Reviews

Helta Skelta

Cold Meat Hot and Flustered LP

Perth’s COLD MEAT were practically perfect from their first utterance, the Sweet Treats tape released nigh on five years back. I say “practically” to acknowledge that their atonal KBD clang, personal-political feminist lyrics and ever-changing pseudonyms stuck fast to a template established by GOOD THROB a few years prior. Hot and Flustered, COLD MEAT’s debut album, eclipses that minor issue majorly—this sounds like no individual entity so much as the latest raging entry in a half-century continuum of fucked-off snarky DIY punk. There are hooks on here visible from space, highlighted by a spot-on production, and lyrical earworms in waiting. Ashley Ack, as she goes by this time, is imperious here, one of punk’s current vocal powerhouses for sure, and at certain points (the closing section of “Women’s Work,” notably) seems to channel the spirit of Vi Subversa, the POISON GIRLS absolutely being part of that continuum I mentioned. A blazing band that keeps getting even better.

Gaffer Gaffer cassette

New-in-relative-terms punk from Perth, Australia, GAFFER played their debut show in May 2019, and snuck this seven-song demo out in March of this year. You can still grab a hard copy at the time of writing, which is nice, but suggests it’s flown under the radar a tad, which kinda sucks. There’s COLD MEAT personnel in the four-strong lineup—I think Kyle Gleadell if the wound-raw guitar tone is anything to go by—and vocals are handled by a British invader, Chris Shoulder, ex-herbert-y post-punx STRUCTURE. Accordingly, GAFFER have that air of heads-down CRISIS-type chunter to their sound, but also a bit of KBD rock-pig flourish and early-wave second-string UK fodder, the latter accentuated by consistently gloomy lyrics about life’s grinding drudgery. They’re not shy of breaking the three-minute mark (“Animal,” “Skin of Your Teeth”), yet this tape fair flies by.

Red Red Krovvy Managing LP

Having been around for a decade at this point, it’s quite a feat that Australia’s RED RED KROVVY has managed to remain so supremely agitated—they’re still pinning the needle into their color of choice and exorcising everyday demons like every good punk band should. Managing is their most consistent and satisfying collection of songs yet. There is a desperate, burned-out quality to RRK’s attack, but they cram enough down-turned hooks into each two-minute screed that the songs don’t end up an indefinite blur. “Before You Die” kicks off the album with a cathartic stare-down of existential dread and assures the listener that they will indeed leave a good-looking corpse. Singer Ash Wyatt (also of the excellent UBIK) possesses a memorable snarl and she uses it to great effect on cuts like “Company Job,” “Real Estate,” and “Despise The Rich.” Those titles give you an idea of where RED RED KROVVY’s head is at regarding the free market and its acolytes. Musically, there is a certain kinship with the dark side of SoCal beach punk. It’s tuneful but not poppy, fast but not ripping, and stripped of needless embellishment for the most part. Managing is a refreshing reminder that punk doesn’t need bells or whistles, just plenty of old fashioned spit and spite.