Here’s some noisy as fuck, raw punk chaos out of Stockholm. The guitarist employs the always-on wah pedal technique to deliver an intermittent low/high pitch harsh noise tone that sounds like a chainsaw slicing through a dumpster. It’s the perfect sound to scratch your eyeballs out to. Back that up with ferocious proto-Euro-crust smashing and you’ve got a real ripper. Check it out!
Sweden’s reigning D-takt kings are back with a monster (and a 12″ of outtakes as a companion release, because they are geniuses). The erratic fukkd up mania of 2015’s Satyagraha are all but gone, and a blackened mötorkång behemoth has risen in its place. Track after track of blistering, raw VENOM-meets-Kill ’Em All reimagined by veterans weaned on ANTI-CIMEX and ENTOMBED. I confess that the mid-tempo bangers like “光の館 (Hikari no Yakata)” are an adjustment for me, but this is a record to be listened to front-to-back (and repeatedly), and when “墓場の目 (Hakaba no Me)” comes lumbering, and then raging, in to close out the first side, I am hooked. I expected this record to be good—it’s better.
