.

V/A Desperate Teenage Lovedolls LP

The soundtrack to We Got Powers video extravaganza, there’s lots of great rock ’n’ roll. REDD KROSS appropriately dominates this disc, not only with their own tunes, but with members sitting in with WHITE FLAG as well. They are joined by BLACK FLAG, SIN 34 (WGPs “house band”), NIP DRIVERS, and DARKSIDE (?). Cool teen stuff!

V/A Attack of the Jersey Teens LP

No headbangin’ ’60s punk here, with most of this anthology concentrating on the Mersey/folk rock side of things (WHAT-NOTS, FRIEDLES, YOUNG MONKEY MEN)—but CALLIOPE and LOVED ONES do turn in an excellent rocker each. I suspect most of these bands hailed from South Jersey, hung out at “the Shore,” and would love to be BRUCE STINKBEAN.

White Boy Poker Chips / How Safe Are You 7″

This duo of Jake Whipp and Mr. Ott dates back to around 1976 when they emerged with their pre-punk classic, “I Could Puke. ” And here they are again. While neither side is as great as that debut, both sides exhibit their weird, punchy music that combines a rhythm machine, eerie vocals, and occasional wicked guitar outbursts.

Skull Duggery Headlock LP

Bizarre—could’ve sworn this would be metal, judging by the cover. But as the ol’ expression goes, “You can’t judge a…” You want punk, you got it. You want country, you got it. You want garage, you got it. You want metal, you got it. You want experimental, you got it. And all done weirdly!

Sangre de Puerco Cheezy Dogs cassette

A lot of this band’s material is on the softer side, not unlike some of the REPLACEMENTS’ current material. There’s some freak-out jazzy punk, too, and even some thrash that’s twinged with country, reminding me of MDC’s “Chicken Squawk” or something.

Rich Kids on LSD It’s a Beautiful Feeling EP

Another in the “Nardcore” series (although RKL recently moved to SF) of mini-LPs, and they kick. As with many of the younger bands these days, there’s a decidedly metal guitar influence. I choose to not hear it.

Marlene Foreman / Killing Your Soul 7″

Ever wonder what happened to Jennifer Miro, singer of the late SF NUNS? Well, she now fronts MARLENE (or is she MARLENE?), who produces one slow BLONDIE-ish side and one cabaret-ish side. Can’t really recommend this musically, but the lyrics are intelligent. And, of course, it’s historically relevant. Right?

Legionaires Disease Placebo World EP

Hey, it’s only been five years since their previous EP, and somehow several of the original members have regrouped with others for this reemergence. While I don’t believe they are a functioning unit (they haven’t played here where they live and recorded this), this is pretty tight. Description: punk rock, with the “rock” as stressed as the “punk.”

Kor-Phu Kor-Phu LP

Uh oh. More sun-damaged crazies have invaded our area from the desert. Sure this is difficult music; imagine a hybrid of the SEX PISTOLS and KING CRIMSON. What lifts these weeds into a high-energy bracket is their fat, metallic guitar crunch, and a warped sense of humor. Check it out.

Ill Repute Halloween Live EP

Yet another in the “Nardcore” series, and this one has a definite “live” garage feel to it (might be because there were about 100 kids in the studio at the time of the recording). Actually, it’s being remixed, so it may sound cleaner when it’s released, but even this version is fun. Couple of covers, too.

False Confession Left to Burn EP

Billed as a mini-LP on 7 inches, this is the first of the “Nardcore” (Oxnard area) series, with plenty more to come. The idea is to beat the “high cost of albums, with these six or seven song jobs.” FALSE CONFESSION comes off on some tracks as America’s answer to the current DISCHARGE sound. On others, there’s less metal damage, and more of an amalgam of US and UK thrash. Powerful.

F.V.K. Who’s Your Friend? cassette

An excellently recorded tape, FVK came on with superior political lyrics (I say “came” on, because they lasted only during last summer). The first few tracks are fairly “heavy,” but after those they launch into a series of thrash stop-and-go killers. Fine.

Blight Chapter II cassette

The same BLIGHT as before, with Scott (ex-CRUCIFUCKS?) singing/chanting/growling instead of Tesco. Long, slow, painful dirges are their forte, and they deliver with all the ugliness of an extreme downer overdose. Watch out—they’re on tour now!

Numb Sex Constantly Itching Down There cassette

Claiming influences that “range from BUZZCOCKS to DIE KREUZEN to early STONES to IGGY to MINOR THREAT,” it’d be hard to really go wrong. While by no means as singularly excellent as any one of these bands, they do indeed display a blended “punk/pop/with power” that all said influences have/had, and all without being obvious imitators.

Social Slugs Great Balls of Fun cassette

Ah! The garage aesthetic—you either like it, or you puke. Now Jeff, he likes it (the aesthetic, that is). The Pus, it’s not his cup of disease. Me, some’s got charm, but in small doses, unless it’s pure rockin’ noise. This particular manifestation of the genre has its moments (more than not) but it does wear thin after a while.

No Brain Cells / Deformed split cassette

Two regional English bands split a tape here, and they couldn’t be more different. DEFORMED’s recording is a studio demo, and their sound is “death punk,” cleanly executed (get it?), and effective. NO BRAIN CELLS do 30-second thrash numbers, and it’s a live tape that fades in and out (at least on my cheapo machine). It’s good to see such varied punk bands be able to cooperate though.

Asta Kask Plikten Framför Allt EP

Another excellent 7″ (their third) from this Swedish unit. They play very fast punk with catchy tunes, cool singing, and hooks galore. While their style is not unlike some of the better Brit-punk bands, they deliver it with zest and feeling.

Los Pillos Felices Fiestas cassette

Although there’s a light post-punk atmospheric guitar touch to these three tracks, this is overshadowed by the driving beat and tough vocals (at least on two of the songs). Previously though, their approach had been more “punk,” but the results here are OK, too. Fine instrumentation.

V/A Rullustiginn cassette

When I think of modern Icelandic music, I think of moody post-punk and some experimental stuff. That’s exactly what we get on this tape. Only one or two groups (VONBRIGDI, for example) really play driving punk.

V/A Noget PÁ¥ Dansk EP

A split EP, on white vinyl no less. ENOLA GAY and WAR OF DESTRUCTION share this effort. E.G. are good, gruff fast punk (two songs), while W.O.D. are DISCHARGE-like on their one entry. The flip features LE CRAP, who are abrasive post-punk. The real surprise, though, is VI, who shred on their two tracks, sort of GISM meets CAPITOL PUNISHMENT. Good release.

V/A La Notte Dell’Anarchia cassette

An historical document of sorts, this live tape is dedicated to those courageous and dedicated punks of Milan, who managed the Virus collective (now defunct by force). Besides the many bands (ALTERNATIVA, KOBRA, F.D.M., WRETCHED, STRAGE, M.A.F., RAPPRESAGLIA), there are interviews with various people (in Italian), speaking about an action of occupation they did (where this was recorded) to protest, where eventually they were dislodged by ten tanks! Raw as reality, but the fight goes on.

V/A Hauptkampflinie cassette

An international collection starring PLAIN WRAP, SVART FRAMTID, PANDEMONIUM, MOB 47, WRETCHED, TIN CAN ARMY, SIEGE, CRASH BOX, INFERNO, and several newcomers. It’s a solid thrash release—you know what you’re getting.

V/A Two Ninety Nine LP

A whole lot of current UK bands (eleven to be exact), each with a track or so, and bizarrely, one US band (KILLROY). We get some mid-tempo tracks from ANIMAL FARM, SICK VICARS, ENEMY, RESISTANCE 77, THOSE OBNOXIOUS TYPES, and PARANOIA. Not earth-shaking, but solid Brit-punk.

V/A Revenge of the Killer Pussies LP

The follow-up to Blood on the Cats, this comp again features trash/garage/rockabilly/R’n’R. There are a few well-known bands (METEORS, SIC KIDZ, MILKSHAKES), a few up-and-comers (KING KURT, STINGRAYS, TURKEY BONES AND WILD DOGS), and absolutely no manic psychobilly. Just OK.

V/A Texacore 1 cassette

A real gnarly, kick-ass compilation consisting of such luminaries as PUNK FLAMINGOS, PRENATAL LUST, BILLY BOB FAGGOTS, FEARLESS IRANIANS FROM HELL, TOEJAM, and three others. It has good sound quality, too. More than decent.

V/A A Midnight Christmas Mess LP

Other than a few too-pop or rockabilly clunkers on side one, we are left with an excellent ’60s-punk-type compilation of various contemporary groups. There’s killer stuff from YARD TRAUMA, NADROJ & THE WOLRATS (doing the SONICS’ “She’s Waiting” with new lyrics), CHEEPSKATES, among others. There’s even Midnight owner, JD, doing his tribute, Á  la Phil Spector’s Xmas LP, to the season.

V/A Buddha Was Fat cassette

Eight songs (five bands) from upper NY State. The WRONG CROWD are like late-period VELVET UNDERGROUND, the PLAGUE are garage, RELIGIOUS INSANITY are mercifully short-song oriented, SUICIDE POETS are mysterious, and THRASH HAPPY are the furthest thing from thrash imaginable.

TMA What’s For Dinner LP

Who are these guys? Well, whoever they are, they really shred. TMA play totally fast, gnarly thrash with lots of hooks ’n’ tunes. Tight and clean, too. The lyrics are typical “punk rock,” bitchin’ ’n’ moanin’ ’bout everythin’.

Disgust Brainwash cassette

Intelligent, but somewhat heavy-handed political thrash. Reminds me of MDC meets Jeff Bale’s old band, WARZONE. The drumming and singing are a bit too stolid for my tastes, but if primitive is your bag, this thrash is for you.

Targets Menschenjagd EP

We’re talking high-class stuff here. The second TARGETS EP affirms that their debut was no fluke, as they deliver very powerful punk/thrash with pop sensibilities, great hooks, and choruses. I’d compare them to an English equivalent of the DKs, combining the finest aspects of both influences.

Baws Let’s Have a Ball flexi EP

A three-song Japanese Oi record. Musically, it’s pretty good, with power and lost of catchiness. But to really appreciate this disc, you’d have to read the lyric sheet; the most bizarre translation to English I’ve seen yet.

Eraserhead The Demo cassette

Not to be confused with the English band, this Memphis outfit is a punk/metal/rock amalgam. The overriding emphasis is on the punk side, but there’s a lot of guitar wanking and soloing, and you know how excited I get about that. But find out for yourself.

The Vibes Can You Feel EP

While in the psychobilly vein that’s becoming more and more popular, these guys kick ass a bit more than most of their contemporaries. Even the slowest number, “Mini-Skirt Blues,” has got good power. Plus, they do a great cover of the COUNT FIVE’s “Double Decker Bus.”

Mau Maus Tear Down the Walls EP

Another more-than-competent release from these lads. For your money, you get three medium-fast punk tunes, and one thrasher. They handle both styles well, though seem better suited to punk, making them sing-along-simple.

The Gonads Live: The Official Bootleg 2xLP

Sorry kids, but I could only make it through one and a half sides of this “rock ’n’ roll” record. Not my cup of tea. Amazingly, though, Jeff actually liked it (I worry about that boy sometimes) saying it was “funny” and had “some OK music.”

Angelic Upstarts Last Tango in Moscow LP

It’s touching to see old bands hang in there, although I’m not too ecstatic about this case. Maybe I’d like a slightly less-produced version of some of the songs (way too clean and sparse for such slow-tempo stuff), but some of the songs are just plain lame. Splodge does a good job on the vocals though.

Stark Raving Mad MX 12″

Three former members of Houston’s PISSED YOUTH moved to NY, joined with a fourth party, and put out a real gem of a thrash record. If you love fellow former Houstonites DRI, then you know what you’re in for here. Short, sweet, and vicious blitz attacks are the vehicle for their assault on hypocrisy, apathy, and fascist behavior. Get it!

Suburban Mutilation The Opera Ain’t Over Til The Fat Lady Sings LP

Norb reminded me that on an earlier review of one of S.U.M.’s gnarly tapes, I said “I fear the day they get into a studio and we get to find out what is underneath all that noise”. Well, that time has come, and according to Norb, it’s “more noise.” Not quite. S.U.M. has managed to maintain their “noise” on this studio LP, but we also discover some great, frantic, crazed thrash “music.” No let down at all.

U-Boats Street Tough LP

They look punk, but sound more rock. There is some early punk-sounding stuff, but about half the material is sort of pre-punk or else has a lot of wanking guitar solos. Those songs that are “punk” are pretty good (and powerful), and those that aren’t are pretty bad. Note: not too enlightened (as in sexist).

Tommy Dog In My Own Words EP

The impression this music gives off is one of being on the “dark side”—whether by more traditional classic punk sounds or post-punk, the depressing element comes through. It’s all well done (tight and powerful), but it does leave me “cold” emotionally. Hmmm…who’s this Jack Rabid on drums?

Teenage Depression Skank or Die EP

Hey, buy this gnarly thrash record and find out everything these guys hate: anarchy punks, speed punks, Henry Rollins, frat boys, rabbits, moms, commies, Reagan, and probably themselves. However, they do love “Kate,” the lucky girl. Music’s pretty cool.

Poison 13 Poison 13 LP

A new band that contains Tim and Chris (BIG BOYS), Mike Carroll, Bill (ex-HAPPY DEATH), and Jim (ex-EL B J). There’s a mixture of some of the best elements of ’60s punk (especially the vocals), ’70s punk (a cover of RICHARD HELL’s “Blank Generation”), and blues rock (Á  la GUN CLUB meets CREAM). The beat is pounding, the guitars are powerful (slide guitar even!), and the production and execution are tight. They rock.

Redd Kross Teen Babes From Monsanto 12″

Somewhat disappointing, especially after such a long wait for a REDD KROSS R’n’R fix. Mostly all covers (STONES, BOWIE, KISS, etc., etc.), the only real killer for me, the only composition with that ol’ RK pizazz, is the only original, “Linda Blair.” Hey guys, don’t wait so long for the next record—and get back in your groove. Pin-Ups this ain’t!

Monks Black Monk Time LP

Very bizarre. A reissue of a ’60s punk band made up of G.I.s stationed in Germany during the Vietnam era. Besides their unusual haircuts (bald spots dead on top of their heads), their music was quite experimental for a pop/punk band. They utilized a banjo, among other weird sounds, incorporating them into tough, rhythmic R&B rockers. Worth looking for.

Mad Parade Court Jester 12″

They sound like they come from Ireland (S.L.F., UNDERTONES), but actually it’s Covina, California (they appeared on Barricaded Suspects comp). Lots of excellent pop/punk with good hooks and choruses, with more of a SoCal not-quite-thrash rush. They look like poseurs, though, and while they might give SOCIAL DISTORTION a run for their money in that field, I hope they don’t end up like the RED ROCKERS (you gotta check the cover of their latest LP!)

Ground Zero Ground Zero LP

Sounds like ’70s Irish rock cum folk. Cum whatever, this is lightweight, jaunty stuff that we wouldn’t ordinarily review, cept it’s on the HÜSKERS label. But not even Bob Mould’s magic can bolster this one.

The F.U.’s Do We Really Want to Hurt You? LP

Don’t let them fool you: beneath those goofy faces, beneath their copycat music (YOUTH BRIGADE), beneath their imitative cover (U.S. CHAOS), and beneath their lame lyrics (Alan King?), lies some real intelligence. How can I tell? Well, if you play this record backwards, you can barely make out the following: “Lone Live Proletarian Internationalism!” and “All Power to the Soviets!” I just knew they weren’t as lame as they acted.

Demented Dinner Music Demented Dinner Music cassette

Mostly guitar and synthesizer dementia from one Terry Snider, done over the course of years. It’s sort of folk/pop/industrial trash (again Europeans, not thrash), some of which is listenable but painful, some of which is actually enjoyable. One person’s expression.

Blind Acceptance I Want Out cassette

On their slower material, these guys remind me of the FUCK-UPS, with their older-style, bone-crunching punk attack. Most of the songs here follow in that mold, with a couple of thrashers, or at least with thrash breaks. Their lyrics tend to dwell pretty much on the negative, making the FUCK-UPS comparison even more valid.

V/A Scum of the Earth LP

Yet another ’60s punk compilation, this one primarily dealing with the pre-psych influence on the genre. What this means is a lot of ’64 or so sounding stuff, with an accent on surf, R&B, and British Invasion garage sounds. Not as wild as I’d hoped.

V/A Pebbles, Vol. 14 LP

No “theme” or “geographic” orientation here—just a smattering of more obscurities from the seemingly endless ’60s archives. No real losers here, and the highlight for me was the GOLDEN CUPS cover of “Hey Joe.” Just what we need, right? But this has gotta be the ’60s equivalent of a thrash version!

V/A Boulders, Vols. 9 & 10 LPs

The two latest volumes of this ’60s punk series contain largely good stuff and little wimp-rock. While the sound quality isn’t as good as some series, the material is still of the impossible-to-find type, making them indispensable for collectors. Volume 10 contains a purported Jerry Mathers (the Beaver) punk release—bizarre.

Urbicide They Finally Let Us Have a Gig cassette

This is a live recording of this new outfit. Their sound is a metal/punk amalgam, with some thrash thrown in for good measure. Nothing new happening here, as can be judged by their one cover (WIRE’s “12XU”), but it’s done with some degree of authority and power.

The Swingers Witch Doctor Blues / Right Between the Eyes 7″

Ugh! White honkin’ and blues with a sax. After all the good/great releases on Mutha, this one is a real letdown. It’s not bad for the genre, it’s just that the genre is so “old.”

Solution Unknown Justice for All cassette

Pushead says they sound “BGK-influenced, but they don’t finish their songs,” and that they have “full Tesco lyrics.” Jeff says the vocals “don’t mesh too well,” and that they’re “like MDC.” with better recording, which they hope to do, we’ll know more about these guys. “Come to the Phone” is a classic.

SSD How We Rock LP

Various thoughts that came to mind while listening: I’d like this a lot more if all the squiggly rock guitar solos were half as long / The lyrics are still good / There’s “power” here, but where’s the spark? / The band really likes the record / “Musicianization” (thanks, Ken Lester) will kill punk rock / This is a short album, but looong / The cover says it all (who’s Alan Barile, David Spring? / This isn’t fun, but would it be better at 45 RPM? / There—I did this without once saying “heavy metal.”

Ring 13 Nothing New, Nothing Learned cassette

While eclectic musically, the various melodic styles on this tape still maintain a “punkness” to them. This is not only in its edge and aggressiveness, but also in the lyrics—so there’s lots of potential with this band, as long as they keep their sense of outrage.

Reptile House Origins of a Sad Man cassette

This tape contains four long, slow, and rather dreary songs. It’s intentionally that way, but this doesn’t necessarily help the situation. While melodic and tight, the overall mood is of depression. I get enough of that in real life.

Ramones Too Tough to Die LP

While not the “thrash” LP I had heard rumored (there is one thrasher), it is definitely more of a rocker than their previous outing. What’s even more interesting is the fact that the RAMONES now have a few “political” songs; actual “peace” songs. Take that, you wimps!

Prisoners of Conscience Screaming for Help cassette

A very abrasive one-man punk band with a rhythm machine that strongly advocates a political pacifist course of thought and action. Both the lyrics and music are intense and non-wimpy, with good guitar. No trendy politics here at all, and John Dwyer backs up his intelligent lyrics with an extensive reading list and the addresses of many organizations. Recommended.

The Omlits Live in Tijuana cassette

Recorded in ’81, we find ourselves in an Orange County invasion of Mexico. While the sound quality is not so hot, the burritos were. The music, on the other hand, maybe should have not made the trip. “Meester, you wanna buy my tape?”

Ralph Nielsen & the Chancellors Scream EP

Billed as “the wildest rock ’n’ roll song ever,” the title track of this 1959 release is pretty wild R’n’R, but doesn’t really hold up with today’s frantic HC. I’ve also heard some wilder ’50s stuff, but this ’50s bar band (not unlike the Northwest’s WAILERS) does kick ass. The two B-side tracks are more rockabilly/R’n’R, a bit like the EVERLY BROS.

The Gun Club Sex Beat ’81 LP

Never known for being a great live act (too drunk to rock), this line-up of GUN CLUB (same as on the first LP) must’ve had an “off night,” cause they hold it together pretty good. While not nearly as great as that classic debut album, this ’uns perty gud.

The Crucifucks The Crucifucks LP

A whole LP’s worth of Doc Dart’s “Jerry Lewis” vocals, spitting out all their satirical, biting songs, is a real treat. Not only are all their classics here from their earlier tapes, but the “recordings” interjected between songs are worth the price alone. Hot, weird, and intense political punk!

The Cramps Blind Vision EP

A four-song “live” release out of Australia that may or may not be a boot. It’s typically raunchy CRAMPS material, and finally contains a recorded version of “Five Years Ahead of My Time,” which they’ve been covering for years.

Anti-Momb I Don’t Care What You Think cassette

This release doesn’t come off as well as the band does live. Somehow here, the vocals seem almost annoying, and the instrumentation lacks the power they can display. Still, it’s not horrible by any means—just not as good as it could have been.

V/A Rising From the Ashes cassette

A four-band comp of current NZ bands, one (FIVE YEAR MISSION) that goes as far back as ’79. K-4 are pretty experimental, Á  la PREFIX, CORRECTIVE TRAINING are fairly standard ’78 punk, REX THE FISH have a female vocalist and a moody post-punk sound, and the aforementioned FYM, who are the speediest, but are still within a traditional punk beat.

V/A The Raw Power of Life cassette

Some pretty well-known bands from around Europe are featured here: INFERNO, NEUROTIC ARSEHOLES, NUCLEAR, M.A.F., RAZZIA, and J.R.’s MOTHERFUCKERS AND THE HOLY GHOST from Germany; PANDEMONIUM from Holland; DESTRUCKTIONS and RATTUS from Finland; ANTI-CIMEX from Sweden. There’s some live, some studio—my faves are RATTUS and PANDEMONIUM.

V/A Pebbles, Vol. 15

This one concentrates on the Dutch scene (’65-’68). Just as today there is great punk in Holland (BGK, PANDEMONIUM, etc.), there was a flourishing scene back then, too. We’re given some hot tracks by the OUTSIDERS, MOTIONS, JAY-JAYS, etc., and a few klunkers, but it’s overall a worthwhile addition for collectors.

V/A Larmattacke 2 cassette

An intense thrash tape, with mostly German bands (TODISCHER, M.A.F., SCAPEGOATS, SYPHILIS, LOBOTOMY, SAOBOYS, etc.), some from Holland (FUNERAL ORATION, M.O.G., MURDER INC. III, etc.), England (PANIC STRICKEN), US (DIET OF WORMS, SADISTIC EXPLOITS), and Sweden (CRUDE SS, AVSKUM, MOB 47). Sound quality is basically good.

V/A Kloak SkrÁ¥l 2 cassette

This compilation is put out by a Swedish alternative studio that supplies free time for recording. This contains hot stuff by E.A.T.E.R., NYX NEGATIVE, BRISTLES, GUNNER ZIDE, AVSKUM, S.S.G., SIX-TEN REDLÖS, and SVEA SKANDAL. Some of it has been already released on vinyl, but it’s still a good representation of today’s powerful Swedish punk/HC.

V/A Get Lost cassette

A very lengthy compilation that alternates between studio demo tracks and barely recognizable live recordings. There are a few better-known bands (SUBHUMANS, DESTRUCTORS, BRISTLES, HATES, etc .), and a lot of younger outfits (DECEASED, ACID ATTACK, NO BRAIN CELLS, DEATH ZONE, and countless others). It’s a decent buy, if you can stand the changes.

V/A Complication: A Danish Compilation LP

This recent Danish compilation is a real letdown. While it does contain some hot tracks (one by WAR OF DESTRUCTION, another by ELECTRIC DEADS—same one as on MRR’s comp), a decent SODS cut, and one passable FRESHLY RIOTS track, the rest is post-punk/new wave drivel that’s unlistenable. Too bad.

The Vermines Bad Childhood LP

Some well done and well produced pop/punk, with occasional gnarly thrash interspersed (like the title track). Some of their obvious influences are the RAMONES and UK SUBS, and maybe some of the ’77-ish Australian punk bands. This band rocks.

Useless Boys Dreams Dust Factory cassette

Dedicated to SKY SAXON, ROKY ERICKSON, etc., you may know what you’re getting into. Actually, while there is a definite ’60s punk sound here, there are aspects of more modern forms of punk too, making it interesting. It’s unfortunately not wildly psychedelic, the guitarist doing mainly some “mood” stuff with all his echoes. Gimme the real thing.

Unruled Time is Running Out EP

There’s more than a strong touch of early GBH/DISCHARGE-style vocals and sound on this EP, though the music is a bit more melodic in places. There’s good power on these three songs, but not the wall-of-sound of the aforementioned bands. Good debut.

T.S.T. Sweden 12″

Medium-speed thrash and fast punk are T.S.T.’s tempo territory; catchy sing-alongs are their lyrical lode. This eight-song job rocks steady—even their cover of DION’s “Teenager in Love.”

Tin Can Army Tin Can Army cassette

Since they’re not happy about their split LP, or the label, this band has put out their own tape. I imagine that they’re not really happy with this either, as it’s not a “garage” or “live” recording (which they feel is “real” punk), but is more studio stuff. Personally, even though the drum and bass could be fuller, it’s an excellent tape. Punk and thrash.

Death Sentence Demo ’84 cassette

A very classy, powerful power thrash outfit that doesn’t resort to metal riffs. If anything, they owe more to earlier punk, but they’re firmly rooted in modern sounds, blasting it out with strong lyrics and hooks to boot—”live” proof that Vancouver is not dead. Hot!

Post Mortem Against All Odds EP

Another young Brit thrash outfit. Again, nothing dramatically new here, but their energy is a welcome relief to the “rock star” UK bands. Their female vocalist, Lorraine, belts ’em out in fine fashion. Keep growin’, kids.

Picture Frame Seduction I’m Good Enough (For Me) EP

While nothing brilliant or startling, it’s good to see some fresh blood on the UK indie scene. Most real “punk” seems to really have gone underground (in the face of commercial onslaught), and hopefully will now be reappearing on small label vinyl, as this young thrash combo here.

The Legend The Legend Destroys the Blues / Arrogant Bastards 7″

Don’t be fooled by the cartoon of the guy in a RAMONES T-shirt on the back cover, or the frantic maniac on the front cover: this is not wild shit. It’s more of a BIRTHDAY PARTY-type minimalist rock. Well done, but not crazed.

Kill Ugly Pop Gator Breath Riot 12″

For the most part, three of the songs here fall into a CRAMPS/BIRTHDAY PARTY beat—sparse and rhythmic, but on “The Ballad of Vincent Croft,” they really take off, sounding very much like NAKED RAYGUN. All in all, it’s pretty rockin’ stuff.

Folk Devils Beautiful Monster / Nice People 7″

The second 7″ by this band continues along with their accent on heavily rhythmic, rockin’ melodies. There are tinges of more “erratic” groups like the FALL or BIRTHDAY PARTY, but the approach here is more straightforward. B-side rocks hard.

Erazerhead Take Me to Your Leader LP

Originally a lighter-weight RAMONES pop/punk band, they’ve gotten even lighter (BEATLES, STONES influence) with a folkish influence. Simultaneous with that though, is what I’d call a BUZZCOCKS influence of occasionally great hooks and melodies, and “noise” freak-outs. Bizarre.

English Dogs Invasion of the Porky Men LP

Missed this one last issue. Maybe that had to do with the lame cover, but the contents aren’t bad at all. While they do sound like GBH-clones (early period), they do it well. Lots of power and drive, with lyrics that are more intelligent (or intelligible) than their mentors.

Vorwärts All Your Loving 12″

Many Swiss bands seem to be stuck in the punk past, and the VARWÄRTS are no exception with their ’78-’79 melodic punk rock sound. It’s cleanly produced and catchy, but there isn’t quite enough power to back up the prettiness of the tunes. Pretty good.

Soglia Del Dolore Verde EP

This five-song effort is both interesting and frustrating, especially for non-Italians. SOGLIA DEL DOLORE has a medium-speed approach with plenty of simple rhythm guitar, along with a couple of thrashers. What’s frustrating is that they rely a lot on the vocals, which are at times more like narratives. It’s our loss, though.

Durango 95 Lose Control LP

More rockish than punkish, DURANGO 95 reminds me of various ’76-’77 crossover bands. While most of their songs don’t really catch fire, and too many are about girls, a couple manage to stand out (“What Should I Do” and “Sandra Sez”). So much for the good ol’ days.

V/A The Oi! of Sex LP

This latest in a long series of so-called Oi compilations features some classic early punk sounds (which now often pass for “Oi”), folk rock, ska, and poetry. It’s all pretty progressive lyrically, accentuating the intelligent side of the perspective of working class youth. Among those featured are COCK SPARRER, the GONADS, NICK TOCZEK, PROLE, CROSSED HAMMERS, the BURIAL, ABH, and VICIOUS RUMOURS. Sounds good.

V/A You Pick One: A Michigan Sampler EP

Five bands and six songs is what you get here. Most of the groups (ANGRY RED PLANET, the ENFORCERS, PRIVATE ANGST) turn in slower, heavier Michigan-style punk, while the GEMS and the FURY pick up the tempo with a bit of thrash. Nothing really stands out, though.

V/A Nobody Gets on the Guest List! LP

With its typical pop themes and music ranging from pop to pop-punk to ’60s punk, this anthology covers another side of the Boston scene. There are a couple of wimpy tracks, but most stand up pretty well if you like powerful guitar pop at all. My faves are by JOHNNY & THE JUMPER CABLES, CHAIN LINK FENCE, HOLY COW, the UNDERACHIEVERS, HOPELESSLY OBSCURE, CHRISTMAS, and 21-645.

V/A Bouncing Babies LP

This is a diverse DC-area compilation featuring bands from the ’81-’83 era, some of which are still around. You’ll get tracks from BLACK MARKET BABY, REPTILE HOUSE, 9353, LAST MINUTE, BRAILLE PARTY, VOID, G.I., DOVE, the CRIPPLED PILGRIMS, SCREAM, UNDERGROUND SOLDIER, and other lesser-knowns. My faves, other than SCREAM, are the mouldy oldies turned in by BEAVER, ASSAULT & BATTERY, and ARTIFICIAL PEACE.

The Shemps Last Gasp cassette

Now history, but this tape is supposed to be a living memorial. There’s obviously a lot of tight, kick-ass thrash here, although it’s got that echoey kind of “live” sound, that unmixed quality, that I don’t really go for much. This relic is all that’s left of them, so you archaeologists out there shouldn’t be too choosey.

Screaming Dogs Dog Music cassette

With the gruff vocals and rockish punk instrumentation, I’d have guessed that SCREAMING DOGS were a Canadian band. The songs are all medium speed or slower, and they have a “heavy” feel to them. There are some appealing moments, but overall this tape didn’t get me too inspired.

Post Mortem Punk After Dark cassette

A noisy garage tape, in terms of both recording quality and musical proficiency. As with many bands in a hurry to make their mark on the world, POST MORTEM may have released this a bit prematurely, but there’s potential in their thrashing. Keep on annoying those Birchers!

David Peel & the Lower East Side 1984 cassette

A timely release, both thematically and musically. PEEL, a veteran of the New York street scene (dating back to the 1960s), has come up with a modern jazz-punk-rock sound with the help of GG ALLIN and WAYNE KRAMER (ex-MC5). Sound bizarre? Not as weird as the world we live in, as these lyrics certainly bring home.

Vatican Commandos Point Me to the End 12″

Heading into “damage” from their original thrash roots (but not as far gone as SSD or COC), this departure hasn’t stripped them of all spontaneity. I usually dislike the “power-metal” sound because of the zip that is sacrificed in getting that “heaviness,” but even the 24-tracks here haven’t deadened this release too much.

Corpus Delicti The Joy of Living 12″

From the band’s name, you can probably guess that these guys are post-punkers inspired by JOY DIVISION. Actually, it’s not bad for that overused genre… sparse music, medium-tempo rhythms, decent guitar work, echoey vocals, and even a sax. Now you know what you’re getting into.

Flipper Gone Fishin’ LP

Highly polished FLIPPER? Yup, their parting shot contains all the usual FLIPPER ingredients, but with a “clean” production that takes the heart out of their dire messages. “In Life My Friends” comes the closest to their previous approach, but most of the rest leaves me cold. Where’s the feedback, Ted?

Subterfuge Who’s the Fool LP

In general, SUBTERFUGE plays mid- to fast-tempo British-style punk that’s cleanly produced and tightly delivered. The drums are way out in front of the vocals in the mix, which I think sounds good. Powerful punk with an undercurrent of humor.

Whipping Boy Muru Muru LP

Where does one draw the line between “different” and just plain “bad”? It’s subjective of course, and partially based on prior contact with a band’s music, which prejudices expectations to a degree. This new WHIPPING BOY album evidences a major departure from their previous ordinary thrash to a potpourri of post-punk, blues, ska, and droning. I can’t say that I like it, but I can’t say I’m being objective, either.

Reality Control While We Live in Cages cassette

A nine-song collage-like effort. The sound quality is pretty high, and for a band with mid-tempo songs, clear but powerful, layered instrumentation, and critical narrative lyrics, that’s really important. At times it’s a bit too “mellow” for me, but other invigorating tunes make up for that.

Soul Asylum Say What You Will… 12″

Joseph at Systematic described SOUL ASYLUM’s sound as “thick,” and given that Bob Mould of the HÜSKERS did the production, I think you can figure out what that means. Most of the songs have a dense, rockin’, chunky sound with some power and gruffness behind them. They’ve got decent drive, but they’re more rockish than punky.

Plasticland Color Appreciation LP

This Milwaukee-based band is sort of an Americanized equivalent of the BEATLES during their Revolution period. It’s filled with folky psychedelic pop, and the reason I say Americanized is because there’s a hint of punkiness in the vocals and the fuzzy guitars at times. Their pop sensibilities clearly prevail, but not quite to the point of wimpiness, so they still manage to leave us with some real classics (like “Elongations”).

Juvenile Truth No Enemy cassette

With vocals reminiscent of early STIFF LITTLE FINGERS, tough, tight hardcore instrumentation in various styles, and intelligent lyrics, this band is a welcome addition to the scene. There’s plenty of power and commitment here too, making this a fine non-generic alternative to standard thrash and its far lamer cousin—metal punk.

Lost Generation Return From Incas

LOST GENERATION is back! These forerunners of the Connecticut hardcore scene totally kick ass and thereby prove that they’re still alive and well. There’s great, tough punk here—no frills, melodic but crunching tunes, and hot vocals. Don’t miss out.

Agnostic Front Victim in Pain LP

There is one song on this extremely hot-sounding thrash album that attacks in-scene violence and bashing as the Nazi activity it is (“Fascist Attitudes”). Great! But unfortunately, much of the narrow-mindedness, fanatical nationalism, and violence that has destroyed the New York punk scene seems to have revolved around AGNOSTIC FRONT. Is it too little, too late? I hope not, but I’m approaching this band with caution.

Artacus Eaght Mission Impossible cassette

“Attempting to extract the wickedness from society without crushing that society” is ARTACUS EAGHT’s credo. They do this by thrashing and noising their way through a variety of subjects. This mission isn’t too melodic or artistic, but then these demons need a good whuppin’ anyway.

V/A No Aarhus—Live ’83 cassette

A variety of modern bands and styles can be heard here. Denmark is amply represented by CRAP (post-punk), the RAZOR BLADES (thrash), the DEFORMED (punk), ENOLA GAY (thrash), WAR OF DESTRUCTION (thrash), and DIE KAPELLE (noisy post-punk); Finland showcases the thrash of the BASTARDS and RATTUS; Germany contributes GORILLA ACTIV (post-punk) and DER MODERNE MAN (jazz-punk); then there’s England’s DESTRUCTORS V with some punk. The sound is OK for a live effort.

V/A AJZ Live Thrash cassette

A shitload of German bands (HAWAII 5-O, ENOLA GAY, SICK PLEASURE, INFERNO, the NEUROTIC ARSEHOLES, PORNO PATROL, the UPRIGHT CITIZENS, BLUTTAT, and others), along with Italy’s WRETCHED, recorded at the AJZ. The sound isn’t great, which is too bad, because most of these groups are. The project itself is of an admirable non-profit nature.

Chaotic Dischord Fuck Off You Cunt! LP

A very powerfully recorded album that’s got plenty of that CHAOTIC DISCHORD zip to it. It features still more of the humorous, idiotic subject matter we’ve come to expect form this send-up thrash band, and they leave us with these pearls of wisdom: “You’ve Got to Be Obscene to Be Heard.” Slap those knees!

Tupelo Chain Sex Dr. Nightcall / Two Cadillacs Crash 7″

One of Ray Farrell’s faves. These jokers perform a kind of demented R&B on one side, and funky cajun music on the flip. Neither is done with the certified psychosis of the BUTTHOLES, or the sparkling pop sensibilities of the CRAMPS, and therefore don’t really grab me, but lovers of those genres might be enthused.

Manisch Depressiv Manisch Depressiv 7″

Some ex-members of Switzerland’s TNT come up with a totally unique and powerful sound. It’s mainly just a couple of raw guitars and female vocal harmonies, interspersed with weird and abrasive breaks, eruptions, and outbursts. One song runs through both sides, and it represents punk at its most innovative.

Sodom St. Requiem cassette

I’m not sure if this is actually the name of the band, since most of the writing is in Japanese, but they really fucking shred—wildly and adventurously. The tape comes with a sleeve appropriate for a 7″ EP, making it even more confusing. World class.

Tatuerade Snutkukar Hardcore Trash ’83 cassette

It sounds like these guys recorded pretty early on in their existence, since the drumming is way repetitious and the sound is primitive and sloppy. But as with many Swedish bands, the guitar is gnarly and the vocals are raw and powerful, which provides a glimpse of their future.

V/A Jenseits vom Bundestag cassette

Several German, Austrians, and Swiss bands appear here and, like those on many of the sampler tapes I’ve heard lately, most are releasing material prematurely. The exceptions are MOTTEK (again) and the NEW BORN BABIES. Other groups include KNALLSCHOTEN, A-GEN 53, DIE REGEL, VOLKERMORD, etc.

V/A Inferno 2: Spandauer Punk cassette

Most of the bands herein are at an early stage of development… too early to be recording, I think. The exceptions are HALSABSCHNEIDER (appearing before on one side of a split EP) and the FUCKERS, both of who come up with some cool blasts.

V/A Homokohu 84 cassette

Seven bands (the DESTRUCKTIONS, TUOMITTUJEN JUHLA, KIIMA, W.D.M., KESKILUOKKA, P.C.B., and KÄYTTÖOHJE) share time on this tape. The first have already released a great album, but the others are younger whippersnappers. Some still have a way to go, although KESKILUOKKA has an outstanding screamer going for them.

Dictatrista Preavvisati… Ma Non Premuniti cassette

This “live” quality tape gives you a decent idea of what this band is capable of—a lot. Their melodic material has good hooks and vocals, whether delivered fast or slow. Wait until they get into a studio.

The Bristles Ban the Punkshops cassette

This tape isn’t up to the quality of their Don’t Give Up EP, since it lacks a bit in the production power and the vocal choruses aren’t quite as tight. They do a strangely British form of thrash with lyrics in English and cool chants. A new EP is on the way.

V/A On the Street LP

A whole host of young bands debut here (PRIMITIVE, VICIOUS HAMPSTERS, ACID ATTACK, OI POLLOI, DEVOID, ABDUCTORS, CATCH 22, CRIMINAL JUSTICE, FUNGUS, 4 MINUTE WARNING, CLERGY, DEAD ON ARRIVAL, OBSCENE FEMALES, and ROUGH JUSTICE). The hottest, most powerful tracks belong to OI POLLOI, DEVOID, and CRIMINAL JUSTICE, while the rest are not great/not bad. This label, Sane Records, is a non-profit, dedicated to releasing unrecorded bands.

V/A Shed Your Pride cassette

Only contemporary Clevo bands are featured here. Many have appeared before on other compilations on their own releases (the PAGANS, the AGITATED, PARIS IN THE SPRING, the OFFBEATS, and the PINK HOLES), so I’ll just say a few words about the rest. ONE MAN’S HEAD has a female screamer, and she sounds good on the two faster songs; FAITH FACTOR plays garagy post-punk; and JUNGLE PARTY are a fun garage pop-punk band with potential.

Witnesses Easy to Criticize cassette

A six-song release that emphasizes poppy punk with lots of guitar and vocals, the sort of thing that was popular five or so years ago. At times it’s a bit too rockish for me, or maybe too laid-back, but on several tracks they really cut loose.

Pleased Youth Sure, We’re Pleased cassette

A.O.D.’s drummer, members of NEW JERSEY’S FINEST, and other point some fingers at various outrages perpetrated on us all, ranging from New York’s “Lunkheads” to the corporatization of a town (Johnson & Johnson’s takeover of New Brunswick). Thrash that’s not generic, and delivered with oomph and wit. Excellent recording, too.

Happy World Sad Gesture cassette

A live recording with ten songs. It’s somewhat garagy in terms of sound quality, and since it’s live there’s a lot of wanking going on. The music is sort of jazzy, metallish thrash, with quirky parts and post-punky vocals that remind me a bit of SF’s old WOUNDZ.

Forced Tradition / Lamos split cassette

Put out by Spamm fanzine, these are two of the current crop of Sacramento hardcore bands. FORCED TRADITION weighs in with their sarcastic, FLIPPER-metal “fuck you” approach; good noise. The LAMOS thrash out more, but the recording isn’t as clear. A pretty enjoyable excursion.

Endorphins Fringe Benefits flexi EP

This four-song release came with the June/July issue of The B.O.B. The material is reminiscent of LOU REED’s early solo efforts—restrained, melodic rock ’n’ roll with lyrics that are on the esoteric side.

Brave New World Something New cassette

On BRAVE NEW WORLD’s tape, uplifting and intelligent lyrics about overcoming our societal problems are coupled with intense, driving, middle-paced music. The result is a punk/post-punk combo that hits home—they’re abrasive, musical, disturbing, and different.

Adrenalin OD The Wacky Hi-Jinks of Adrenalin OD LP

These little imps from west of the swamplands have come up with a really dense, “live” two-guitar sound here. Recorded while the band was in their underwear, they still manage to thrash wildly, humorously, and sarcastically. In the process, they prove without a doubt that there are more great items than pizza in the Garden State.

V/A 1984: The First Sonic World War LP

This French sampler contains a wide variety of punk styles—classical, garage, thrash, skunk (big in France), and drum-machine/synth punk (which the French seem to have cornered the market on). HUMAN BEING and HEIMAT weigh in with some choice thrash, and there’s lots of other good stuff from R.A.S., ELECTRONAZE, LES CADAVRES, the SUB KIDS, and a dozen more. Tres bien!

V/A Deutscher Punk Sampler #1 cassette

This compilation tape features some fairly unknown bands (TIN CAN ARMY, KATAFALK, V.N.W., VOICES OF PROTEST, MILZBRAND, and the MANIACS) that predictably display varying degrees of competency and power. The MANIACS and KATAFALK really kick ass; the latter prove to be an especially fine thrash band with lots of zip.

V/A Der Vollsuff Sampler cassette

Some of these German hardcore groups are already reasonably well-known (INFERNO, the MANIACS, M.A.F., the SCAPEGOATS), whereas others are more obscure (ABZESS, VOICES OF PROTEST, TCA). Inferno leads a pretty good pack in terms of tightness and power.

V/A Capitol Kaos

This New Zealand compilation consists mainly of live material by ’77-style punk bands. That’s not to say it’s bad, because there are some pretty cool tracks herein, especially by FINAL SOLUTION, RIOT III (who does some thrash), FLESH D-VICE, and ZYKLON-B.

V/A Afrika Corps cassette

Ten groups of varying punk styles and recording qualities appear on this compilation of South African bands. The most proficient and powerful are mid-tempo punkers POWER AGE, although the GAY MARINES, WILD YOUTH, and WILD JUSTICE also show promise. And, there’s an all-girl garage band called the LEOPARDS—Steve Spinali take note!

V/A The Animals Packet cassette

The cassette itself is only a small part of this package, which includes zines, literature, lyrics, pamphlets, addresses, etc., all relating to the horrors of animal slaughter. Even on the tape, all the tracks by the various bands (the INSTIGATORS, CHUMBAWAMBA, ANTIDOTE, ALTERNATIVE, ANDY T, and the LOST CHERREES, to name just a few) are interspersed with bits of information on this topic. Unfortunately, there’s very little punk music here; folkish and experimental stuff predominates.

V/A Compost Pile Action cassette

This tape has a lot of hot material by the likes of MOX NIX, CANCEROUS GROWTH, ROSEMARYS BABIES, S.U.M., NERVE, N.O.T.A., the LEPERS, HUMAN SUFFERAGE, the CATATONICS, PSYCHO, and a half-dozen more. Some of it has been previously released, but it still adds up to fine listening.

Children’s Crusade Children’s Crusade cassette

Two former members of thrashers STARVATION ARMY and another group called PARIS IN THE SPRING team up again (one on vocals, the other on all instruments), this time to produce some ominous, dirge-like STOOGES material. I found it somewhat less than moving, as is usually the case with studio projects.

Authentic Virtues Authentic Virtues cassette

Sort of a modern-day rhythm-machine version of a band one might have found on the bizarre ’60s label E.S.P., along with the FUGS, the GODZ, and especially PEARLS BEFORE SWINE. Rhythms and electronic organ dominate their garage-level instrumental attack, with lots of noticeable ’60s tinges. Actually, I think there are vocals, but just off-mike.

Aerobic Death ESG cassette

Galloping drums, weird structures, and snarly-ass vocals are the hallmarks of AEROBIC DEATH’s thrashy attack. They sound sort of like the early MEAT PUPPETS, right down to a slight GRATEFUL DEAD influence. “Ten Minute Fart” is the best song title.

The Sting-Rays Dinosaurs LP

Strange. The STING-RAYS look rockabilly, act punk, and sound more ’60s than anything else (note their covers of the REMAINS’ “Hard Time Comin’” and LOVE’s “My Flash on You”). Actually, they are a rockabilly band in the instrumental sense, with their slapped bass, snare drum, guitar, and echoey vocals, but the material is more modern. Totally ungeneric.

Dash and the Rip Rocks Live Angst cassette

The drawbacks of a live release—low fidelity and unclear sound—come to the fore here, but DASH and company have lots of power, which will hopefully come to the fore if and when they go into a regular studio. They play snappy and sometimes creative thrash, with lyrics geared toward making the average coal miner as angry as he ought to be.

The G.R.I.M. Getting Revenge in ‘Merica 12″

Living up to their name, the G.R.I.M. produce some very down and depressing stuff. Their dark outlook is projected by slowish metal-laden punk and an occasional thrasher, as well as negative-outlook lyrics. I guess they’re bummed out.

Charlie Pickett & the Eggs Cowboy Junkie Au-Go-Go 12″

Most of the five songs here are well-produced C&W ditties with a good beat and punch, sort of like a combination of RANK & FILE and LOU REED. But one track (“Marlboro Country”) is more R&B-ish, with a great “Louie Louie” beat and some tough guitar, making the whole effort worthwhile.

Weddings Done Cheap Special Occasion cassette

A somewhat garagy production that, in this case, doesn’t add charm to the band’s sound. But in a studio, their sparse attack could be filled in nicely, and some of the tasty guitar and bass tricks would sound really cool (like those in “Resistance” and “Un-American”). There’s potential here.

Urge Overkill Portion Controlled cassette

A three-song demo. There are two lengthy sons (including a cover of the ZOMBIES’ “She’s Not There”) with funky rhythms, post-punk vocals, and instrumental overlays; the final track (“Lympdiccus”) is a rockabillyish thang with similar “cold wave” vocals.

Los Violadores Los Violadores LP

This is the only Argentine punk record to date, and although it came out in 1983 and is definitely in the classical style, it’s a fine beginning. The production is of a very high quality, enabling LOS VIOLADORES to get across their anti-repression lyrics and guitar-heavy sound in the most powerful manner.

MG-15 Caos Final cassette

Formerly called SLIPS Y SPERMA (see interview elsewhere in this issue), these guys play a DISCHARGE-like form of thrash with few hooks, repetitive riffs, and growling vocals. You either like this form a lot, or you get bored fast.

Second Auschwitz Your Pet cassette

SECOND AUSCHWITZ are self-admitted novices (they recorded one hundred songs in a studio, forty of which are here, without ever having played an instrument or practiced before) who produce five-to-ten-second “songs” that are crude and idealistic. Decidedly different.

Pyhät Nuket Tää Yö On Meidän / Sokea 7″

PYHÄT NUKET is a second band for some of the guys in RIISTETYT, and it’s a real departure for them. This ensemble has a highly polished post-punk sound with strong guitars; I’d recommend it to fans of the early CURE.

The Celibate Rifles The Celibate Rifles LP

The second album from this politically aware/personally oriented Australian band, which I’m not as fond of as other people I know. Their music tends toward a ’70s rock style, with some songs on the soft side and others on the tougher, guitar-heavy side, not unlike some “Detroit rock” bands of past days. Off and on.

Exotic Hipsters Surf on the Rocks cassette

A garagy tape from a garagy band. There are a couple of instrumentals in the surf style, two other tunes that borrow heavily from ’60s garage pop, and a bizarre cover of NO ALTERNATIVE’s “Johnny Got His Gun,” which they make almost unrecognizable.

Gone-Heads 6 Lame Songs cassette

They claim to be some former GRIM REALITY members, but I’m pretty sure Jello slipped in some rare early HALF JAPANESE tape to fool me. It has that totally primitive, raw, and untogether feel… that “we suck and we don’t care” attitude. Bonkers.

Plain Wrap Time to Change cassette

Another very hot tape from this fine SoCal band. Intelligent lyrics and blazingly fast thrash that’s tight, cleanly recorded, and filled with good hooks and some neat vocal work. Some of these songs are new, while others are re-done versions of material from their earlier cassette. These guys should put out a record as soon as possible.

Rhythm Pigs Boring Orgy cassette

An extremely hot “live” tape that demonstrates why so many people have raved about these guys. It’s highly energized and even thrashy at times, but always innovative, tight, and powerful. And they found a good use for Falwell’s propaganda tapes!

The Calamities The Calamities LP

A folk-rocky pop-punk group from France with cutesy female vocals. The CALAMITIES are competent enough, but not really exciting or emotionally gripping. They do covers of songs by the TROGGS, the WHO, and the DOVELLS, and wish they could be the GO-GO’S.

Atrox Hit the Oxide cassette

Some well-intentioned and intelligent slow-to-medium-tempo punk that doesn’t quite spur my interest. While consciously striving to stay away from predictable three-chord thrash, they haven’t really created something in its place that generates comparable excitement. They do perform a cool version of ALBERTO Y LOS TRIOS PARANOIAS’ “Kill,” though.

Conflict Increase the Pressure LP

The A-side is smashing—full of power, anger, and determination. Excellent stuff that’s superbly produced! The flipside is taken from a live performance; I have a general dislike for live recordings, and this one is no exception.

The Eyes Blink LP

The EYES are a British ’60s group along the lines of the early WHO—mod to the max—who never did manage to put out an album back then. And now the reason becomes clearer, as this one contains too much filler. But there are a few killers, including the haunting “When the Night Falls” and the hilarious “My Degeneration.”

Last Rites This Is the Reaction LP

A pretty snappy release with lots of tuneful thrash. This Scottish aggregation has some of the drive of early DISCHARGE (especially in the guitar sound), and some of the hooks of, say, SOCIAL UNREST. In my book, that’s a damn good combination.

Kaos Adding Insult to Injury cassette

There’s quite a lot of variety to this garage band (outside of the overused name). The songs sometimes have real neat hooks, and are enhanced by quirky things like harmonicas! Interesting topics, too.

Zero Boys History Of cassette

Sixteen classy ZERO BOYS songs. A few have already appeared on their superb album, but the rest are hitherto unreleased gems that reveal why this band should be rated right up there with the CIRCLE JERKS as prime exponents of brisk, hook-laden thrash and punk. Excellent.

76% Uncertain Estimated Monkey Time LP

Former members of CIA and REFLEX FROM PAIN combine to form a new band with a sound that reminds me somewhat of DIE KREUZEN. Bones’ vocals are intense and backed up by a very tight sort of medium-paced thrash that’s delivered with power and hooks. Definitely recommended.

N.O.T.A. Moscow EP

A long overdue vinyl release from these Sooners, one that fully demonstrates their power and punch. This is a four-songer with fast and medium thrash, all of which hits you right in the gut. Let there be more!

Slaughter House 4 Four More Hours EP

A six-song effort that reminds me somewhat of ’78-era stuff, in that it incorporates funk and pop elements into a punky aesthetic. It’s fairly aggressive, with biting social commentary and a female vocalist on some tracks.

The Smashchords The History of the Smashchords cassette

The SMASHCHORDS are an unusual instrumental combo—just two guitars—who knock out some basic rock ’n’ roll tunes. While this tape is certainly unique, it’s also a bit frustrating, since their catchy rhythms make you hope they’ll cut loose in a real savage way. But they can’t, because they’ve got to keep providing the rhythm section—the Pete Townsend syndrome.

The Pandoras It’s About Time LP

After their great debut EP, I was afraid the ensuing album would wimp out, as often happens with this ’60s “teen punk” genre. No way! What we get are twelve killer songs, ranging from folk-rock to snarling ’67-era punk, all delivered with guts and drive. The music is tight and raunchy like that of their heroes the SHADOWS OF KNIGHT, and it’s hard to believe that all the members are female, because the vocals have such a deep, gruff sneer. Fucking excellent.

Hüsker Dü Zen Arcade 2xLP

A totally impressive release! Most bands have a hard enough time putting out a single album without filler, but these guys have managed to fill all four sides here with catchy, powerful, and musical songs… real songs. The singing wails, the Oriental psych guitars shine, and the rhythm crunches. It also sounds as if they’ve been listening to the psychedelic-period BYRDS lately, because there are a few reversed tracks for instrumental background included. Tremendous!

Die Kreuzen Die Kreuzen LP

This is fucking great! This is fucking great! This is fucking great! This is fucking great! This is fucking great! This is fucking great! This is fucking great! This is fucking great! This is fucking great! This is fucking great! This is fucking great! This is fucking great!

V/A Senza Tregua cassette

A collective effort by eight bands (CCM, the WARDOGS, I REFUSE IT, the USELESS BOYS, STATO DI POLIZIA, JUGERNAUT, TRAUMATIC, and PUTRID FEVER) from Tuscano, otherwise known as Gran Ducato—ergo GDHC. I’d lave to say that CCM sounds the hottest to me, with their outrageously distinctive vocals and unusual arrangements, but there’s plenty more to enjoy.

Adiexodo / Genia Tou Xaous Sas Á‰fchontai KalÁ­ Á“rexi split cassette

This tape is produced by Art Nouveau, an indie label/record store that specializes in distributing international punk in Greece. Side A contains tracks by GENIA TOU XAOUS (Chaos Generation), who have more of an older punk style and really garagy guitar work; They also do a couple of cleanly produced post-punk gems and one spychotic screamer. The B-side is by ADIEXODO, who’ve also adopted a late-’70s punk sound, but are younger and less proficient. Write to Art Nouveau for further information.

V/A Outsider LP

Eight Japanese bands, all recorded live, appear in various states of sound quality here. Side one consists of older-style punk and some noise damage (MASTURBATION, FULLX, ROUTE 66, MADAME EDWARDA), while side two blasts forth with a more modern metal/thrash approach (GISM, the COMES, LAUGHIN’ NOSE, GAUZE). GISM is hot, but the COMES come off the best with their killer thrash. The cover is a CRASS-style package.

V/A Great Punk Hits LP

On side one of this compilation, GISM lashes out with their metallic thrash attack—with the accent on metal—and nasty vocals, EXECUTE do ripping thrash, and ABURADAKO cross thrash with the POISON GIRLS’ quirkiness. On the flipside, LAUGHIN’ NOSE have one Britskunk song and one that sounds Finnish, while the CLAY adapt the early DISCHARGE style, and G-ZET close out with a slightly more melodic and metallic UK assault. All in all, this album has excellent sound quality and some songs that’ll knock you out.

V/A Fornekad Existens cassette

Outside of HUVUDTVÄTT, the BRISTLES, ZYNTHSLAKT, and E.A.T.E.R., all of the other bands featured on this collection (SNUE-SLAPP HJÄRNA, SVEA-SKANDAL, FAXE, PÖBEL-MÖBEL, SS PLEKTRUM, and ANTI HUND-MINA) are new to us. Most of these younger bands do standard punk (though some do thrash), but none seem that memorable, especially considering the high standards set by the likes of E.A.T.E.R.

Michiro Endo ベトナム伝説 [Vietnam-Legend] cassette

The lead singer of Japan’s the STALIN has put out a very well-produced nine-song tape that comes with a high-quality book that includes multi-colored photos. He does many ’60s songs here (like “Born To Be Wild,” “I Wanna Be Your Dog,” etc.), along with original compositions in styles ranging from intense thrash to straight metal to almost BEATLE-esque material, and the band (who sounds like the STALIN) really crank it out. Excellent.

The Drooling Idiots Who Needs Tomorrow cassette

This new DROOLING IDIOTS tape doesn’t sound as melodic as their first thrash-oriented demo, and the production isn’t especially hot. But their lyrical content has really come on strong, with both “personal” and “political” themes that do beneath the surface.

Electric Peace Tell Me You Hate Me 12″

BYRDS-style neo-psychedelia—minus the 12-string guitar—meets DUANE EDDY-ish twanginess. Despite the singer’s sometimes annoying vocals, there’s interesting stuff on this half-sided picture disc, especially “Sniper on the Rooftop.”

Anarchy Delacine LP

These guys started out doing bad covers of good English ’77 punk songs, but now they’re doing bad covers of bad songs, including their own. Here, they mix older-style punk material with awful rock compositions, and the gutlessly produced results are boring as hell. Please don’t judge Japanese punk on the basis of ANARCHY’s releases.

Wards Please Don’t Make U.S. Shoot the Pershing II EP

The WARDS maintain their politically oriented garage approach on their second EP. Musically, it’s more punky than thrashy, with a dash of art damage thrown in. Well worth it.

Out of Order Concerned cassette

A five-song demo of this young band’s crisp thrash style. OUT OF ORDER have both DC inflections and LA influences, and they play well, but without any special enthusiasm or uniqueness. Still, I expect that by the time they get vinyl out, they’ll have developed their particular peculiarities, so watch for them.

Neurose Hard Core EP

This French record has exceptionally echoey, growling vocals and choruses, very engaging guitar work, and a crisp sound. Jeff thinks these guys are inept and annoying, but I particularly appreciate the strange song structures and the drumming, which seems totally out of it. Thrash that’s a bit “off.”

Poikkeustila cassette

For such a young thrash band, POIKKEUSTILA are pretty good. The guitar work is hot, as is the singing—those Finns have some of the most ragged voices—but the drumming lags behind a bit. If they get that hurdle cleared, they’ll be excellent.

Public Humiliation 1242 cassette

Some really garagy stuff can be found here, both in terms of production and style. PUBLIC HUMILIATION mainly offers punk rock with a simplistic beat, fun retardo lyrics, and an occasional freak-out (that they advertise on the lyric sheet as “wild solo”).

Deviants In the Bathroom cassette

A six-song debut by a local band that contains at least one former member of INTENSIFIED CHAOS. The music is in the classical punk style, with both English ’78 influences and US surf sounds. It won’t set the world on fire, but it’s good clean fun.

Killdozer Intellectuals are the Shoeshine Boys of the Ruling Elite 12″

Jazzy-metal instrumentation, extremely gruff vocals, and smart-ass lyrics are the hallmarks of this debut from KILLDOZER. A lot of weirdness seems to emanate from up Wisconsin way, and this interesting release on the TAR BABIES’ label keeps with that tradition.

Thee Milkshakes Showcase LP

Almost every time I go into a record store, they’ve got a new MILKSHAKES record in stock. Amazing! This, their first American release, has tracks from several of their earlier UK platters, and “showcases” their early ’60s R&B/instrumental/KINKS/Merseybeat sound at its best. Despite their self-imposed limitations, these ex-POP RIVETS are undeniably fun.

V/A Potential Migraine cassette

The recording quality here is pretty poor, so the potential of bands like CHUMBAWAMBA, the PASSION KILLERS, KULTUREKAMPF, the CHOIRBOYS, etc. is barely discernible. I know that a lot of the punks who put out such tapes are skint, but is it really worth the effort for anyone but fanatical fans? Maybe. I did like what I could hear of the INSTIGATORS, though.

V/A New York Freakout! flexi

Three bands appear on this flexi accompanying a recent issue of the ’60s-oriented 99th Floor fanzine. PLASTICLAND produce their delightful psychedelic pop, and the FUZZTONES do a more-than-adequate cover of the MOVING SIDEWALKS’ song “99th Floor,” but it’s the VIPERS that deliver the coup de grace with a wonderfully fuzzed-out ’60s punk rave-up.

V/A Hardcore 84 Fresno Compilation cassette

From that blast furnace they call the “Central Valley” comes this collection of bands on CAPITOL PUNISHMENT’s label. Besides them, the bands that appear here are THINK TANK, the PROBLEM FISH, PRIMER GREY, the PTL CLUB, HARSH REALITY, the SUBTRACTIONS, BURNIN’ BOB, DEATH CAMP, the MERE MORTALS, ASSAULT, KAOS, NO LABEL, the DIRT HEADS, and the WAWONA BOYS CHOIR. It mainly features modern hardcore sounds, but also includes some unusual stuff.

V/A Code Blue cassette

A compilation put out by Last Rites fanzine that includes several Chicago-area bands (the NADSAT REBELS, R.O.T.A., A.O.F., OUT OF ORDER, NAKED RAYGUN, BIG BLACK), other Midwest acts (NO RESPONSE, S.U.M., DIE KREUZEN, SACRED ORDER, the FLESH COLUMNS, HÜSKER DÜ), and a couple of extraneous coastal bands. The NADSAT REBELS turn out some excellent songs, and are a new group to watch. About half of the tracks on this tape are live, so the sound quality varies accordingly.

V/A Battle of the Garages Vol. II LP

The latest collection of neo-’60s bands to hit the record stores in recent months, and the second in a series. It’s about 50% lighter psychedelia and 50% punkoid stuff, with the gnarliest material emanating from the MIRACLE WORKERS, MYSTIC EYES, the ODDS, OUTNUMBERED, the FEZMEN, and the SHARP TURNS.

Sun City Girls Sun City Girls LP

Live, they come out dressed in Indian madras bedspreads and masked faces like fundamentalist Islamic women, and launch into what sounds like the DOORS meeting SYD BARRETT. Unfortunately, this album lacks the charm of their visual presentation, and the “songs” are largely unstructured, like jazz or avant-garde stuff. For the way-out only.

The Litter Distortions LP

This amazingly great ’60s album has been reissued as a bootleg, and it’s well worth seeking out. It’s rare when a band does cover versions better than the originals (like the WHO’s “Legal Matter,” to name just one), and then manages to come up with their own teen punk classics (“Action Woman”). One of the best ever ’60s punk releases.

Siege Drop Dead cassette

The best thing I’ve heard in a while! This tape has tremendous ferocity and boundless energy, delivered in an almost psychotic and wreckless manner, but without any loss of tightness. Siege has a nasty thrash attack with insane vocals and intelligent lyrics, captured perfectly by Radiobeat’s Lou Giordano. Get it—it’s great!

U.S. Chaos We’ve Got the Weapons 12″

Musically, this debut is prime-sounding ’77 punk, well played and well produced. Lyrically, it would make Reagan blush with pride about the great job he’s done brainwashing today’s youth. They’ve got jingoistic lines like “I’m an American—I stand tall and I’m proud / I’m an American—and I’ll shout it out loud,” and unfortunately they’re not kidding. Duh! Maybe they’ll do everyone a favor and join the Marines.

The Comes No Side LP

Totally intense! This band hits hard with a modern thrash style not unlike that of certain DC bands, in the sense that they are very tight and write songs with good hooks. (Jeff thinks they sound more like Holland’s AGENT ORANGE). Their powerful music is capped by great guitar work and the most aggressive, psychotic, ragged female screamer yet to appear on a punk record. Phew!

Rancid Vat Profiles in Pain EP

Fusing punk with noise damage, this release is much more accessible than I would have predicted, based on their earlier album. It features older-style punk riffs that sound nice and out-front, with really clear vocals, simple beats, and dissonance coming from somewhere. As the title might indicate, the songs focus on some of the nastier disappointments in life.

Half Japanese B.K.A. 10¹º Watts cassette

A live recording that mostly consists of long, extended jam-type songs. They integrate jazz and funk rhythms into a sort of cockeyed bluesy rock ’n’ roll format. Although they’ve come a long way from their charmingly psychotic teen-torture years, I personally wish they’d go back. Then again, most of us “grow up” sometime, for better or worse.

The Chesterfield Kings She Told Me Lies / I’ve Gotta Way With Girls 7″

The B-side cover is a bit light for me, but the original on the flip is real good. Even though there might be too much of that trebly ’60s Farfisa organ sound, it still manages to snarl its way through to a cool BLUES MAGOOS-type rave-up at the end. Great!

Liberté? / A State of Mind Don’t Vote… Subvert split flexi

A five-song statement on the drawbacks of participating in what they consider to be the farce of electoral politics. It includes chants, rap, funk, poetry, and thrash, all performed with gusto by a variety of shifting personnel, an arrangement which epitomizes their anarchist approach. Unique and timely.

V/A Kass 2 cassette

Eight Swedish bands appear on this compilation. Most of them play thrash, but some traditional punk and industrial-type outfits are also included. MOB 47, the BRISTLES, and P-NISSARNA come off particularly well here.

V/A 430 Años cassette

This tape features nine Sao Paulo-area bands—PSYKOZE, ULSTER, OLHO SECO, RATOS DE PORÁO, 365, HINO MORTAL, ETC, SP CAOS, and RUIDOS ABSURDOS—who do some proverbial ass-kicking. These recordings were done live and, unfortunately, the sound quality isn’t really very good (lots of vocals, but little clarity of instrumentation). As a result, it’s mostly the excitement and emotion that’s conveyed here.

V/A Belse Bop cassette

Three lesser-known Finnish bands share this tape. I’m tempted to say they are less well-known for good reasons, but I’ve been spoiled by the likes of TERVEET KÄDET. These bands—NUSSIVAT NUNNAT, LAPSILTA KIELLETTY, and KAUNEUS & TERVEYS—seem to be newly formed, as the predominant sound here is garagey. There are moments of experimentation amidst the punk and thrash mash, and given the price ($1 and I.R.C.), it’s a bargain.

V/A Ahhh… Italian Punk!! cassette

There are tracks here by nine excellent Italian bands, including CHELSEA HOTEL, SHOCKIN’ TV, TIRATURA LIMITATA, EU’S ARSE, NABAT, DARK RIDE, PEGGIO PUNKS, CCM, and ROUGH. Hey, pasta punx rule!

Zyklon B Independence and Anarchy / No Escape 7″

An older-style punk band from Canada, complete with wonderful fuzzed-out guitars and lyrics you can actually hear. I didn’t like it as much at first, but now I think both sides are good. Hey, they even have guitar solos!

Wardogs The State of Things cassette

This young Italian band presents highly dissonant, disjointed, and unmelodic thrash that is very well produced. The guitar seems totally weird, as it is so clean and smooth in contrast to the rest of the music, not to mention most punk guitar sounds.

Cólera 1.9.9.2. cassette

A very “noisy” tape, as production facilities in the Third World appear to suffer as much as the people. CÁ”LERA are a very bass-heavy band with lots of buzzing guitar and clear vocals—even I can understand some of the Portuguese. Most tracks here are in the mid- to fast-paced punk style, and they have strong political lyrics.

V/A We Gots No Station cassette

This tape represents DC’s funky/arty/noise/psychedelic garage groups. The bands include HATE FROM IGNORANCE, BLOODY MANNEQUIN ORCHESTRA, CHALK CIRCLE, GREY MATTER, BLUE CROSS, the PSYCHODELIC TRASHCAN, etc. There’s a little something for almost everyone here.

Painted Willie Ragged Army cassette

I can’t help but think that this is what Rod Stewart would have sounded like had he gone thrash. I’m referring specifically here to Will’s high, cracking vocal delivery. He combines with Phil and Dave from SIN 34 to produce some quirky, unusual modern thrash.

Moral Disgust I Love College cassette

In about a year, these guys could put out a killer record. They’ve got their thrash licks down, but need to develop their distinctiveness a bit. Also, the lyrics, which seem highly satirical, are pretty ambiguous. On a few songs, though—like “Power Games”—you can see how intense they might become.

S.H.Draumur Listir MeÁ° Orma cassette

Garage-quality recordings don’t really add much charm to post-punk bands, but this guitar-bass-drum trio still manages to carry their particular form of expression across. They fare best on the “rockier” numbers, which remind me of BLURT without a sax; the slow, “painful” songs are less appealing.

The Squirt In the Name of God cassette

Even though this tape was recorded before they had a drummer—his tracks were overdubbed—it shows potential. SQUIRT produces some of the best Swiss thrash I’ve heard. It’s not quite up to the Alpine levels attained by other European bands, but it’s definitely worth a yodel or two.

Scapegoats Pogo Lebt! cassette

A German band that should not be confused with the Santa Cruz version that appeared on our Not So Quiet compilation. They have a total thrash attack with hot vocals, decent guitar work, and energy, but the drumming seems to be draggy or off a bit.

Rattus Finnish Hardcore cassette

This tape contains a lot of stuff off previous Finnish releases, plus other songs sung in English. Some of the cuts are in the funnypunk vein, but most have a truly killer thrash attack. These guys will be in the US soon, so find out why you’ll want to go see them. The incredible song translations are alone worth the price.

The Leather Nun Primemover / FFA 7″

I’m not too hot on the B-side, but the A-side is killer. It’s got a real heavy guitar that wrenches its way across the slow, tortuous course of the song, spitting feedback every which way. Added to that are IGGY/BOWIE-type vocals, and production that mesmerizes and pulverizes your senses. This Swedish band has been around for years, and this is their first American release.

Fottutissima Pellicceria Elsa Fottutissima Pellicceria Elsa cassette

The sound quality isn’t the greatest, but the music more than compensates for that. F.P.E. are hard to describe—they’re thrashy, jazzy, damaged, crazed, and real intense. If the MEAT PUPPETS met MDC in a Chilean secret police torture chamber, the result might sound like this.

Dead End Where Do We Go From Here? cassette

Some very original-sounding noises can be found here, with clean, snappy production to boot. It’s punk all right, but with so many quirky musical interjections that it seems surprisingly new. Great musicianship, with no loss of edge, musically or lyrically. Highly recommended.

V/A Trash on Delivery LP

The A-side contains bands that all, more or less, owe their chops to the NEW YORK DOLLS/HEARTBREAKERS school of rock ’n’ roll (except the BARRACUDAS). There are groups like the BAD DETECTIVES (a DOLLS song) and the BABYSITTERS (HEARTBREAKERS?), and songs like GENOCIDE’s “Private Hell,” which can be compared to the DOLLS’ “Private World.” The B-side slips into more mundane rock, and isn’t at all memorable save for the reemergence of former SWELL MAP NIKKI SUDDEN.

V/A Eject It cassette

Another fine compilation contains fourteen bands of varying degrees of competency doing 22 songs of varying degrees of sound quality. You’ll find FLUX, POLITICAL ASYLUM, the BLOOD ROBOTS, LEGION OF PARASITES, IMPACT, and the ABDUCTORS, among others, most of which are mid-tempo punk bands. The best track is “The Race Is On” by CRIMINAL JUSTICE.

V/A Corporate Thrash cassette

Another fine compilation with both English and American bands represented. POISON IDEA really rips out some incredible stuff, as do LEGION OF PARASITES, the most intense UK thrashers yet. Other tracks are by the INFECTED, CRIMINAL JUSTICE, the WARDS, XOSET UK, the OBSCENE FEMALES, and STAGNANT ERA.

Nick Toczek Britanarchist cassette

This guy’s material sounds sort of like the FALL. Most of the tape consists of literate ranting poetry, but three of the tracks also have tough instrumentation and funky rhythms. Interesting listening that’s probably best appreciated by native Brits.

Subhumans From the Cradle to the Grave LP

The A-side is totally great, full of that powerful, cleanly produced, uplifting, and distinctive SUBHUMANS sound. The B-side revolves around the theme of the album’s title, and runs through many musical styles from lyrical point to lyrical point. As with most such ambitious ideas, some of it works and some doesn’t, but the higher moments remind me of nothing so much as ATV or CRASS. I can’t wait to see them live!

Naz Nomad and the Nightmares Give Daddy the Knife Cindy LP

Whoever these guys are—and they are reputed to be members of the DAMNED in disguise—they’ve captured the 1966 punk feel amazingly well, right down to the classic psychedelic “soundtrack” album concept. The numerous covers here are true to the originals (by groups like the ELECTRIC PRUNES, the HUMAN BEINZ, PAUL REVERE & THE RAIDERS, the LITTER, and the SEEDS), but generally not quite as good. It might prod you to pick up the real things, though.

King Kurt Ooh Wallah Wallah LP

Dave Edmunds got his hands on these guys and upped the ante plenty. From the rough weirdness of their debut EP, they’ve gravitated to a smooth big-time wall of sound. That’s both bad and good. The weirdness has been sacrificed, but their current variety of modern R&B/rockabilly is very powerful.

Inca Babies Grunt Cadillac Hotel / No Sacred Sound 7″

Both sides contain metallic-edged rhythmic punches Á  la BIRTHDAY PARTY. The vocals evoke that band too, but it really doesn’t diminish the value and strength of these songs, as there are other influences here (the CRAMPS?) that make for fine listening.

Annie Anxiety Soul Possession LP

On the charitable side, one could call this “adventurous industrial experimentation.” On the not-so-charitable side, it might be termed “eclectic self-indulgent crap,” similar to the terminal stages of ’70s “progressive” rock. Take your pick.

V/A Empty Skulls cassette

You’re probably already familiar with most of the sixteen bands collected here (including the OUTPATIENTS, N.O.T.A., NO LABELS, C.I.A., IMPACT UNIT, C.O.C., SEPTIC DEATH, R.O.T.A., and STALAG 13, among others. Each of them has donated two to four tracks which together add up to one fine tape.

V/A Cottage Cheese from the Lips of Death LP

First advertised here about a year ago, this Texas hardcore compilation has taken a long time to see the light of day. Was it worth it? Fuck yes—with tracks from REALLY RED, the OFFENDERS, D.R.I., MY DOLLS, the BIG BOYS, MARCHING PLAGUE, the BUTTHOLE SURFERS, BANG GANG, the DICKS, STICKMEN WITH RAYGUNS, the HUGH BEAUMONT EXPERIENCE, and others, it’s got lots of power and variety.

TSOL Change Today LP

The revamped line-up of T.S.O.L. makes its debut on this highly-produced album. I was prepared to dislike this after seeing the rock-star atmosphere they projected live, but there’s a lot on here that’s likable. On about half of the songs, they pack a good punch and the new singer’s annoying Jim Morrison delivery is minimized, but others are less worthwhile. Although it’s better than expected, give me their first 12″ any day.

Napalm Beach Rock & Roll Hell cassette

Most of the material here is in a slow-to-medium-tempo post-punk vein, with the accent on eerie vocal and guitar tones. It’s a bit too polished for my taste, except for the occasional faster tracks that remind me of early PERE UBU.

The Mess Caught in the Middle cassette

“MESS” indeed! It’s supposed to have twelve songs on it, but my copy of this tape only had four and one half, with incredibly long gaps between songs. What there was of it sounded good, although the lyrics seem pretty confusing.

George Katz The George Katz Tape cassette

Basically, this is a one-man production with aspects of modern punk and lost of art-damage on top. It’s also a studio tracks tape that employs over-tracking and echoes in a way reminiscent of PRE FIX, especially in the rhythms and guitar noises.

Gary Kail A Soundtrack for Nightmares cassette

The other side of Gary (from ANTI and MOOD OF DEFIANCE) emerges in this classical experimental “music.” Actually, only one “piece” approaches music, as the rest consists mainly of tape loops, extended notes, and noise. So drop that ol’ LSD, have that thorazine near at hand, and venture out into the stratosphere.

Iconoclast After the Massacre cassette

Seven well-produced, tight, and blazing fast songs appear on ICONOCLAST’s debut release. The lyrics put them decisively in the anti-war/”peace punk” camp, and as far as I’m concerned, there can’t be too many bands like this. Get it.

Graven Image Kicked Out of the Scene EP

GRAVEN IMAGE’s thrash doesn’t always hang together, but when it does gel, they have a MINOR THREATish sound. Lyrically, the topics are interesting and, at times, more than a little confused. For example on “Nails and Thorns” they warn punks not to reject Jesus because one might need “Him” someday, and that being an atheist means paving the way for Communism. Huh?

Flipper Blowin’ Chunks cassette

Here they are again, this time with an LP’s worth of live material that sounds just like their studio stuff. A lot of their classic tracks are on here, sounding as good and raw and raucous as ever.

The Flamin’ Groovies Bucketful of Brains LP

Back in the late ’60s and early ’70s, the GROOVIES were in my Top Five list of hard-edged rock ’n’ roll bands. Though not as generally acknowledged as the VELVET UNDERGROUND, CREEDENCE CLEARWATER REVIVAL, the MC5, or the STOOGES, their underground appeal led to an international cult following that still exists today, despite the many permutations they’ve since undergone. Here, they’ve been captured in their heyday in a live (and not so hot) recording, doing originals and covers. There are a few incredible moments, so if you love real rock ’n’ roll, give it a listen.

Dogmatics Gimme the Shakes / 20 Flight Rock 7″

The A-side is kind of a teen rock-pop number in the old Boston tradition, with its jumpin’ rhythms, R&B beat, punchy guitar, and insipid lyrics; the flipside is a very uneventful cover of the EDDIE COCHRAN classic.

Black Flag My War LP

BLACK FLAG have worked long and hard to break ground for punk, and weathered a lot of legal harassment in the process, so it’s impossible to casually dismiss them for putting out a bad record. But that temptation certainly exists with the release of this album. To me, it sounds like BLACK FLAG doing an imitation of IRON MAIDEN imitating BLACK FLAG on a bad day. The shorter songs are rarely exciting, and the three tracks on the B-side are sheer torture. I know depression and pain are hallmarks of BLACK FLAG’s delivery, but boredom too?

Borscht Primitive Borscht cassette

Nine songs in a melodic thrash mold that’s more reminiscent of certain SoCal bands like the ADOLESCENTS than the East Coast approach. Musically, it’s really tight and fairly zesty, and the lyrics are also generally coherent (though there are occasional examples of retardo stuff, both intentional and unintentional).

Verbal Assault Church Hypocracy cassette

Nine somewhat sloppy thrash songs with a pretty decent recording quality, but the intelligent political lyrics, which go far beyond the superficial, are the highlights of this tape. Among the subjects discussed are women (“We Love Girls”) and Poland (“Poland Crisis”).

Akutt Innleggelse SÁ¸ppel cassette

This young Norwegian band originally intended to put out an EP, but they weren’t completely satisfied with it. Here, they sound fine to me. The vocals and guitar kick, and the rhythm ain’t bad either. AKUTT INNLEGGELSE will soon become one of the many startlingly hot Scandinavian groups, in my opinion.

V/A Medium Raw cassette

An excellent long-player’s worth of British Columbia’s current crop of bands. The NEOS appear with some previously released material, but the rest (AUTOMATIC SHOCK, CHRONIC SUBMISSION, JERK WARD, LSD, HOUSE OF COMMONS, RED TIDE, the INFAMOUS SCIENTISTS, SS TOP, DA JEEP, and the cool DAYGLO ABORTIONS) all chip in with new material, most of which is fine. Very little filler.

Soldier Dolls What Do They Know? EP

Three songs whose high points are often dissonant, fuzzy guitar leads. The rest is nothing new, just fairly fast-paced punk with good production. Like I said, the guitar work is the SOLDIER DOLLS’ strength, and hopefully they’ll accentuate it even more in future releases.

Enola Gay 317 Nitter cassette

A 12-song studio demo that’s well-produced. It’s got that chunky drumming that I don’t go for too much, but the guitar sound and vocals are real good, and it’s real powerful overall. The main problem with ENOLA GAY is that they rely a bit too much on the basic repetitive thrash structure. More variation would help.

Pukes Macho cassette

With a name like that, it’s gotta be “punk rock,” right? Right! It’s like a flashback to ’78 or something, which can be both fun and a bit tedious. The PUKES have an American style of early punk—slow, garagey, and sometimes silly. The cool part lies in being able to hear the snarly lyrics that jump all over jocks, patriots, and parents in a sarcastic manner.

Private Outrage Life and Production cassette

A budding original approach from this new band (see Northern California scene report for more info). They combine certain aspects of the early Germs sound with garage and post-punk qualities, and have interesting lyrics. It should be fun to watch them grow.

Plain Wrap Time to Change cassette

PLAIN WRAP plays tight, trebly, frantic thrash and punk with melodies. They remind me a little of the DK’s, both musically and in the narratives, which sometimes are more like tales. An excellent beginning, so look out for them.

Primer Grey Evil Eyes cassette

An eight-cut demo from still another young thrash outfit. It’s a bit generic and sloppy, as it seems to be a live recording, but remember that they’re from Bakersfield (home of MERLE HAGGARD), which is enough reason to support these lads. Actually, there are some sparks of originality—”Hey You” has a certain FEEDERZ feel—so give them time.

Outerwear Outerwear Limits cassette

OUTERWEAR mainly presents slower, metallish thrash with lyrics that strain to cover the irrelevant. It looks as if these stimulus-starved Ohioans did too much LSD. Over the course of 24 songs, they scream and slither their way into the sicker corners of your heart. Outta sight.

Negative Element Gone Fishing cassette

Forty-five—count em—forty-five songs are on this tape, probably this Chicago band’s entire repertoire. Unfortunately, you can’t really hear too much because of the sound quality, mostly live and garage tracks that are almost buried beneath the rumble. You can barely hear some cool shit going on, but this one’s more of an artifact.

The Knuckleheads Destroy Discipline cassette

The KNUCKLEHEADS offer mostly mid-tempo thrash with metal influences. Again, there’s nothing new here—it’s well done but predictable, including the themes. But again, given where they come from, it’s probably not at all predictable and generic.

Don’t Know No Is All He Knows cassette

This is a pretty good thrash debut. While DON’T NO don’t break any new ground, they do have snap. The drumming and bass playing are hot, the vocals have back-ups, and the lyrics are pretty sharp, with a definite straight edge bent to them.

Sonic Youth Kill Yr Idols 12″

We fucked up by not reviewing their recent US release, so here’s one of the European debut of this New York combo. They’re sort of a refreshing throwback to the “No Wave” era in NYC, especially in the singing and guitar parts, but they’ve infused it with certain English- or German-style post-punk constructions. It all adds up to “art with an edge.” Lyle H’s fave.

Toreros After Ole Porom Pom Pero 12″

A seven-song treat from Spain. Most of it is medium to fast HC, but not your run-of-the-bull thrash. It’s got unique twists, insistent drumming and bass playing, fuzzy rhythm guitar leads, and vocals that remind me of Fabio from OLHO SECO—gruff but clear. Simple, yet appealingly distinct.

V/A Eat Me cassette

This compilation highlights some southern California bands (WHITE FLAG, KILLROY, and the WALLFLOWERS), and includes others from Tijuana, Mexico (SOLUCIÁ”N MORTAL), Seattle (DERANGED DICTION), and the Midwest (NO RESPONSE, CORRUPTED SERVICE). Most of this stuff gnaws your speakers apart, so eat this one up before it eats you.

Jerk Ward Inside My Mind cassette

This very young punk band—mostly 14-year olds—thrash and growl their way out of the garage. There are a whole slew of songs here, pretty roughly produced, and they have their say on a whole range of subjects. The guitar work shows promise, and there are some truly crazed items thrown in.

V/A Last White Christmas vols. 1-2

Two more high-quality cassettes from BCT that further their effort to give more exposure to international bands. These were recorded in Pisa, Italy, just prior to 1984. Tape #1 is a C90 with nine bands. Most of them thrash away in a frantic rage, with those classic demented Italian wails, but one band (the USELESS BOYS) are in a ’60s garage mold. Other groups include BRONTOSAURI, RAW POWER, the WAR DOGS, JUGGERNAUT, STATO DI POLIZIA, PUTRID FEVER, the DEMENTS, and AUSCHLAG. Tape #2, a C60, highlights the CHEETAH CHROME MOTHERFUCKERS, I REFUSE IT, and TRAUMATIC. A must for the international collector.

V/A Bijna 2000 Jaar Geleden cassette

This compilation features six young Dutch punk and thrash bands (ANTIDOTE, BLITZKRIEG, GEPÁ˜PEL, KNAKKERBROT, INDIREKT, and the HAEMORRHOIDS) and one new wavey outfit (the NOUS). There are varying degrees of competency, sound quality—mostly live—and excitement here, which sometimes makes for an annoying experience, but INDIREKT positively shred!

Murphy’s Law Bong Blast cassette

Some real silliness from this New York outfit. Musically, it consists of thrash, punk, metal, and reggae all thrown together in a humorous way. Lyrically, I wouldn’t want to think that these guys are serious, because the ideas are even more goofy than the musical arrangements.

Septic Death Need So Much Attention 12″

Heh, heh. After Pushead’s wisecracks at the beginning of his column, I can’t wait to review his band’s record. Unfortunately, it’s good. Oh, well. Actually, it’s ferocious. It combines the manic attack of the Boston bands with the recklessness of the best Finnish and Swedish thrash groups. Being a perfectionist, the Pus has worked long and hard on his debut, with excellent results. It should serve as a lesson for many young bands—wait until you’ve got it together before going public. This shreds.

V/A Birth Defect cassette

An excellent compilation tape that takes a hot cut or so from many bands we’ve reviewed separately in MRR. Included are the OUTPATIENTS, N.O.T.A., PSYCHO, ZERO DEFEX, C.O.C., the LEPERS, NO LABELS, N.J.F., MOX NIX, the NILS, S.U.M., VIOLATION, RIGHT GUARD, EAT THE RICH, the MONEY DOGS, YOUTH KORPS, and the ACCELERATORS.

DOA General Strike / That’s Life 7″

A new release that exemplifies DOA’s movement toward traditional rock music (at least on record). The A-side is an appeal to people to stand up for their rights and join in a general strike, reflecting the mood in British Columbia in November of ’83. It’s set to music that “sounds like FOREIGNER,” according to a famous friend of ours. The B-side is that awful SINATRA song. Enough said.

Hollywood Autopsy Hollywood Autopsy LP

PiL meets the SHAGGS, CRAMPS, and BUTTHOLE SURFERS on a bad ’60s acid trip, stumble over FLIPPER’s corpse, and rise (barely) above the basement. Enter the ghost of the 13TH FLOOR ELEVATORS, and you have it. These guys prove that SKY SAXON is dead!

Box of Fish Erosion / Sex Cat Killer 7″

On this Australian post-punk release, a noisy fuzz guitar overlays heavy bass and drum rhythms, thereby setting an ominous tone. While it may be a bit repetitious, there are definitely some original ideas here.

V/A Something to Believe In LP

YOUTH BRIGADE pays some homage to their native land by including many excellent Canadian bands (the NILS, YYY, the UNWANTED, SNFU, PERSONALITY CRISIS, the YOUNG LIONS, ZEROPTION, the STRETCH MARKS, and DOA) on this collection, as well as some LA newcomers (RIGOR MORTIS, the TOURISTS) and veterans like the BIG BOYS, 7 SECONDS, KRAUT, CH3, and themselves. A good sampling.

Confederate Surrender or Just Fight LP

Some classic SoCal sounds are captured on CONFEDERATE’s debut album. With its melodic guitars and songs, multi-tracked vocals, and fine production (courtesy of ex-ADOLESCENT Rikk Agnew), the listener is treated to a non-innovative but enjoyable release, not unlike the VANDALS’ debut.

The Wops Nervous Breakdown cassette

Very militant, political punk and thrash that comes with a bilingual lyrics booklet. The A-side of this tape is a little tinny-sounding, but the other side has a full production sound and really blows out the windows. It’s like night and day—weird!

V/A T.O. Hardcore ’83 cassette

I missed this when it first came out a few months ago, but better late than never. Six of Toronto’s best bands contribute two-to-four songs each, and it’s well worth getting. The bands are APB, CHRONIC SUBMISSION, DEAD END, DIRECT ACTION, the YOUNG LIONS, YOUTH YOUTH YOUTH, and ZEROPTION. A real good sampler.

Concrete Predictions cassette

A morbid, metallish melange meets a mental breakdown in a dark basement. Not unlike horror rock in sound and content (if the translated titles are accurate), it’s a bleak scene generated by Johnny Concrete and friends. If you like that genre, this is a well-done example.

Toy Dolls Alfie From the Bronx / Hanky Panky 7″

More funnypunk from these jokers. I don’t like this one quite as much as some of their previous records, though the vocal symphony on the A-side is delicious. The flip (not the TOMMY JAMES song) sounds like a JILTED JOHN outtake and is appropriately ridiculous.

The Apostles Blow It Up, Burn It Down, Kick It Till It Breaks EP

This EP precedes the one reviewed in MRR #10, and, as stated then, the APOSTLES are a very interesting band. Musically, they play slower, powerful punk with some distinctive variations; lyrically, they ooze with radical commitment. But one track (“Fucking Queer”) displays some confusing contradictions—self-hate?—which fly in the face of their otherwise virulent progressive and anti-fascist stances.

Actives Kick It Down LP

A really powerful, exciting album. The ACTIVES have developed into a somewhat Americanized thrash-style band, and the results represent an improvement over their earlier EP. The guitars and drums are way up front in the mix, and if there’s any fault here, it’s that the agonized vocals are somewhat buried. Recommended.

V/A Burger Corpse cassette

Most of the current batch of younger Minnesota bands are represented here with a few tracks each. Burger Corpse contains garage punk, thrash, noise, and styles in between, and includes groups like GROUND ZERO, CHURCH PICNIC, the HYPSTERZ, BOY ELROY, and SKELTER HELTER. The sound quality is pretty good for this type of thing.

V/A Barricaded Suspects LP

A shitload of bands from the far corners of the U.S. and Canada submitted their tapes, and these are the results—eighteen groups playing a variety of punkish styles (punk, garage, thrash, noise, post-punk). Some of the virgin-to-vinyl bands are RED TIDE, the KNOCKABOUTS, SEPTIC DEATH, DULL, the MASSACRE GUYS, B.I.U., DECRY, ABSCESS, and MAD PARADE. The album comes with a booklet and a Pushead cover.

Wipers Over the Edge LP

The WIPERS have put out two other albums and several 7″ers since 1978, yet they continue to go largely unrecognized. I don’t know why, because they’ve always turned out great material straddling the fine line between punk and ’60s rock ’n’ roll (not unlike the REPLACEMENTS, the MICRONOTZ, and ARTICLES OF FAITH). Here, they again pound out tasteful guitar-oriented rockers that just grow and grow on you. Try it.

Sluglords Trails of Slime 12″

Not your standard thrash fare by any means, but thrash nonetheless. Combining lightning fast and super-tight rhythms, vicious leads, and out-front singing (fine back-ups too), these SLUGS blaze their way onto the punk scene. Guitarist Steve DeMartis (ex-BAD POSTURE, and bass sub for a FLIPPER tour), a real vet of the scene, brings his metalish (but not grossly so) roots into play, which makes this debut both professional and distinctive. A good one.

The Slickee Boys Cybernetic Dreams of Pi LP

These guys have been at it since at least ’76 (when they released their first EP), and they continue to produce some of the greatest garage/’60s punk/psychedelia ever. This latest effort contains a few tracks off recent compilations and EPs, but most are new and exhilarating. It may be too “pop” for some, but there’s a real bite underneath that format.

The Remains Live in Boston LP

These tapes have been rumored to exist (and been lost) for years, but, miracle of miracles, at last they’ve been located and pressed. The remains were perhaps the hottest US band of the British Invasion type in the ’60s, yet never got the recognition they deserved and split up. This album showcases their strong points—early Jaggeresque vocals, soaring punky guitar work, and an incredible rhythm section; only one track, the bluesy “Gonna Move,” is boring.

Jerry’s Kidz This is Albuquerque, Not Boston EP

I know it’s gonna be hard to keep track of another band named JERRY’S KIDZ, even though this one formed first and ends with the letter “z”. It’s doubly difficult since both are tight, ferocious thrash bands. Got the picture? Now get the record.

Ism A Diet for the Worms LP

More warpo thrash and punk from this weird combo, featuring some bizarre arrangements, pianos, and synths. Musically, it all comes together rather than being disjointed and annoying, but the lyrics leave a lot to be desired. Their earlier humorous approach has given way to some downright reactionary sentiments in songs like “White, Straight, and Male.” Too bad.

Human Sufferage No Place Like Home 12″

These guys have a great crunching garage punk and thrash sound here, and they come down hard lyrically on middle class mores and problems ranging from the effects of Reaganomics to psychiatric conditioning. The production is hot, and the record comes with all sorts of weird inserts.

Flesh Columns Schweigew Vor Dem Sturm EP

Buzzsaw fuzzed-out guitars, pounding tom-toms, nimble bass playing, echoey singing, slightly metallish arrangements, and “destroy the system” lyrics characterize the first release by this Windsor, Ontario band. Most of the songs are more punk than thrash, though the tempos do pick up at times. This record has a ’78 feel to it, which makes it a nice alternative.

Bob Blackburn Bombsights Over Amerika / Black Leather 7″

Spooky, sparse punk that’s only slightly marred by double-tracked vocal harmonies. The A-side is a hypnotic grabber; the flip is less exciting, but has really cool screeching guitar work. Interesting, especially for VELVET UNDERGROUND fans.

Agent 86 Protect the Earth EP

A five-song job that really does it! Most of AGENT 86’s material is raunchy garage punk, but there are also a couple of thrashers. This group has been struggling in the wilds of far northern California for a while now, and it’s gratifying to see that their efforts have finally paid off. Get their zine Counterpeace, too.

Nobody’s Favorite Worse Than Live! cassette

The first couple of tunes would lead one to believe this band is firmly rooted in the early ’70s sound of the STOOGES/DOLLS. But further on they display their punk and hardcore side. Since this is a garage quality tape, it’s hard to tell exactly how together they are, but I suspect they’re a good outfit live.

V/A Sydney Australia cassette

This mostly live tape was recorded in early ’82, and features PROGRESSION CULT, NO SANITY CLAUSE, POSITIVE HATRED, ANIMALS IN DISTRESS, FEED TIME, and ANTI-HIERARCHY. It consists mainly of older-style punk, with some “skunk” material by ANIMALS IN DISTRESS. The sound quality is so-so, so this tape should be regarded primarily as an historical artifact. You had to have been there.

Depression The Death Squads cassette

Fifteen songs are on this tape, but because of the poor sound quality, it’s hard to hear one of Australia’s best thrash outfits wail away. Despite this, DEPRESSION exhibit some real mania here. Fortunately, they’re about to release some vinyl, so hold tight.

Hoodoo Gurus Tojo / (Let’s All) Turn On 7″

The A-side is OK power-pop in the better sense of the term, but the flip is more up-tempo and harder. Both are in a ’60s vein, with great choruses, sharp lead guitars, cool structures, and an occasional harmonica. Plus one of the members looks exactly like Brian Jones from the STONES. Unreal!

Underage Afri Cani EP

The most applicable adjectives here are rhythmic, savage, and raw. This is mainly fast-paced thrash that is driven by steady drumming, and topped off with a totally fuzzed-out guitar and insistent, intense singing. The UNDERAGE is an anarchist band and, judging from this, have an abundance of commitment. Excellent.

S.C.U.M. So Much Hate cassette

A three-song demo from Canada. It’s powerful, slower punk stuff with very strong vocals and intelligent lyrics. Even though S.C.U.M.’s music isn’t too contemporary-sounding, their commitment makes this tape sound very up-to-date.

Der Durstige Mann This Is Frankfurt Not Boston (Fuck Off LA) EP

More raving, unchecked psychosis from Hysteric Eric (of VOMIT VISIONS and ESOTERICS fame) and company. Here, completely garaged-out grunge meets thrash with that bathroom recording sound. “Hectic Epileptic” sums up this group’s approach.

La Broma De Ssatán La Broma De Ssatán 12″

LA BROMA DE SSATAN offer pretty well done punk, of both the ’77 and more contemporary varieties. The song titles, which include (in translation) “Pogo on a Nazi” and “You’re Gonna Die in El Salvador,” indicate their thematic concerns.

Subculture Loud and Clear EP

Working class punk rock, chants and all. The guitarwork is tasteful and melodic, sort of like the early CLASH, and the vocals also have some Strummerisms. It’s funny to hear a band with that style today, but I’ll bet they don’t think it’s particularly funny.

Political Asylum Fresh Hate cassette

Slower-paced, sparse, and more post-punk than punk, the music performed by this band is very foreboding. It’s often punctuated by longish guitar solos, but they aren’t annoying or egotistical, and actually add to the effect. The lyrics, while superficially offering nothing but a bleak view of the future, are certainly intelligent, and ultimately do encourage resistance to the 1984 horror show.

One Way System Writing on the Wall LP

An excellent second album from these guys. It mostly consists of medium and fast-tempo Britpunk, and all the songs are delivered with great power. “Corrupted World” and “Nightmare” really kick ass, though the latter is also on their recent 45. Recommended.

Naked One Step Forward Towards Reality EP

Most of the five tracks here don’t really grab me, though they’re not bad examples of mid-tempo Britpunk. However, “Frightened” has some real strength in its brooding, menacing development, and “Evil Faces” has nice drive to it.

Conflict The Serenade is Dead EP

The three very militant, confrontational, and positive songs on this EP demand that we take back what should already be under our control, be it our governments or the punk scene. The reason I say “positive” is that they stridently demand these rights. CONFLICT represent the real positive punk, and they are therefore justified in launching a spirited attack on bogus “Positive Punk,” the new trend fanned by the British music papers. The music here is also strident and powerful, making this an excellent acquisition all around.

Combat 84 Rapist EP

Ugh! The title song urges capital punishment and stronger government action (to deal with rapists), whereas “The Right to Choose” accuses the C.N.D.—British peace organization—of facilitating a Communist takeover, supports the installation of American nuclear missiles, and appeals to people to honor the British Falklands casualties. This band backs up these amazingly reactionary views with fairly common Britskunk. Wanna buy my copy?

V/A 20 Berkeley Bands cassette

A lot of the cuts on this Berkeley compilation tape could benefit from my musical ability, and that’s not saying anything at all. There’s too many FLIPPER-ish garage clones without that combo’s “charm,” although REVOLUTION THRU APATHY’s “I Had to Kill Some Ants Today” really stands out. At the same time, there are some real accomplished cuts here by SPECIAL FORCES, C.O.D., BLACK GUARD, and especially ATROCITY.

V/A Tarantula on My Cock cassette

An array of Virginia’s hardest core line up to thrash that sleepy state into the ’80s. Participating in this cultural attack are WHITE CROSS, HONOR ROLE, HOIT, GRAVEN IMAGE, FRONT LINE, GOD’S WILL, and the PREVARICATORS. The songs are generally excellent, the sound quality is fair, and the spirit is abundant.

V/A The Sound of Hollywood: Destroy LA LP

This is the long-anticipated Destroy LA compilation, but well nigh half of it is virtually unlistenable. Much of it consists of folk, metal, and regular rock ’n’ roll; the saving graces are S.V.D.B., RED SCARE, and two or three tracks by other bands. I guess if you’re really eclectic, you could relate to this. Personally, I think the F.B.I. ought to investigate this. (Just a joke!)

V/A English as a Second Language 2xLP

The follow-up to last year’s Voices of the Angels double-album, this is mainly a spoken word extravaganza. While some tracks have instrumentation (acoustic folk, electric noise, jazz, rap, etc.), the accent is always on the lyrics. This record features people from several alternative bands, including BLACK FLAG, the MINUTEMEN, X, the FLESH EATERS, D.I., the PLUGZ, the DREAM SYNDICATE, the LAST, and the BANGLES; it may be LA’s answer to England’s “ranting” poetry. I’d like to see this kind of stuff incorporated into live shows, perhaps between bands.

False Alarm Self-Destruction cassette

Not to be confused with the defunct Monterey group of the same name, this band has more in common with, say, SUBURBAN MUTILATION in terms of noise, distortion, and intensity—garage to the max! I can’t hear the words for shit, as they’re spit out at 150 mph and subjected to the kind of recording techniques that were probably used in the 1920s, but there’s one song called “Fags Suck” which they “oh-so-intelligently” dedicate to the CLITBOYS. This is followed by “Live Your Life!” Sheer genius, right?

The Abused Loud and Clear EP

Pretty intense power thrash. Some songs have those slow metal intros with Handsome Dick Manitoba growls, and then launch into straight-ahead crunching stuff. It’s nothing original, but it hits hard, especially “Nuclear Threat,” which is a killer.

Drunk Injuns My Dad Butch cassette

A five-song tape from this mysterious rampaging tribe. Appearing only occasionally in public, these guys pound out some real primitive, throbbing punk rock, with traces of the HEARTBREAKERS, PISTOLS, ZEROS, and others. In other words, it’s powerful slow-to-medium paced material to dance around the fire to.

Kilslug Necktie Party EP

Twisted stuff that’s mystical, dark, depressing, maybe even fascistic. Like the darker side of FLIPPER, KILSLUG’s noise is slow, falling, and nauseating. They’re undoubtedly worth checking out live, if you want to be set on edge.

No Response More Pollution from Green Bay cassette

Did some alien spores from Outer Space land near a farm outside this Wisconsin town some twenty-odd years ago, and impregnate the helpless local population? That’s the question I must ask after hearing this tape, which in the S.U.M. tradition combines twisted vocals, psychotic instrumentation, and a raw sound quality into a wonderfully deranged listening experience.

The Not Break Free tape

Hard-edged power-pop with definite Mod influences. The vocals are a bit reminiscent of early Jonathan Richman, and the music also has traces of those MODERN LOVERS, along with the early Jolt and Jam. Unfortunately, they try to cover the TROGGS’ “Lost Girl,” which proves to be a disastrous failure, but then nobody is quite like the TROGGS.

Circle One Patterns of Force LP

A very interesting record. Musically, it’s mostly well-done thrash, with some slower, lighter touches thrown in. It sounds good. Lyrically, it’s an odd combination. There are progressive anti-capitalist (unite against the rich man and his power, manipulation) and anti-racist (don’t let them divide us by color) sentiments. But then there are some glaring contradictions too, such as religious fervor—the blaming of man’s evil (including homosexuality) on Satan, the apocalypse as predicted in the Bible, our need to accept “Him.” Anyone for the People’s Temple?

Dead Hippie Living Dead LP

DEAD HIPPIE present highly produced punk in a variety of styles familiar to Angelenos. Some of their material approximates thrash, some is metallish, and some falls into the horrific death cult genre. I suspect that these people have been around for a while, because there’s more here than can be found on a typical vinyl debut from a previously unknown band.

Detonators Emergency Broadcast Systems LP

Hardcore that reminds me a bit of early SOCIAL DISTORTION, CH3, or YOUTH BRIGADE, while still retaining its distinctiveness. The DETONATORS use harmonies and what appears to be an acoustic-sounding guitar in their medium-to-fast-tempo songs, yet they have a lot of power and a certain edge. This album contains the classic “Do You Understand.” Great lyrics, too.

The Accüsed / Rejectors Split LP

These two Seattle bands have a side each to get across their points. Live, the REJECTORS are the stronger band, but on this record they lack a certain explosiveness and come off a bit generic. On the other hand, the ACCUSED seem to have more snarl, zip, and variety here. Oh yeah, you’ll also learn why all Seattle punks say “do the Frog.”

Special Forces 8 Songs to Kill By Cassette

Not as dumb as the title might indicate. Most of the lyrics are typically “hardcore,” as is the music, most likely due to the fact that this is a brand new band (featuring Orlando on vocals). There’s one hilarious song here called “Maggots,” which is a real horror show.

Stains Stains LP

These L.A. STAINS have been around for quite awhile, but they’ve only now gotten around to putting out vinyl of their own. It’s hard-hitting thrash with a lot of metal influences, including sledgehammer rhythms and lead solos. I was expecting more of the slower metal-type songs, but this record kicks ass. Not to be confused with the Texas STAINS (now MDC).

Trial Is This To Be? EP

Slowish punk in a CRASS-like style, done exceedingly well. Their sound is minimal and cleanly produced, and there’s some great moody guitar work. For more info on TRIAL, see the report under “Northern California” in this issue.

Unclaimed Lost Trails 12″

The psychedelic sixties, maaan. These guys are from the slightly goofy school, mostly in the SIR DOUGLAS QUINTET/SYNDICATE OF SOUND mold. They have Americanized Jagger vocals, psych guitar, and then lots of bubbly percussion, which gives the record a lighter sound than the punkier stuff I love.

V/A America’s Dairyland cassette

Although the sound quality varies, this is one of those must-have regional compilations. There are plenty of keen tracks here from the likes of DIE KREUZEN, SACRED ORDER, the TAR BABIES, NO, MECHT MENSCH, the CLITBOYS, S.U.M., the CRUSTIES, and many more.

V/A Eastern Front LP

In general, this is much stronger than the first Eastern Front compilation album, especially in the production department. There are good performances by WASTED YOUTH, JFA, CH3, the FARTZ, CIRCLE ONE, BATTALION OF SAINTS, FREE BEER, the LEWD, and England’s CHRON GEN. The only drawback (again!) is the lack of an info sheet on the bands.

V/A First Strike cassette

Nine bands from all over the US are featured on this compilation tape from a new alternative label. Most of them are in the thrash vein—the CLITBOYS, VIOLATION, the VATICAN COMMANDOS, POISON CENTER, the SKOUNDRELZ, EAT THE RICH, and CULTURAL BREAKTHROUGH—but MR. EPP appears to provide some humor and variation. Good show.

Bananamen Play Songs Made Popular by the Cramps EP

Bizarre! Who is this? The METEORS? The liner notes create a mystery, stating that this is a genuine ’60s band that just happened to do songs later covered by the CRAMPS, but I doubt that. Whatever, this modern psychobilly release definitely outdoes the CRAMPS by presenting even more frantic renditions of “Love Me,” etc. Great!

D&V The Nearest Door EP

I was about to term this drum and vocal combination as a real innovation in punk till I remembered SF’s NOH MERCY, who did it years ago. Actually, I think the latter’s approach was more exciting than this, because D&V’s drumming tends to be quite repetitive, and the vocals are too poetic and even in their delivery. Still, it’s refreshing because it’s different.

The Enemy Gateway to Hell LP

Mostly all mid-tempo punk (save two thrashers), this album contains several tracks off their 7″ers, and some new material. None of it immediately grabs me, perhaps because of the accent on production, leaving a sterile-sounding product devoid of real commitment and excitement.

English Dogs Mad Punx and English Dogs 12″

It’s not always fair to make comparisons with well-known bands, but in this case the sound is just too close to let it slide. The fast tempos, metallic guitars, lyrics, and vocal delivery all add up to… GBH, so decide on that basis.

The Mob The Mirror Breaks / Stay 7″

The A-side reminds me a lot of something the SOFT BOYS might have put out. It’s almost the punk equivalent of folk rock, which is not to say it’s no good because it’s actually very catchy. The flip is sort of a poor man’s WIRE—stripped down post-punk with a bit of tension, but lacking enough build-up.

Omega Tribe No Love Lost LP

Powerful slow-to-medium-tempo punk. Some of the music almost ranges into rock, but OMEGA TRIBE always retain their distinctive guitar riffing and overall impact. Lyrically, they are in the “Peace and Freedom” school of punk, constantly stating their amazement at mankind’s total idiocy. The great “Man Made” exemplifies that logical standpoint.

Riot Squad I’m OK — Fuck You EP

Trad punk bands like this are best taken in small doses on 7″er instead of entire albums. “In the Future” is weak, “Society’s Fodder” really picks up the pace, and “Friday Night Hero” tops it off with great power. All the songs express progressive and hopeful sentiments, though.

UK Subs Flood of Lies LP

There’s a little bit of everything here. First, there’s a little punk, some acoustic “pretty” music interspersed throughout, and some moodier post-punk stuff too. Some of it reminds me of pre-punk rock groups like the STRAWBS. In any case, the punk material here is mostly mid-to-slow-tempo, rhythm-oriented, and not very fiery.

Gepøpel Mooi Volendam demo cassette

This GEPÁ˜PEL tape is a one-man production. Niels de Wid played all the instruments on these eight songs, and also made the booklet. It’s interesting high-speed thrash (not unlike CRASS), interspersed with all sorts of weirdness and effects. Now, he’s found more band members, so the next GEPÁ˜PEL release should be even more solid.

Red Tide Rundown cassette

Eleven more great songs from this Canadian unit. With their wicked delivery and tight, imaginative arrangements, these guys constitute one of the more talented young bands around today. Most of the songs are thrashers, but there’s some real weirdness in the vocals.

Silent Majority Jungle of Lies cassette

A weird juxtaposition of thrash and post-punk styles can be found within individual songs here. Sometimes it works well; at other times, it seems a bit awkward, especially when they lapse into an almost folk-rock style. Still, SILENT MAJORITY comes up with a new angle, and that’s what makes them interesting.

V/A Alcoholic for the Evil One cassette

Another compilation tape from Italy. This one includes material by I REFUSE IT, the CHEETAH CHROME MOTHERFUCKERS, PUTRID FEVER, INDIGESTI, CHELSEA HOTEL, PSA, NABAT, and RAW POWER. Tape compilations seem to be the rage over there, presumably due to the high price of pressing records. Not surprisingly, the quality varies considerably.

V/A Concerto Punk — Torviscosa cassette

A live recording of what must have been an incredible show. The bands that appeared were the WRETCHED, TOXICAL WARFARE, PLASTIC SURGERY, UPSET NOISE, EU’S ARSE, ISOLATION, 5° BRACCIO, and IMPACT. The sound quality is predictably spotty, but the excitement comes through.

V/A Ljubljana Hardcore cassette

Four thrash bands at various levels of proficiency, recorded live at Ljubljana’s first-ever hardcore gig (see the Yugoslav report for more details). STRES D.A. are particularly awesome. A collector’s item, to say the least.

V/A Music on Fire cassette

Though released by an American label, this tape features some of Italy’s most awesome bands. There are plenty of cuts each by 5° BRACCIO, RAW POWER, the WRETCHED, INDIGESTI, STAZIONE SUICIDA, RAPPRESAGLIA, and CRASH BOX. A great introduction to a lot of hard-to-get material at a cheap price.

V/A Raptus LP

Another Italian compilation on vinyl. It contains a few great thrash tracks by the WOPS, RAW POWER, UART PUNK, and the WRONG BOYS; DRULL, the U.D.S., PETROLIO, and LAST CALL provide some less interesting older-style punk. All in all, it’s pretty good, and it’s worth buying just for RAW POWER’s songs.

V/A Really Fast vol. 1 LP

Fourteen different bands demonstrate that Sweden has become one of the most intense centers for hardcore music in Europe, along with Finland, Holland, and Italy. There’s some killer thrash here from the likes of HUVUDTVÄTT (the HEADCLEANERS), DNA, MISSBRUKARNA, ANTI-CIMEX, and others. It’s also got a neat folding sleeve, so order it today.

Sick Pleasure Speed Rules EP

A historical curiosity more than a musical necessity. This band went on to become CODE OF HONOR with the addition of a new singer, and evolved out of the TOOLS and X-ILES. SICK PLEASURE’s vocalist is now in VERBAL ABUSE. The music here is metallic thrash punk that sings the praises of shooting speed, killing parents, and mental breakdowns; the dark side of the SF scene.

V/A Starving Dogs cassette

A Chicago-area compilation with lots of styles represented. There’s plenty of thrash, some experimental stuff, and some punky pop. The sound quality isn’t the best, which tends to hurt the impact of some of these groups, but garage outfits like EVIL EYE benefit thereby. The other bands are BLOODY NAILS, NEGATIVE ELEMENT (now defunct), END RESULT, POLITICAL JUSTICE, VERBOTEN, the SEISMIC WAVES, KGB, GROAN BOX, ROTA, AOF, the ANTI-BODIES, BLOODY MURDER, NO RELATION, and ONO.

V/A Life Is Morning, So Why Not Steal This Record? LP

The third in the Life Is series. This one’s got two live GERMS classics to its credit, plus neat stuff by the MINUTEMEN, MODERN WARFARE, ANTI, MOOD OF DEFIANCE, HARI KARI, SIN 34, ARTISTIC DECLINE, and MODERN TORTURE. REDD KROSS disappoint with their “metal” number, and SHATTERED FAITH is so-so. Then there are nine more bands that get into electronics, folk, jazz, etc., for the adventurous.

Attak Zombies LP

This record is better than a lot of the LPs being produced by the most recent generations of British punk bands. The guitar-enhancing production here is up to the usual UK standard, but these guys have more energy than most of their plodding contemporaries. On the other hand, the lyrics aren’t too interesting.

Genocides Honey, This Ain’t No Romance / Keep Your Hands Off Me 7″

Both sides have a slight HEARTBREAKERS rock ’n’ roll feel, with punkier drumming and some sharp guitar work. Unfortunately, the lyrics would make Johnny Thunders look like a paragon of enlightenment.

Lepers God’s Inhumane EP

A four-songer, much harder and more thrashed-out than their first excellent release. Once again, it’s well done, but also somewhat on the metal side of punk. My favorite cut is “Genius as Thief,” a real bone-cruncher.

Lincoln Street Exit Whatever Happened to Baby Gessus EP

Three songs in the old Texas ’60s psychedelic vein. This could be either a reissue or boot of a vintage group, or a new band with a great sense of history, but it sounds really cool. Musically, it isn’t the frantic punky stuff; it’s more of a DOORS-type sound, organ and all.

Satans Cheerleaders Created in Your Image cassette

Wicked! A totally ferocious thrash attack, enhanced here by the poor sound quality. Sometimes that special garage quality is a plus, as with SUBURBAN MUTILATION. The lyrics here are also delivered with commitment and intelligence, making this an all-around treat.

Social Distortion Mommy’s Little Monster LP

You’ve got to know by now what SOCIAL DISTORTION sound like—those distinctive vocals, the harmonies, the rockin’ guitars, and melodic hooks galore. Their album is filled with more of the same. Nothing here is too frantic except “The Creeps,” which really blazes forth. There’s precious little exciting punky-pop around these days, but this is one of the rare examples of it.

The Undead Verbal Abuse / Misfit 7″

Latest from one-time MISFIT Bobby Steele. The line-up on this release is now defunct, as Bobby moved to SF, linked up with Olga of LEWD, and is moving to LA. A-side is pretty powerful punk, of the mid-tempo variety, right up Jack Rabid’s alley. B is even slower.

The Velvet Underground Live ’68 LP

A new bootleg-quality release of a vintage VELVET UNDERGROUND performance in Cleveland. The VELVETS are undoubtedly my favorite group of all time, so I can’t be too objective. Suffice it to say that this record contains some real rarities—songs unreleased in any form—and some of Lou Reed’s most manic, dissonant, and nerve-wracking guitar work ever.

The F.U.’s My America LP

To quote Pushead, the music here “storms out detonating gusts of energetic exertion, wild euphoria flailing in rapid determination waiting to explode.” The lyrics, on the other hand, tread a fine line between obnoxious satire and mindless reaction, and after conducting an interview with them in which they stated “America rules” in all seriousness, adding that immigrants entered the US because they were “too dumb to run their own governments,” it’s all too apparent that theirs is a regressive mentality better suited to fraternity jocks than so-called punks.

Ill Repute Oxnard: Land of No Toilets EP

Jeff was blasting this from his room the other day while I was trying to sleep. Next day I asked him what that was, cause it sounded great, even though I should have been pissed. He felt it was pretty generic, so I went back and listened to it. Generic or not, this fucking wails! Guess he needed the sleep!

Uproar And the Lord Said “Let There Be!” LP

Fast punk and thrash that’s well-produced and snappy. The guitars sound great here (as they do on most English recordings), and the songs have that little extra something that makes them memorable. A pretty good album from the UK.

V/A I’ve Got Those… Demo-lition Blues LP

Eighteen previously unrecorded young bands that range from ’77-style punk to thrash to current Britpunk to Oi. The quality of the material and sound varies, but most of it is absurdly predictable. I like SOLVENT ABUSE, the ABORTED, and DEVOID the most, but there certainly aren’t any classics here.

Kosili Hadcör Aus Der Provinz cassette

Well, hardcore thrash it’s not! KOSILI play older-style punk that’s quirky and sort of funny-sounding. The lyrics are probably funny too, but they’re in German and Italian so I don’t know for sure. That’s probably to be expected though, because these guys hail from the rarified atmosphere of the Swiss Alps.

No Tag Can We Get Away With It? LP

Medium-to-fast-tempo punk, with a bit of thrash thrown in for good measure. This live record is well recorded, and the band displays good musicianship, some neat guitar work, and strong vocals. On this record NO TAG succeeds in shedding their previous Oi approach, a change for the better.

Upright Citizens Make the Future Mine & Yours LP

One of Germany’s better bands follows their 12″er with another mixture of thrash and punk. All of it is competent, and some of it is especially moving. I love the cut entitled “The End,” which is moody and scary until all hell breaks loose. As the UPRIGHT CITIZENS say, “fuck their wars.”

V/A Blender Mix LP

Eight bands from Ottawa and possibly Quebec. Some are thrash (OUTBREAK, HERGS CORPS), some are punk (RANDY PETERS, MODERNES PICKLES), one is garage (the LAST PRAYERS), and the rest are experimental or HALF JAPANESE-type noise bands. Another eclectic regional compilation for the archives.

Avengers Avengers LP

From 1977-79, the AVENGERS were the quintessential SF punk band. Fronted by the electrifying Penelope Houston and powered by Greg Ingraham’s amazing guitar playing, they were far ahead of their time and, like many others in that situation, unable to stay together. Finally, this 14-song memento has been released for those poor unfortunates who never saw them live in their heyday, never got their first 7″ EP (included here), and/or never got their 12″ EP (alternative versions included here). Other tracks include unreleased studio outtakes and an incredible live version of “Fuck You” that totally destroys. A must.

V/A Holland Hardcore cassette

Nine bands, only one of which—ZMIV—appeared on the Als Je Haar… compilation reviewed last issue. Yet all of these bands are terrific as well, and indicate the depth of the new Dutch hardcore scene. On this 70-song tape of varying sound quality, one can hear the SQUITS, LÄRM, ZWEETKUTTEN, the VIKINGS, STANX, GLORIOUS DEATH, KNAX, and LA RESISTANCE.

V/A The Master Tape Vol. 2 2xLP

Double-LP, to be exact. Out at last, seemingly a year in the making, it features 19 bands, most from the Midwest, and a few from the East. There’s some great stuff, so so-so stuff, and lost of variety in aggressive, abrasive punk styles. It’ll take too long to run down who does what, but you’ll undoubtedly find out for yourself, as it’s really affordable, and definitely necessary. But it’s murder on disc jockeys (finding the correct tracks).

V/A Get Off My Back LP

From the City of Brotherly Love comes this great compilation. It features a few songs from ten bands (see the Philly scene report for a list), and includes all kinds of modern punk sounds. There’s out-and-out thrash, quirky punk, slower punk, faster punk, jazzy punk, etc. Mandatory listening.

The Stalin 虫 LP

This great band from Japan has been putting out records since 1979 (five 7″ers, one 12″ EP, and two LPs), but they’ve somehow escaped notice in the West until now. Their latest picture disc album is amazing, like those of the best Finnish bands. The slower songs are wickedly powerful and tuneful, with great wrenching guitar work, and the more numerous thrashers are awesome. Plus, Japanese production is the best in the world, so order them when Rough Trade begins distributing them.

V/A Why Are We Here? EP

The STILLBORN CHRISTIANS, NO LABELS, BLOODMOBILE, and COC contribute about three songs each to this exceptional testimony to the variety and power of the North Carolina hardcore scene. Don’t miss out.

Sudden Death Stagflation cassette

Thrash with a weird metallic sound to it, almost like an electrified acoustic guitar or bass. Sometimes it seems overcrowded—too much noise at once, too repetitive. The slower thrash numbers have more impact on this new cassette, but personally I like their first tape better.

True West Steps to the Door 12″

I seem to be having a flashback. Is this early PINK FLOYD? The WATCHBAND? No, it’s a current band that’s gradually become more original and biting than those LA copycat psych groups. The guitar etches notes green and purple inside my brain. Please shut the window.

V/A Viva Las Vegas cassette

Five varied hardcore bands appear on this Nevada sampler. SUBTERFUGE play mid-tempo British-style punk; TWISTED MORALS OF AMERICA have a slow hard sound with a wicked raw guitar; the infamous MIA (who’ve recently reformed) employ their furious thrash attack; F-8 sound primarily like full-on DISCHARGE; and SELF-ABUSE attend the 7 SECONDS school of tuneful thrash. Great!

V/A Ohmigod! Hardcore cassette

There are eleven bands on this latest compilation from Chainsaw fanzine, mainly from New York state and Pennsylvania. It contains a lot of thrash, some punk, and some art/noise material. The musical competence varies from band to band, but most are good. They include the REVENGERS, NO THANKS, SOCIAL DISEASE, WASTED TALENT, the FATALITIES, SUBURBAN AGGRESSION, SMERSH, CRACKED ACTOR, NOTA, and others.

White Flag S Is for Space LP

These guys might be punk’s answer to FRANK ZAPPA. The music ranges from garage punk to heavy metal to metal-punk to rock to thrash to experimental stuff to just plain ridiculousness, and is interspersed with talking, interviews, and blank space. This album is simultaneously imaginative, challenging, and dumb beyond belief.

Bollocks Meditteran EP

Eight new songs from the band that previously released the classic All Rock Stars Should Be Drafted EP. Side one features six short, punchy, creative thrash-style numbers, while the flip has two longer, slower, and more experimental songs. A creative outfit.

Channel 3 After the Lights Go Out LP

More of that pop-punk sound so characteristic of LA’s Poshboy Label. The production quality contributes to CH3’s powerful overall delivery, and the songs are as catchy as usual. I’m not too thrilled by the romantic themes that appear here, and it’s depressing that another new band is covering a sexist STONES song, but this album is pretty entertaining.

The Chocolate Watchband The Best of The Chocolate Watchband LP

Now these San Jose guys really shredded. They were among the kings of ’60s raunch rock, excelling at straight-on ’60s punk, psychedelic freak-outs, and atmospheric folk-rock. Whatever, this album is all super-cool (except for “Misty Lane” and “Tender Trap”), sort of like the early STONES. Go out and get it.

The End Holocaust Hop EP

Three songs, three styles—rock ’n’ roll punk on the title cut, folk-heavy metal-punk on “Communisty,” and thrash on “California.” All are produced well and performed well, though they might be a tad too clean for THE END’s garage approach. A good basic release.

JFA Valley of the Yakes LP

Like their cool debut EP, JFA’s album is chock full of super enjoyable thrash tunes. Their songs, whether high-speed blasts or the occasional surf-style instrumental like “Baja,” are perfect for hot fun in the sun—skateboarding, surfing, drag racing and, of course, slamming and skanking. The main improvement here lies in the area of production—the guitar has more edge this time around. Even though they’re from Arizona, JFA are the California beach band of the ’80s.

Lockjaw Dead Friends EP

As with their first record, the sound here is tight and raw, and the vocals rip. And as with the first EP, there are some good lyrics and some real losers—”Portland” and “Full of Hate” are sound critiques of politics, but “No â’¶” perpetuates the common misinterpretation of anarchy as a lack of order, and “She’s a Slut” exemplifies the old double standard at work.

MDC Multi-Death Corporations EP

Four new songs that come enclosed in a well-researched and informative fold-out sleeve. The music is in MDC’s intense, complex, stop-on-a-dime thrash style, but the vocals have developed into an amalgam of rap and hardcore phrasings. This latest assault by one of the world’s leading political bands, in terms of both beliefs and commitment, is strengthened by excellent production.

RF7 Submit to Them Freely EP

A strong three-track outing that displays more ’60s punk influences than I’ve heard in them before. The title song and “Not Now Generation” are hammering metal punk efforts that remind me slightly of what the STOOGES might sound like today; the other number (CREEDENCE CLEARWATER REVIVAL’s “Fortunate Son”) is the most obvious ’60s connection.

Pariah Youths of Age LP

The usual excellent Poshboy production adds to the impact of this Northern California punky-pop band. They have a powerful clean sound in the CH3 vein. The songs aren’t real short, but they don’t drag at all. All in all, a fine album.

Mecht Mensch Acceptance EP

A mixture of fast and slow hardcore from a Wisconsin aggregation with a close relationship to the TAR BABIES. The arrangements are fairly complex, like those of DIE KREUZEN, and my fave cut is “Land of the Brave.” Watch for an upcoming TAR BABIES disc.

The Replacements Hootenanny LP

More varied and experimental than their previous outings, and it suffers for it. Overall, it’s not nearly as powerful or rocking; there are several bluesy or countrified numbers in place of their standard raw blasts. The standout cut is “You Lose,” which is great, infectious, and innovative rock ’n’ roll, with a bassline right out of the MOVE’s repertoire.

Anti Defy the System LP

Flying in the face of the anti-political, anti-peace reaction, ANTI fearlessly display a peace sign and a V-symbol on the cover of their second album. The lyrics continue the counterattack, meshing both general and personal politics to form an intelligent complement for their attack. The sound here is more refined and harmonic than that on their last outing, sort of like early CHANNEL 3.

The Bang Gang She Ran… But We Ran Faster EP

Competent thrash with a quirky edge, but the lyrics… yuk. “4 X the Fun,” like the cover art and the band name, revolve around the joys of gang rape. I suppose it’s just another punk “joke,” but in the offensive 6th grade style.

Big Boys Lullabies Help the Brain Grow LP

An excellent album by this long-standing Austin band. Solid production enhances the many musical styles this group bashes out with ease—thrash, funk, punk, pop, ballads, you name it. The words are barbed and confrontational, and Biscuit’s singing reminds me a lot of the UNDERTONES’ raspy vocalist. It’s a good ’un.

Fallout Home Killed Meat LP

This is a bit better than the other UK records I was assigned this time. It contains some thrash and some older-style punk, all of which is delivered with considerable power. Personally, I like the live tracks best—they have a totally industrial quality to them, sort of like hardcore meets THROBBING GRISTLE.

GBH Catch 23 / Hellhole 7″

Good latest effort by this metal-punk outfit that’s quickly gathering a bad rep as having an advanced stage of “Rockstaritis.” The B-side is especially strong and well produced.

Red Alert We’ve Got the Power LP

Oh yeah? You must have lost it all before you recorded this. Actually, it’s not that bad at all—I just couldn’t resist. There are a few decent “skunk” tracks here, but most plod along with no special spark.

Subhumans Evolution EP

Now here’s an English band and record that I do like. All of this material has that special feel of intelligence and commitment, whether the rock ’n’ roll of the title track, the thrash of “Not Me,” of the power-chording of the unlisted track. One of the best, no doubt about it.

Apostasy Pseudo-Punks cassette

A well produced yet raw rhythm-heavy band with a garage feel, not unlike their fellow countrymen, the SUBHUMANS. The lyrics are all political, and are best summed up by their name, which means a “renunciation of previous beliefs, religion…”

The Asperitys This Sucks cassette

Another new Dutch band that seems to be more influenced by American thrash than UK punk styles. Although the recording quality isn’t the best—there’s one studio side and one live side—it’s good enough to reveal the ASPERITYS as a fine group with a lot of potential.

City X / ADS BZ-StÁ¸ttesingle EP

The CITY X side consists of two songs, one in a middle-period CLASH pop-punk vein, the other a more contemporary thrasher. The ADS track is a long, drawn-out, slow-to-medium-tempo punk cut with no particular gusto to it.

Dayglo Abortions Out of the Womb LP

This Canadian LP has been out for a while, eh. But it’s finally gonna get the distribution it deserves, eh. Mostly, it’s great, tight thrash with a few slower metallic DOA-type songs, eh. But the real joy of it is the totally satirical and retarded nature of the words, lampooning just about everyone, eh. Get it, eh.

Þeyr The Walk EP

Two of these songs by Iceland’s ÎEYR are pretty lightweight experimental numbers, but one (“Positive Affirmations”) makes this EP worth buying—it’s real fast-paced post-punk with raw guitars, great drumming, and THROBBING GRISTLE-like industrialized vocals.

Rough Torino È La Mia Città EP

Four songs in the thrash/Oi style, faster than most but not as fast as the EXPLOITED. Two songs are in English, and their titles—”Riot in the Street” and “Abuse of Power”—give an indication of ROUGH’s thematic concerns.

V/A Als Je Haar Maar Goed Zit… Nr. 2 LP

23 songs by eight of Holland’s many great thrash and punk bands. The bands include PANDEMONIUM, the HAEMORRHOIDS, ZMIV, the OUTLAWZ, NULL-A, the LAST FEW, the AMSTERDAMNED, and BGK (who have an incredibly hot debut LP of their own out), and there isn’t one lame track here. Get this today!

V/A Kaaos — Lehden Kokoelmakasetti cassette

Seven bands appear on this compilation put together by Finland’s Kaaos fanzine. It contains some studio demos and some live recordings, and includes both better-known bands (TERVEET KÄDET, the BASTARDS, RIISTETYT, KAAOS) and newer up-and-coming groups like PROTESTI, TAMPERE SS, and FUCKING FINLAND. Uneven but worthwhile.

V/A Skins e Punks = TNT EP

Side one is real mediocre, with DIOXINA’s standard slow UK punk and a ska tune by ARRM, but side two is killer. ARRM returns with some blistering stuff, NABAT showcases some fast Oi, and RAPPRESAGLIA rips out strong thrash.

White Cross What’s Going On? LP

This isn’t as musically thrashed out as their great 7″ debut, but it’s still powerful as hell; in that sense, it parallels the direction that SS DECONTROL are charting out. The production here is also much improved. I’ve got a feeling that WHITE CROSS will never be as good on record as I hear they are live, but this is still a necessary addition to anyone’s hardcore collection.

Mox Nix We Won’t Be Controlled cassette

One of the most powerful new groups I’ve heard from SoCal. It’s head-on thrash meets SOCIAL DISTORTION. The production is great, and it doesn’t hurt that their lyrical commitment matches the intensity of the music.

No Thanks Are You Ready to Die? EP

A five-song debut by this Metropolitan-area thrash outfit. Musically, it’s not exceptional, but it has a high level of intensity that’s enhanced by a tough female singer who spits out some challenging words.

Offenders We Must Rebel cassette

An awesome Austin band that includes ex-MDC bassist Mike. Their music reflects that to a certain degree, but there is also a classical thrash/punk feel to this tape, not unlike MINOR THREAT and 7 SECONDS. It’s much faster than their earlier single, so watch for new vinyl this summer.

Rapid Vapid School cassette

An unusual band. Amidst the thrash, there’s some post-punk influence, but not the lightweight, arty type. This tape features interesting, driving arrangements; tight, innovative playing; and a male/female singing combo that is very different.

Sin 34 Do You Feel Safe? LP

SIN 34’s long-awaited debut album is finally here, and it’s been worth the wait. There are some serious songs and some hilarious ones, but the main difference between this release and their debut EP is the vastly-improved production. At times, these characters remind me of what the AVENGERS might have sounded like had they encountered thrash. Real neat.

Meatmen We’re the Meatmen… And You Suck! LP

I don’t share Jeff’s fascination with scatological humor, but I really do like the music here. Side one is a remixed and remastered version of their Blud Sausage EP, and it’s powerful as hell. The other side, which features live cuts, is also of superior production quality. All in all, not bad for an “old man” like Tesco.

Destructors Forces of Law EP

“Neutron Bomb” and “Forces of Law” are both OK, the first being the stronger of the two. The mix is really weird—the vocals and snare drum are way up front, while the guitar is in the background. “Wild Thing” is… well, you’ve probably heard that song by now.

Agression Don’t Be Mistaken LP

Older-style punk, aggressively done with inflections of thrash, Oi, and metal to break the overall medium-tempo feel. The vocals are literally spit out, and the high quality production gives the power chording a PISTOLS quality.

Whipping Boy The Sound of No Hands Clapping LP

This album features a lot of thrashers, but there are a few metallish and/or mood songs, and one bluesy thang. The lyrics are very provocative, covering nukes, parents, society, genocide, computers, and in-scene backstabbing. It’s even got gut-wrenching liner notes by Malcolm X (no relation to Geza). Go for it.

The Vacant I Know cassette

Garden-variety thrash from the Sacramento valley region. There are some sparks of originality, and “Tim’s in the Marines (And He Can’t Get Out)” is done in such a regimented, repetitive manner that you can fully understand his plight.

White Trash Wake Up EP

Another classic. A five-song thrasher that’s delivered like a one-two punch. The lyrics are good, whether political or just downright ridiculous. Check out “I Hate My Toes” because “they’re dirty, they stink… they’re ugly and pink.” Really hilarious.

YDI Out of Blood cassette

A 15-song tape that isn’t for sale. At times, it reminds me of Fresno’s CAPITOL PUNISHMENT, with its extremely gruff vocals and all-out thrash attack. Unrelenting and excellent, so wait for future releases.

V/A Big City: Ain’t Too Pretty EP

Seven NYC bands cram cuts into this 7″er put out by Javi of Big City zine. All are either current, or recently split-up, and all thrash out to the max. The bands include XKI, the BETRAYED, ULTRA VIOLENCE, NO THANKS, the ARMED CITIZENS, FATHEAD SUBURBIA, and SAVAGE CIRCLE.

V/A The Columbus Compilation cassette

Columbus, Indiana, that is. There are four bands here, KILLING CHILDREN being the most proficient and thrashed-out. The others—the PATTERN, ANDROPOV’S ASSASSINS, and studio group COLBY—are definitely on the garage side of life. They have that unmistakable Midwest flair, best exemplified by the PATTERNS’ classic “Burger Palace of Death.”

V/A Acid Visions LP

A compilation of ’60s Texas punk and psychedelic bands. There’s lots of good stuff here, including some real obscurities like the GREAT BELIEVERS, A-440, the THINGS, etc. If by chance you’ve already picked up Mindrocker vol. 4, then pass this up because there’s only a four-song difference, and the sound quality isn’t as good on this.

V/A Out Blow Out cassette

A great collection of San Diego-area bands. Some are current, some are long gone, some are punk, some are thrash, all are raw. The bands include 5051, CATCH 22, BATTALION OF SAINTS, SACRED LIES, the MORAL MAJORITY, the INJECTIONS, the SKULLBUSTERS, etc.

V/A You’ll Hate This Record LP

Sorry, Mykel, but at best (worst) this record is so-so. G.G. ALLIN is good, the FUCK-UPS are the FUCK-UPS, ART is interesting, and the experimental and pop cuts could have been a lot worse. Even the liner notes didn’t incite me to slag. The best part may be the plastic barf on the cover. (Note: half of the material here has already been released.)

V/A Life Is Beautiful, So Why Not Eat Health Foods? LP

An excellent follow-up to the Life is Ugly… LP. I like all of the punk side, which begins with a great old BAGS cut, and continues with ANTI, SHATTERED FAITH, CHINA WHITE, M.I.A. (not the group on the Last Rites LP), ILL WILL, and a live GERMS track. The B-side contains some experimental stuff by Gary Kail, as well as the B PEOPLE, VOX POP, the MINUTEMEN, and POWERTRIP. Good variation.

V/A These Cats Ain’t Nothin’ But Trash LP

Three modern bands that revive the roots of punk. The MILKSHAKES have that early KINKS or Merseybeat sound; the STINGRAYS belong to the METEORS/CRAMPS school of psychobilly; and the CANNIBALS hearken back to the ’60s punk of the early PRETTY THINGS or maybe the SEEDS or maybe the SHADOWS OF KNIGHT. These aren’t just copies—they reflect the genuine spirit of those eras. Great record.

BGK Jonestown Aloha! LP

This Dutch band has evolved from the remnants of the NITWITZ into a more intense outfit capable of delivering many kinds of punk—classical, thrash, heavy metal punk, etc. All the tracks here have tremendous power, and some of them actually show an MDC influence. Very good indeed.

OHL Verbrannte Erde LP

Put this band right up there in the European thrash-king sweepstakes. With this entry, Germany finds itself well represented. Awesomely powerful music that puts their earlier stuff to shame. Also, any doubts about O.H.L’s alleged “fascist” politics are again disclaimed here—one of the band members has the Jewish star of David on his leather jacket. Good news.

V/A Destroy Clones cassette

This tape features ten bands from Italy, some of them punk, some fo them thrash, and most of them Oi. My favorites are FALLOUT and 5° BRACCIO, who totally cut loose. The WOPS and NABAT bash out some Oi, if that’s your cup of campana.

Unaware Tear Gas Raid cassette

Now down to a three-piece, this outfit has tightened up considerably, producing a classic guitar-highlighted tape with good hooks, a thick sound, and plenty of tension. Not as funny but better produced, the Unaware sound good at slower paces and thrash speed.

Twist & Scream Corporation cassette

This young band was pissed when they were described last issue as FLIPPER-like. They do have some similarity in the distorted, raunchy bass lines and vocals echoes, but they are much more spirited and furious in tempo. Sort of like the CHURCH POLICE (just kidding, guys).

V/A Get Off My Guts cassette

Eight groups from the Berkeley area, all very young and in various states of existence or non-existence. The tape quality is very garagey, and the material includes some thrash and some pet rock or “mind rot.” The whole thing was recorded by Aaron and Jesse, those two youngsters who put out Tedium fanzine, and all other teeny zines that you literally need a microscope to read.

V/A Growing Pains cassette

There’s quite a conglomeration of styles and sound quality on this South Bay compilation. It’s got thrash, heavy metal punk, garage punk, pop-punk, old punk, etc. The eight bands featured are FACTION, GRIM REALITY, RIBZY, EXECUTIONER, the BRUCES, WHIPPING BOY, the UNAWARE, and LOS OLVIDADOS.

V/A Hudson Rock LP

This Albany, NY compilation is like the ones that used to come out two or three years ago. It’s got a bunch of local bands playing diverse styles of music—’77 punk, punky pop, punkabilly, post-punk, etc. There’s a lot of so-so stuff, some quality stuff, and one thrash outfit (CAPITLE). A sampler in the truest sense of the term.

V/A Noise from Nowhere EP

Just when I thought SoCal was getting a bit stale, along comes this great 4-song EP with one cut each from KENT STATE, MODERN INDUSTRY, MOSLEM BIRTH, and MANSON YOUTH. All four present intense, unusual, and diverse styles of contemporary punk, tinged with deep cynicism. This isn’t LA schlock horror rock, but the real thing—the horrors of living today. Buy and die.

V/A What Syndrome cassette

A compilation with most of the Seattle area’s great bands, past and present. Some of it is pretty garaged-out, but it’s all worthwhile, a necessary addition to anybody’s collection. Includes the FARTZ, the REJECTORS, SOLGER, the ACCUSED, POISON IDEA, FIRING SQUAD, etc.

One Way System All Systems Go LP

This album contains at least one track from each of their three previous 7″s. ONE WAY SYSTEM focus on the more traditional punk styles, which they handle well, but they also play a few thrashers. A pretty good record, though not exceptional.

Rabid Bring Out Your Dead 12″

This 12″ sounds simultaneously over-produced and under-recorded, but the good music still makes it through. There are a couple of dragged-out mid-tempo numbers, but there’s a find dirge (“Holocaust”) and a few real kickers.

UK Subs Shake Up the City EP

Despite their antics and posturing on stage, the SUBS are a good band. But not a great band by any means. All three songs here are solid rockers and represent some of the best aspects of ’77 Britpunk. A tip of the hat to Charlie Harper for keeping the faith (energetic), but so much has since changed.

The Bix Bigler Band Amtrack cassette

Here, a former member of Reno’s party band, the THRUSTING SQUIRTERS, joins with members of 7 SECONDS and SECTION 8 to put out a rockin’ rolly four-song tape with scatological lyrics that would make Tesco Vee wince. The classic here is “There’s a Scientific Name for Your Dick.” Retarded to the max.

DRI Dirty Rotten EP

Mix together the early CIRCLE JERKS, early BLACK FLAG, MDC, MINOR THREAT, SSD, TERVEET KÄDET, and GANG GREEN, and you have something approximating these DIRTY ROTTEN IMBECILES (so-called by their parents). What can I say—this is manic, intense, tight thrash with great lyrics, and I can’t wait till these Houston boys unleash themselves upon the rest of us deprived people. 22 songs.

The F.U.’s Kill for Christ 12″

This is the second release on the X-Claim! label, and it’s no letdown. Some of the songs here are reminiscent of the super-fast sound associated with Boston; the others are slower, more distinct or melodic, but still rough, raw, and tight. Snap it up.

False Alarm I.W.L.P.I.F. cassette

This group hails from down near Monterey, and the music is fairly standard NorCal stop-and-go thrash. Pretty energetic, but not really original. The words are similar in all fifteen songs, expressing a desperation and emptiness that must make the writer a real joy to be stuck in an elevator with.

Hates Panacea 12″

This band has been around for a long time—that’s the good part of this review. This EP isn’t as bad as their last 7″—that’s the so-so part of this review. This records isn’t as good as their earlier releases—that’s the bad part. The pop-punk sound and almost falsetto vocals here are too close to new wave, but there are some good lyrics and a couple of cuts that rock out pretty hard (“Punk 1301″ and “What Am I Living For?”).

Iron Cross Skinhead Glory EP

This slice of American Oi drags a lot but the drill press guitar sound is hot. The lyrics are about fighting and at face value seem confused if not downright reactionary. Vocalist Sab told me that aside from ex-bassist Wendel’s “Psycho Skin”—a retarded homophobic diatribe—most of the other songs are based on specific incidents and advocate self-defense not mindless violence. Unfortunately that isn’t at all clear from the enclosed lyric sheet. When dealing with sensitive subject matter, it would be helpful if bands included more information on what it is they’re trying to say. After all isn’t the object of music to communicate feelings and ideas?

The Abused Watch Out cassette

Some heavy metal licks laid over really powerful thrash. The songs are short and well punctuated, with strong drumming. I can’t hear many of the words, but if “Nuclear Threat” and “D.F.Y. (Drug Free Youth)” are indicative, they’re fine. Highly recommended.

Lepers Evil Music / So We Can Talk 7″

The thing I like most about both cuts are the vocals, which are eerie but not pretentious. The A-side is the song I like musically; it sort of reminds me of the more upbeat, listenable side of PERE UBU. Great bass runs.

Rejectors Struggle cassette

If you had the good fortune to come upon their EP, you know what this new four-song “live” cassette is like. If not, it’s not too late to pick up on this bone-crunching attack. Note, as go the FARTZ (now 10 MINUTE WARNING), so go the REJECTORS. This means that there are some heavy metal guitar licks on this tape.

Psycho 8-Song EP

Really cool. This band does a cover of the SONICS’ classic, along with other tunes ranging from straight-on thrash to thrash meets power-pop (in the good sense of the term). Great hooks, sharply delivered, and more gas than a bowl of Boston beans can produce.

Scream Still Screaming LP

This is bound to be one of the best releases of ’83. Dischord has really got their production down—it’s the best in punk. An unrelentless record, musically and lyrically, containing powerhouse thrash with great hooks, choruses, and vicious guitars. I don’t care much for the few reggae-ish cuts, but otherwise I can’t say enough good about this one.

Die Alliierten Ruhm und Ehre LP

An excellent release with varying punk styles and tempos, all the way up to thrash. It’s very tight and features good choruses, but the real strengths here are a great drummer and a guitarist who really cuts loose with some unusual licks and great, swooping chords.

Bastards Harhaa cassette

This band must be the Finnish equivalent of DISCHARGE—metal meets thrash at 120 mph. There can be no winners of a nuclear war at that speed. Seriously, one side of this tape is studio and one side is live, but both are excellently recorded. Propaganda strikes again.

Lixomania Violência & Sobrevivência EP

LIXOMANIA sound a bit like some of the better new English bands, but with an edge and vocal rawness more reminiscent of Finnish groups. There’s one thrasher and a bunch of mid-tempo punk songs covering themes like punk not dying, massacres of innocent people, etc. The lyrics are in Portuguese, the language of Brazil.

The Studs Warning! High Voltage EP

This sounds like earlier-style British punk and, although Dutch, has English lyrics. It’s funny how stuff that sounded so great three years ago now sounds so restrained, but “Electric Chair Execution” is fairly effective.

Suspense Murder with the Axe EP

A four-song release by a young Dutch band. There’s a lot of different styles here, including a semi-post-punk track with a synth, a punk cut with a strong ’77 influence (“Heroin Child”), and a thrasher or two, “Crazy Sod” being the fastest. Pretty raw and catchy.

Varaus 1/2 LP

A 12″ with all the songs on one side. Once again, I’m forced to rave about Finnish thrash. This is one of the many bands from that country which inspire amazement. I hadn’t heard of these guys before, but they’ve obviously been practicing to achieve such power.

Zmiv Banzai! Here’s “Zmiv” Beware! EP

Six songs from this sparsely recorded Dutch thrash band, combining some English sounds with U.S. and Finnish influences. The great insert has a weird picture of about 40 guys with mohawks sitting around in army clothes.

NV Le Anderen / Riot Here’s the Sounds of the Streets LP

This album features two new Dutch bands, one punk (RIOT), the other skin (N.V. LE ANDEREN), but I can’t figure that out from the lyrics or music. Both play similarly fast punk or thrash, and both have intelligent songs about similar subjects. An excellent release, but I’m still confused. The beautiful cover doesn’t help matters.

Conflict It’s Time to See Who’s Who LP

A very well produced record by a band heavily influenced by CRASS. The punk herein is sometimes slow, sometimes frantic, but always political. Most of the songs have that well-known militaristic sound, but a few are downright melodic. The multi-colored sleeve is unusual for a Crass-related label, and there are some real musical moments here. Don’t miss out.

V/A Amuck LP

A compilation of Arizona bands. One side is arty/experimental, which I’m not competent to comment on. The other side is a mix of thrash, punk, new wave, and experimental. Probably an up-to-date anthology of Phoenix today. Faves are JODY FOSTER’S ARMY, SOYLENT GREENE, and the MEAT PUPPETS.

Authorities Soundtrack for Trouble EP

Musically, this is sorta like early TSOL or BAD RELIGION, which is nothing to complain about. Lyrically, it has your basic punk themes, but there are a few lines that almost negate the sentiments because of the ignorance displayed. For example, on “Achtung,” a don’t-drop-the-bomb song, they say, “The Russians say they don’t want war, but that’s because they’re on top.” They then go on to say that you can’t believe anything the government says, so why do you believe the Russians have military superiority, which most experts deny. Also, in the anti-police song (“I Hate Cops”), the line “cops are all niggers” comes up. Huh? Then how come they’re always busting and hassling Blacks? Wise up, guys! A little knowledge is dangerous, but the record still sounds good.

Double Cross Here to Stay cassette

A 15-song demo from a wine country band whose influences are M.A.D. and CODE OF HONOR, among others. They’ve got a real right, thrash-oriented attack. It’s not too distinctive yet, but I wouldn’t be surprised to see them develop into something special as time goes on.

Descendents Milo Goes to College LP

This LA garage punk group bids farewell to vocalist Milo. Well-produced and snappy-fast, they are as tight and fun as they come, somewhat reminiscent of the DICKIES. The songs cover teenage problems like conformity, parents, drugs, and suburban life. One disturbing note—in “I’m Not a Loser,” they resort to the all-too-prevalent “you fucking homo” name-calling. Maybe these teenage insecurities will ease up after graduation.

Dead Kennedys Plastic Surgery Disasters LP

The DKs are the only group around whose new releases I approach with the same expectation, apprehension, and critical ear that I did for each new STONES record 16 years ago. You just know a lot of thought, work, and possible innovation will be invested in the grooves. Whether a self-appointed or media-chosen representative of “punk,” Biafra must be carrying a lot of weight on his shoulders. As for the record, side one is more like their live selves and more like their earlier recordings. No real let-down, though there are no immediate “classics,” either. Side two contains longer, more dramatic, and varied pieces that, while bravely breaking the norm, can be very trying. I’ll try more later. Meanwhile, the DKs keep subverting middle America. Keep it up.

Fang Landshark 12″

Eight-song release that captures their older sound (somewhere between FLIPPER and CRUCIFIX) and a faster-paced raging style. Very tight, with lots of distortion, lyrics of a vague, cryptic, humorous, and sometimes dubious nature.

Fatalitees Yeah, Right cassette

Medium-fast punk, FLIPPER-ish drone, sharp lyrics (“Reaganomics”), funny lyrics (“Gotta Piss”), and really dumb lyrics (especially in the xenophobic “It’s Time for the Bomb Again”). They also throw in the kitchen sink, and have a ’zine called Corrugated What.

The Freeze Guilty Face EP

More “Boston-paced” music from this Cape Cod outfit, no letdown from their previous material. The playing is solid, tight, and inspired, with good hooks all around. As the liner notes say, “this record has been inspired by warmongers, social pressures, police oppression, and rednecks… their necks are getting redder.”

5051 El Salvador EP

A very hard-to-come-by EP by this San Diego group. The music is medium-paced punk with occasional rapid-fire outbursts. The production is very powerful and English-like, and the words are really good, covering cliquishness, religion, paranoia, and intervention in Central America.

Hüsker Dü Everything Falls Apart 12″

This is it! The HÜSKERS have finally come up with a great studio album, and if it doesn’t put them right up there with the top bands, then everyone’s lost their hearing listening to too much FLIPPER. The LP has got the power of their live performances, combined with a clean, crisp recording quality. Even if they can’t play Risk too well, they sure can play music.

J.I.A. Corporate Interest cassette

From the foothills of Northern California’s Sierras come JUSTICE IN AMERICA, blazing a trail with great thrasing lyrical assaults on the contradictions of life in the USA today. Very tight, very powerful, and the sentiments are right on the money.

Lost Generation Never Work EP

The A-side has a very long slower punk song that rags on working; the B-side has three thrashers, the best being a great anti-drug song called “Mind Control.” They also do a breakneck speed version of “Lucy in the Sky with Diamonds.” But guys, why “just another bitch?” Are you just another bunch of “punkers?”

October Days Do the Right Thing 12″

This group from Connecticut decided to move to the sunny climes of SoCal, with its recording advantages. Their new release is a five-song effort that with a sound somewhere between early SHATTERED FAITH and the DREAM SYNDICATE. It has the edge of punk, the vocals of pop, and the structure of more melodic rock. A good effort.

RF7 Fall In 12″

Musically, I like it better than their LP, but the words are, uh, confused, to say the least. They put it best in one of their own songs, where it’s admitted that they “haven’t the faintest idea what [they’re] trying to say.” And they prove it—”666 Head” contains some retarded racist shit; “Revolutionary Worker” attacks the RCP for all of the wrong reasons; “Vampire Lady (Coke Whore)” is just plain stupid. I could go on, but it might be contagious.

Rik L. Rik Dominique / Soul Power 7″

Remember NEGATIVE TREND as they appeared on the old Tooth and Nail compilation? Well, Rik L. Rik was a member of that seminal outfit, and now he’s back with a new single. The A-side is an overproduced, almost syrupy psychedelic number. The B-side is better though, sounding like a cross between the early SLEEPERS and late Iggy.

Toxic Reasons Independence LP

The TOXIC REASONS finally have their own LP after two 7″ EPs and cuts on various compilations. Here, they re-do their first single, cover MAX FROST & THE TROOPERS’ “Shape of Things to Come,” and rip through the whole gamut of their live set—punky reggae, punk, and thrash. The liner notes are great and there’s a glossy magazine included. A must.

V/A Annoy Your Neighbor With This Tape

From Chainsaw fanzine, this collection ranges from hardcore to hard noise. On the noise side, we have SMERSH (a lot like the SCREAMERS), SENSELESS HATE, BLIGHT, and ATTRITION. There’s slower punk by ROACH MOTEL and the BAD SEEDS, and a few cuts that have already been out on record (CRACKED ACTOR, ANGRY SAMOANS), but the hit for me was Canada’s SUBURBAN MENACE, a totally great group.

V/A Rat Music for Rat People LP

Live recordings, ostensibly taken from various shows produced by Paul Rat around the Bay Area over the last six years. This contains cuts by the DKs, FLIPPER, DOA, CIRCLE JERKS, BLACK FLAG, TSOL, BAD BRAINS, CRUCIFIX, and the late, great DILS and AVENGERS (though the latter two’s cuts are from past their prime). Most tracks are good quality, so this album should do well.

V/A Mindrocker Vol. 1 LP / Vol. 2 LP / Vol. 3 LP

Three new releases of ’60s punk reissues, Á  la Pebbles. Volume 1 focuses on California bands like the BROGUES and the OTHER HALF; Volume 2 has mostly Chicago-area bands, including the DEL-VETTS and the great SHADY DAZE; Volume 3 is a potpourri and includes the MYDDLE CLASS and the classic BALLOON FARM cut, “A Question of Temperature.” These are the lesser-knowns, the equivalents of 90% of today’s punk bands, who managed to put out that one great single before fading into obscurity in one flash of purple Owsley. The sound quality on these records is stupendous, somehow enhanced to today’s standards. Now you can compare these old gems to today’s neo-psychedelic bands, and guess who pales in the comparison? Rave on!

V/A Kitten cassette

A potpourri of Minneapolis-St. Paul bands, all on the punk side to varying degrees. My faves are GROUND ZERO and WILLFUL NEGLECT. Thank HÜSKER DÜ, who also appear here, for this project. Unfortunately, the tape is already out-of-print.

V/A Rodney on the ROQ Vol. 3 LP

Like the earlier volumes, one side is punk and one side is pop. Lots of the bands are new to vinyl, including KENT STATE, ILL REPUTE, CATCH 22, and RED SCARE. The vets are CH3, JFA, NO CRISIS, PARIAH, and RUDI from Ireland. Most of side one is anthemic, melodic punk. I won’t deal with the flip except to say that the BANGLES track is much rawer than their EP.

V/A No Core cassette

Four groups—COLCOR, NO LABELS, NO ROCK STARS, and CORROSION OF CONFORMITY—share this effort to show the world that hardcore lives in the American South. Well, if this is representative, it not only lives, it thrives! The cassette’s cover sums it up: it shows a Rebel flag being burned.

V/A There Is More cassette

A follow-up to Is That All There Is?, and from start to finish, it’s a blitz. Made up mostly of Ohio bands like ZERO DEFEX, the AGITATED, STARVATION ARMY, the URBAN MUTANTS, the OFFBEATS, the DARK, and the IDIOT SAVANTS, it’s a total joy. For only $2, you’re really a jerk if you don’t send away for it.

V/A Sudden Death LP

Yet another LA compilation, and like most of the others, this is well worth the cash. The sound quality is mostly good, and it features well-knowns like REDD KROSS and JODY FOSTER’S ARMY, barely-knowns like the SINS, YOUTH GONE MAD, and SIN 34, and unknowns like MORAL DECAY, CRANKSHAFT, SADIST FACTION, the DEMENTED, the NAUGHTY WOMEN, and DEAD YOUTH. My faves are JFA, SIN 34, and REDD KROSS.

Anti-Nowhere League For You / Ballad of JJ Decay 7″

God, a real disorienting week. First, an intelligent record from the EXPLOITED, and now this—a strong pop-punk single with halfway decent lyrics from the biggest geeks around. Both sides benefit from good English production, have good hooks, and stick with you. I give up.

Blitz Voice of a Generation LP

A 50-50 proposition. The strongest tracks are the ones with the cool back-up soccer chants—really powerful punk. And then there are the others, either too sparse, over-produced, or just plain lame (like their cover of LOU REED’s “Vicious”).

Born BC The Power and the Privelige EP

On one hand, it’s slow, repetitive UK punk. On the other, it’s so raw and weird that the instruments seem to turn into vacuum cleaners and electric saws, while the vocals become eerie PiL-type drones. Definitely odd. It might even grow on me.

Destructors Jailbait EP

A fairly unremarkable follow-up to their pretty decent first LP. It would help a lot t have a lyric sheet, especially since a couple of songs (“Sewage Worker” and “Jailbait”) are not even clear enough to tell whether they’re serious or not. If they are serious—note the sexy/sexist cover—it would contradict their otherwise progressive views.

The Exploited Computers Don’t Blunder / Addiction 7″

A lot’s been said about this band being a bunch of moronic yahoos, much of it probably justified, but on this record there’s evidence to the contrary. “Computers Don’t Blunder” is a great anti-militarist song about the possibility of technology-induced holocaust. The B-side is as strong an anti-drug song as you’ll find. The music is fast and powerful.

GBH Give Me Fire / Man-Trap 7″

The A-side is a standout powerhouse punk song, instrumentally. I can’t say much about the lyrics (as with many of their songs) because I have no idea what they’re singing about, even after reading them printed.

Reality Blind to the Truth EP

I can’t believe this is a new band, and not some undiscovered reject from 1977 that someone decided to put out now. Actually, the lyrics are politically strong (anti-NATO, etc.), but the music makes the first MEKONS single look real professional.

Chaos Z Ohne Gnade LP

“Ultra Hardcore” is what it says on the cover, and that’s what it mostly is—straight ahead thrash, much like DISCHARGE, with little variation. The songs have anti-authoritarian, anti-war, and apocalyptic themes, except for “Stuttgart über Alles,” modeled after the DK’s classic.

Kohu-63 Lisää Verta Historiaan LP

This band’s second 12″ offering sounds like a cross between LA thrash circa ’81 and DISCHARGE. From the glossy 12-page booklet enclosed, one can surmise that the songs are your basic anti-war, anti-police themes.

Nostrils Live with the London Symphony Orchestra cassette

A mixed back of songs recorded in ’81 by this now defunct Canadian outfit. A lot of older-style punk, some with good hooks, but rendered largely obsolete by recent stylistic changes. However, one song, “Malcontents,” is as powerful and driving as anything going, and makes me sad that they decided to call it quits.

The Neos Hassibah Get the Martian Brain Squeeze EP

An amazing, original, manic, tight, intelligent (and I could go on and on) release. And I thought their first EP was great. This one puts that one to shame. There may not be too many of these, as they’re financing it themselves, so buy as soon as you see it. Oh yeah, it’s got fourteen songs.

V/A Die Deutschen Kommen LP

Five groups are featured here. FASAGA and COTZBROCKEN have a ’77 sound; Fluch have a CRAMPS feel; OHL are semi-thrash; and STOSSTUPP must stand 1″ tall and record in a matchbox. OHL rule this roost from a musical standpoint.

V/A Schiavi Nella Città Più Libera Del Mondo EP

Four hardcore bands from Bologna share this raw record. R.A.F. PUNK sounds like a cross between CRASS and DISCHARGE; STALAG 17 are a bit more primitive, with tremendously course vocals; ANNA FALK SS sound more like a typical Britpunk aggregation; BACTERIA make FLIPPER sound wonderfully melodic. A great EP.

Minutemen What Makes a Man Start Fires? 12″

Do I really have to describe them after they’ve put out so much vinyl? No radical departures here, as their whole style is a continuing radical departure. You’ll know if you like them by now—I sure do.

Negative Approach Can’t Tell No One EP

Another Touch & Go Midwest classic along the lines of the FIX and the NECROS. All then songs are manic, even when they aren’t totally fast, but, uh… the lyrics will make you understand their name, because they’re sick sick sick of all this pressure pressure pressure or something something something.

Willful Neglect Willful Neglect LP

Too bad—the music is really tight and furious, and some of the songs are well taken, but this young band is plagued by the same lyrical problems that many other hardcore groups have in the area of regressive sexual attitudes. Punks have gotta get beyond stupid sexual stereotyping and homophobia. Those are the predominate values of the society we supposedly despise, so why carry them into our own? Fortunately, there are some positive ideas expressed here, especially in “Abort the Mission.”

V/A Propaganda LP

OK, you’ve been reading in these pages how great Finnish punk is, so order this compilation of almost all of the best bands (save RATTUS, LAMA, KOHU-63, and a few others). That’s all the proof you’ll need. One band after another comes charging at you and demonstrates why this relatively small and out-of-the-way country is the tops in European thrash. Includes cuts by the BASTARDS, ANTI KEHO, KAAOS, NATO, TERVEET KÄDET, RIISTETYT, 013, MAHO NEITSYT, APPENDIX, SEKUNDA, and DACHAU. A must.

V/A Underground Hits 1 LP

One side is all American bands, including BLACK FLAG (their first EP), BAD BRAINS and SACCHARINE TRUST (previously released material), and the ANGRY SAMOANS (one oldie and two unreleased cuts, including the infamous “Poshboy’s Cock”). The German side contains four strong hardcore bands, including TOXOPLASMA, RAZZIA, CHAOS Z, and the NEUROTIC ARSEHOLES. This is a great idea for linking international punk scenes. Bravo!

Really Red New Strings for Old Puppets EP

Five new songs in REALLY RED’s very distinctive style. After four 7″ records and one LP, if you don’t know what they sound like, you’re really blowing it. Great driving, rocking, hypnotic songs with political lyrics as sharp as they come.

Ribzy Invasion cassette

Five songs by this San Jose group, consisting of two women and two men. Great snarly vocals in the snotty tradition of ’60s punk and Darby Crash. The arrangements are snappy and the sound is distinctive, maybe as a result of their five-string guitars. Look for a record soon.

Sacred Order Crankin on a Straight Edge cassette

Pretty standard thrash, although sometimes it breaks the norm. What really stands out here are the lyrics. They’re standing out right now… from my garbage can! It’s where they belong, sexist, homophobic macho goon-squad bullshit better left to the rockers and metal crowd.

Urbn DK Mass Grave EP

A totally great debut. It’s not thrash tempo (unless played at 45, which sounds good, too), but it has very powerful, driving songs with doom-filled scenarios of the deterioration of human values. unfortunately, it’s all too true—this is the real “horror rock.” Too bad there’s no lyrics sheet.

V/A This Tape Sucks cassette

A hot little tape put out by Oops! fanzine, featuring some great garage thrash by Clevo and Akron bands like the BEATOFFS, the OFFBEATS, LOUD AS FUCK, the DUMBSHITS, the DEFNIKS, the DISSIDENTS, and ZERO DEFEX. Only midwestern bands could come up with song titles like “Turds with Corn in ’Em.” Great.

V/A What Is It LP

Mostly re-issues, but with a few unreleased cuts from the What label vaults, one of the earliest LA labels. This contains gems by the GERMS, DILS, SKULLS, CONTROLLERS, EYES, and later stuff by KAOS. A must for those who missed these older California punk 45s, now impossible to find.

V/A Punk and Disorderly: Further Charges LP

An American release of this, the second in the series of England’s best and most current independent singles. Contains cuts by VICE SQUAD, DISORDER, GBH, the EXPELLED, RIOT/CLONE, the ABRASIVE WHEELS, and many, many more. If you can’t afford to buy all the import 45s, this is the way to go.

DOA War on 45 12″

The band now includes Joey and Dave from the other line-up, plus Dimwit and Wimpy Roy from the “other” famous Vancouver band, the SUBHUMANS. This record isn’t as frantic as Hardcore ’81, but it’s more typical of DOA’s live rock ’n’ roll, somewhat reminiscent of the old MC5. They also do some reggae, and covers of “war” songs by EDWIN STARR and the DILS.

Napalm It’s a Warning EP

Cockney kids from Hamburg? Jawohl, mates! German teens from that city were highly influenced by the Brits in the ’60s—the BEATLES played the Star Club and the RATTLES emerged. In the ’80s, it’s NAPALM’s turn, right down to the accents and soccer chants.

The Mob Upset the System EP

Nine-song debut from NYC. Furious-paced hardcore laced with heavy metal guitar solos and extremely short songs, much like the first CIRCLE JERKS LP. And like the latter it has confused lyrics which condemn much and beg for unity—but around what and for what? All in all, enjoyable.

Riot .303 Crowd Control EP

Hey, it’s punk rock that sounds very much like the Canuck SUBHUMANS, even down to the Wimpy Roy-style singing. Most the punk bands in the US either wimped out or went thrash, leaving the last bastion of the older sound in England and the wilds of Canada, whence this group emerged. Fellas, it’s ’83, but your record is darn nice in a nostalgic sort of way.

Rikk Agnew All By Myself LP

This LP by an ex-ADOLESCENT has all the pitfalls of the decaying rock scene of the early ’70s—overproduction, solo instrumentation, sappy love songs, and self-indulgence to the max. I hope this doesn’t bode ill for the future direction of the LA punk scene. The lyrics are either romantic, tragic, or suicidal—Leonard Cohen, move over. The weakest release on the normally strong Frontier label.

V/A The Master Tape LP

Great compilation of upper midwestern bands (except Boston’s F.U.’s). Some have previous releases—TOXIC REASONS, ZERO BOYS—but most are vinyl virgins (SLAMMIES, BATTERED YOUTH, DELINQUENTS, ARTICLES OF FAITH, REPELLANTS, LEARNED HELPLESSNESS, PATTERN, and DIE KREUZEN). More volumes are planned for the future. These regional collections of little-known bands are extremely important, so give the ZERO BOYS credit for organizing this project.

V/A Meathouse 1 cassette

The follow-up to Charred Remains. This compilation features 26 bands, including JFA, the CRUCIFUCKS, RED SCARE, MOURING NOISE, BATTALION OF SAINTS, MECHT MENSCH, RIGHTS OF THE ACCUSED, SIN 34, NEGATIVE ELEMENT, the MOB, REBEL TRUTH, and on and on… You can’t go wrong here.

Discharge State Violence State Control / Doomsday 7″

Surprise, surprise! This record sounds just like DISCHARGE. Actually, only “Doomsday” does; the flip is much slower, but structurally the same. You either like DISCHARGE and can’t get enough of them, or you say “never again.” They sound a lot better on record than they do live.

The Meteors Mutant Rock / The Hills Have Eyes 7″

Psychobilly, that unique blend of rockabilly style, punk energy, and modern sound has produced a few outstanding records—some CRAMPS, GUN CLUB, PANTHER BURNS, and METEORS cuts. This latest single is a continuation of their great LP. Boss.

Agent Orange Breakdown 12″

Mostly stuff you could find on other 45s or compilations, but nice to have with the 12″ sound quality. Title track is the only cut with vocals and is more contemporary; other three cuts—”Mr. Moto,” “Pipeline,” and “Miserlou” are Surf City Specials.

Dead Kennedys Bleed for Me / Life Sentence 12″

A-side is very reminiscent of the earlier DK’s sound—words you can hear, slower but extremely powerful and clear instrumentation. B-side is more thrashed out, and again very strong production. The excitement generated by them at live shows comes across on both cuts. Great graphics too. Should be out domestically on Faulty.

V/A Unsafe at Any Speed EP

Follow-up to This is Boston, Not LA LP. More great raves from JERRY’S KIDS, GANG GREEN, and F.U.’s, and some slower material by GROINOIDS, PROLETARIAT (great put-down of Reagan called “Voodoo Economics”) and the FREEZE’s classic “Refrigerator Heaven” that schizophrenically jumps from slow ’70s rock to thrash.

Amebix Who’s the Enemy EP

Four songs—one hardcore shorty and three more post-punky sounds, none of which are lightweight at all. Very raw, choppy guitars, raspy vocals; slightly dissonant. Along with CHAOTIC DISCHORD, one of the few new UK bands to break the mold.

V/A Lansimaisen Sivilisaation cassette

Another one for collectors. Sound quality varies a lot, but contains some unobtainable punk from Poland, Germany, Italy, Finland, etc. Including incredible hardcore from Brazil’s OLHO SECO.

Discharge Hear Nothing See Nothing Say Nothing LP

Doom with a very fast beat. Don’t say that these guys didn’t warn us if someone drops the big one, because this is the second LP (they also have four 7″ers) that hammers away without mercy at the potential hell of nuclear holocaust. The songs here tend to be a bit similar (repetitive riffs and some heavy metal guitar), but the delivery is so powerful, the words so convincingly committed, that it’s a winner. Much like watching a huge fire—horrifying, but riveting at the same time.

V/A Riotous Assembly LP

Cuts by UK groups VICE SQUAD, ORGANIZED CHAOS, ABRASIVE WHEELS, COURT MARTIAL, CHAOS UK, DEAD KATSS, RESISTANCE 77, HAVOC, MAYHEM, EXPELLED, TDA, UNDEAD, LUNATIC FRINGE, CHAOTIC DISCHORD. A few previously released tracks, most not. Pretty good collection. Favorites are by HAVOC and CHAOTIC DISCHORD.

Wipers Romeo / No Solution 7″

This band successfully combines punk and hardrock, much like early GENERATION X and SUICIDE. Some tasty guitarwork and nice fuzz, one of the few bands to make longer songs tolerable. B-side is weak.

V/A Someone Got Their Head Kicked In LP

An anti-violence compilation from the kids at Better Youth Organization—the folks that put on shows at Godzillas. Features tracks from LA, Santa Barbara and San Diego bands SOCIAL DISTORTION, JONSES, Youth Brigade, AGRESSION, ADOLESCENTS, BLADES, BATTALION OF SAINTS, and BAD RELIGION. Strong album, but not as thrashed-out as one might expect—tending more toward the melodic, but still hard. Great production. Pick it up.

V/A Not So Quiet on the Western Front 2xLP

We’re in no position to be objective about this one, since we compiled it. All we’ll say is that it features 47 Northern California and Nevada bands (a few known elsewhere, most not), and ranges from hardcore to garage. All cuts previously unreleased. Comes with 48-page zine on the bands.

B-Team First Product EP

Yes, they do have a lot of GANG OF FOUR influence, which often becomes boring. Such is the case with the two B-sides. But the A-side is blessed with a much more raw and aggressive sound—the redeeming side of “post-punk.”

Code of Honor / Sick Pleasure Fight or Die / Dolls Under Control split LP

Glad SICK PLEASURE bit the dust, this being a posthumous release—too heavy metal for my taste, with lyrics of equal mentality. CODE OF HONOR side is much better—still traces of metal (Mike Fox being guitarist in both bands) but the thrash cuts are tight, with interesting variations. Jonithin Christ’s (ex-SOCIETY DOG) lyrics and vocals make all the difference here—he’s graduated from nihilism to advocacy of peace, unity, and political action.

Fuck-Ups FU82 EP

Mediocre ’77-style punk, including one song (“White Boy”) about a dumb white guy trying to be as ignorant as some dumb low-rider types. Unfortunately, it’s not a satire, as singer Bob Noxious constantly finds new ways to act out his insecurities and aggression in public. Ignore.

Lewd American Wino LP

First release from them in two years. Side 1 presents the better aspects of the current line-up: more thrash out songs with good social commentary lyrics. A pleasant surprise. Side 2, on the other hand, is a live recording, and is more typically heavy-handed and nihilistic. At least most of the good songs are all on one side.