Reviews

Preening Dragged Through the Garden 12”

PREENING didn’t invent any of the sounds, or combinations of sounds, you hear on this nine-song EP, but at this point they have fully slapped their own stamp on things, and they were decently distinctive before. The snaky saxophone and juddery bass calls back to early ’80s UK post-punk’s jazzier cats—frequently thinking BLURT, sometimes the POP GROUP—and it’s notable that Max Nordile, on the former listed instrument, plays like an actual jazzer as opposed to a punk who realised the sax’s din-making potential. (Check the slow’n’low “Red Red Lava” for evidence, or for that matter some of Max’s truly wild solo tapes.) His spluttering vox, frequently twinned with the slightly more insouciant tones of bassist Alejandra Alcala, lend a noisier, more abrasive angle to the band, not light years away from TRUMAN’S WATER or someone. Andy Human, PREENING compadre from their weird-punk Bay Area scene and Alejandra’s NAKED ROOMMATE bandmate, pops up at the end of Dragged Through the Garden with a creepy dub remix of “Extortion,” although if there is an original version it appears to be unreleased at present.