Reviews

Hecatombe

Endform Menace LP

Neocrust fizzled out in recent years, with only a few of the classic bands being active in the scene. The genre reached a peak around the ’00s when bands turned to post-metal or black metal influences, evolving into something new altogether. Menace, the newest offering from the Montreal-based ENDFORM, showcases the band’s evolution while remaining true to their roots. It opens with the track “Psychic Numbing,” a haunting instrumental piece that sets an ominous tone for the album. Some Word as Law-era NEUROSIS comes to mind, just before it erupts into an early FALL OF EFRAFA/TRAGEDY combo of modern-meets-classic neocrust, complete with dual vocals. Throughout the album, ENDFORM expands on delivering a blend of melodious aggression, one of the main tropes of the genre. An urgent manifesto of the times we live in, dark music that reflects darker times.

Fumist Coaltar LP

FUMIST is a supergroup based in Lyon, known for their seasoned members from HORDUR, CIVILIAN THROWER, LOVGUN, and OVERMARS. Their first album includes fourteen intense, D-beat-infused grindcore tracks with obligatory death metal slow sections that are sure to crush your head. The powerful drumming shines brightly on this album filled with nostalgic moments, creating a unique blend of grinding violence. Featuring both slow and fast movements, this album is a complete banger! Get your smoke on!

Illegal Corpse Riding Another Toxic Wave LP

Hard, tight crossover leaning more on the hardcore than the thrash side of the scale. The cover art, songs about beer, and sick riffs all spell “thrash,” but the aggressive breakdowns and brutal attitude will have you throwing elbows and picking up change in the pit. “Let It Beer” absolutely rips and particularly showcases the insane drumming with double-kicks flying, rolls and fills, and hi-hats crashing all over the place. There’s no fat or filler in any of these thirteen tracks. Impossibly fast and in-your-face like all the best crossover should be. Fans of MUNICIPAL WASTE and GOATWHORE, take note.

Mindcollapse Estado de Sitio EP

Absolutely crushing grindcore out of Madrid, Spain. There’s twelve songs on this 7” EP, most being under a minute in length. Even if my Spanish was better, the vocals are incomprehensible growls, but holy frijoles, the music doesn’t stop punching you in the face. “24H Control + Explotación Asimilada” (“Assimilated Exploitation”) sticks out for its three-minute length, but also because it plays with tempos in interesting ways, dipping down into doomy sludge and then ramping back up to crusty hardcore speeds. The aptly named “Punker than Grind” closes the EP with a fun, strange, mid-tempo stomper. Cool piece of work.

Attaktix / Stranguliatorius split LP

How often do you get the chance to review a split record between two bands from Vilnius? In fact, depending on how attentive you were during geography class, you may even have to quickly check Wikipedia just to be sure. I don’t know much about the current Lithuanian DIY punk scene, but I am always eager to learn in order to shine at dinner parties, so this split LP comes properly handy. I am usually a little scared upon reading the “grind” tag when it comes to bands’ descriptions, because I am not exactly a grindcore lover, especially if it gets technical, but ATTAKTIX is really good. I was a little skeptical at first hearing the blastbeat moments, but in the end, I think it does not distract because they are not overwhelming. If the grindcore influence is obvious (even in terms of production), ATTAKTIX resides on the metallic käng side of the river. They are heavy with a perfect guitar tone, really tight but still very much hardcore punk which makes them sound wild and angry. I am reminded of the potent, relentless vibe of bands like DRILLER KILLER or WOLFPACK, with added blastbeats and a CELTIC FROST influence in terms of grooviness and vocals, not unlike what AKRASIA is up to. The last song, eerier, is brilliant. It’s a win for me. I must confess that I was afraid STRANGULIATORIUS would be totally out of my comfort zone, but I enjoyed their five songs, even though I suck at death metal. Again (and thank fuck for this), the band does not sound all technical and remains on the punk side, although they undeniably belong to the old school death metal category. They sound primitive and filthy and almost grave-like enough to appeal to lovers of metallic crust like myself, with their dirty guitar sound and gruff, guttural vocals. I can picture STRANGULIATORIUS sharing the stage with TERMINAL FILTH or CANCER SPREADING and definitely making sense. Overall, this is a pretty strong record that can be played in a festive environment, especially if you never want to get invited to your in-laws’ again. Recommended.