Reviews

No Matrix

Geza X Practicing Mice / Me No Wanna Be 7″

We have DEVO-tees and Su Tissue sympathists, but where are the disciples of GEZA X? While his production credits on the first wave of West Coast punk singles are lengthy and legendary (GERMS, BAGS, the oft-bootlegged SCREAMERS demos), aside from his brief time in the DEADBEATS and their crucial Dangerhouse single, GEZA X (with or without his MOMMYMEN) was a musical outlier in the early L.A. punk scene, creating his own art-damaged, cartoony wormhole, not far from DEVO or the SUBURBAN LAWNS but with none of the new wave pop refinements that probably helped bolster those bands’ popularity. GEZA is more uncomfortable, needling and experimental, with sideways time signatures, sax skronks, and rollicking marimba runs, that I would probably file closer between CHROME and the RESIDENTS. He probably would’ve been a great fit on a Ralph Records comp! This 7″ by No Matrix is the first of his solo efforts, demo recordings of “Practicing Mice” (which would reappear on the wacky, wonderful, wildly underrated You Goddam Kids! LP) and “Me No Wanna Be.” Both have his trademark squelchy raygun guitar sound and vocals dripping from his nasal cavity. The lack of a live band is made up by stuttering rhythm machines and haywire synths. As I write, this 7″ is long sold out and No Matrix’s newest archival GEZA release (”Hot Rod / Sex Melt”) is quickly heading that way as well, so act fast before the eventual GEZA-core wave crests in your local scene.

Snot Puppies T.V. Tantrum EP

Three tracks of great adolescent LA punk, produced and remastered by Geza X and rescued from obscurity by No Matrix Records. SNOT PUPPIES were a short-lived high school band but still managed to share bills with the likes of MIDDLE CLASS, the GERMS, and SCREAMERS. Collector scums already heard “T.V. Tantrum” and “Towel Song” (just called “Towels” here) on Killed By Death #13, and I can confirm that this official 7″ release was worthwhile and is essential for those gobbling up everything from the early LA punk scene. All three songs are delightfully bashy, fuck-up punk that fits nicely among the above mentioned bands, like a more inept DEADBEATS. Liner notes include all the memories and flyer scans necessary to make this an obvious pickup.