Raut

Reviews

Raut II cassette

Eight brief tracks from this Warsaw duo who bang out coldwave-meets-egg-punk cuts that sound like Ian Curtis fronting the CONEHEADS. Lo-fi, reverbed garage punk guitar pushes up against crispy drum machine beats with production that sounds like the band is playing down in the sewer as you are walking on the street above. Vocalist Pawel has a baritone voice that drapes a feeling of darkness over upbeat rhythms, and it balances nicely between catchy and tough. It’s like a cartoon character with a knife in his pocket; forget Garfield, this is Heathcliff music.

Raut Raut cassette

“Egg” is hard to wash off, apparently. A meme turned flesh like Videodrome, thrown into the goofy blender that was essentially codified and perfected by its originators, yet still somehow refuses to be fully assimilated into a more generalized sound. I only spend so much time on the term because this Polish duo uses it in part to describe themselves, throwing the word “dark” in there for good measure although I can’t piece together why. These songs are stripped down to the point of monotony, which could strike a nerve in an interesting way (let’s never forget Mark E. Smith’s credo of “repetition, repetition, repetition”) if the music weren’t so sexless. This is ABABAB-structured coldwave that all sounds like it was recorded DI so that nothing really has depth or character. The vocals have a garbled telephone effect, like a rogue AI wants you to wire crypto or your loved ones will “get it.” If that all sounds appealing, and I’m sure it does to some, go all in. For me, the music just holds me at arm’s length, never letting me regard it as more than a curiosity. Let’s face it, no one likes eggs when they’re cold or old. Can we move on now?