Deef

Reviews

Deef Real Control LP

Real Control is DEEF’s second individual release, originally put out on tape in 1984. They started as teenagers, a time when within a short period, significant changes can happen within your taste of music. Luckily, they did not approach songwriting drastically differently. It is still aggressive, exciting punk, in its most raw and primitive way without being overly noisy or filthy. Again, it’s speed that introduces most of the vehemence, but intensity is present in slower jams such as “We Kill All Punk Rock Heroes.” The same info sheet that is included for the Nou reissue is also present here, mentioning DEEF’s isolation. Sonically, this makes them rootless in the sense that it’s so visceral that sometimes it sounds as if they have only read about hardcore punk and tried to reproduce it from imagination, not that it is so out-of-place or sort of avant garde, and it’s rarely reusing lifted gimmicks from other classic records. This is why these reissues are relevant and still sound fresh, because the music on them, even if heard many times, remains new because teenagers made it without having a clue or caring too much about whatever things current bands consider when playing music. The bass sound is more meaty; the distortion has been turned up on the guitars yet they are at the back of the mix, so you have to pay attention to get the real noise-punk element. I like the mid-tempo evil songs and the overdriven vocals, but it is still very rock’n’roll. It’s not only an interesting artifact from an old scene, but this record would be a hit even today. The goal of today’s bands would be to make something this fresh after having heard this record, too. The LP includes an info sheet, a photo booklet of the era, a postcard, and a sticker. One of the great second acts of hardcore punk is the possibility that decades after your existence, maniacs like General Speech could re-release your stuff.

Deef 脳 (Nou) LP

DEEF existed for a short period in Sapporo at the beginning of the ’80s. They played fast-paced, primitive but bouncy hardcore punk that was more guitar-centric with radical rock’n’roll elements than focusing solely on ear-torturing noise, which is present in their sound but probably unintentional due to limited recording tools. Imagine a wilder style of rocking-era STALIN; it’s slashing, wild teenage angst rock played pretty tight, but with enough filth that is equally raw and has a secret society sort of bedroom raging vibe. Not the screaming into your pillows, but “setting up a rehearsal in your room” type of noise, behind locked door vibes. But most likely, everyone who loves this sort of punk already knows them, and we are now happy their music can be listened to outside of the dubbed-to-digital punk tape realm. Knowing the dedication of the General Speech fanzine and label, the members have been involved in the creation of this reissue, so I guess it’s good feedback that people still want the music that you made while you were young and find it relevant, even if hardcore is great because it’s about the present. But DEEF is great because the urgency and the wild admiration of speed is in every second of their record. Their youth angst has been recorded and speared, and now it takes a new form. Also, it is another great example of how the deeper you dig in hardcore, the more interesting records you find. The unfiltered and underproduced charm makes me excited, and I simultaneously try to theorize what their actual influences could have been while they capture my attention—I feel as if they are the only band that exists while the record spins. An accompanying info sheet briefly concludes the band’s story, but it also mentions how slow records/influences traveled back then, and how isolated DEEF was from the rest of the scene. This record collects their tape, a comp, a few unreleased songs, and a couple live tracks in chronological order, so as we move along, things get wilder. This is a great record, but most likely it’s not a surprise for most of its listeners and future owners. But for these fans, its release is a labor of love for sure.