Reviews

Crapoulet

Catalogue High Grey Effective LP

Some nasty art-punk hailing from France. There’s a wild mix of styles on this LP. It partly reminds me of Ty and Denée Segall’s side project the CIA with the heavy bass, toy synthesizers, and drum machines. On the track “100 Times a Day,” they sound a lot more like a math/post-punk band, in the vein of OMNI or SHAME. The track “Shoes” pulls off a quasi-OTOBOKE BEAVER-style of punk. While it’s a little hard to find the sound of the band, I still think there’s something really worthwhile here.

Crippled Fox 10 Years of Thrashing EP

This is a beautiful slab of fastcore: five tracks in the blink of an eye recorded down n’ dirty in the band’s rehearsal space that indeed thrash, with just a taste of powerviolence to make things interesting. Party-violence? Is that a thing? This Budapest crew makes a pretty strong case for it, with a sound that’s equal parts SPAZZ and A.N.S. coated in about a foot-thick crust of grime. Perfect for basement beers and slamming your head into the wall.

Doctrina Alimentar Su Final LP

Mid-tempo punk out of Seville, Spain that tensely keeps the right amount of lyrical and musical attitude through the eight quick tracks. This could have been something the JAM recorded in the short time between their first two albums, if only Paul Weller sang in Spanish.

Ed Warner Ruins of Nations LP

Twelve anxious doses that span a crevasse between early ’00s colossal crust and an indescribably awesome hardcore lurch. Makes me think of the NOW DENIAL…or maybe just some modern kids simultaneously harnessing anthemic core and honest intensity. Fans of fast and/or heavy and/or intense hardcore will want to pay attention here, because France’s ED WARNER ticks off literally every box.

Hundred Eyes Faking and Pretending LP

I think how the guitars on this album play is a little more important than what they’re playing. The music is what you’d find on a lot of punk and punk-adjacent records: simple melodies paired with more aggressive ones via varying degrees of distortion. But the rhythm and speed vary frequently and signal a change in each song’s mood. The drums help that along. They can play at a steady pace with some expressive flourishes, or ramp up to standard punk tempo, depending on the song. The vocals might be the only consistent part, maintaining an anguished howl for all twelve tracks. I felt hoarse just listening to them.

Illegal Corpse Riding Another Toxic Wave LP

Hard, tight crossover leaning more on the hardcore than the thrash side of the scale. The cover art, songs about beer, and sick riffs all spell “thrash,” but the aggressive breakdowns and brutal attitude will have you throwing elbows and picking up change in the pit. “Let It Beer” absolutely rips and particularly showcases the insane drumming with double-kicks flying, rolls and fills, and hi-hats crashing all over the place. There’s no fat or filler in any of these thirteen tracks. Impossibly fast and in-your-face like all the best crossover should be. Fans of MUNICIPAL WASTE and GOATWHORE, take note.

Jodie Faster Blame Yourself LP

Seventeen songs here, with the longest clocking in at 1:29. Short, fast, hardcore songs that strangely don’t use distortion on the guitars. I don’t particularly know how I feel about this. The songs are good, but the lack of distortion is off-putting to say the least. I wanna like this, and I think I do, but the sound of the guitar is fucking with my brain. Like it’s seriously giving me a borderline panic attack. Hahaha.

Genital Juggling / Jodie Faster split LP

Don’t judge a book by its cover, lesson one: this fukkn record. The stupid cartoon claymation cover would turn most punks off before they even saw the band names, and I confess that I never would have given this slab a second thought if it were not my punk duty to do so. And holy shit did I eat my thoughts as soon as JODIE FASTER started cranking through five absolute rippers that sound like nothing at all except (apparently) JODIE FASTER. A raw drum attack that reminds me of RUDIMENTS, a penchant for don’t-give-a-fuck combined with serious chops à la SCHLONG, open chord clean guitars like JASPER THREAD, and an overall purity in their ferocity that I haven’t heard since I saw ROLEX last year. I didn’t want to turn the record over. But I did. And GENITAL JUGGLING delivered the same energy on the flip—just as much irreverence in their song construction, but with a SoCal hardcore tinge, and aggression replacing the quirk on the A-side. Listen to all of the records, punks—even the ones you think aren’t up to whatever your bullshit “standards” are—because chances are good that you are wrong. This record is definitely right.

Pedigree Connected? 12″

Coming through with a sound akin to EX-CULT on Valium, PEDIGREE has unleashed a monster of an EP upon the unsuspecting public. Beyond its loud and fuzzy post-punk exterior, this is complex music with a real cinematic quality to it. Each song is almost like its own little movie, conjuring up jittery images of frantic electricity webbing bleak dystopian landscapes. These tunes expand and contort in surprising and impressive ways as they unfold, like the awesome little bit of “Miserlou”-esque guitar play on “Blank Page” and the continuous escalation into madness witnessed on closer “The Nomad.” It’s strong stuff. Put this on and see where it takes you.

Pogy et les Kéfars Dans Ton Rétro LP

Wow. This is very cool. It’s mid-tempo and super catchy power pop with a jangly guitar. Even if the lyrics are completely lame, I will never know because they’re in French! (They’re probably super cool.) Even while maintaining the melodic nature and the group vocals, it’s got a certain herky-jerkiness to it. They’re super tight. Head-bouncing is inevitable. You won’t be able to stop it. Four of the nine cuts clock in at under two minutes. None go over three minutes. This is heaven.

RAN Atrabil​ä​r LP

Fast, crusty hardcore/PV from this Lyon, France band. First off, this record sounds amazing. Recorded and mixed by the band, these fourteen songs sound so nasty, so heavy and distorted, that you’ll immediately know if this is for you. RAN’s sound is so good: syncopated drums that frequently lurch into breathless blastbeats, super heavy bass tones, thick guitars that skew dissonant, and screams. While this is a punk record, there is enough chugging and chaos here to appeal to mathcore and death metal fans, too. Every song rips hard, and I especially like “Why Don’t You Stick Your Head Up Your Ass…See If It Fits” for its ridiculous title, and “Funky Crusty Rambling” for the classic ’50s-style rock’n’roll riff that starts it off. Actually, I recommend you just press play and then repeat it as soon as it ends. Highly recommended.

Sordid Ship Vague Digitale 12″

Avast ye landlubbers and hoist the mainsail, because here comes a 12” of seemingly entirely nautical-themed street punk(?)—while it doesn’t semantically make sense, it turns out that it also doesn’t make for very good music, either! It’s extraordinarily generic; I could see it nestling gently at 4:00 pm on the Breton leg of La Tour Warped or whatever, but I’m not even sure the band themselves would be able to recognise these tunes if they heard them in the wild. One for skateboard owners.

Taste the Floor Scam EP

The art reminds me of the Facts And Views 7″ by UPRIGHT CITIZENS, while the music makes me imagine this is probably what RAW POWER’s most current albums may sound like. This is thrash with a skatecore vibe. Quick guitar leads, plenty of palm muting and almost non-stop blast beats which make it feel like it should’ve been out on Party Time or 625 Thrashcore records. The vocalist has a Roger Miret quality to him and all true intensity is lost in the double kick drum and super clean production.

V/A Rapsodie En France LP

I’m not sure if I’m the right person to be reviewing this; it kinda feels like I got some spiky punk’s mail by accident. This is a reissue of a French hardcore comp from 1985, and its essentially nine bands of the UK82/DISCHARGE type but en français—so expect buzzsaw guitar, rubberband bass, and you-know-what drum beats. The recording quality is demo at best, not a lot of power, and with vinyl pressing being such a hard-sought, time-consuming commodity right now, I have to ask if pressing this on LP was necessary? If it was a tape originally, I feel like the diehards for this would’ve been fine with a cassette and a zine, and honestly it would’ve been more true to form for this type of punk. But to be real, I’ve never owned a leather jacket or worn a shoestring ‘round my dome, so perhaps I’m the wrong person to ask about this.

V/A Peace, Unity, Noise And Having Fun: Tekken Tribute & Remixes LP

So this compilation LP is apparently a tribute to the French fastcore band TEKKEN. I regret to announce I was not familiar with TEKKEN the band, but it looks as though they were around in the late ’90s and early ’00s, and with some video research, I have realized that they were pretty good! If you like to blast off with CHARLES BRONSON, SPAZZ, DAMNABLE EXCITE ZOMBIES, AGATHOCLES, or even FANTOMAS, or any bands that were forming when fastcore was really breaking into its stride, I have this recommendation for you! There’s also some really bizarre MIDI carnival music, which I must admit I am entertained by, if not perplexed.

Veneno Herejía LP

Angry Barcelonians VENENO let lose their fast, high-energy hardcore LP HerejÁ­a and if you know any Castilian, you can tell by the title that they really appreciate their HERESY—this is totally the case, as they pay homage to the fast hardcore sound that VOID paved the way for. Singing in Castilian only adds fuel to the fire, as you can feel the rage that comes through their politically-fueled lyrics that deal with society and the scene itself. The members are busy with other bands like ARREST, CRUZ, and PELIGRO! but have the skills and dedication to sound super tight in VENENO. This is a record that makes you feel young, like when you wanted to skate down the street while spray painting “ACAB” on cop cars.

Verbal Razors By Thunder and Lightning LP

I find it really hard to take this sort of thing seriously. It just reminds me of shit like MUNICIPAL WASTE, drunken idiots in sleeveless denim, sordidly becoming caricatures of the aging thrashers of yesteryear. It just doesn’t manage to capture the grit and nastiness that the forefathers of the genre (SLAYER, VIO-LENCE, etc.) managed to radiate. It’s a shame in a way, because bands like this are always more than technically proficient, I guess proving again that just being decent at your guitar doesn’t necessarily make a decent thrash record.

Veto What’s Going On LP

VETO hails from Dunkerque, France, and are five years deep into a largely tasteful execution of the thee Rockin’ Fast Hardcore template, which this LP continues. This wouldn’t have been out of place on the No Way Records roster, as overall it’s strong on fills and low on space, save for a few stop-start moments and a curveball couple of moments of quasi-emo yelling which I could have taken or left. You know what you’re getting when a band names a song “Play Fast and Aggressive.” You’ll know if you can handle the occasional peppering of throaty gang vocals or sung vocals or not; all in all sounds like a sweaty good time live if a little on the earnest side.

Young Harts Truth Fades LP

This sounds like something that No Idea would have put out when they were still a label, but not in the “bearded, gruff, drunken, Florida” way. In more of the “kinda street punk, kinda emo, hard to pin down” way. Kinda TED LEO with a sore throat singing for DEAD TO ME with slower breakdowns. I know that sounds like a confusing mess, but it works and I’m for it!

Young Harts All I Got LP

Like most people in their mid-thirties, I’m a ’90s nostalgist through and through. This full-length really should be my bag, with its sound that sits somewhere between SHUDDER TO THINK and the early albums of SUPERDRAG. On paper that sounds awesome, and there are moments of brightness from track to track. Ultimately, it falls a little short for me, largely due to some real clunkers in the lyric department—”No need for lyrics / I’m an OGG” seems to sum it up on the otherwise snappy “Up in Flames.” There’s also the production, which sounds overly digital. On that same song, there’s what sounds like software reverb throughout, which takes me right out of the experience. The song structures are solidly built and the vocal melodies are generally the centerpiece, but executed in a way that shines a bit too over-affected. The overall sound strikes me as a band that probably would have made a competent tour opener two decades ago, but I’d probably go stand in the drink line during their set now. And lastly, the more plodding ballads have got to go, such as the acoustic “Still Shining” and album closer “Shun It Down.”

חרדה (Jarada) מעגל שנאה (Ma’agal Sina’a) 12″

Following their first album in 2018, JARADA comes back with this one-sided 12″ with eight hardcore punk, raw, chaotic, aggressive gem songs. This Tel Aviv band makes us feel the struggle to live in hostile territory, and brings us a cultural and political debate in their lyrics, both in Hebrew or English. If you like bands like EXIT ORDER and ARMS RACE, you should definitely listen to them.

חרדה (Jarada) No Co-Existence With…12″

This is a cool one: punk from Tel Aviv sung entirely in Hebrew. JARADA plays tough and heavy hardcore songs about the oppressive system they live in, and boy, do they seem pissed. Each and every song here is angrier than the next, and rightfully so! These guys are living in a world of corrupt police, religious extremism, and general apathy towards it all. Sound familiar? Loud, fast, and hard is the name of the game sonically, each song pummeling forward with crunchy riffs and hoarse vocals, and even though I don’t understand the language, I can understand loud and clear what these guys are expressing in songs like “Inertia,” or the excellently titled “Tear Down the Settlements and Sentence Their Leaders.” If you like your music politically minded and desperate, check this out.