Legion of Parasites

Reviews

Legion of Parasites Undesirable Guests 12″ reissue

I love discovering bands that were orbiting some of the major players in the punk scene back in the day but never received much recognition—bands you see on old flyers from a CRASS gig but never really hear. LEGION OF PARASITES is one such example, and after doing some research and hearing some of their material, I’m bummed that they weren’t able to take off more than they did. LEGION OF PARASITES were a UK anarcho-punk band active in the mid-to-late ’80s who played as a support act for everyone from CONFLICT to BROKEN BONES. After a whimper of a demo, they pulled themselves together and released this, their first 12” Undesirable Guests, receiving more if not still minimal acclaim. LEGION OF PARASITES have a sound similar to many of the bands on the CRASS label, but stand out for their wild drumming, excellent SUBHUMANS-esque vocal delivery, and surprisingly catchy tunes. Each song here is strong, and as mentioned before, the drumming is out of control. Check out the D-beat on “Party Time” and the galloping bounce on “Eroded Freedom.” These are genuinely good songs and I’m left scratching my head as to why I don’t hear these guys talked about more. Oh well, at least now thanks to General Speech we can all listen to what we’ve been missing.

Legion of Parasites Prison of Life LP

Just got this off Sean and does it wail. Great energetic thrash with an American flavor. Well thought-out speed attacks that thrust blazing instrumentals with feverous havoc, still comprehensible with wild screeching vocals. Head-bopping fury continues the pace with nice sing-alongs and interesting leads, it shows you what can be created when a scene falls apart and the music gets more enthusiastic. A great UK release—this could be the UK comeback!

Legion of Parasites Undesirable Guests 12″

A ripping new English thrash release (except for one slower sing-along called “Savages”) with hot production, flailing guitars, and accelerated tempos. The vocals are in the more traditional Britpunk vein and the stuttering drumming occasionally doesn’t mesh, but it’s a bloody good record anyway. The “No!” choruses make “Eroded Freedom” a mini-classic.