Sirkka

Reviews

Sirkka Viivyttely EP

You would think that with an EP entitled Viivyttely that SIRKKA would come from Finland, the only other option being that they are actually a Japanese band singing randomly in Finnish. But you would be wrong, twice. SIRKKA is from New York City—well, at least originally when they were a two-piece, since they now have included members from other parts of the East Coast of the US of A and from Leipzig. With personnel formerly or currently active in other rather unmelodious bands, I did not expect SIRKKA to be serenading me with pop punk tunes and the band, quite logically, plays mean hardcore punk with a dexterity that would have you think that they play every weekend, whereas for obvious reasons, well, they’re clearly not. The brilliantly raucous vocals from Sanja with the typical Suomi flow, patterns, and prosody are what strike first, but the music, simply put, is perfectly executed. It ticks most of the boxes you are entitled to expect from Finnish hardcore, but instead of going for a raw, primitive KAAOS-like drunk attack, the songs are more polished and less direct, keeping that classic intensity but working on the details, the (manic) drum rolls, the riffing, the catchiness, the overall songwriting, and a production that is thick and balanced. SIRKKA is not unlike a blend of early and late KOHTI TUHOA, and I was also reminded of ÄÄRITILA beside more obvious oldies like BASTARDS or RATTUS. Viivyttely is a very strong and dynamic hardcore EP that is bound to appeal to many hardcore kids (a phrase that has come to mean everyone under 50), well beyond the smelly confines of Finnish hardcore nerds. I just personally wish it hit a little harder, more brutally, with more emergency, but I can tell that was not totally what they had in mind. Another good release from Sorry State.

Sirkka Kuluttava Kone cassette

I love Finnish hardcore, but I would assign the exploriation of the legendary scene on labels who help archiving and sharing those wonderful demos, recorded by teens decades ago. When I saw SIKKA is from New York and seem to refer on the classic sound my instant reaction was: here is another band with the annual renaissance fair for Finnish hardcore. Even if that was their master plan, fortunately it failed—and as experienced, in punk failures lead to great things. SIRKAA employees nonsense speed, short-tempered guitar parts mixed with occasional no wave-ish confusion, a mountain-high wall of feedback but they do it in a loose way and the extra space offers room for originality. Therefore they experiment a bit. They remind me of a less crazy CUNTROACHES or nosier PYHÄKOULU, if we have to name a classic. The primitivity is the difference, which lacks here, as SIRKKA has control over the notes they play, furthermore they are thoughtful with the noise they generate—therefore it differs, while does refer on predecessors, yet they don’t copy the exact aesthetics, but translate how they might hear these bands, which is the best approach to form your own sound. This demo is a real surprise.