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MRR #13 • April/May 1984
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Reviews
American Dream
Asbestos Rockpyle
Battalion of Saints
Bedlam
Big Black
Black Flag
The Boat People
Bowling for Larva
Chapter 23
Child Hoods
Circle Seven
The Cramps
Cyanamid
The Dead Milkmen
Depo-Provera
Temperamental Psychotics
Dogmatics
The Edge
Electric Kool-Aid
The Fantastic Dee-Jays
The Flamin’ Groovies
Flipper
45 Grave
Graven Image
Heart Attack
Hot Spit Dancers
Iconoclast
Gary Kail
George Katz
Manifest Destiny
Marginal Man
McRad
Meat Puppets
Membranes
The Mess
Minutemen
Mydolls
Naked Raygun
Napalm Beach
Nip Drivers
Al Perry
Plasticland
Public Disturbance
Power of the Spoken Word
Rebels and Infidels
Red Scare
The Corporate Whores
Ruin
Second Wind
Tar Babies
TSOL
The Velvet Monkeys
Verbal Abuse
Violent Children
The Worst
Yo
V/A
The Accursed
Annie Anxiety
Cult Maniax
Flux of Pink Indians
Fallout
Icons of Filth
Inca Babies
King Kurt
Last Rites
Ligotage
Naz Nomad and the Nightmares
One Way System
Subhumans
Nick Toczek
The Vibrators
Asocial
RTS
Asta Kask
Basta
Bill of Rights
Bluttat
The Bristles
Civil Dissident
Les Cadavres
Dead End
E.A.T.E.R.
Fottutissima Pellicceria Elsa
Frites Modern
Incharge
Inferno
Kambrones
Komintern Sect
Krunch
The Leather Nun
Maniacs
Moderat Likvidation
Nabat
Nighters
The Past
Zynthslakt
Rappio
Rattus
Raw Power
Reich Orgasm
Scapegoats
Shanghai Dog
The Squirt
Sub Kids
S.H.Draumur
Trotskids
Moral Crux
Moral Disgust
Painted Willie
Spark Plugz
Think Tank
Cólera
Dezerter
Fahrenheit 451
Unicef
Vanalles and Nogwatt
Wardogs
Zyklon B
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MRR #13 • April/May 1984
reviews