Lion’s Law

Reviews

Lion’s Law Si Le Ciel Vient à Tomber LP

Pulling together all of their French-language tracks from the span of nearly a decade, Si Le Ciel Vient à Tomber could act as a thesis for Oi! stalwarts LION’S LAW. A friend once told me they think of Oi! as power pop for skinheads. Let’s call this Exhibit A. Packed to the gills with hooks, walking bass lines, big sing-along choruses—the songs in this collection are as catchy as they are tough. Overall the production is big, beefy, and crystal clear. A lot of bands lean on saturation from behind the board to impart grit and aggression, but LION’S LAW let their tunes do the dirty work. The level of raw talent on display here is remarkable. Ferocious, biting guitar work is underpinned by some of the most devastating bass playing you’re likely to encounter. Queue up “Destin Criminel,” and prepare to retrieve your slackened jaw from the floor. Simply put, LION’S LAW delivers world-class street rock on a level unrivaled by most of their contemporaries. If you have even a passing interest in Oi!, then this is mandatory listening.

Lion’s Law The Pain, The Blood, and The Sword LP

The latest full-length from Parisien Oi! stalwarts LION’S LAW; the venerable Wattie at the helm as is de rigueur for most contemporary French skinhead bands worth their sel, and backed by a motley crew of skins and punks they serve up a thoroughly modern take on Oi! Dabbling as much in E-TOWN CONCRETE style hardcore as it does KOMINTERN SECT style oi! traditionnel, it’s varied enough to stop it being one note as so many releases can be these days. Vocals in both English and French are reminiscent of MOTÖRHEAD in parts, a suitably gruff accompaniment to the rugged riffs ’n’ rhythm underpinning the whole thing. Decent stuff.