Reviews

Bambam

Hellmaistroz En El Cielo Está El Infierno LP

I hope you’re ready to go fucking nuts, because this one is some solid-as-fuck crusty hardcore out of Monterrey, Mexico that will have you solo-circle-pitting your bedroom ’till you puke. This is that straight-ahead, heavy-hitting D-beat pummeling that few can deny.  It’s as they say: all killer, no filler. Lyrics are in Spanish, and from my limited understanding of the language I gathered that they think that Nazis and politicians are shit. Features a cover of “Stepping Stone,” the MINOR THREAT version, but they made it about beer …I think. For those that hate to rock: stay well clear. Everyone else, keep an eye out for this one.

Histeria Discografía LP

HISTERIA was a short-lived band from Mexico with a couple tapes, compilation appearances, and splits. Prior to this release I had not heard of them, which is a bummer, but better late than never—they turned out to be another sick group of the early Mexican scene that had an amazing variety of great bands. This discography release contains two of their recordings from ’84 and ’86. The great thing about such retrospective releases is that the members probably did not expect that one day they would be an obscure band for collectors, and therefore I guess their tape releases did not include as much information as the 32-page-long appendix fanzine with photos, information, and lyrics included here. Nerds like me love that shit, so even if it’s rad to own tapes in falling-apart condition with inserts that once were folded by the original members, these packages that tend to be created for current discography releases are still super entertaining—if you only press the mp3s to vinyl and the most effort you make is to print the cover, then you are doing a bad job. But how does it sound? The best way possible! As if it were recorded with a single tape dictaphone thrown into a rehearsal room where the excited band plays their ferocious tracks. The sound quality distorts the guitars into a chainsaw-like level, something that you would need at least three pedals and a week full of research to turn out something so nasty nowadays. The tracks are pretty short and dense, with a moving jet-like sound as the base, the drums are as distinguishable as a heavy banging on a door, and the singer yells with desperate urgency. The guitars are the best when they make zero sense, and as they do most of the time. It’s a super angry and determined record. Great that such things are recovered, and even if it is sometimes a pointless mania to put everything on a preferred format, the fact that such a band has resurfaced is worth all questionable obsession.

Xenofobia Discografía LP

XENOFOBIA is a Mexican hardcore band, formed in 1983 in Mexico City. One of the original bands of the Mexican scene, crucial in developing a particular sound that—by taking the watershed sound of UK82, the unleashed fury of Brazilian punk, and the more chaotic path of American hardcore and mixing it with a native knack for atonality and ultra-politicized lyrical themes—managed to generate an authentic, vital, brutal and highly influential style for the Mexican bands that followed. This compilation includes the Muerte en América 7″ from 1987 and their LP Presionados from ’89. All the material was self-produced. DIY all the way. Great job of rescuing and recognizing a band that made noise with all the circumstances against them: police brutality, immoral poverty, rampant corruption, and an authoritarian regime that was beginning to lose control of its narrative. A must for all of those interested in this region of the world.