Reviews

Black Hole

Idiota Civilizzato Civiltà Idiota EP

The vocalist seems to be channeling INDIGESTI on this latest offering, and I’m therefore charmed. IDIOTA CIVILIZZATO is a Berlin-based band featuring punx from Spain, Australia, and Italy—the Italian vocalist does well to catch the ear of any discenring ’80s Italian hardcore fan. After a demo, EP, and LP, they impressively keep the quality high and awesomely idiotic! Four more excellent tunes for thrashing, accompanied by consistently amateurish cover drawing.

Klonns Amon / Gehenna 7″

“New Wave of Japanese Hardcore.” This is what one can read on the enigmatic Japanese hardcore outfit KLONNS’ Bandcamp page. With eight releases to their name, this band is back with a killer 7″. The best way to describe this band is a Japanese version of HOAX; a grainy, disgusting mass of angry-sounding hardcore, fit for any violent moshpit. This 7″ includes two tracks: “Amon,” featuring Hate from MOONSCAPE, starts with a FRAMTID-esque build up but then explodes into mid-tempo hardcore à la HOAX. Then “Gehenna,” featuring Aisha from IGNITION BLOCK M, is another mid-tempo banger with female vocals to add a bit more flavour to the track. Definitely putting the hard in hardcore.

Nehann TEC / Ending Song 7″

Japan’s NEHANN delivers a 7” of carefully constructed, goth-leaning post-punk. The first song starts with a bouncing bass line and clean guitar riff out of the JOY DIVISION handbook, followed by a slightly distorted guitar line that interplays with the first. Then, a third guitar enters to join the fun. That is what initially struck me about this release: the amount of effort and technique put into these two tracks is admirable. They both build atmosphere and boast thoughtful production so they sound like they were recorded in a cave, but a nice one with lamps and like a chair to sit in and read postmodern poetry. I also appreciate vocalist Hirotaka’s willingness to really go there with his vocals. He reaches for the high notes in a hair/glam metal fashion that might be off-putting in a record less earnest than this one. Likewise, there is a finger-tapping guitar solo near the end that works well, despite finger-tapping and solos being kind of ridiculous in general. NEHANN pulls it off though, and the song is a jam. “Ending Song” is a dreamy slow dance track with a flanged guitar opening over keyboards that sounds like FAILURE. A repeating catchy guitar riff carries through the entire song, and Hirotaka does his best BOWIE impression (it’s really pretty good, though). It’s a crush-worthy mixtape track for sure.

The Chisel Come See Me EP

Fucking alright, yeah!  Your favorite yobbos from various UK bands unite for the best kind of good-time, feel-good classic Oi! You know…REJECTS, ABRASIVE WHEELS, 4 SKINS…ANDREW W.K.(?). Every song is the dog’s bollocks, even the cover of the original CRIMINAL DAMAGE’s “Criminal Crew.” Brilliant! It’s on Beach Impediment so, what the fuck, don’t be a wanker. I’m out of cliche British colloquialisms. Just buy it already.