Reviews

Dowd

Mononegatives New Exit in Shards EP

Canadian synth punk with a heavy dose of MAGAZINE and COLIN NEWMAN. What starts off with a vivacious feel in the first steps of the EP soon becomes pretty disjointed and overexerted. The EP contains three minimal, bass-driven tracks with some synth-y backing. The B-side kinda reminds me of CHROME. Maybe I just need more time on this…I do remember stumbling upon Apparatus Division (their 2021 LP) and having a more positive reaction to the band.  

Mononegatives Facsimile EP

Dowd Records issues a limited release (150 copies pressed to yellow vinyl) of this prolific Canadian synth punk act’s 2021 cassette. The A-side features two tracks of clanging post-punk with a touch of post-hardcore at the edges, particularly in the guitar timbres. Imagine a cross between SERVOTRON and JAY REATARD at his most mechanical. Not bad. But this B-side is fantastic! The title cut sounds like DEVO teaming up with A FRAMES to cover one of the more tuneful tracks on WIRE’s 154 or something by GARY NUMAN—just an excellent mix of herky-jerk guitar interwoven with an assembly line rhythm section and soaring synth melodies. Also, the record as a whole just sounds great—it’s crisp in all the right places, the vocals are crystal clear and well-mixed, and the bottom end still really packs a wallop. Really handsome physical release, as well. All in all, no complaints!

Mononegatives Crossing Visual Field LP

This album is great! Speed-fed, first-gen-styled punk that is noisy, fast, and catchy. Imagine an even more caffeinated TOY DOLLS with the amps turned all the way up. Or maybe it sounds like A FRAMES with more tonal variations. Perhaps this is SPITS-worship, but without any schtick. Any way it gets chopped up, Crossing Visual Field is an absolute must-have in my collection.