Middle-Aged Queers

Reviews

Middle-Aged Queers / The Raging Nathans DCxPC Live Presents, Vol. 20 split LP

It’s such a bummer to me when bands choose to talk shit about sobriety. At the end of the RAGING NATHANS’ set, they talk about how one of the band members quit drinking six to seven years ago and hasn’t had any fun since. The RAGING NATHANS, even in jest, are perpetuating a stereotype that people who don’t drink are incapable of having fun. I just hate that even our punk subculture succumbs to promoting mainstream culture of pressuring people to drink. Support your friends in recovery and generally don’t be a dick. Anyways, the rest of it is decent, though the recording is a bit muddy. The flipside is pretty different. I love how in-your-face, authentic, and self-aware MIDDLE-AGED QUEERS are. During their live set, they use their platform to engage the audience in a chant for their theme song: “We are the queers / The MIDDLE-AGED QUEERS / We are the queers / Go fuck yourself.” Overall, I’m glad it exists, but I like one side much more than the other. These bands are similar musically, but pretty different when it comes to their lyrics.

Lolly Gaggers / Middle-Aged Queers split 7″

LOLLY GAGGERS harness a killer ’80s KILLING JOKE chant for the chorus of an eerie two-chord slog with poignant lyrics that hit even harder than the repetition does. MIDDLE-AGED QUEERS are more straight punk on the flip…poor choice of words. “Size Queen” is anything but “straight,” even though the music hits like FYP on poppers. More in-your-face (literally) queercore to balance the subtle introspective queercore on the flip, Bay Area represent.