Reviews

Use No Hooks The Job LP

A long overdue archival collection of studio and live tracks from Australia’s preeminent late-’70s/early-’80s mutant disco ensemble USE NO HOOKS, whose significance in the OZ DIY scene belied the fact that they never released any proper recordings until The Job appeared a few months ago. The seven songs on the LP all date back to 1983, when the band was in its most expansive nine-member incarnation (including two keyboard players and a four-person male/female vocal section), playing acutely rhythm-focused, funk and disco-influenced post-punk that roughly positioned them as the Antipodean answer to LIZZY MERCIER DESCLOUX’s solo efforts, the Y Records crew in the UK, or the post-No Wave minimal dance vibe of New York groups like ESG or the DANCE/CHANDRA. In particular, go-go music from Washington, D.C. was an admitted huge influence on USE NO HOOKS, and it’s obvious in the drawn-out grooves here—all percolating synth, scrabbling funk guitar, repetitive and stripped-down rhythms, and vocals delivered as chanted, call-and-response slogans. “Do the Job” and “The Hook” have a hypnotic, slow-burning bounce straight out of some imaginary Danceteria after-party that happened in Melbourne instead of on the Lower East Side, but the real knockout is the insistent, kinetically-charged “Circumstances Beyond Our Control,” which could easily go head-to-head with MAXIMUM JOY’s legendary “Stretch” as a definitive punky disco anthem. To round things out, the LP also includes a digital bonus of half a dozen live and demo recordings from 1979-1982 that cover the multiple stylistic evolutions (and line-up shifts) that the band underwent during its first several years, from experimental and improvised instrumentals to raw, UK DIY-style art-punk. Such a cool historical rescue of subterranean sounds that would have otherwise been completely lost to time!