Reviews

Neal Ray

Boston Babies Boston Babies LP

Not really memorable at all. I’ve never really been a fan of that NEW YORK DOLLS style of punk, and this seems to fit right in with that. Just really boring, felt overly long for an album of that style. Honestly, come to think of it, I can’t remember a single lyric off of this thing. It would be one thing if they actually tried something original with their sound, but no, they continued to water it down with crappy production and mediocre (at best) performances. Yawn.

The Ichi-Bons Get Away / Heart Attack 7″

Great, old school rock’n’roll played how it’s meant to be. The first side is just really fun and has a lot of top-notch soloing that’s very LINK WRAY-inspired. The second side is a radical instrumental with some spirited shouting in the background to give the song that extra kick in the ass. Not really much to say other than get your hands on this single if you can. This is the shit I’d rather be hearing in stores across America instead of whatever the sick bastards that queue the music in there play.

Autobahns First LP! LP

Good shit. I’ve been pretty critical of this so-called “egg-punk” movement since the CONEHEADS pretty much set the quality standard for that sound with their first LP. However, I think this band has something very interesting going for them. Lean, mean punk with enough spacy synths to keep it unique and refreshing. Very catchy riffs, with this nice kind of watery yet fuzzed-out production that keeps me captivated the whole way through. I also really enjoy the vocalist’s pissed-off sounding yelp—it complements songs like “Prick” and “Off Your Mask” very well. Clocking in at just 26 minutes, this is the kind of egg-punk that bum-rushes you with two 40s plus a bag of pills in its hands, and I’m lovin’ it.

Tiger 54 Tiger 54 CD

Meh. The industrial elements come off soft and the girl’s voice is honestly just annoying, and not in a cool Kathleen Hanna kind of way. I just can’t get into it. It sounds like some music that would be played in a late-night commercial. The drums are tinny, the production is bland, and there’s nothing here that’s really punchy enough to keep my attention. Not awful, but not really something I can find myself getting into, either.

Erik Nervous Halfass EP

Pretty decent 7”. I enjoyed the speed and the vocals especially. The production hits pretty decently, even though it does get kind of washed out at times, but I can overlook that because the songs on here justify their own existence. Good energy, too. I just wish there were more experimental tracks like “Funky Agoraphobia.” “What’s In The Box” was the only really underwhelming song.

Gino and the Goons / High Heels split LP

The HIGH HEELS are in excellent form on this split. I hadn’t heard of them until this LP, but I like what I hear on this. Nice fuzzy guitars, hard-hitting drums, and warm bass. I was at first dumbfounded by the fact that there were old Hanna-Barbara-era Scooby Doo villains on the cover, but now hearing the music, it makes a lot more sense. Even though I’d say it’s most certainly garage rock, it has a spookier vibe than most when it comes to the vocals, and I think that’s what sets it apart. Good stuff, check it out if you like some fuzz on your guitars.

Jean Mignon AN/AL cassette

Eh, it’s okay. The production is pretty good and the guitarwork isn’t bad, but it’s just very plain to me. It just sounds like every egg-punk/garage-y punk release from the last decade. I guess maybe it’s just the vocals that rub me the wrong way, because they aren’t very pleasant either. Another one I really thought I was going to like. A little too tongue-in-cheek for its own good. Sounds almost like HASIL ADKINS if he fronted GENERATION X.

The Brides Suburban Vermin: 1996–98 LP

Now this rocks. Chicago punk is known for its vicious guitar sound, and this collection of ’70s-influenced punk is a perfect example of that. It’s pretty lo-fi due to most of it being demos and live recordings from the ’90s, but I think it adds to the charm if anything. The vocals are pretty typical for a punk band, but I think the sheer energy the BRIDES display here is enough to warrant checking this LP out. I like the cover of CRIME’s “Baby You’re So Repulsive” a lot as well. The guitars are raunchy, the bass is groovy, the drums are hard. Listen to it.

Baby Tyler Band Baby Tyler Band LP

Short and sweet. I found this a good deal of fun. Very energetic production, the bass has a nice hum to it and the drums have a nice atmosphere to their sound. I was not expecting the song “Overnight Sensation” to pop up at the end. It’s worth checking this LP out just for that song alone. Joyously bizarre vocals and guitar work. BABY TYLER is a hilarious name, too. I’m interested to see more from this band.

H8 Mile Spread the Love cassette

Never trust a band who names themselves after 8 Mile. I get these guys are from Detroit, but c’mon…I honestly had high hopes for this because of the cover, but no, I was let down. This isn’t great. The vocals are annoying and the production is flat. There’s also a confusing addition of a keyboard that doesn’t really make any sense for their sound, but hey, whatever works, I guess. I just don’t understand why the vocalist sounds like he’s gargling water and ranting at the top of his lungs at the same time.

Killer Kin Point Blank / Mr. Dynamite 7″

It’s okay, I guess. I had a big yawn at the end of it. They have energy, I’ll give them that, but it’s all kind of weighed down by a shitty performance and overly glossy production. I’d probably be able to get more into this STOOGES-meets-MÖTORHEAD sound if it had the grit of a punk band rather than the washed-out muck it serves up. The drums and everything about it just sound weak to me. Wake me up when this boring wave of punk is over.

Olexi Voicemails cassette

Oh my god. When I first started listening to this, I couldn’t believe it was actually the LP I was reviewing, but here it is. This is bad. This just sounds awful, like it was recorded in somebody’s dingy apartment on a flip phone. The vocals are not sung, but spoken in this obnoxious deadpan voice. The voice of the “vocalist” is just bad, and the production is practically non-existent. There’s these really thin synth and drum machine sounds that made me really question if this was even a serious music project at all. He’s not even rhyming most of the time, and when he does, it makes me grit my teeth. On the song “Miss You,” it’s him talking as a mother who misses her son and wants him to come home. It just really drives me up a wall, because he talks in this wimpy, feminine voice while that awful synth music plays. Then when it gets to the “I miss you” part, he starts screaming like he’s getting his asshole waxed. It’s horrendous. It tries to critique punk rockers, and I would be able to get behind that, however I can’t help but notice that the music is atrociously bad. I can’t recommend this, not even to the most die-hard synth punk fans.

Mala Vista Fun-Time LP

It’s hard to even care about this band. It’s mind-numbingly basic, and not in a good way. It uses tired punk rock clichés until it’s dried up. I’ll give it this though, “Juana La Cubana” is pretty good. It has a nice groove and chorus going for it. Aside from that, I can’t really give this LP that many props. It was so boring the first time I listened through it that I practically forgot it even existed until I had to revisit it for this review. It’s not intolerable, it’s just quite dull and boring to my ears.

Yellow Rain Generation Dead LP

It was just okay. The same way that eating white bread on its own is okay. It’s fine, but it’s nothing that’ll knock your socks off by just how good it is. It feels too familiar. Nothing about their sound feels original or like they’re doing anything fresh with it. At best, they sound like Keith Morris and Fat Mike drunkenly fucked to create an even more drunk hybrid of themselves so that child would go on to front a punk band. It’s not that bad. There were some lyrics I enjoyed, like on “Can’t Touch Me,” but to name the first song off your LP “Lower Than Shit”? That kind of made me side-eye the already hideous LP cover while listening to it. Not a horrible LP, just kind of bland overall.

Teen Cobra Buzzkill LP

This is right up my alley. It’s a husband-and-wife rock’n’roll duo on a budget, with crunchy guitars and primal drums. This formula can become one-note very quickly, but they’re able to switch up the pace very nicely, like the slow stomp of the intro to “Closer (Satan’s Watching)” and the upbeat chorus of “I Don’t Wanna Walk Alone.” I love the female backing vocals, they almost remind me of BEAT HAPPENING and they add a lot to the music. I don’t think the LP would be what it is without them, because it would be harder to ignore the fact that the singer sounds a lot like KING KHAN. They don’t reinvent the wheel, but this group is very good at taking the limited skills they have musically and just playing with as much energy as possible. Good LP, but I bet they sound even better live.

Easy Kill What a Blow! cassette

Not awful. Though it does seem like the production is the only thing to phone home about, the short length saves me from completely eviscerating it. I kind of had fun listening to it. The vocalist has some lines that made me laugh, and the guitar tone is nice and clear. I think if they work on it, they could be something special. However, some of the drum parts felt out of place, and I just don’t find anything super engaging going on here. It’s a decent listen if you just have it playing in the background, though.