Mitraille

Reviews

Mitraille Mitraille LP

Debut LP from this Belgian act who’ve been at it for about five years now, with a handful of EPs under their belt. My internet sleuthing didn’t turn up too much about the band, but everything I did come across wanted to inform me in some flippant manner that these guys play garage punk. And they do. It’s just not nearly as tossed-off and cool as their Bandcamp copy would have you believe. Actually, this is some pretty slick-sounding shit—you can tell some real work went into both the production and the songwriting here. These guys wanted these tracks to sound good. The problem is they just sound fine. They’re clearly aspiring to some big, catchy sound (or like the underground garage punk equivalent), but the songwriting isn’t quite up to the task and something about the execution sounds insincere. A rougher production might have helped hide these shortcomings, but the approach taken here really lays them bare. It ends up sounding  like a facsimile of the BLACK LIPS at their most anodyne, or an antiseptic band like PARQUET COURTS covering the URANIUM CLUB. It’s not the worst thing I’ve ever heard, just exceedingly OK.

Mitraille Hoopschroot EP

High-powered, blistering power pop out of Antwerp, Belgium. Their songs are incredibly charged and fuzzed-out with sharp guitar leads. Track three, “Paranoia,” has these fantastic high notes being shot out of one guitar, while the other chugs along in a lo-fi, grungy rhythm. Then they slow things way down with “Nothing To Do” which has a tempo at about half the velocity of the first three songs, though the vocals are just consistent screaming which more than makes up for the lack of speed. “Mors In Olla” breaks pattern yet again, but this time as an instrumental that includes dueling trumpets, minimal percussion, and sparse guitar with a layer of distortion and feedback over top. I could see these guys fitting in perfectly with fans of MARKED MEN, FYP, and DRAKULAS. Loved every second of it.