Rata Negra

Reviews

Rata Negra Bien Triste 7″

New single from Madrid-based RATA NEGRA, with a “very sad” (or Bien Triste) take on post-punk or indie-flavored darkwave (or whatever). Beautiful, melancholic vocals from singer Violeta are backed by the mid-tempo pulse of drums, shimmering guitar riffs, bass that hangs right up front in the mix to provide the melody, and a digitized synth line, creeping through the background. I must admit this is my first introduction to the band, and I am excited to look back on their three LPs, though with some quick research, RATA NEGRA has had quite the following, so I’ll assume my ignorance is in the minority. They remind me of the haunting melodies of KOLD FRONT who I reviewed a while ago, but RATA NEGRA has been at it longer, so maybe the comparison works the other way? This is another affirmation that La Vida Es Un Mus can produce little I don’t enjoy. Get your hands on this one.

Rata Negra Una Vida Vulgar LP

Finally, the highly anticipated new album of Madrid’s RATA NEGRA is here, and it’s a treat. It is a pleasure to realize that this ability for melody has become their main weapon. Each of the songs on Una Vida Vulgar (“A Vulgar Life”) have memorable choruses; you can imagine yourself singing them at the top of your lungs as soon as you hear them for the first time. We are facing direct and fresh songs, perfectly structured to generate the greatest emotional impact on the listener, the desperation and boredom of life in 2021 are reflected in the lyrics and in a hint of generational sadness that contrasts and makes more powerful the vital energy of the music: amphetamine pills for people who no longer have anything to lose, all with a sound that is already absolutely personal; dark melodic punk, desolate power pop. A new classic.

Rata Negra La Hija del Sepulturero EP

A tasty little two-song platter of gothic indie pop from your new favorite Spanish trio. The first song comes over like a propulsive combination of the WIPERS and early WE’VE GOT A FUZZBOX AND WE’RE GONNA USE IT; the flip is a sing-along post-punk cover of a catchy early ’80s synth-pop hit from Madrid. The playing on both is concise and sharp—no mess no fuss. Another top-notch addition to the timeless LVEUM roster.