Reviews

Legless

Cutters Chewed Up Fortune EP

Remember a simpler time when you knew fuck-all about punk and just wanted to rage as hard as you could with some of the early records you found out through your friend’s older sibling? This is the feeling you get from Melbourne punks CUTTERS’ EP. They take every early DEAD KENNEDYS album, cut it, chew it up, and spit it out. A fun record for pure hardcore punk lovers. Short, fast, and to-the-point, just like this review!

Jackson Reid Briggs & The Heaters Waiting in a Corner LP

There isn’t much better than a really good Aussie punk record. It’s equal parts boozy grit, hazy dreariness, and urban beach angst. JACKSON REID BRIGGS & THE HEATERS have some of that going for them, minus the really forgettable band name. There’s a little SAINTS “Know Your Product” bigness of sound, a hint of RADIO BIRDMAN’s guitar theatrics, and a touch of the beautiful melancholy of “This Week” by CELIBATE RIFLES. Unfortunately, this is like the PAT BOONE version of all that, lacking the subversive kick and weirdness of all their possible influences. There’s no character or desperation here, nor even an accent present. There’s some moments like the aptly named “Feel It” where they almost get it, but it’s just not enough. They have a fuck-ton of releases and there is no lack of writing on them via the internet. I imagine you’re either a fan or not by this point. I’d sadly be in the latter group here.

Speed Week Hey Hey It’s Speed Week 12″

SPEED WEEK is a newish band out of Melbourne who play pretty straightforward punky pub rock. Unlike their yobbo contemporaries the CHATS or AMYL AND THE SNIFFERS, who fall somewhere between a little winky and total caricatures, SPEED WEEK just seems like some lads who wanna get together up the pub and bang out some chunes. And they do on this mini LP—solid ones! What stood out most on this release were the lyrics. They’re as plain-spoken as you’d expect given the genre, but they’re also surprisingly earnest. One of the best tracks, “Equine Dream”, is an anti-Melbourne Cup tune (for Americans, think of the Kentucky Derby crossed with a frat party…or maybe just the Preakness). It’s written from the point of view of a racehorse who’s resenting his life of being drugged-up and trotted out to amuse dolled-up drunks. That may sound a bit silly on paper, but when the hook hit—“I’d rather be wild and living free in my equine dream!”—I genuinely found myself yearning for that exact same thing. Definitely not something I anticipated from some mulleted Aussies!

V/A GTRRC II LP

This is a little more interesting than your average covers comp, of which most are complete sewage fodder. G.T.R.R.C. is a band made up of members of GEE TEE and RESEARCH REACTOR CORPORATION, both from Sydney, Australia, who love to get together and cover their favorite molden oldies. I believe I got that right but excuse me if I’m mistaken. Also included are many of their international friends, some known and some not so much. The covers stick mostly to ’70s punk, ’80s pop/new wave, and classic and modern garage. The most faithful ones are competent and dull as shit. As with most of these labors of love, the ones that shine a light through the muck are the weirdest and are covers in name only. Favorites here are the two THIN LIZZY covers by SICK THOUGHTS and SPODEE BOY, SNOOPER doing ELO’s “Don’t Bring Me Down,” ERIK NERVOUS’ gut-busting cover of “Raining Blood,” the always great SCHIZOS covering the PERSUADERS’ “Heart Of Chrome,” and BELLY JELLY tearing up the SWINGIN’ MEDALLIONS’ “Double Shot Of My Baby’s Love.” Honestly, it all makes a pretty great party record for gathering with friends or enjoying alone in soul-crushing isolation while enjoying one’s favorite beverage. Drink up. End of days.