Pyrex

Reviews

Pyrex Bozo EP

To define this EP in two words, I would say magnificent chaos. Heavy, distorted vocals/screaming overlay the tight fastcore instruments, while maintaining a bit of a spooky vibe. Specifically, the track “Viper” seems like the type of song that would be playing during a chase scene in a horror movie. I feel like this EP would be great to play if you need motivation to do something and want music to get you excited enough to do it. Overall, I would say that much like their band name, PYREX’s music is sturdy and timeless.

Pyrex Struck Down / Staying Alive 7″

Two-song hot shit alert from this Brooklyn band. A-side “Struck Down” layers cracked amp post-punk over disco beats that are heavy on the hi-hat. Ultra-ragged vocals rip around sneaky, catchy guitar lines, creating a song that unbelievably ends up melodic and danceable. Then the chorus comes, and the song collapses into screaming noise rock, only to stumble back to its feet and embrace the upbeat rhythm again. Give it a spin—it rules. B-side “Staying Alive” is—you guessed it—a cover of the BEE GEES classic. But this is no Punk Goes Pop novelty, PYREX burns it down and does snow angels in the ashes, organizes a dance battle with two broken legs, and still does the original more justice than necessary for noise punk derelicts. Check it out.

Pyrex Pyrex LP

Hard to believe, but an eighth of an inch delayed the release of this debut LP from NYC noiseniks PYREX. It was supposed to drop earlier in the year, but a printing error caused the cover image to be ever-so-slightly off-center. Rather than roll with the punches, the band opted to reprint and delay. Were they being a little too particular? Probably. But if you ask me, they ultimately made the right choice. These matte covers on the reprint look a million times better than the glossy joints that Mr. Total Punk has since been using as distro packing fodder (and, to be fair, the off-center image did look shitty…although, I’m pretty sure the image on my copy is still a hair off). Anyway! This record is some pretty hot shit! Eight tracks of noisy punk very much in the same vein as aggro pummel punks like LAMPS, PAMPERS, and BRANDY. But it’s not all just brute force—there’s some finesse to their playing, particularly in the RIKK AGNEW-esque guitar lines that periodically bleed through the din. It gives the record more of a nihilistic edge that’s not too far from the vibes given off by fellow Total Punkers PREDATOR. Also, the vocalist employs a screaming howl to punctuate verses from time to time, and it’s one of the best I’ve heard since Hart was piercing eardrums with the HUNCHES. Real good stuff!