The Geros

Reviews

The Geros Weird Dance 12″

Continuing their streak of concocting peculiar tunes with no regard for the current musical climate, Osaka trio the GEROS flex and expand their pure punk energy on this first 12” effort. Released on the Tokyo-based Debauch Mood label, Weird Dance offers a twisted and eclectic bouquet of songs both sharp and satisfying. A powerful and unexpectedly spooky opening number, “Pressure” sees the group’s trademark spunky charm bent into a heavy, creeping, and hollow lament. This hypnotizing and sophisticated track provides us with a jaw-dropping standout right off the bat. And I’m not mad at all that they follow it up with a repeat in “Toxic,” an encore presentation of a great track from their 2015 debut Genocide or Suicide EP on the band’s own Killer Boy label. The evolved GEROS deliver the explosive bratty chugger with a little more swagger and speed this time around. Kicking off the flipside, “Be Bop A Noiz” brings us both the silliest name and toughest riff of the year in its refrain, adding a new entry to the list of the band’s best songs. The jazzy jump of the instrumental interlude “Ikue” ends with some spoken word, the only words of which I can decipher are “punk rock” and its title, which I believe is in reference to Japanese composer and musician Ikue Mori. Finally, the electric R&B-flavored title track “Weird Dance” wraps things up by setting conflicted and violent lyrical content to a snappy beat to get the kids moving and grooving, as well as leaving initiated “Flat Tire Punk” weirdos like myself drooling for more. A few years back I was semi-obsessed with the idea of going to Japan solely for the purpose of seeing these guys, the RAYDIOS, X-DISCOS, XL FITS, and other incredible bands live. The compulsion has long since left, but when the mailman brings me records like this I can start to feel that itch again.

The Geros Freak Out / Dr. Hoo Hoo 7”

The GEROS from Osaka have an uncanny knack for channeling the pure mischievous spirit of early punk from the ’70s and ’80s. This talent, embellished by the mastering of GEZA X, results in an orgy of raw and snappy punk on the band’s third 7”. This single oozes KBD juice and memories of the MAD, and both songs have an addictive quality that’ll keep you flipping the Japanese wax ‘til it’s well-worn. Enhance your existence with this and the other two excellent GEROS records at your earliest convenience.