Squelette

Reviews

Squelette Fin de Partie LP

I’m not going to beat around the bush, I love this album. SQUELETTE’s Fin de Partie has so much nuance and substance; it’s dripping with style and replay value. The pleasantly soft and jangly instrumental “Nouveau Depart” kicks things off, and while the comparison was hard to pin down at first, I realized it reminded me of the SMITHS, and I mean that in the most complimentary way possible. SQUELETTE masterfully weaves acoustic shimmering into their traditional French Oi! style, shown beautifully on tracks “Dans L’Instant“ and “Ronde De Nuit.” Peppered throughout, you’ll also find bits of saxophone and cold synths, both in line with the sort of thing you’d find on ’80s Chaos en France comps. It’s no surprise that it was mixed by Maxime of Chateau Vergogne Studio, who seems to have the Midas touch when it comes to modern Oi! albums. Anyways, bravo SQUELETTE, this shit is magical. For fans of SYNDROME 81 and CAMERA SILENS.

Bromure / Squelette Aux Bon Amis split EP

Two of the finest contemporary Oi! bands from la Ville Lumière join forces for this split EP. There’s some real firepower behind these two, consisting of various members of the formidable Bastille Skinhead Crew as well as RIXE, LIONS LAW and MARABOOTS between them. SQUELETTE’s side presents a more rough ’n’ ready approach to Oi!, with fists-in-the-air gang vocals and pleasantly lumpen riffs; whereas as soon as BROMURE’s tracks start we get the reassuringly gallic saxophone lick, and are treated to some fine Oi! in the vein of CAMERA SILENS or WARRIOR KIDS. Great stuff.