Möwer

Reviews

Möwer II LP

This album kicks a whole ton of ass, instantly bringing to mind the MOTÖRHEAD of a new generation. That’s kind of the point, right? I mean, just look at the name. As is tradition in Lemmy-worship, this album teeters much heavier on the metal side of the punk spectrum, with searing guitar solos that tear through the fabric of each song. I’m a huge fan of the bass tone here as well. Dirty, tinny, and tucked in the pocket, but the moment it comes out for a walk, it completely imposes itself upon the listener. Great stuff here. For fans of playing video poker in your favorite dive bar until you’re forced to go home at last call.

Möwer Grand Punk EP

Fist-banging metalpunk from Pittsburgh—fans of INEPSY, SKITKIDS and the like need to get in line for MÖWER fucking pronto. I know they are several releases into their career but Grand Punk feels like a band realized, and they sound like a machine…and few things sound better to me right now than being half in the bag in a sweaty-ass basement listening to “Burn It Down” burning so hard it makes my ears bleed. Also, I just used the word “career” in a review.

Möwer Möwer LP

MÖWER are loud, dirty MOTÖRHEAD worship from Pittsburgh. You can practically smell the live show through this record, and it reeks of cheap beer and day-old cigarette smoke. The grinding guitars and vocalist’s horrifying cackle on “Outlaw Heathens” let you know the kind of thrashy horror show you’re in for just after it’s too late to save yourself. This Japanese version of the band’s debut on Splattered Records is the definitive, must-have edition. For one, they up the artwork 1000% by adding Death riding a motorcycle and proudly declaring themselves “Motor Speed Punks from Hell,” in both Japanese and English. The two added live tracks are also the perfect enticement to grab this as soon as you find it. This is the kind of album you learn to sing along to if you want to develop that perfect “I live above a bar” snarl.