Ojo Por Ojo

Reviews

Ojo Por Ojo Leprosario LP

“This sounds like a lot of other albums I’ve heard” is my default phrase of criticism, but in the instance of  OJO POR OJO’s release Leprosario, I mean it as the highest form of praise. Listing all the amazing inspirations OJO POR OJO certainly draws upon would take an entire page, and rather than just mimic other bands, they instead opt to carve a trench of their own, using a barrage of extreme music elements as their digging machine. This is one of those albums you can put on for your punk friends and your metal friends, and every subgenre and derivation of, and they’ll all ask, “Who is this?” There aren’t a lot of sounds coming from metal that really make my head turn these days, but OJO POR OJO gives me whiplash. Mixing elements of hardcore punk, crossover, and metal seamlessly so that you’ll never see what’s coming around the bend, OJO POR OJO continually gifts the listener with suprises and unique transitions. “Pisadas” opens this LP with a sludge-laden snarl that chugs along until suddenly a guitar begins picking a fast riff and this album switches into overdrive. “Borracho de Gasolina,” the next song, is a thrash fest ready for circle pits. Essentially, this album is a ten-song stampede in which OJO POR OJO demonstrates just how musically skilled they are. When you peruse the liner notes and realize this is a three-piece unit, and that the lead singer and guitar player are the same person, you’ll wonder how OJO POR OJO is capable of such immense power and precision. “Mausoleos de Metal” is a standout song; powerful, thrashing drums, soaring guitars, voracious vocals, everything OJO POR OJO is capable of, poured into a single glass, and served straight-up.

Ojo Por Ojo Paroxismo flexi 7″

This is one of those recordings that transports you to the band’s place of origin. You can feel the tension that is living in Mexico City and all its unrest. Unsettling and dark as night, OJO POR OJO delivers a fist full of hate in the form of hardcore punk that sometimes resembles Pain of Mind-era NEUROSIS, when they still played straightforward hardcore, and Italian powerhouse NERORGASMO. Guitarist/singer Yecatl Peña’s previous band INSERVIBLES also serves as a blueprint for this sound that they make. Paroxismo is the two-track follow-up to their 2018 debut LP on La Vida Es Un Mus, and it was recorded by none other than Steve Albini. Shame that it isn’t longer!