مراة بركان (Mara’a Borkan)

Reviews

مراة بركان (Mara’a Borkan) War / Revenge cassette

Two new tracks to follow up their previous tape, proving its quality was not novelty, more so MARA’A BORKAN is capable to write tense hardcore tracks even in a more organized headspace. Since these tracks are not restless, although angry and energetic, but it’s not a hot-headed mess. They have grown to be confident and deliberate. In exchange they introduce almost kraut-rockish repetitive hooks that pair well with the bouncy riffs and the still foreign melody of the vocals. They are great at keeping beats exciting, playing with emphasis and mixing hardcore with a bit of Arabic rhythms. While it is not at all challenging to enjoy them, the band expands the horizon of hardcore. The guitar sound has been refined, the sharp distortion is gone, in its place is a coiled, spooky patchwork of awesome riffs. They were great as a demo band, presenting fundamental angst, translating their environment to radical hardcore and they are great as a matured band too, who has nothing to prove. Instead, us listeners have to demonstrate that we appreciate unique bands from strange places. Tunis is a frequented resort for Europeans, one that is many miles away from the reality that explodes from MARA’A BORKAN’s music. I trust them and enjoy their tapes better than I would appreciate to be a dumb white tourist.

مراة بركان (Mara’a Borkan) Demo cassette

MARA’A BORKAN (“Volcano Woman”) is from Tunisia, with female members. Fortunately, this review does not have to emphasize the political relevance of the previous sentence, since A) I am fucking dumb regarding world politics, and B) MARA’A BORKAN’s music is just as interesting as probably their background story is. The sort of low-key, rudimentary metal punk, paired with determined, loud, yet trying to be melodic singing is just as a weird mix as it was to hear G.I.S.M. for the first time. The stripped-down, raw radicalism of the music reminds me of FIRMEZA 10 and how they interpreted the core idea of D-beat; here MARA’A BORKAN, no idea what to try to reference, but it’s loud, visceral and entertaining. The vocals tend to employ melody bends, familiar from ’00s bro-core, that here, out of context, are one of the most memorable vocals I have recently heard. The band builds their sound from a few elements, still they are able to make it dense, the rawness of the minimalism resounds in each song. The glue between the instruments is the devotion that shines through the demo. MARA’A BORKAN comes from an uneasy place to play punk and to be a woman that is translated to their music. Reintroducing the power of this subculture.