Trigger Cut

Reviews

Trigger Cut Soot LP

German noise rockers TRIGGER CUT have really gone through it during the last few years. First, a devastating fire at their rehearsal space destroyed all their equipment and the early recordings for this album. Through determination and the aid of six (!) community-organized benefit compilations, they finished Soot, their third record. The band then hit another snag when starting their UK tour. Due to post-Brexit bureaucratic red-tape bullshit, they were turned away at the border, sparking international concern about the treatment of foreign touring bands, even appearing in mainstream publications like The Guardian. So, it has been a lot for a small touring band, but how is the album? It’s really good. “Water Fukkery” kicks it off with a mathy, DON CAB-style riff that explodes into trebly, sandpaper guitar and spoken/shrieked vocals like SHELLAC. “Soot Song” begins with fire alarm guitars that then run through several movements of hold-and-release tension that end in a quiet, chiming outro. “Slipstream” might be the perfect TRIGGER CUT song: it opens with a catchy figure and rolling drums, moves from textured guitar and hollered vocals down to near silence, and then takes off again into full-rocking mode. The songs are complex and emotional, and while not necessarily melodic, there is a compositional arrangement that is always interesting. A compelling and exciting record throughout, and a testament to tenacity. I’m glad they stuck it out.

Trigger Cut Rogo LP

TRIGGER CUT is a German noise rock band that takes several pages from the SHELLAC playbook, but goddamn, they do it well. Steve Albini’s influence is definitely all over this record, from the trebly dissonant guitar to the slightly distorted bass production to the detached shouted/shrieked vocals. So they didn’t invent this particular template, but TRIGGER CUT may have perfected it. Each track comes out pummeling with heart-pounding, head-bobbing hit after hit of noisy, muscular grit. The relentless energy and super-crisp recording is as good as this genre gets and pairs excellently with the classic Touch and Go or AmRep bands of the ’80s and ’90s. This shit is exciting. When vocalist Ralph moves from a half-spoken/half-shouted verse to a voice-cracking shriek like in “Coffin Digger” or “Regular Funk,” the effect is arresting and awesome. “Fireworks” manages to get even heavier with the sturm und drang of a drop-tuned doomy bass riff with explosive full-band response that absolutely rips. The rest of the record never slows or weakens the full-tilt destructive onslaught. Highly recommended!