News

Create to Destroy! Pepples Donuts

  • Published April 22, 2015 By Amelia
  • Categories Interviews

Josh Levine is an Oakland staple and a man about town. He has a storied past, from youth spent running amok in the Tenderloin of SF to playing with FLIPPER and the INSAINTS to creating magical organic vegan donuts since 2008, with flavors such as salted caramel (my favorite), lavender, and green tea matcha. I take everyone […]

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Records of the Week: VATICAN DAGGER 7″ & RIXE 7″

  • Published April 21, 2015 By MRR
  • Categories Reviews

VATICAN DAGGER — “Not to Be/The Mess” 7” Kudos to VATICAN DAGGER for foisting their hate on us this early in the year. Birthed from Louisiana shit and boasting the always deadly Gary Wrong on guitar, VATICAN DAGGER take classic neg-vibe aggression and make it an earworm. It’s great to hear punk rock this dark and […]

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Monday Photo Blog: Garett Fisbeck

  • Published April 20, 2015 By Matt Average
  • Categories Photos

Being from Oklahoma, I’m always a little surprised and stoked to see that punk is still happening there, and seemingly bigger and healthier than when I first got involved in the 1980s, during the days of NOTA, Death Puppy, No Direction, Brown 25, and some band called the Flaming Lips (their first 12″ EP is […]

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Create to Destroy! 1984 Printing

  • Published April 17, 2015 By Amelia
  • Categories Interviews

This interview is with Richard of 1984 Printing who was affected by the recent fire in West Oakland that started in a building attached to their building. Others who live in the AK Press building, also attached to the building where the fire started, were devastated by this harrowing incident in which two people died and […]

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Record of the Week: KRONOFOGDEN Arbete och/eller Fritid LP

  • Published April 14, 2015 By Ken Sanderson
  • Categories Reviews

The second full-length from Hudiksvall, Sweden’s KRONOFOGDEN (“Enforcement Officer”) shares some obvious DNA with the legendary bands from their hometown (members of MISSBRUKARNA even do guest a chorus on one track), but charges harder on a ramshackle USHC bent, with vocals quickly spat out over fourteen straightforward hardcore bursts. Sturdy, linear drumming propels the fuzzed-out […]

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