Freak Genes

Freak Genes Hologram LP

Having formed in 2016, this is FREAK GENES’ fifth LP, on which we find eclectic synth punk from the duo of Charlie Murphy and Andrew Anderson. These dudes have played in a bunch of bands (RED CORDS, HIPSHAKES, HOLIDAY GHOST, and PROTO IDIOT), none of which I’ve listened to, but all that is to say that they seem to have a plethora of creative output. This is one of those bands that has created their own universe, and plays by the rules of their creation: there may not be gravity, there may be hover-cars with cassette decks, and there’s definitely something in the drinking water. I looked up footage of live shows, and I was really hoping for some DEVO-style showmanship with matching outfits and dance moves, but sadly, this was not the case. Just saying, I think y’all could pull it off. If synth punk is your thing, this will surely scratch the itch.

• Reviewer Willis Schenk
• Label Feel It
• Issue MRR #476 • January 2023

Freak Genes Power Station LP

Andrew Anderson (HIPSHAKES, PROTO IDIOT) and Charlie Murphy (RED CORDS), a couple of garage punkers turned synth-poppers, bring us their fourth LP as FREAK GENES and their first for Feel It. Anything that gets Mr. Feel It’s seal of approval warrants your attention, so I went into this with an open mind after (unfairly) writing these dudes off due to a string of bad album covers. I really dig this cover, though—great use of foil stamping! Anyway, the tunes! This is a solid collection of budget electro-pop. It’s punker than YAZ and poppier than FRONT 242. A couple of the tracks can get a little goofy/grating, but if you like well-constructed, catchy tunes and can stomach cheesy synths, there’s plenty to like on this LP.

• Reviewer Alex Howell
• Label Feel It
• Issue MRR #454 • March 2021

Freak Genes III LP

Third dispatch from this synth-punk duo, part of the PROTO IDIOT and HIPSHAKES camp, always worth a look-see. FREAK GENES hit some kinda sweet-spot between “lite” pop and punk churn, recalling JAY REATARD’s synth-centered flirtations in both songwriting and sound. Not a lot of deviation tune-to-tune though, making this merely a fun exercise rather than a must-hear album.

• Reviewer Mitch Cardwell
• Label Drunken Sailor
• Issue MRR #440 • January 2020