The Klingons

Reviews

The Klingons 1979 EP

Another day, another short-lived late ’70s UK DIY band getting pushed back into the light. This time, it’s KLINGONS (“of Hildenborough,” as they’re now differentiating themselves), who played a total of five shows, recorded four unreleased demo songs in 1979, and completely flamed out in under a year; the half-life of even the most marginal punk obscurities is unreal. The KLINGONS’ sound was predictably ramshackle and rudimentary, straddling the increasingly shaky fault line between the three-chord first wave of ’77 and the artier, more open-ended approach of turn-of-the-decade post-punk, and clearly indebted to the likes of ALTERNATIVE TV, the PREFECTS, SWELL MAPS, etc. The A-side pairing of “Terminal” and “Cold Love” takes bare-bones DIY amateurism to the extreme, as the drums skitter along in an primitive, unfluctuating thud, the guitar hacks away at halting chords, and the vocals oscillate between monotone rants and and an only slightly more lively quiver—if “Action Time Vision” or “Dresden Style” are Brutalist council estate towers as punk songs, the KLINGONS would be a singular concrete slab. On the B-side, the sparse, seasick rhythm of “Influence” takes things into a DOOR AND THE WINDOW/later DESPERATE BICYCLES-ish direction, with “Manners in Trains” going a bit more trad (relatively speaking), not unlike an ultra-shambolic, way inept WARSAW. That’s a lot of names to drop, and the KLINGONS don’t even come close to leveling up to any of them, but if you’ve been thoroughly Messthetics-pilled, here’s a fresh fix.